Winner of the VCU Cabell First Novelist Award Winner of the American Library Association's Sophie Brody Medal Finalist for the National Jewish Book Award A singularly talented writer makes his literary debut with this provocative, soulful, and sometimes hilarious story of a failed journalist asked to do the unthinkable: Forge Holocaust-restitution claims for old Russian Jews in Brooklyn, New York. Yevgeny Gelman, grandfather of Slava Gelman, “didn’t suffer in the exact way” he needs to have suffered to qualify for the restitution the German government has been paying out to Holocaust survivors. But suffer he has—as a Jew in the war; as a second-class citizen in the USSR; as an immigrant to America. So? Isn’t his grandson a “writer”? High-minded Slava wants to put all this immigrant scraping behind him. Only the American Dream is not panning out for him—Century, the legendary magazine where he works as a researcher, wants nothing greater from him. Slava wants to be a correct, blameless American—but he wants to be a lionized writer even more. Slava’s turn as the Forger of South Brooklyn teaches him that not every fact is the truth, and not every lie a falsehood. It takes more than law-abiding to become an American; it takes the same self-reinvention in which his people excel. Intoxicated and unmoored by his inventions, Slava risks exposure. Cornered, he commits an irrevocable act that finally grants him a sense of home in America, but not before collecting a price from his family. A Replacement Life is a dark, moving, and beautifully written novel about family, honor, and justice.
The acclaimed author of A Replacement Life shifts between heartbreak and humor in this gorgeously told recipe-filled memoir. A story of family, immigration, and love—and an epic meal—Savage Feast explores the challenges of navigating two cultures from an unusual angle. A revealing personal story and family memoir told through meals and recipes, Savage Feast begins with Boris’s childhood in Soviet Belarus, where good food was often worth more than money. He describes the unlikely dish that brought his parents together and how years of Holocaust hunger left his grandmother so obsessed with bread that she always kept five loaves on hand. She was the stove magician and Boris’ grandfather the master black marketer who supplied her, evading at least one firing squad on the way. These spoils kept Boris’ family—Jews who lived under threat of discrimination and violence—provided-for and protected. Despite its abundance, food becomes even more important in America, which Boris’ family reaches after an emigration through Vienna and Rome filled with marvel, despair, and bratwurst. How to remain connected to one’s roots while shedding their trauma? The ambrosial cooking of Oksana, Boris’s grandfather’s Ukrainian home aide, begins to show him the way. His quest takes him to a farm in the Hudson River Valley, the kitchen of a Russian restaurant on the Lower East Side, a Native American reservation in South Dakota, and back to Oksana’s kitchen in Brooklyn. His relationships with women—troubled, he realizes, for reasons that go back many generations—unfold concurrently, finally bringing him, after many misadventures, to an American soulmate. Savage Feast is Boris’ tribute to food, that secret passage to an intimate conversation about identity, belonging, family, displacement, and love.
In this highly acclaimed literary debut, a failed journalist is asked to do the unthinkable: forge Holocaust-restitution claims for older Russian Jews in Brooklyn, New York. Yevgeny Gelman, grandfather of Slava Gelman, "didn't suffer in the exact way" he needs to have suffered to qualify for the restitution the German government has been paying out to Holocaust survivors. But suffer he has--as a Jew in the war, as a second-class citizen in the USSR, as an immigrant to America. So? Isn't his grandson a "writer"? High-minded Slava wants to put this immigrant scraping behind him. Only the American Dream is not panning out for him--Century, the legendary magazine where he works as a researcher, wants nothing greater from him. Slava wants to be a correct, blameless American, but he wants to be a lionized writer even more. Slava's turn as the Forger of South Brooklyn teaches him that not every fact is the truth, and not every lie a falsehood. It takes more than law abiding to become an American; it takes the same self-reinvention in which his people excel. Intoxicated and unmoored by his inventions, Slava risks exposure. Cornered, he commits an irrevocable act that finally grants him a sense of home in America, but not before collecting a price from his family. A Replacement Life is a dark, moving, and beautifully written novel about family, honor, and justice.
The author of the critically admired, award-winning A Replacement Life turns to a different kind of story—an evocative, nuanced portrait of marriage and family, a woman reckoning with what she’s given up to make both work, and the universal question of how we reconcile who we are and whom the world wants us to be. Maya Shulman and Alex Rubin met in 1992, when she was a Ukrainian exchange student with “a devil in [her] head” about becoming a chef instead of a medical worker, and he the coddled son of Russian immigrants wanting to toe the water of a less predictable life. Twenty years later, Maya Rubin is a medical worker in suburban New Jersey, and Alex his father’s second in the family business. The great dislocation of their lives is their eight-year-old son Max—adopted from two teenagers in Montana despite Alex’s view that “adopted children are second-class.” At once a salvation and a mystery to his parents—with whom Max’s biological mother left the child with the cryptic exhortation “don’t let my baby do rodeo”—Max suddenly turns feral, consorting with wild animals, eating grass, and running away to sit face down in a river. Searching for answers, Maya convinces Alex to embark on a cross-country trip to Montana to track down Max’s birth parents—the first drive west of New Jersey of their American lives. But it’s Maya who’s illuminated by the journey, her own erstwhile wildness summoned for a reckoning by the unsparing landscape, with seismic consequences for herself and her family. Don’t Let My Baby Do Rodeo is a novel about the mystery of inheritance and what exactly it means to belong.
The second volume of the four-book series that guides students into the creation of sophisticated short fiction and mature poetry. Complements Peace Hill Press’s expository series Writing With Skill by providing the imaginative element that many students want. Unlike most “how to write” books, these are designed to be used in a mentor/student relationship, with teaching, guidance, and evaluation tips provided for the mentor or teacher. All exercises build towards the production of finished creative pieces. Sequential, logical, step-by-step instruction. The second level builds on the introductory volume, The Creative Writer: Five Finger Exercises, but can be started directly by older students. Instruction in the five essentials of fiction: plot, characters, dialogue, point of view, and setting. Offers guidance in the essential art of poetry: sound, rhythm, word choice, and poem construction.
The culminating volume in the four-book series that guides students into the creation of sophisticated short fiction and mature poetry. Building on the skills taught in the first three levels, The Creative Writer, Level Four: Becoming a Writer guides young writers from idea to polished short story or poem in a single volume. Becoming a Writer also walks students through the transition from study to practice, broadening the series' focus by discussing the writing life -- how to find and submit to literary journals, how to develop discipline, and how to persevere in the face of rejection. Reviews and strengthens the writer’s grasp on the five essentials of fiction: plot, character, dialogue, point of view, and setting. Guides the writer into the effective, sophisticated use of the essentials of poetry: sound, rhythm, word choice, and structure. All exercises build toward the production of mature, finished creative piece Can be used as a complement to Writing With Skill or on its own.
The third volume of the four-book series that guides students into the creation of sophisticated short fiction and mature poetry. • Complements Peace Hill Press’s expository series Writing With Skill by providing the imaginative element that many students want. • Unlike most “how to write” books, these are designed to be used in a mentor/student relationship, with teaching, guidance, and evaluation tips provided for the mentor or teacher. • All exercises build towards the production of finished creative pieces • Sequential, logical, step-by-step instruction • The third level builds on the introductory volume, The Creative Writer: Five Finger Exercises, but can be started directly by older students. • Instruction in the five essentials of fiction: plot, characters, dialogue, point of view, and setting. Level Three leads students into the construction of more complex plots, evocative settings, and three-dimensional characters • Guidance in the essential art of poetry: sound, rhythm, word choice, and poem construction. Level Three draws students into even more sophisticated use of words and themes.
A gentle, imaginative introduction to the skills all creative writers need. Breaking down the elements that go into successful imaginative works, The Creative Writer leads aspiring writers through the skills needed to construct each. The assignments, designed to make students more aware of language and more confident in their own ingenuity, build on each other until beginning creative writers have successfully created their own stories, poems, and essays. • Simple but innovative exercises encourage young writers to strengthen their vocabulary and become aware of the patterns of sentences • Legends and folklore are used to teach point of view, characterization, plotting, and other vital skills • Classic poetry serves as a model for the student’s own original poems • Unlike most “how to write” books, The Creative Writer is designed to be used in a mentor/student relationship, with teaching, guidance, and evaluation tips provided for the mentor or teacher • Can be used as a complement to Writing With Skill or on its own
The great 19th-century Russian author and playwright Anton Chekhov wrote nearly one thousand stories, a body of work that is unmatched in its alchemy of sensitivity, wisdom, precision, and verve. Chekhov’s sensibility was radically human and thoroughly modern: write not how you think things should be, but rather as they are. Universally recognized as one of the greatest short story writers of all time, he revolutionized the form and had a profound influence on his successors, from Flannery O’Connor to Alice Munro. As the celebrated Russian-immigrant author Boris Fishman writes in his delightfully counterintuitive introduction to this Restless Classics collection, Chekhov is funny, ceaselessly curious, and undogmatic—a significant break from the bleak and morally rigid tradition of his contemporaries Dostoevsky and Tolstoy. Unlike those peers born to privilege, Chekhov was raised in the peasantry and worked as a doctor. In his writing, he portrays the complexity of human beings as changeable and contingent, neither saints nor sinners—an approach intimately linked with his work as a clinician and humanitarian. Chekhov’s humanity, just as much as his mastery of the writing craft, is potent medicine in times that seem so divided by ideology and antipathy for groups seen as “other.” The first new selection of his work in over a decade, the Restless Classics edition of Chekhov: Stories for Our Time pairs beloved favorites with lesser known gems, all stunningly illustrated by Matt McCann: a perfect introduction for novices and a must-have for Chekhov devotees.
The third volume of the four-book series that guides students into the creation of sophisticated short fiction and mature poetry. • Complements Peace Hill Press’s expository series Writing With Skill by providing the imaginative element that many students want. • Unlike most “how to write” books, these are designed to be used in a mentor/student relationship, with teaching, guidance, and evaluation tips provided for the mentor or teacher. • All exercises build towards the production of finished creative pieces • Sequential, logical, step-by-step instruction • The third level builds on the introductory volume, The Creative Writer: Five Finger Exercises, but can be started directly by older students. • Instruction in the five essentials of fiction: plot, characters, dialogue, point of view, and setting. Level Three leads students into the construction of more complex plots, evocative settings, and three-dimensional characters • Guidance in the essential art of poetry: sound, rhythm, word choice, and poem construction. Level Three draws students into even more sophisticated use of words and themes.
The second volume of the four-book series that guides students into the creation of sophisticated short fiction and mature poetry. Complements Peace Hill Press’s expository series Writing With Skill by providing the imaginative element that many students want. Unlike most “how to write” books, these are designed to be used in a mentor/student relationship, with teaching, guidance, and evaluation tips provided for the mentor or teacher. All exercises build towards the production of finished creative pieces. Sequential, logical, step-by-step instruction. The second level builds on the introductory volume, The Creative Writer: Five Finger Exercises, but can be started directly by older students. Instruction in the five essentials of fiction: plot, characters, dialogue, point of view, and setting. Offers guidance in the essential art of poetry: sound, rhythm, word choice, and poem construction.
The culminating volume in the four-book series that guides students into the creation of sophisticated short fiction and mature poetry. Building on the skills taught in the first three levels, The Creative Writer, Level Four: Becoming a Writer guides young writers from idea to polished short story or poem in a single volume. Becoming a Writer also walks students through the transition from study to practice, broadening the series' focus by discussing the writing life -- how to find and submit to literary journals, how to develop discipline, and how to persevere in the face of rejection. Reviews and strengthens the writer’s grasp on the five essentials of fiction: plot, character, dialogue, point of view, and setting. Guides the writer into the effective, sophisticated use of the essentials of poetry: sound, rhythm, word choice, and structure. All exercises build toward the production of mature, finished creative piece Can be used as a complement to Writing With Skill or on its own.
A gentle, imaginative introduction to the skills all creative writers need. Breaking down the elements that go into successful imaginative works, The Creative Writer leads aspiring writers through the skills needed to construct each. The assignments, designed to make students more aware of language and more confident in their own ingenuity, build on each other until beginning creative writers have successfully created their own stories, poems, and essays. • Simple but innovative exercises encourage young writers to strengthen their vocabulary and become aware of the patterns of sentences • Legends and folklore are used to teach point of view, characterization, plotting, and other vital skills • Classic poetry serves as a model for the student’s own original poems • Unlike most “how to write” books, The Creative Writer is designed to be used in a mentor/student relationship, with teaching, guidance, and evaluation tips provided for the mentor or teacher • Can be used as a complement to Writing With Skill or on its own
This book is new in every aspect and not only because neither the official history nor an unofficial history of the KGB, and its many predecessors and successors, exists in any language. In this volume, the author deals with the origins of the KGB from the Tsarist Okhrana (the first Russians secret political police) to the OGPU, Joint State Political Directorate, one of the KGB predecessors between 1923 and 1934. Based on documents from the Russian archives, the author clearly demonstrates that the Cheka and GPU/OPGU were initially created to defend the revolution and not for espionage. The Okhrana operated in both the Russian Empire and abroad against the revolutionaries and most of its operations, presented in this book, are little known. The same is the case with regards to the period after the Cheka was established in December 1917 until ten years later when Trotsky was expelled from the Communist Party and exiled, and Stalin rose to power. For the long period after the Revolution and up to the Second World War (and, indeed, beyond until the death of Stalin) the Cheka’s main weapon was terror to create a general climate of fear in a population. In the book, the work of the Cheka and its successors against the enemies of the revolution is paralleled with British and American operations against the Soviets inside and outside of Russia. For the first time the creation of the Communist International (Comintern) is shown as an alternative Soviet espionage organization for wide-scale foreign propaganda and subversion operations based on the new revelations from the Soviet archives Here, the early Soviet intelligence operations in several countries are presented and analyzed for the first time, as are raids on the Soviet missions abroad. The Bolshevik smuggling of the Russian imperial treasures is shown based on the latest available archival sources with misinterpretations and sometimes false interpretations in existing literature revised. After the Bolshevik revolution, Mansfield Smith-Cumming, the first chief of SIS, undertook to set up ‘an entirely new Secret Service organization in Russia’. During those first ten years, events would develop as a non-stop struggle between British intelligence, within Russia and abroad, and the Cheka, later GPU/OGPU. Before several show ‘spy trials’ in 1927, British intelligence networks successfully operated in Russia later moving to the Baltic capitals, Finland and Sweden while young Soviet intelligence officers moved to London, Paris, Berlin and Constantinople. Many of those operations, from both sides, are presented in the book for the first time in this ground-breaking study of the dark world of the KGB
The purpose of this book is to place computer simulation studies within the paradigm of intervention research that is concerned with comparing the outcomes of health care delivered under different policies. This book presents computer simulation as a tool for testing various policy alternatives that have been developed by decision-makers within health care systems. This approach differs from the use of computer simulation in operations research, where simulation helps determine the configurations of a system that will allow it to function optimally. Although simulation of health care processes is not new, few health care systems have used simulations as a basis for re-engineering the delivery of health services. There is growing appreciation that the complexity of health care processes exceeds the capacity of individual disciplines–health services research, health economics, or operations research–to guide health care reform. In this book, the authors focus on bringing the methodological rigor of evaluative research to the design and analysis of such simulation studies. The book is intended as a reference for health services researchers. It offers a comprehensive description of the methodology of conducting simulation studies in evaluation of service alternatives in surgical care using discrete-event models, including the steps for identifying the clinical and managerial activities of the perioperative process, determining the model requirements, implementing simulation models, designing simulation experiments and analyzing the experimental data, and interpreting and reporting results. The book also offers examples of specific aspects of conducting simulation experiments: how to determine the number of runs needed to estimate the effect of implementing a health care policy; how to allocate the number of runs to study groups in simulation experiments aiming to evaluate policy or management alternatives; and how to use statistical analysis to estimate, interpret, and report effect sizes.
Mental health problems among asylum seekers and refugees are becoming a public issue, but awareness of this problem among the mental health community is relatively low. Although advances have been made in the provision of innovative mental health services for asylum seekers and refuges with PTSD, they are not systemized, and not widely known to professionals in the field. A publication offering practical guidelines for the treatment of torture victims and political refugees does not exist. Broken Spirits aims to bring together the works of the most respected mental health professionals - from the U.S. and abroad - and make available the most current knowledge on complex PTSD, forced migration and cultural sensitivity in diagnosis and treatment.
The ship carrying the devout to Jerusalem has run into rough waters. Onboard is Manuila, controversial leader of the “Foundlings,” a sect that worships him as the Messiah. But soon the polarizing leader is no longer a passenger or a prophet but a corpse, beaten to death by someone almost supernaturally strong. But not everything is as it seems, and someone else sailing has become enmeshed in the mystery: the seemingly slow but actually astute sleuth Sister Pelagia. Her investigation of the crime will take her deep into the most dangerous areas of the Middle East and Russia, running from one-eyed criminals and after such unlikely animals as a red cockerel that may be more than a red herring. To her shock, she will emerge with not just the culprit in a murder case but a clue to the earth’s greatest secret. Sister Pelagia and the Red Cockerel features its beloved heroine’s most exciting and explosive inquiry yet, one that just might shake the foundations of her faith.
From London’s inimitable mayor, Boris Johnson, the New York Times–bestselling story of how Churchill’s eccentric genius shaped not only his world but our own. On the fiftieth anniversary of Churchill’s death, Boris Johnson celebrates the singular brilliance of one of the most important leaders of the twentieth century. Taking on the myths and misconceptions along with the outsized reality, he portrays—with characteristic wit and passion—a man of contagious bravery, breathtaking eloquence, matchless strategizing, and deep humanity. Fearless on the battlefield, Churchill had to be ordered by the king to stay out of action on D-day; he pioneered aerial bombing and few could match his experience in organizing violence on a colossal scale, yet he hated war and scorned politicians who had not experienced its horrors. He was the most famous journalist of his time and perhaps the greatest orator of all time, despite a lisp and the chronic depression he kept at bay by painting. His maneuvering positioned America for entry into World War II, even as it ushered in England’s postwar decline. His open-mindedness made him a trailblazer in health care, education, and social welfare, though he remained incorrigibly politically incorrect. Most of all, he was a rebuttal to the idea that history is the story of vast and impersonal forces; he is proof that one person—intrepid, ingenious, determined—can make all the difference.
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