It is 1870, and Paris is in turmoil. As the social and political turbulence of the Franco-Prussian War roils the city, workers starve to death while aristocrats seek refuge in orgies and séances. The Parisians are trapped like rats in their beautiful city but a series of gruesome murders captures their fascination and distracts them from the realities of war.The killer leaves lines from the recently deceased Charles Baudelaire’s controversial anthology Les Fleurs du Mal on each corpse, written in the poet’s exact handwriting. Commissioner Lefèvre, a lover of poetry and a veteran of the Algerian war, is on the case, and his investigation is a thrilling, intoxicating journey into the sinister side of human nature, bringing to mind the brooding and tense atmosphere of Patrick Susskind’s Perfume.Did Baudelaire rise from the grave? Did he truly die in the first place? The plot dramatically appears to extend as far as the court of the Emperor Napoleon III. A vivid, intelligent, and intense historical crime novel that offers up some shocking revelations about sexual mores in 19th century France, this superb mystery illuminates the shadow life of one of the greatest names in poetry.
It is 1870, and Paris is in turmoil. As the social and political turbulence of the Franco-Prussian War roils the city, workers starve to death while aristocrats seek refuge in orgies and séances. The Parisians are trapped like rats in their beautiful city but a series of gruesome murders captures their fascination and distracts them from the realities of war.The killer leaves lines from the recently deceased Charles Baudelaire’s controversial anthology Les Fleurs du Mal on each corpse, written in the poet’s exact handwriting. Commissioner Lefèvre, a lover of poetry and a veteran of the Algerian war, is on the case, and his investigation is a thrilling, intoxicating journey into the sinister side of human nature, bringing to mind the brooding and tense atmosphere of Patrick Susskind’s Perfume.Did Baudelaire rise from the grave? Did he truly die in the first place? The plot dramatically appears to extend as far as the court of the Emperor Napoleon III. A vivid, intelligent, and intense historical crime novel that offers up some shocking revelations about sexual mores in 19th century France, this superb mystery illuminates the shadow life of one of the greatest names in poetry.
It is 1870, and Paris is in turmoil. As the social and political turbulence of the Franco-Prussian War roils the city, workers starve to death while aristocrats seek refuge in orgies and séances. The Parisians are trapped like rats in their beautiful city but a series of gruesome murders captures their fascination and distracts them from the realities of war.The killer leaves lines from the recently deceased Charles Baudelaire’s controversial anthology Les Fleurs du Mal on each corpse, written in the poet’s exact handwriting. Commissioner Lefèvre, a lover of poetry and a veteran of the Algerian war, is on the case, and his investigation is a thrilling, intoxicating journey into the sinister side of human nature, bringing to mind the brooding and tense atmosphere of Patrick Susskind’s Perfume.Did Baudelaire rise from the grave? Did he truly die in the first place? The plot dramatically appears to extend as far as the court of the Emperor Napoleon III. A vivid, intelligent, and intense historical crime novel that offers up some shocking revelations about sexual mores in 19th century France, this superb mystery illuminates the shadow life of one of the greatest names in poetry.
Dangerous Obsessions: Tight, taut and shocking, these stories all have warped love as the source of violence. Belgian/Flemish author, Bob Van Laerhoven, winner of the USA Best Book Award 2014 in the category “Mystery/Suspense” and the Hercule Poirot Prize with his controversial novel, Baudelaire’s Revenge, connects the fate of individuals with profound social changes. Van Laerhoven has been a travel writer in conflict-zones from 1990 until 2003 and echos of his experiences trickle through these confronting and thrilling tales, set in civil war-torn Algeria in the fifties, in a gypsy populated Polish concentration-camp during WWII, in a Peruvian border-town where stealing is a deadly art, in Liberia during the civil war in the nineties, and in Belgian Congo during the bloody uproar in the sixties. Omnia vincit amor—Love conquers all—the saying goes. But not our Dangerous Obsessions.
Dangerous Obsessions: Tight, taut and shocking, these stories all have warped love as the source of violence. Belgian/Flemish author, Bob Van Laerhoven, winner of the USA Best Book Award 2014 in the category “Mystery/Suspense” and the Hercule Poirot Prize with his controversial novel, Baudelaire’s Revenge, connects the fate of individuals with profound social changes. Van Laerhoven has been a travel writer in conflict-zones from 1990 until 2003 and echos of his experiences trickle through these confronting and thrilling tales, set in civil war-torn Algeria in the fifties, in a gypsy populated Polish concentration-camp during WWII, in a Peruvian border-town where stealing is a deadly art, in Liberia during the civil war in the nineties, and in Belgian Congo during the bloody uproar in the sixties. Omnia vincit amor—Love conquers all—the saying goes. But not our Dangerous Obsessions.
Tight, taut and shocking, these stories all have warped love as the source of violence. Belgian/Flemish author, Bob Van Laerhoven, winner of the USA Best Book Award 2014 in the category "Mystery/Suspense" and the Hercule Poirot Prize with his controversial novel, Baudelaire's Revenge, connects the fate of individuals with profound social changes. Van Laerhoven has been a travel writer in conflict-zones from 1990 until 2003 and echos of his experiences trickle through these confronting and thrilling tales, set in civil war-torn Algeria in the fifties, in a gypsy populated Polish concentration-camp during WWII, in a Peruvian border-town where stealing is a deadly art, in Liberia during the civil war in the nineties, and in Belgian Congo during the bloody uproar in the sixties. Omnia vincit amor-Love conquers all-the saying goes. But not our Dangerous Obsessions.
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