A revealing collection of interviews with the shape-shifting, genre-bending, wildly influential musician and song writer David Bowie was an icon, not only his stunning musical output, but also his fascinating refusal to stay the same—the same as other trending artists, or even the same as himself. In this remarkable collection, Bowie reveals the fierce intellectualism, artistry, and humor behind it all. From his very first interview—as a teenager on the BBC, before he was even a musician—to his last, Bowie takes on the most probing questions, candidly discussing his sexuality, his drug use, his sense of fashion, his method of composition, and more. For fans still mourning his passing, as well as for those who know little about him, it’s a revealing, interesting, and inspiring look at one of the most influential artists of the last fifty years.
Waging Peace offers the first fully comprehensive study of Eisenhower's "New Look" program of national security, which provided the groundwork for the next three decades of America's Cold War strategy. Though the Cold War itself and the idea of containment originated under Truman, it was left to Eisenhower to develop the first coherent and sustainable strategy for addressing the issues unique to the nuclear age. To this end, he designated a decision-making system centered around the National Security Council to take full advantage of the expertise and data from various departments and agencies and of the judgment of his principal advisors. The result was the formation of a "long haul" strategy of preventing war and Soviet expansion and of mitigating Soviet hostility. Only now, in the aftermath of the Cold War, can Eisenhower's achievement be fully appreciated. This book will be of much interest to scholars and students of the Eisenhower era, diplomatic history, the Cold War, and contemporary foreign policy.
(Guitar Recorded Versions). Note-for-note transcriptions with tab for 13 top hits spanning the eclectic career of this innovative and influential artist. Includes: Changes * China Girl * Diamond Dogs * Fame * Heroes * I'm Afraid of Americans * Rebel, Rebel * Space Oddity * Station to Station * Suffragette City * TVC 15 * Young Americans * Ziggy Stardust.
LENARD C. BOWIE, DMA ASSOCIATE PROFESSOR OF MUSIC, RETIRED THE UNIVERSITY OF NORTH FLORIDA JACKSONVILLE , FLORIDA Dr. Lenard C. Bowie has developed an enviable reputation as a consummate musician. He is a classical trumpet artist, accomplished band director, effective music administrator, skilled lecturer and publi shed author. As an author, Bowie's expertise in several fields of endeavor has been documented through the following subjects, as published in the professional music journals indicated: "Solving Problems of Young Trumpet Players, " published in the Music Educators National Journal (December, J979) , a critical review of "Black University Marching Bands in the 80's." published by The Marching Band (January, 198 1), and the Proceedings of an Informal Research Conference whose mission was to document the extent to which African American music courses were offered in Florida's Public Schools was published by the Florida Music Educator (June, 2002). As an undergraduate, Bowie was plagued bymany questions concerning the absence of formal instruction in the music of his people, especially when considering the fact that there were only two authentic types of American music -- that of the American Indians and that of African Americans, with African American Music being the most important of the two. Bowie's search for answers to his probing questions began when he enrolled in Professor Willie Ruffs course in Black Music as a graduate student at Yale University in 1974. This course opened Bowie's eyes, ears and mind to many of his here-to-fore unanswered questions; including the extent to which African music traditions are practiced in African American Music today, and the impact that African American Music has made on the social, political, economic, and religious climates of modern American Society. After graduating from Yale with a Master of Musical Arts Degree in 1976, Bowie struck out on a mission to enlarge on what he had learned about African American Music.This mission brought him in contact with a wealth of information through independent study of numerous publications and documentaries; lectures, festivals, concerts; and personal contacts with scholars who were, or have become, major players in the research, dissemination, performance and composition of African American Music. Some of these scholars include former colleagues Dr.Oily W. Wilson, composer and Chair of Composition at UCLA , Berkeley, Samuel Floyd, Founder and Director of the Center for Black Music Research, found at Fisk University, now housed at ColumbiaCollege,Chicago,Dr. AaronHorne,AfricanAmericanMusic Biographer and Dean of Fine Arts, Winston Salem Unive rsity, North Caro lina, Aramentha Adams - Hummings, Founder and Director ofthe Gateways Music Festival , initiated at the North Carolina School of the Arts, now housed at the East man School of Music in Rochester,New York, Operatic Tenor and Music Educator, the late Dr. William A, Brown. Others include Dr. Portia Maultsby, Professor of Music at Indiana University, Dr. Dena Epstein, Retired Music Librarian, Archival Researcher and Author, Chicago, Dr. Rene Boyer-White, Professor of Music Education, College-Conservatory of Music, The University of Cincinnati, and Dr. John Smith, Dean of Fine Arts, The Univers ity of South Florida at Tampa. During the first of Dr. Bowie's two terms as Music Department Chair at The University of North Florida, he was afforded an opportunity to apply and distribute his long sought know ledge. The opportunity came in the form ofa Mill ion Dollar Endowment from the Koger Company to develop programs of study in American Music. The response of the faculty to the endowmentwas to institute two programs: a Jazz Studies Program and a program in African American Music. The Jazz Studies Program has become nationally recognized for outstanding achievements in jazz theory, history and performance. The latter program , designed and developed by Bowie, was chall
From his small apartment in Austin, Texas, George Zaragosa watches in awe as surreal reports of a bizarre plague flood the national news. Until today, his life as a local theater teacher was stable and ordinary, if overshadowed by the unsolved murder of his beautiful fiancée. Now, hearing how those who died from an unstoppable virus are coming back to life in growing numbers, George knows what he has to do: leave everything behind in the city and get home to San Uvalde, just down the road. It began in New York City, when the dead arose from the hospitals and morgues, attacking the living and pulling them into their growing hordes. State by state, the nation goes into lockdown, whole cities and towns fight for survival, and George must navigate military roadblocks, FEMA camps, and street thugs to make it home. But most of all, his journey down the road will require him to stave off the horrifying creatures hungering for his flesh. . . .
Nestled in the heart of Prince George's County, the city of Bowie has grown from a Colonial farming area to become one of Maryland's largest cities. Its rich history is intertwined with those of the railroad, early tobacco culture, the rise of suburbia, and Thoroughbred racing. Belair Mansion and Stable bred some of the 20th century's most brilliant racers, including two Triple Crown winners raced under the Belair colors. The Belair Mansion and Stable remain today as two of Thoroughbred racing's most historic places. Built on the railroads, the city's birthplace was Huntington City. At the heart of Huntington was Bowie Station, named for Maryland governor Oden Bowie, an important figure in the presence of the railroad in the area. Today, the city of Bowie is a growing, vibrant, and diverse city, incorporating almost 400 years of history in its story. Bowie is a true American hometown where the present celebrates the past every day.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. New, completely revised and re-written edition. Offers a detailed, but asccesible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Ficthe and Holderlin, the early Romantis, Schelling, Hegel, Scleimacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensible read
It is more important than ever that a business must be both ethical and profitable. In this thoroughly revised and updated second edition, Norman E. Bowie shows that by applying Kant's three formulations of the categorical imperative, and by doing the right thing for the right reason, a business can achieve success in both of these fields. Bowie uses examples such as building trust, transparency through open book management, and respecting employees by providing a living wage and meaningful work. This new edition, for graduates and academic researchers in the field of business ethics, has been heavily revised to include the newest scholarship on Kantian ethics, with a new emphasis on Kant's later moral and political theory, a workable account of Kantian capitalism, and additional accounts on corporate social responsibility, Kantianism and human rights, corporate moral agency, and the Kantian theory of meaningful work.
A darkly witty, deeply affecting, and finely crafted memoir by the Big Bang Theory andSpeechless star and comedian, John Ross Bowie. From his earliest memories of watching Rhoda with his parents in their tiny Hell’s Kitchen apartment, John knew that he wanted to be an actor. The strange, alternate world of television—where people always cracked the perfect joke, lived in glamorous Upper East Side buildings, and made up immediately after fighting—seemed far better than his own home life, with a mother and father on the brink of divorce and a neighborhood full of crumbling pre-war architecture and not-so-occasional muggings. And yet that other world also seems unattainable. Besides crippling stage fright (which would take him years to overcome) John's father, ever aloof and cynical, has instilled within him the notion that acting is “no job for a man.” His father would impart that while theater, film, and television should be consumed and even debated, to create was no way to make a living or support a family. Putting aside his acting dreams, John stumbles through his twenties. He tries his hand at teaching and other traditional occupations, but nothing feels nearly as fulfilling as playing with his fleetingly on-the-map punk band, Egghead. When he and his bandmates break up, John lands a joyless job copywriting for a consulting agency and slips into a dark depression. He loses weight, begins drinking heavily, and his relationships flounder. But everything changes when John discovers improv (and anti-depressants). As a part of New York’s now-famous Upright Citizens Brigade, John not only explores his passion for acting and comedy—and begins to envision himself doing so professionally—he also meets his future wife and fellow actor, Jamie Denbo. No Job for a Man follows the couple as they relocate to Los Angeles and try to make it in the arts, meeting success and failure, wins and losses, despair and hope along the way. Though his father chronically refuses to acknowledge pride in his adult son’s accomplishments, John comes to realize what being a man truly means.
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.
A detailed treatment of ethics, preparing students for the methods of study expected in higher education. Covering the major western theories and their religious connections, as well as a series of pertinent contemporary ethical issues. This second edition has been substantially updated to provide comprehensive coverage of the Religious Ethics requirements of all major awarding bodies.
This vintage book contains a detailed introduction to Japanese art, with historical information, directions for using materials, details on influential artists and pieces, and much more. "On The Laws Of Japanese Painting" constitutes a must-read for those with a practical interest in Japanese art and would make for a fantastic addition to collections of allied literature. Contents include: "Personal Experiences", "Art in Japan", "Laws for the Use of Brush and Materials", "Laws Governing the Conception and Execution of a Painting", "Canons of the Aesthetics of Japanese Painting", "Subjects for Japanese Painting", "Signatures and Seals", "Explanation of Head-Bands", and "Plates Explanatory of the Forgoing Text on the Laws of Japanese Painting". Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction. This book was first published in 1911.
Evan is a survivor. Foster care, bullying, an abusive parent...Evan has faced it all. Only two things keep him sane: the love of his younger, autistic sister, and playing piano. At home, his sister makes living with an abusive mother tolerable. At school, he finds solace playing piano in secret, stolen moments. But when the abuse escalates, the foster care system intervenes and the worst thing Evan can think of happens: he and his sister are separated and the only path to being reunited involves major sacrifices. Evan faces his biggest challenge ever when he's forced to choose between his sister and his life's passion.
Literary theory is now perceived by many people as being in crisis, because some of its dominant theoretical assumptions are proving hard to sustain. From Romanticism to Critical Theory offers a new view of literary theory, seeing it not as a product of the French assimilation of Saussurian linguistics and Russian Formalism into what we term 'deconstruction', but rather as an essential part of modern philosophy which begins with the German Romantic reactions to Kant, the effects of which can be traced through to Heidegger, Benjamin and Adorno.
Beautiful...a last transmission from a dying star." - Time Out One of the last works completed by beloved pop icon David Bowie before his death in early 2016, the otherworldy musical Lazarus is a poignant homage to his legacy. Inspired by the 1963 novel The Man Who Fell to Earth, Lazarus weaves a thrilling rock opera from new compositions by Bowie as well as many of his classic songs.
IN THE GLAMOROUS WORLD OF THE THEATER, THEY WERE GIFTED, HOPEFUL, AND HUNGRY FOR FAME… KATHY, whose brilliant performances rose like fire from her soul; LAUREN, regal, golden-voiced, fleeing a desperate past; MELANIE, sophisticated and sexy, prey to every temptation; DAVID, driven by pride and passion; PAULA, searching for love, afraid of success, hoarding her talent like a hidden treasure; MIKE, slipping from mask to mask, the stage his only home… Together they shared the magic of rehearsals and opening nights, of love and heartache and grand ambition…bursting from the safe cocoon of the college drama club to struggle, suddenly alone, for the spotlight. For two decades, from New York to London to L.A., they held on to their dreams, playing the starving actor or flying high on movie deals and cocaine, marrying rich or making fortunes, far from the bright lights. But only one would soar to the heights, swept away by the thunderous applause, the magical glow, the love of millions of fans…at last a STAR.
Known best as a vacation destination and home to artists, beach bums, and celebrities, Key West also boasts a proud African-American heritage that has its roots in the immigration of Caribbean settlers in the late 1800s. Bringing with them valuable skills, such as shipbuilding and other marine trades, and a strong sense of family and community, these immigrants and their descendants made significant contributions to the life of this unique island.
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of major genres of Greek literature, above all the Greek novel, but also Attic Comedy, fifth-century historiography, and Hellenistic and Imperial Greek poetry. Many are already essential reading, such as the chapter on the figure of Lycidas in Theocritus' Idyll 7, or two chapters on the ancient readership of Greek novels. Discussions of Imperial Greek poetry published three decades ago opened up a world almost entirely neglected by scholars. Several chapters address literary and linguistic issues in Longus' novel Daphnis and Chloe, complementing the author's commentary published in 2019; two contribute to a better understanding of the enigmatic Aethiopica of Heliodorus; and many explore important questions arising from examination of the form of the Greek novel as a whole. This is the second of a planned three-volume collection.
In the 1970s, the Thai state organized the Village Scout movement to counter communist insurgency. The movement was soon used to thwart growing demands for democratic reform, recruiting five million members to become the largest mass organization in Thai history, and, mobilized by the military-controlled media, helped topple a civilian government and restore military rule. This book bridges both the macro and micro levels of analysis to place the dynamics of a national political movement within a richly detailed account of its working at the village level.
This book traces the history of French literature from its beginnings to the present. Within its remarkably brief compass, it offers a wide-ranging, personal, and detailed--though selective--account of major writers and movements. Developments in French literature are presented in an innovative way, not as an even sequence of literary events but as a series of stories told at varying pace and with different kinds of focus. Readers can thus take in the broad sweep of historical change, grasp the main characteristics of major periods, or enjoy a close appraisal of individual works and their contexts. The book is written in an accessible and non-technical style that will make it attractive both to students of French and to non-specialist readers.
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