The only book-length Canadian history of the harm done from criminalizing heroin users and addicts, the most horrendous being overdose epidemics caused by poisoned drugs.
A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects—anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love. Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play, itself an adaptation widespread among more intelligent animals. More particularly, our fondness for storytelling has sharpened social cognition, encouraged cooperation, and fostered creativity. After considering art as adaptation, Boyd examines Homer’s Odyssey and Dr. Seuss’s Horton Hears a Who! demonstrating how an evolutionary lens can offer new understanding and appreciation of specific works. What triggers our emotional engagement with these works? What patterns facilitate our responses? The need to hold an audience’s attention, Boyd underscores, is the fundamental problem facing all storytellers. Enduring artists arrive at solutions that appeal to cognitive universals: an insight out of step with contemporary criticism, which obscures both the individual and universal. Published for the bicentenary of Darwin’s birth and the 150th anniversary of the publication of Origin of Species, Boyd’s study embraces a Darwinian view of human nature and art, and offers a credo for a new humanism.
His writing became strictly out of curiosity. His wife Gloria, has went to New York to have dinner and to see the acclaimed production of "Dracula", Starring Frank Langella. As an ardent fan of movies , and comic books. "Dick Tracy, Flash Gordon, and Tarzan, Superman." Etcetera. In all there was a common denominator, that they all had a beginning except "Dracula" He discussed that fact with his wife. As he was explained Dracula's origin, or what his aversion to wine, sunlight. The holy Eucharist, crucifix, and mirrors. Also the ability to become invisible, transform into a wolf. Therefore Boyd, decided to supply the mystifying answers!
In this study, Kari Boyd McBride defines 'country house discourse' as a network of fictions that articulated and mediated early modern concerns about the right use of land and the social relationships that land engendered. McBride provides new perspectives on the roles of the discourse she identifies, linking it with a number of larger historical shifts during the time period. Her interdisciplinary focus allows her to bring together a wide range of material-including architecture, poetry, oil painting, economic and social history, and proscriptive literature-in order to examine their complex interrelationship, revealing connections unexplored in more narrowly focused studies. McBride delineates the ways in which the country house (on the landscape and in literature) provided a locus for the construction of gender, race, class, and nation. Of particular interest is her focus on women's relationships to the country house: their writing of country house poetry and their representation in that literature; their designing of country houses and their lives within those architectural spaces (whether as lady of the house or domestic servant). One of the most important and promising insights in this study is that country house discourse was not simply static and nostalgic, but actually worked to mediate change. All in all, she presents a fresh and detailed study of the great disparities between country house reality and the ideals that informed country house discourse.
Girls are girls wherever they live—and the Sisters in Time series shows that girls are girls whenever they lived, too! This new collection brings together four historical fiction books for 8–12-year-old girls: Lydia the Patriot: The Boston Massacre (covering the year 1770), Kate and the Spies: The American Revolution (1775), Betsy’s River Adventure: The Journey Westward (1808), and Grace and the Bully: Drought on the Frontier (1819), American Challenge will transport readers back to the formative years of our nation, teaching important lessons of history and Christian faith. Featuring bonus educational materials such as time lines and brief biographies of key historical figures, American Challenge is ideal for anytime reading and an excellent resource for home schooling. Visit the official Sisters in Time website at www.sistersintime.com
After watching a D-Day film, do you wonder why no French units took part in the invasion of their own German-occupied country? General Charles De Gaulle commanded 400,000 Free French soldiers, but US President Roosevelt insisted they not be told the date of the invasion because he intended to occupy France and open the country up to American Big Business, while keeping in office traitors who had run the country for Hitler. This would have sparked a civil war, but De Gaulle outwitted Washington to head the first government of liberated France. Disgusted with the professional politicians, he resigned in 1946. but twelve years later, to save France from civil war a second time, he was elected President of the Republic. After Roosevelt's death, he defied presidents Truman, Eisenhower, Kennedy, Johnson and Nixon. Drawing on hitherto unpublished and revealing material from the archives in Paris and Washington, this thought-provoking account of a great European's rejection of foreign domination has significant resonance for modern Britain, whose governments are subservient both to Washington and Brussels.
Exploring Ireland’s Viking-Age Towns discusses the emergence of towns, urban lifestyles, and urban identities in Ireland. This coincides with the arrival of the Vikings and the appearance of the post-and-wattle Type 1 house. These houses reflect this crucial transition to urban living with its attendant changes for individuals, households, and society. Exploring Ireland’s Viking-Age Towns uses household archaeology as a lens to explore the materiality, variability, and day-to-day experiences of living in these houses. It moves from the intimate scale of individual households to the larger scale of Ireland’s earliest urban communities. For the first time, this book considers how these houses were more than just buildings: they were homes, important places where people lived, worked, and died. These new towns were busy places with a multitude of people, ideas, and things. This book uses the mass of archaeological data to undertake comparative analyses of houses and properties, artefact distribution patterns, and access analysis studies to interrogate some 500 Viking-Age urban houses. This analysis is structured in three parts: an investigation of the houses, the households, and the town. Exploring Ireland’s Viking-Age Towns discusses how these new urban households managed their homes to create a sense of place and belonging in these new environments and allow themselves to develop a new, urban identity. This book is suited to advanced students and specialists of the Viking Age in Ireland, but archaeologists and historians of the early medieval and Viking worlds will find much of interest here. It will also appeal to readers with interests in the archaeology of house and home, households, identities, and urban studies.
There is no neighborhood in America as famous, infamous, and inspiring as Harlem. From its humble beginnings as a farming district and country retreat for the rich, Harlem grew to international prominence as the mecca of black art and culture, then fell from grace, despised as a crime-ridden slum and symbol of urban decay. But during all of these phases there was writing in Harlem—great writing that sprang from one of the richest and most unique communities in the world. From Harlem’s most revered icons (like Langston Hughes, Duke Ellington, Ann Petry, and Malcolm X) to voices of a new generation (including Willie Perdomo, Mase, Grace Edwards, and Piri Thomas), The Harlem Reader gathers a wealth of vital impressions, stories, and narratives and blends them with original accounts offered by living storytellers, famous and not so famous. Fresh and vivid, this volume perfectly captures the dramatic moments and personalities at the core of Harlem’s ever-evolving story.
A guide to essential tackle, techniques, and strategy for the world's top saltwater species, on both conventional tackle and fly. Includes information on how and where to catch all the fastest, toughest, and biggest saltwater gamefish, including striped bass, bonefish, tarpon, tuna, mako sharks, and more. • Tips for planning your trips to premier destinations • Detailed information about gamefish behavior and range • Recommendations on the best flies, lures, rods, reels, and more • Notes on rankings and speed
By turns hilarious and poignant, this daring debut novel begins with the violent end of a marriage. The aftershocks of the murder-suicide then resonate through a small town where everybody knows everybody elses business.
Eleanor of Aquitaine was the only person ever to sit on the thrones of both France and England. In this account of the turbulent adventures of the extraordinary mother of Richard the Lionheart and King John, author Douglas Boyd takes us into the heart and mind of the woman who changed the shape of Europe for 300 years by marrying Henry of Anjou to make him England's Henry II. Brought up in the comfort- and culture-loving Mediterranean civilisation of southern France, she was a European with a continent-wide vision and a peculiarly 'modern' woman who rejected the subordinate female role decreed by the Church. In this biography, using French, Old French, Latin and Occitan sources, Douglas Boyd lays bare Eleanor's relationship and vividly brings her world to life.
From the internationally bestselling author beloved by readers everywhere, William Boyd offers his most exhilarating novel yet, following a reluctant spy drawn into the shadows of espionage and obsession Gabriel Dax is a young man haunted by the memories of a fire that took his mother’s life. Every night, when sleep finally comes, he dreams about his childhood home in flames. His days are spent on the move as an acclaimed travel writer, capturing the changing landscapes of Europe in the grip of the Cold War. When he is offered the chance to interview Patrice Lumumba, newly elected president of the People’s Republic of the Congo, he finds himself drawn into a web of duplicities and betrayals. Falling under the spell of Faith Green, an enigmatic and ruthlessly efficient MI6 handler, he becomes “her spy,” unable to resist her demands. But amid the peril, paranoia, and passion consuming Gabriel’s new covert life, there will also be revelations closer to home that may change his own story, and the fates of those around him. Traveling from the vibrant streets of sixties London to the sun-soaked cobbles of Cadiz and the frosty squares of Warsaw, Gabriel’s Moon is a remarkable accomplishment from one of our greatest storytellers.
When people think of Richard the Lionheart they recall the scene at the end of every Robin Hood epic when he returns from the Crusades to punish his treacherous brother John and the wicked Sheriff of Nottingham. In reality Richard detested England and the English, was deeply troubled by his own sexuality and was noted for greed, not generosity, and for murder rather than mercy.In youth Richard showed no interest in girls; instead, a taste for cruelty and a rapacity for gold that would literally be the death of him. To save his own skin, he repeatedly abandoned his supporters to an evil fate, and his indifference to women saw the part of queen at his coronation played by his formidable mother, Queen Eleanor.His brief reign bankrupted England twice, destabilised the powerful empire his parents had put together and set the scene for his brother’s ruinous rule. So how has Richard come to be known as the noble Christian warrior associated with such bravery and patriotism? Lionheart reveals the scandalous truth about England’s hero king – a truth that is far different from the legend that has endured for eight centuries.
The toll that both Nazi occupation and Allied liberation took on this northern French region during World War II, told through eyewitness accounts. Famous for Calvados apple brandy and Camembert cheese, Normandy is a green and pleasant land now dotted with thousands of British-owned second homes. Its coastline is also dotted with thousands of indestructible reinforced-concrete bunkers and gun emplacements that formed part of the Atlantic Wall of Hitler’s Fortress Europe. Tourists passing through the ferry ports like Boulogne, Cherbourg and Dunkirk may wonder why there are so few old buildings. Few know that the demolition which preceded the extensive urban renewal of the ancient town centers was affected by British bombs during four years of hell for the people living there. Before its belated liberation three ghastly months after D-Day, the sirens in Le Havre wailed 1,060 times to warn of approaching British and American bombers. After one single Allied raid, over 3,000 dead civilians were recovered from the city’s ruins, without counting the thousands of injured, maimed and traumatized survivors. So, whom did the Normans regard as the enemy: the German occupiers who shot a few hundred civilians or the Allied airmen who killed as many neutral citizens of northern France as died in Britain from German bombs during the whole war? Told largely in the words of French, German and Allied eyewitnesses—including the moving last letters of executed hostages—this is the story of Normandy’s nightmare war. “Boyd . . . uncovers some remarkable facts . . . A fascinating look at a region that has played a huge part in our own history.” —Books Monthly
How did a small market town on the edge of the Fens become famous throughout the world? And how do Cambridge's two communities – 'town' and 'gown' – get along? This engaging history explains how Cambridge has developed from its prehistoric roots to become a thriving modern city and a world centre for science, technology and artificial intelligence. Many local residents seldom stray into the University quarter, whilst students often do not explore beyond Mill Road. This accessible and attractively illustrated history gives equal prominence to both communities, demonstrating that the story of the town is just as rich as that of the University. Stephanie Boyd brings to life both the institutions and the individuals associated with this celebrated seat of learning, looking at the colleges, laboratories and (increasingly) companies that have grown up in Cambridge, as well as the many colourful individuals particularly associated with the city. The Story of Cambridge is an essential guide for anyone who wants to make sense of the University that dominates the city centre, and how it fits with Cambridge's broader identity as a riverside port, market town and modern city.
At the age of twenty-one, Brian Boyd wrote a thesis on Vladimir Nabokov that the famous author called "brilliant." After gaining exclusive access to the writer's archives, he wrote a two-part, award-winning biography, Vladimir Nabokov: The Russian Years (1990) and Vladimir Nabokov: The American Years (1991). This collection features essays written by Boyd since completing the biography, incorporating material he gleaned from his research as well as new discoveries and formulations. Boyd confronts Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd offers new ways of reading Nabokov's best English-language works: Lolita, Pale Fire, Ada, and the unparalleled autobiography, Speak, Memory, and he discloses otherwise unknown information about the author's world. Sharing his personal reflections, Boyd recounts the adventures, hardships, and revelations of researching Nabokov's biography and his unusual finds in the archives, including materials still awaiting publication. The first to focus on Nabokov's metaphysics, Boyd cautions against their being used as the key to unlock all of the author's secrets, showing instead the many other rooms in Nabokov's castle of fiction that need exploring, such as his humor, narrative invention, and psychological insight into characters and readers alike. Appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever the author's multifaceted genius.
by Bruce Herbert and Diana Johnson ofSorenson Media Creative boundaries are being blown apart as Macromedia Flash MX ushers in a new era of moving images on the Internet. At its launch, analysts predicted that the Flash Player would transform itself from being a lightweight animation tool" to "the de facto technology for simple web interactivity5* (Randy Souza, Forrester). Since then though, Flash developers combining vector animation and video have proven that it's capable of much, much more than "simple web interactivity". We're still just beginning to scratch the surface of the possibilities it opens up to us, but already it looks like Flash MX is becoming the key technology for pushing video creativity on the Web to a new whole level. Understandably, many people look at Flash as just another way to deliver video on the Web, one more program for showing movies on your desktop. Well, it can certainly do that - but there's a whole lot more it can do besides! You can use ActionScript to add custom controls, determine a video playback sequence, or mask your video with a custom shape. You can use layering to create special effects, design custom templates for e-learning applications, and use lightweight video streams along with Flash animation in rich media e-mail campaigns.
Help beginning nursing students gain the basic knowledge, therapeutic communication capabilities, and patient interaction skills to confidently prepare for psychiatric nursing practice. Easy to use and backed by the latest clinical evidence, Essentials of Psychiatric Nursing, 3rd Edition, is rich with clinical examples and explanations that help clarify challenging concepts and equip students for success as entry-level nurses. Whether used in dedicated psychiatric nursing courses or for integrating psychiatric nursing principles into an existing course, this engaging text establishes the fundamental understanding students need to effectively care for individuals with emotional and mental health problems in any healthcare setting. New and Updated Features NEW! Content helps students recognize and address the effects of COVID-19 on mental health and embrace changes in the practice and delivery of mental health nursing, such as virtual therapy. UPDATED! Coverage of veteran care empowers students to confidently manage specific mental health issues affecting military veterans and their families. UPDATED! Community nursing care coverage helps students make a confident transition to practice outside of traditional hospital settings, increasing their career prospects.
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