Brad Lowell is a artist from northern Vermont, who believes that the human race is an extension of something much greater, Mother Earth. (All we really are here for is to protect her, while we protect her she feeds us. By abusing her and trying to conquer her, we unleash the powers of both heaven and hell. To some who are more sensitive, we can feel this. It is ok to fight, but if we do, we can open ourselves to something dark). Inanimate Apollyon
The definitive biography of Felix Frankfurter, Supreme Court justice and champion of twentieth-century American liberal democracy. The conventional wisdom about Felix Frankfurter—Harvard law professor and Supreme Court justice—is that he struggled to fill the seat once held by Oliver Wendell Holmes. Scholars have portrayed Frankfurter as a judicial failure, a liberal lawyer turned conservative justice, and the Warren Court’s principal villain. And yet none of these characterizations rings true. A pro-government, pro-civil rights liberal who rejected shifting political labels, Frankfurter advocated for judicial restraint—he believed that people should seek change not from the courts but through the democratic political process. Indeed, he knew American presidents from Theodore Roosevelt to Lyndon Johnson, advised Franklin Roosevelt, and inspired his students and law clerks to enter government service. Organized around presidential administrations and major political and world events, this definitive biography chronicles Frankfurter’s impact on American life. As a young government lawyer, he befriended Theodore Roosevelt, Louis Brandeis, and Holmes. As a Harvard law professor, he earned fame as a civil libertarian, Zionist, and New Deal power broker. As a justice, he hired the first African American law clerk and helped the Court achieve unanimity in outlawing racially segregated schools in Brown v. Board of Education. In this sweeping narrative, Brad Snyder offers a full and fascinating portrait of the remarkable life and legacy of a long misunderstood American figure. This is the biography of an Austrian Jewish immigrant who arrived in the United States at age eleven speaking not a word of English, who by age twenty-six befriended former president Theodore Roosevelt, and who by age fifty was one of Franklin Roosevelt’s most trusted advisers. It is the story of a man devoted to democratic ideals, a natural orator and often overbearing justice, whose passion allowed him to amass highly influential friends and helped create the liberal establishment.
Bringing nineteenth-century American literature and culture into conversation with modern art movements from around the world, Ephemeral Bibelots provides new ways of thinking about the centrality of various media cultures to the attribution of aesthetic innovation and its staying power.
In 1912, a group of ambitious young men, including future Supreme Court justice Felix Frankfurter and future journalistic giant Walter Lippmann, became disillusioned by the sluggish progress of change in the Taft Administration. The individuals started to band together informally, joined initially by their enthusiasm for Theodore Roosevelt's Bull Moose campaign. They self-mockingly called the 19th Street row house in which they congregated the "House of Truth," playing off the lively dinner discussions with frequent guest (and neighbor) Oliver Wendell Holmes, Jr. about life's verities. Lippmann and Frankfurter were house-mates, and their frequent guests included not merely Holmes but Louis Brandeis, Herbert Hoover, Herbert Croly - founder of the New Republic - and the sculptor (and sometime Klansman) Gutzon Borglum, later the creator of the Mount Rushmore monument. Weaving together the stories and trajectories of these varied, fascinating, combative, and sometimes contradictory figures, Brad Snyder shows how their thinking about government and policy shifted from a firm belief in progressivism - the belief that the government should protect its workers and regulate monopolies - into what we call liberalism - the belief that government can improve citizens' lives without abridging their civil liberties and, eventually, civil rights. Holmes replaced Roosevelt in their affections and aspirations. His famous dissents from 1919 onward showed how the Due Process clause could protect not just business but equality under the law, revealing how a generally conservative and reactionary Supreme Court might embrace, even initiate, political and social reform. Across the years, from 1912 until the start of the New Deal in 1933, the remarkable group of individuals associated with the House of Truth debated the future of America. They fought over Sacco and Vanzetti's innocence; the dangers of Communism; the role the United States should play the world after World War One; and thought dynamically about things like about minimum wage, child-welfare laws, banking insurance, and Social Security, notions they not only envisioned but worked to enact. American liberalism has no single source, but one was without question a row house in Dupont Circle and the lives that intertwined there at a crucial moment in the country's history.
From the widely acclaimed poet, novelist, critic, and scholar, a lucid and edifying exploration of the building blocks of poetry and how they’ve been used over the centuries to assemble the most imperishable poems. We treasure our greatest poetry, Brad Leithauser reminds us in these pages, “not for its what but its how.” In chapters on everything from iambic pentameter to how stanzas are put together to “rhyme and the way we really talk,” Leithauser takes a deep dive into the architecture of poetry. He explains how meter and rhyme work in fruitful opposition; how the weirdnesses of spelling in English are a boon to the poet; why an off rhyme will often succeed where a perfect rhyme would not; why Shakespeare and Frost can sound so similar, despite the centuries separating them. And Leithauser is just as likely to invoke Cole Porter, Stephen Sondheim, or Boz Scaggs as he is Chaucer or Milton, Bishop or Swenson, providing enlightening play-by-plays of their memorable lines. Here is both an indispensable learning tool and a delightful journey into the art of the poem—a chance for new poets and readers of poetry to grasp the fundamentals, and for experienced poets and readers to rediscover excellent works in all their fascinating detail.
What Is a Real Man? Have you ever wanted to know what a Real man is but were afraid to ask? Are you just like most people who were taught one thing but later found out that the information was inaccurate? The Bible states in Hosea 4:6 that God's people are destroyed because of lack of knowledge. In Proverbs 4: 7, scriptures say we should get wisdom and with all our getting, we should get an understanding. In this book, William McLean reveals from the scriptures what a real man is and the spiritual principles that apply when a man takes his place. In addition, how it affects God's original order. As you read What is a Real Man you will learn: · The difference between a boy and a man
Two horror films were nominated for the Academy Award for Best Picture in 2018, and one of them—The Shape of Water—won. Since 1990, the production of horror films has risen exponentially worldwide, and in 2013, horror films earned an estimated $400 million in ticket sales. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. Lost in the Dark: A World History of Horror Film is a straightforward history written for the general reader and student that can serve as a comprehensive reference work. The volume provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories. Starting with silent-era horror films and ending with 2020’s The Invisible Man, Lost in the Dark looks at decades of horror movies. Author Brad Weismann covers such topics as the roots of horror in literature and art, monster movies, B-movies, the destruction of the American censorship system, international horror, torture porn, zombies, horror comedies, horror in the new millennium, and critical reception of modern horror. A sweeping survey that doesn’t scrimp on details, Lost in the Dark is sure to satisfy both the curious and the completist.
In a Massachusetts town, an evil wizard is about to come back from the dead and a young hero must fight to stop him . . . In the days of the Salem witch trials, the sleepy hamlet of Duston Heights had just one practitioner of the dark arts: the notorious necromancer Esdrias Blackleach. As the fever for witch hunting reached its terrible peak, Blackleach was accused of using powerful black magic against his fellow townsfolk. But just before he could be brought to trial, he dropped dead, escaping justice forever. Or so it seemed . . . Fast forward to the 1950s, the inquisitive young sleuth Johnny Dixon and his mentor Professor Childermass are getting ready to donate a box of Blackleach artifacts to the local museum when a descendant of the sorcerer shows up and attempts to steal his ancestor’s wooden hand. He has a fiendish plan to raise the old necromancer from the dead, and only Johnny and the professor can stop him and make the town safe from black magic forever. The Johnny Dixon stories, from the award-winning author of The House with a Clock in Its Walls, have been acclaimed for their “believable and likable characters” (The New York Times) and “spine-tingling” supernatural adventure (Publishers Weekly).
In the early nineties, a visionary special-effects guru named Marc Thorpe conjured a field of dreams different from any the world had seen before: It would be framed by unbreakable plastic instead of cornstalks; populated not by ghostly ballplayers but by remote-controlled robots, armed to the steely teeth, fighting in a booby-trapped ring. If you built it, they'd come all right.... In Gearheads, Newsweek technology correspondent Brad Stone examines the history of robotic sports, from their cultish early years at universities and sci-fi conventions to today's televised extravaganzas -- and the turmoil that threatened the whole enterprise almost from the beginning. By turns a lively historical narrative, a legal thriller, and an exploration of a cultural and technological phenomenon, Gearheads is a funny and fascinating look at the sport of the future today.
The landscape of American literature was fundamentally changed when Flannery O'Connor stepped onto the scene with her first published book, Wise Blood, in 1952. Her fierce, sometimes comic novels and stories reflected the darkly funny, vibrant, and theologically sophisticated woman who wrote them. Brad Gooch brings to life O'Connor's significant friendships -- with Robert Lowell, Elizabeth Hardwick, Walker Percy, and James Dickey among others -- and her deeply felt convictions, as expressed in her communications with Thomas Merton, Elizabeth Bishop, and Betty Hester. Hester was famously known as "A" in O'Connor's collected letters, The Habit of Being, and a large cache of correspondence to her from O'Connor was made available to scholars, including Brad Gooch, in 2006. O'Connor's capacity to live fully -- despite the chronic disease that eventually confined her to her mother's farm in Georgia -- is illuminated in this engaging and authoritative biography. Praise for Flannery: "Flannery O'Connor, one of the best American writers of short fiction, has found her ideal biographer in Brad Gooch. With elegance and fairness, Gooch deals with the sensitive areas of race and religion in O'Connor's life. He also takes us back to those heady days after the war when O'Connor studied creative writing at Iowa. There is much that is new in this book, but, more important, everything is presented in a strong, clear light."-Edmund White "This splendid biography gives us no saint or martyr but the story of a gifted and complicated woman, bent on making the best of the difficult hand fate has dealt her, whether it is with grit and humor or with an abiding desire to make palpable to readers the terrible mystery of God's grace."-Frances Kiernan, author of Seeing Mary Plain: A Life of Mary McCarthy "A good biographer is hard to find. Brad Gooch is not merely good-he is extraordinary. Blessed with the eye and ear of a novelist, he has composed the life that admirers of the fierce and hilarious Georgia genius have long been hoping for."-Joel Conarroe, President Emeritus, John Simon Guggenheim Foundation
Shocking true stories of those who walk among us . . . With the Kepler satellite observatory detecting new planets at an unprecedented rate and the powerful computers at NASA’s Ames Research Center seeking signs of distant life, will a breakthrough discovery happen shortly—or has there already been a secret encounter with alien beings? Who might be coming next? And who walks among us today? Visits from otherworldly creatures, aliens living among us, abductions of humans to alien spacecraft, and accounts of interstellar cooperation since the UFO crash in Roswell are thoroughly investigated in Real Aliens, Space Beings, and Creatures from Other Worlds. Paranormal researcher extraordinaire Brad Steiger, an author of thousands of books and articles on the mysterious and unknown, looks into a wide host of otherworldly encounters from alleged eyewitness accounts of extraterrestrial beings working side by side with human scientists to the uncomfortable accusations of alien abductions. Disquieting testimonials, enlightening news articles, informative historical accounts and documents, this book chronicles more than 300 examples of alien encounters, conspiracy theories, and the influence of extraterrestrials on human events throughout history. This discussion of the theories and mysteries surrounding aliens is packed with thought-provoking stories and shocking revelations of alien involvement in the lives of Earthlings, such as ... Three Russian scientists who were monitoring the Apollo Moon Landing on July 20, 1969 claim that astronauts Armstrong and Aldrin were being closely observed by UFOs; Thousands of women all over the world claim to have been abducted for the purpose of bearing Hybrid Children; A family in Colorado repeatedly visited by aliens—with physical evidence and photographs to prove their story. From cattle and human mutilations to missing time experienced by UFO experiences, and from secret underground and even underwater alien facilities to government-alien conspiracies, each astonishing report is detailed with thorough research and recounted with a storyteller’s crafted voice. Real Aliens, Space Beings, and Creatures from Other Worlds will leave the reader wondering who has visited us; who's coming to visit next; and who walks among us.
A posthumous collection of beloved and never-before-read stories from a titan of contemporary Southern fiction. “Here is a generous portion of the work of a swiftly passing lifetime. Bountiful is the deserving page,” Joy Williams writes in her introduction to this astonishing selection of Brad Watson’s published and unpublished stories: “excellent, assured, funny, startling, heartbreaking, wild,“ full of “freakish flair” and “melancholy realism”—stories that give us a “glimpse” of ourselves “so surprising, so varied yet unequivocal, so ruthlessly complete, that it does awaken us in some manner, if not protect or prepare us.” Brad Watson was a master of dark comedy, extraordinary lyricism, appalling grotesquerie, and unabashed vulnerability; a sublime prose stylist whose novels and stories drew upon the fecundity and moodiness of the South. Male meltdown, carrying with it the possibility of being saved by Dolly Parton or some other woman or maybe by animal friends, is a theme, as is young love and its disillusionment, as are strange neighbors who cannot be understood. A leopard that consumes its zookeeper, pronghorn antelope tenderly transporting the poop of their young, insufferably articulate birds and restless, tolerant dogs—this is also eco-fiction of a very peculiar sort, in which nature reassures, transcends, and finally escapes judging or being judged by us. Roller-coastering from the mournful to the comical (sometimes in the same paragraph), Watson’s work is both embedded in a literary heritage tied to place and at home in a universal literature of the absurd. His stories waltz with lovely and strange melancholy, infused with wit and astonishing beauty. There Is Happiness embodies the twisted hilarity and undeniable grace of an underrecognized literary genius.
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