The literature on Boris Yeltsin is vast. Memoirs have been produced not only by politicians – first-hand participants in the events, Yeltsin himself penned three volumes of recollections – but also assistants, press secretaries, political analysts, journalists, MPs, retired members of Gorbachev’s Politburo, public figures now long forgotten, generals of special services and security service staff. Boris Minaev started working on Boris Yeltsin’s biography when the politician was still alive. In his work the author has used not only publicly accessible documents that have been printed or otherwise made accessible but also interviews that are published for the first time. In this unique biography of the first President of the Russian Federation author consistently describes events of Yeltsin's life, capturing and conveying his unique personality with all the contradictions of his character and principles that determined public attitude towards Yeltsin. Some saw him as an outstanding builder of the new Russia, others - as a destroyer of the great state. But whoever he was de facto, the decade of his rule shook the world. *** Boris Minayev is a Russian writer and correspondent. Minayev has worked for many Russian venues and is currently serving as Editor-in-Chief of the journal Medved. Boris Minayev is known for his children’s books and novels for mature readers. One of the most famous works of his that is being widely quoted in the media is his biography of Russia’s first president Boris Yeltsin, first published in the series ‘Lives of Extraordinary People’.
The texts of Boris Hessen and Henryk Grossmann assembled in this volume are important contributions to the historiography of the Scienti?c Revolution and to the methodology of the historiography of science. They are of course also historical documents, not only testifying to Marxist discourse of the time but also illustrating typical European fates in the ?rst half of the twentieth century. Hessen was born a Jewish subject of the Russian Czar in the Ukraine, participated in the October Revolution and was executed in the Soviet Union at the beginning of the purges. Grossmann was born a Jewish subject of the Austro-Hungarian Kaiser in Poland and served as an Austrian of?cer in the First World War; afterwards he was forced to return to Poland and then because of his revolutionary political activities to emigrate to Germany; with the rise to power of the Nazis he had to ?ee to France and then Americawhilehisfamily,whichremainedinEurope,perishedinNaziconcentration camps. Our own acquaintance with the work of these two authors is also indebted to historical context (under incomparably more fortunate circumstances): the revival of Marxist scholarship in Europe in the wake of the student movement and the p- fessionalization of history of science on the Continent. We hope that under the again very different conditions of the early twenty-?rst century these texts will contribute to the further development of a philosophically informed socio-historical approach to the study of science.
Boris Vian s early death robbed French literature of a novelist who was coherent while still modern. Heartsnatcher is an esoteric, surrealistic comedy about guilt, set in a deceptively familiar, almost ordinary locale. New Statesman
The second edition of A Concise History of Brazil features a new chapter that covers the critical time period from 1990 to the present, focusing on Brazil's increasing global economic importance as well as its continued democratic development.
From Simon & Schuster, Strategy in Action is Boris Yavitz and William H. Newman's guide to the execution, politics, and payoff of business planning. Two management consultants explain how to transform business objectives into strategic action, detailing measures for changing business practices, eliminating ineffective personnel, and instilling confidence through well-defined statements of goals and missions.
The Person 1 Boris Abramovich Trakhtenbrot ( ) - his Hebrew given name is Boaz ( ) - is universally admired as a founding - ther and long-standing pillar of the discipline of computer science. He is the ?eld's preeminent distinguished researcher and a most illustrious trailblazer and disseminator. He is unmatched in combining farsighted vision, unfaltering c- mitment, masterful command of the ?eld, technical virtuosity, aesthetic expr- sion, eloquent clarity, and creative vigor with humility and devotion to students and colleagues. For over half a century, Trakhtenbrot has been making seminal contributions to virtually all of the central aspects of theoretical computer science, inaugur- ing numerous new areas of investigation. He has displayed an almost prophetic ability to foresee directions that are destined to take center stage, a decade or morebeforeanyoneelsetakesnotice.Hehasneverbeentempted toslowdownor limithisresearchtoareasofendeavorinwhichhehasalreadyearnedrecognition and honor. Rather, he continues to probe the limits and position himself at the vanguard of a rapidly developing ?eld, while remaining, as always, unassuming and open-minded.
Philosophy is traditionally understood as the search for universal truths, and philosophers are supposed to transmit those truths beyond the limits of their own culture. But, today, we have become sceptical about the ability of an individual philosopher to engage in 'universal thinking', so philosophy seems to capitulate in the face of cultural relativism. In Introduction to Antiphilosophy, Boris Groys argues that modern 'antiphilosophy' does not pursue the universality of thought as its goal but proposes in its place the universality of life, material forces, social practices, passions, and experiences - angst, vitality, ecstasy, the gift, revolution, laughter or 'profane illumination' - and he analyses this shift from thought to life and action in the work of thinkers from Kierkegaard to Derrida, from Nietzsche to Benjamin. Ranging across the history of modern thought, Introduction to Antiphilosophy endeavours to liberate philosophy from the stereotypes that hinder its development.
Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a &“full empty,&” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he'll keep going back to the Zone, again and again, until he finds the answer to all his problems. First published in 1972, Roadside Picnic is still widely regarded as one of the greatest science fiction novels, despite the fact that it has been out of print in the United States for almost thirty years. This authoritative new translation corrects many errors and omissions and has been supplemented with a foreword by Ursula K. Le Guin and a new afterword by Boris Strugatsky explaining the strange history of the novel's publication in Russia.
Moscow, May 1876: What would cause a talented young student from a wealthy family to shoot himself in front of a promenading public in the Alexander Gardens? Decadence and boredom, most likely, is what the commander of the Criminal Investigation Division of the Moscow Police thinks, but still he finds it curious enough to send the newest member of the division, Erast Fandorin, a young man of irresistible charm, to the Alexander Gardens precinct for more information. Fandorin is not satisfied with the conclusion that this is an open-and-shut case, nor with the preliminary detective work the precinct has done—and for good reason: The bizarre and tragic suicide is soon connected to a clear case of murder, witnessed firsthand by Fandorin. There are many unresolved questions. Why, for instance, have both victims left their fortunes to an orphanage run by the English Lady Astair? And who is the beautiful “A.B.,” whose signed photograph is found in the apparent suicide’s apartment? Relying on his keen intuition, the eager sleuth plunges into an investigation that leads him across Europe, landing him at the deadly center of a terrorist conspiracy of worldwide proportions. In this thrilling mystery that brings nineteenth-century Russia to vivid life, Akunin has created one of the most eagerly anticipated novels in years.
In late November 2006 the world was shaken by the ruthless assassination in London of Alexander Litvinenko, a former Lt Col of the Russian security service (FSB). The murder was the most notorious crime committed by the Russian intelligence on foreign soil in over three decades. The author, Boris Volodarsky, who was consulted by the Metropolitan Police during the investigation and remains in close contact with Litvinenkos widow, is a former Russian military intelligence officer and an international expert in special operations. His narrative reveals that since 1917 beginning with Lenin and his Cheka the Russian security services have regularly carried out bespoke poisoning operations all over the world to eliminate the enemies of the Kremlin. The author proves that the Litvinenkos poisoning is just one episode in the chain of murders that continues until the present day. Some of these assassinations or attempted assassinations are already known, others are revealed here for the first time. Uniquely Volodarsky has had a personal involvement in almost every each of the 20 cases, from the radioactive thallium poisoning of the Soviet defector Nikolai Khokhlov in Frankfurt in September 1957 to the ricin umbrella murder of the Bulgarian dissident Georgi Markov in London in 1978. "Here, for the fan of murder thrillers and modern history alike, is a cracking good read. In brilliant light we see what lay for nearly a century behind the London polonium poisoning of British citizen Alexander Litvinenko, former Russian. It was just one recent hit by the world's most prolific serial killer -- the Russian state. With original research guided by his insider's eye and scholarly care, Boris Volodarsky recounts scores of murders. Assassination emerges as state policy, as institutionalized bureacracy, as day-to-day routine, as laboratory science, as a branch of medicine researching ways not to stave off death but to deliver it in apparently innocent or accidental forms, and as engineering technology, devising ever-new devices to meet each new requirement, from umbrella tips and cigarette cases and rolled-up newspapers -- to Litvinenko's teacup." Tennent H. Bagley, former CIA chief of Soviet Bloc counterintelligence.
A new book by Boris Groys acknowledges the problem and potential of art's complex relationship to power. Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues the distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways—as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the latter function. Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art—which he finds behaving more and more according the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals. Contemporary art, Groys argues, demonstrates its power by appropriating the iconoclastic gestures directed against itself—by positioning itself simultaneously as an image and as a critique of the image. In Art Power, Groys examines this fundamental appropriation that produces the paradoxical object of the modern artwork.
From London’s inimitable mayor, Boris Johnson, the story of how Churchill’s eccentric genius shaped not only his world but our own. On the fiftieth anniversary of Churchill’s death, Boris Johnson celebrates the singular brilliance of one of the most important leaders of the twentieth century. Taking on the myths and misconceptions along with the outsized reality, he portrays—with characteristic wit and passion—a man of contagious bravery, breathtaking eloquence, matchless strategizing, and deep humanity. Fearless on the battlefield, Churchill had to be ordered by the king to stay out of action on D-Day; he pioneered aerial bombing and few could match his experience in organizing violence on a colossal scale, yet he hated war and scorned politicians who had not experienced its horrors. He was the most famous journalist of his time and perhaps the greatest orator of all time, despite a lisp and chronic depression he kept at bay by painting. His maneuvering positioned America for entry into World War II, even as it ushered in England’s post-war decline. His openmindedness made him a trailblazer in health care, education, and social welfare, though he remained incorrigibly politically incorrect. Most of all, he was a rebuttal to the idea that history is the story of vast and impersonal forces; he is proof that one person—intrepid, ingenious, determined—can make all the difference.
In this sweeping narrative history from the Great Depression of the 1930s to the Great Recession of today, Caring for America rethinks both the history of the American welfare state from the perspective of care work and chronicles how home care workers eventually became one of the most vibrant forces in the American labor movement. Eileen Boris and Jennifer Klein demonstrate the ways in which law and social policy made home care a low-waged job that was stigmatized as welfare and relegated to the bottom of the medical hierarchy. For decades, these front-line caregivers labored in the shadows of a welfare state that shaped the conditions of the occupation. Disparate, often chaotic programs for home care, which allowed needy, elderly, and disabled people to avoid institutionalization, historically paid poverty wages to the African American and immigrant women who constituted the majority of the labor force. Yet policymakers and welfare administrators linked discourses of dependence and independence-claiming that such jobs would end clients' and workers' "dependence" on the state and provide a ticket to economic independence. The history of home care illuminates the fractured evolution of the modern American welfare state since the New Deal and its race, gender, and class fissures. It reveals why there is no adequate long-term care in America. Caring for America is much more than a history of social policy, however; it is also about a powerful contemporary social movement. At the front and center of the narrative are the workers-poor women of color-who have challenged the racial, social, and economic stigmas embedded in the system. Caring for America traces the intertwined, sometimes conflicting search of care providers and receivers for dignity, self-determination, and security. It highlights the senior citizen and independent living movements; the civil rights organizing of women on welfare and domestic workers; the battles of public sector unions; and the unionization of health and service workers. It rethinks the strategies of the U.S. labor movement in terms of a growing care work economy. Finally, it makes a powerful argument that care is a basic right for all and that care work merits a living wage.
Boris Chertok's memoirs are part of the second generation of publications on Soviet space history, one that eclipsed the (heavily censored) first generation published during the Communist era. Memoirs constituted a large part of the second generation. The distribution of material spanning the four volumes of Chertok's memoirs is roughly chronological. This, the fourth and final volume is largely devoted to the Soviet project to send cosmonauts to the Moon in the 1960s, covering all aspects of the development of the giant N-1 rocket. The last portion of this volume covers the origins of the Salyut and Mir space station programs, ending with a fascinating description of the massive Energiya-Buran project, developed as a countermeasure to the American Space Shuttle. NASA SP-2011-4110
Boris Pilnyak, an important stylistic force in twentieth-century Russian literature, never shied from controversy. It was his novel "The Naked Year," a flinchingly honest portrayal of life in post-Revolutionary Russia, that catapulted Pilnyak into notoriety. "The Naked Year" follows the provincial town of Ordinin through 1919, a year of war, illness, and tumultuous change. The village and its inhabitants--merchants, nobles, peasants, and communists alike--experience firsthand the impact of the violent revolutionary struggle of the Reds, Whites, Blacks, and Greens, until their world eventually dissolves into chaos. So lyrical and surreal that it has been called the "anti-novel," "The Naked Year" captures the emotional heart of a land trapped in the horrific gap year between frenzied Revolution and rigid Soviet control
In 1882, after six years of foreign travel and adventure, renowned diplomat and detective Erast Fandorin returns to Moscow to find his old war-hero friend, General Michel Sobolev, has been found dead, felled in his armchair by an apparent heart attack, but Fandorin suspects an unnatural cause. Original. 30,000 first printing.
Paris, 1878: Eccentric antiquarian Lord Littleby and his ten servants are found murdered in Littleby's mansion on the rue de Grenelle, and a priceless Indian shawl is missing. Police commissioner "Papa" Gauche recovers only one piece of evidence from the crime scene: a golden key shaped like a whale. Gauche soon deduces that the key is in fact a ticket of passage for the Leviathan, a gigantic steamship soon to depart Southampton on its maiden voyage to Calcutta. The murderer must be among its passengers. In Cairo, the ship is boarded by a young Russian diplomat with a shock of white hair--none other than Erast Fandorin, the celebrated detective of Boris Akunin's The Winter Queen. The sleuth joins forces with Gauche to determine which of ten unticketed passengers on the Leviathan is the rue de Grenelle killer. Tipping his hat to Agatha Christie, Akunin assembles a colorful cast of suspects--including a secretive Japanese doctor, a professor who specializes in rare Indian artifacts, a pregnant Swiss woman, and an English aristocrat with an appetite for collecting Asian treasures--all of whom are con'ned together until the crime is solved. As the Leviathan steams toward Calcutta, will Fandorin be able to out-investigate Gauche and discover who the killer is, even as the ship's passengers are murdered, one by one? Already an international sensation, Boris Akunin's latest page-turner transports the reader back to the glamorous, dangerous past in a richly atmospheric tale of suspense on the high seas. From the Hardcover edition.
RUSSIA, 1918 The young Soviet state is in turmoil. Chekists walk along the streets. Hunger, cold and mud crawl away in the former aristocratic quarters of Moscow. The old order has been turned upside down, leaving room for political infighting and dark subterfuge. This is the world Erast Fandorin - the celebrated detective - wakes up to after three years in a coma. His faithful assistant Masa might have nursed him successfully back to life, but there is no guarantee that the old Fandorin, with his razor-sharp intellect and superhuman strength, will ever be back. Determined to leave behind Moscow - a city he doesn't recognise anymore - Fandorin embarks on one last great adventure. But who can he trust in a country torn apart by civil war?
In Russian poetry, Boris Pasternak's My Sister-Life is the equivalent of The Waste Land, Spring, and Harmonium. Written in 1917, the cycle of poems in My Sister-Life concentrates on personal journeys and loves, but is permeated by the tension and promise of the impending October revolution. Pasternak is an uncompromisingly complex poetic stylist, and his meticulous attention to structure, etymology, and phonetic qualities of words makes his poetry a formidable challenge for the translator.
This is the first full-scale anthropometric history of Imperial Russia (1700-1917). It mobilizes an immense volume of archival material to chart the growth, weight, and other anthropometric indicators of the male and female populations in order to chart how the standard of living in Russia changed over slightly more than two centuries. It draws on a wide range of data—statistics on agricultural production, taxation, prices and wages, nutrition, and demography—to draw conclusions on the dynamics in the standard of living over this long period of time. The economic, social, and political interpretation of these findings make it possible to reconsider the prevailing views in the historiography and to offer a new perspective on Imperial Russia.
From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists' goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
Why the gender gap persists and how we can close it. For years women have made up the majority of college-educated workers in the United States. In 2019, the gap between the percentage of women and the percentage of men in the workforce was the smallest on record. But despite these statistics, women remain underrepresented in positions of power and status, with the highest-paying jobs the most gender-imbalanced. Even in fields where the numbers of men and women are roughly equal, or where women actually make up the majority, leadership ranks remain male-dominated. The persistence of these inequalities begs the question: Why haven't we made more progress? In Glass Half-Broken, Colleen Ammerman and Boris Groysberg reveal the pervasive organizational obstacles and managerial actions—limited opportunities for development, lack of role models and sponsors, and bias in hiring, compensation, and promotion—that create gender imbalances. Bringing to light the key findings from the latest research in psychology, sociology, organizational behavior, and economics, Ammerman and Groysberg show that throughout their careers—from entry-level to mid-level to senior-level positions—women get pushed out of the leadership pipeline, each time for different reasons. Presenting organizational and managerial strategies designed to weaken and ultimately break down these barriers, Glass Half-Broken is the authoritative resource that managers and leaders at all levels can use to finally shatter the glass ceiling.
In its first-ever unexpurgated edition, a sci-fi landmark that's a comic and suspenseful tour-de-force, and puts distraction in a whole new light: It's not you, it's the universe! Boris and Arkady Strugatsky were the greatest science fiction writers of the Soviet era: their books were intellectually provocative and riotously funny, full of boldly imagined scenarios and veiled—but clear—social criticism. Which may be why Definitely Maybe has never before been available in an uncensored edition, let alone in English. It tells the story of astrophysicist Dmitri Malianov, who has sent his wife and son off to her mother’s house in Odessa so that he can work, free from distractions, on the project he’s sure will win him the Nobel Prize. But he’d have an easier time making progress if he wasn’t being interrupted all the time: First, it’s the unexpected delivery of a crate of vodka and caviar. Then a beautiful young woman in an unnervingly short skirt shows up at his door. Then several of his friends—also scientists—drop by, saying they all felt they were on the verge of a major discovery when they got . . . distracted . . . Is there an ominous force that doesn’t want knowledge to progress? Or could it be something more . . . natural? In this nail-bitingly suspenseful book, the Strugatsky brothers bravely and brilliantly question authority: an authority that starts with crates of vodka, but has lightning bolts in store for humans who refuse to be cowed.
Fiction. Translated from the French by Brian Harper. "FOAM OF THE DAZE is a novel like no other, a sexy, innocent, smart and sweet cartoon of a world which then begins, little by little, to bleed real blood until, in the end, the blood turns out to be our own. I read it nearly thirty years ago in its previous incarnation as Mood Indigo and I loved it then; it's still one of my favorite books in the whole world"--Jim Krusoe. "A kind of jazzy, cheerful, sexy, sci-fi mid-20th century Huysmans. Check it out. There is just no place like France"--Richard Hell.
In 1877, Erast Fandorin finds himself at the Bulgarian front in a war between Russia and the Ottoman Empire, where he assists a Russian woman who is risking her life for her fiancé, who has been falsely accused of espionage.
Today, Russian authors Arkady and Boris Strugatsky are counted among the best science fiction writers of the twentieth century. In their Noon Universe novels, they imagined twenty-second-century Earth as a space-faring communist utopia, devoted to guiding the progress of civilization on alien worlds. But as the authors became increasingly disillusioned with life in the Soviet Union, their Noon Universe stories grew darker and more complex as well. The Beetle in the Anthill reintroduces Maxim Kammerer, the main character of their novel The Inhabited Island. Once an intrepid young space explorer, Kammerer is now an investigator with COMCON-2, the covert agency in charge of countering threats to the homeworld. He is tasked with tracking "progressor" Lev Abalkin, who has returned to Earth after a routine mission went tragically wrong. Do the secrets of Abalkin's past pose a grave danger to humanity—or is he an innocent caught up in a deadly misunderstanding? This new edition by lauded translator Olena Bormashenko joins updated translations of Hard to Be a God, The Inhabited Island, and The Waves Extinguish the Wind to continue the ever-deepening saga of the Noon Universe.
This book provides an in-depth study of the Japanese-Soviet neutrality pact, which held between 1941 and 1945 and ended with the USSR's declaration of war against Japan.
On 15th March 1878 Lord Littleby, an English eccentric and collector, is found murdered in his Paris house together with nine members of his staff. A gold whale in the victim's hand leads Erast Fandorin to board the Leviathan, the world's largest steamship, as the murderer is one of the 142 First Class passengers. Commissioner Gauche of the French police has narrowed down the suspects to ten, and they are forced to eat together at every meal time in the ship's Windsor Suite until 'the Crime of the Century' is solved. But is the murderer really seated around the table, and can Erast Fandorin discover his or her identity before Gauche? As more passengers are murdered and Leviathan heads towards Calcutta, Fandorin needs all his investigative skills to find the truth. Boris Akunin's latest page-turner again transports the reader back to the late nineteenth century. In LEVIATHAN he pays homage to Agatha Christie with a cast of characters and a plot which grips you from the first page.
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