A major figure in American blues and folk music, Big Bill Broonzy (1903–1958) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s. His success came as he fused traditional rural blues with the electrified sound that was beginning to emerge in Chicago. This, however, was just one step in his remarkable journey: Big Bill was constantly reinventing himself, both in reality and in his retellings of it. Bob Riesman’s groundbreaking biography tells the compelling life story of a lost figure from the annals of music history. I Feel So Good traces Big Bill’s career from his rise as a nationally prominent blues star, including his historic 1938 appearance at Carnegie Hall, to his influential role in the post-World War II folk revival, when he sang about racial injustice alongside Pete Seeger and Studs Terkel. Riesman’s account brings the reader into the jazz clubs and concert halls of Europe, as Big Bill's overseas tours in the 1950s ignited the British blues-rock explosion of the 1960s. Interviews with Eric Clapton, Pete Townshend, and Ray Davies reveal Broonzy’s profound impact on the British rockers who would follow him and change the course of popular music. Along the way, Riesman details Big Bill’s complicated and poignant personal saga: he was married three times and became a father at the very end of his life to a child half a world away. He also brings to light Big Bill’s final years, when he first lost his voice, then his life, to cancer, just as his international reputation was reaching its peak. Featuring many rarely seen photos, I Feel So Good will be the definitive account of Big Bill Broonzy’s life and music.
This is the third and final volume of collected papers of A.W. Bob Coats. Coats began to collect material for this volume in the years following the publication of the second volume in 1993, but sadly died in 2007, before the work was completed. The volume has now been completed under the editorship of Roger Backhouse and Bruce Caldwell. Along with his articles, the compilation of the volume also reflects Coats’ interest in and commitment to book reviews, a selection of which have been chosen for inclusion. The book also includes a comprehensive bibliography. In addition to a preface by Backhouse and Caldwell, the volume also reproduces the obituary that was published in History of Political Economy, a memoir published in 1996, and an interview with Grant Fleming, published the previous year. Together, the introductory materials, articles and reviews serve as a fitting tribute to the body of work of Bob Coats.
Examining the blues genre by region, and describing the differences unique to each, make this a must-have for music scholars and lay readers alike. A melding of many types of music such as ragtime, spiritual, jug band, and other influences came together in what we now call the blues. Blues: A Regional Experience is the most comprehensive and up-to-date reference book of blues performers yet published, correcting many errors in the existing literature. Arranged mainly by ecoregions of the United States, this volume traces the history of blues from one region to another, identifying the unique sounds and performers of that area. Each section begins with a brief introduction, including a discussion of the region's culture and its influence on blues music. Chapters take an in-depth look at blues styles from the following regions: Virginia and the tidewater area, Carolinas and the Piedmont area, the Appalachians and Alabama, the Mississippi Delta, Greater Texas, the Lower Midwest, the Midwest, the Northeast, and California and the West. Biographical sketches of musicians such as B.B. King and T-Bone Walker include parental data and up-to-date biographical information, including full names, pseudonyms, and burial place, when available. The work includes a chapter devoted to the Vaudeville era, presenting much information never before published. A chronology, selected artists' CD discography, and bibliography round out this title for students and music fans.
Pop culture is the heart and soul of America, a unifying bridge across time bringing together generations of diverse backgrounds. Whether looking at the bright lights of the Jazz Age in the 1920s, the sexual and the rock-n-roll revolution of the 1960s, or the thriving social networking websites of today, each period in America's cultural history develops its own unique take on the qualities define our lives.American Pop: Popular Culture Decade by Decade is the most comprehensive reference on American popular culture by decade ever assembled, beginning with the 1900s up through today. The four-volume set examines the fascinating trends across decades and eras by shedding light on the experiences of Americans young and old, rich and poor, along with the influences of arts, entertainment, sports, and other cultural forces. Whether a pop culture aficionado or a student new to the topic, American Pop provides readers with an engaging look at American culture broken down into discrete segments, as well as analysis that gives insight into societal movements, trends, fads, and events that propelled the era and the nation. In-depth chapters trace the evolution of pop culture in 11 key categories: Key Events in American Life, Advertising, Architecture, Books, Newspapers, Magazines, and Comics, Entertainment, Fashion, Food, Music, Sports and Leisure Activities, Travel, and Visual Arts. Coverage includes: How Others See Us, Controversies and scandals, Social and cultural movements, Trends and fads, Key icons, and Classroom resources. Designed to meet the high demand for resources that help students study American history and culture by the decade, this one-stop reference provides readers with a broad and interdisciplinary overview of the numerous aspects of popular culture in our country. Thoughtful examination of our rich and often tumultuous popular history, illustrated with hundreds of historical and contemporary photos, makes this the ideal source to turn to for ready reference or research.
The current literature on consumerism is diverse, scattered, and unsystematic. This book remedies this by identifying the beginning of mass consumer society in the United States, starting with the New Deal. The New Deal framework of guaranteeing new home purchases by means of low down-payment, fixed-rate home mortgages lasted until the 1970s, at which time the legal framework unraveled due to a sustained attack on New Deal racism. Despite this, American consumerism continued and even flourished without a regulatory structure. This book analyzes seven key pieces of federal legislation which undergird American consumer society to this day.
Finally, after over 30 years of hagiographies, comes a book that sets the record straight and tells us the truth about Pierre Elliott Trudeau. In this unprecedented and meticulously researched sweep of the record, Globe and Mail bestselling author Bob Plamondon challenges the conventional wisdom that Trudeau was a great prime minister. With new revelations, fresh insights, and in-depth analysis, Plamondon reveals that the man did not measure up to the myth. While no one disputes Trudeau's intelligence, toughness, charisma, and the flashes of glamour he brought Canada, in the end the pirouettes were not worth the price.
Altemeyer begins by closely examining the scientific literature on right-wing authoritarianism. This timely volume surveys the history of social psychological research on right-wing authoritarianism and describes a more fruitful direction for future work. It concludes with a disturbing comment on the pervasiveness of authoritarian behaviour in our society.
Since the release of Halftime in 1994, more than 150,000 people have purchased that book and begun a journey from success to significance. In a way that no one could have predicted, Halftime started a widespread movement viewing midlife as an opportunity rather than a crisis. It helped men and women between the ages of 35 and 50 realize they may have another thirty years of active, vibrant living ahead of them. And, according to author Buford, retirement is not the optimal option. But now, many of the people who began the journey from success to significance have found themselves sidetracked, stuck in the middle of their transition. Stuck in Halftime coaches readers how to get past the barriers that stand in their way to maturity and fulfillment. It outlines eight "myths of halftime" and explains the new set of rules for this second half of life's journey. Combining practical guidance with personal stories of people who have become "unstuck," Stuck in Halftime renews the vision and determination of those who heard the "still, small voice of God" calling them to a life of significance.
Now with a new foreword, this timely reissue features a remarkable collection of oral histories that trace three decades of turbulent race relations and social change in the United States for a new generation of activists. One evening in 1955, Howard Spence, a Mississippi field representative for the NAACP investigating the Emmett Till murder, was confronted by Klansmen who burned an eight-foot cross on his front lawn. "I felt my life wasn't worth a penny with a hole in it." Twenty-four years later, Spence had become a respected pillar of that same Mississippi town, serving as its first Black alderman. The story of Howard Spence is just one of the remarkable personal dramas recounted in Black Lives, White Lives. Beginning in 1968, Bob Blauner and a team of interviewers recorded the words of those caught up in the crucible of rapid racial, social, and political change. Unlike most retrospective oral histories, these interviews capture the intense racial tension of 1968 in real time, as people talk with unusual candor about their deepest fears and prejudices. The diverse experiences and changing beliefs of Blauner's interview subjects—sixteen of them Black, twelve of them white—are expanded through subsequent interviews in 1979 and 1986, revealing as much about ordinary, daily lives as the extraordinary cultural shifts that shaped them. This book remains a landmark historical and sociological document, and an exceptional primary-source commentary on the development of race relations since the 1960s. Republished with a foreword by Professor Gerald Early, Black Lives, White Lives offers new generations of scholars and activists a galvanizing meditation on how divided America was then and still is today.
An unparalleled portrait of the Conservative Party and each of its nineteen leaders, Blue Thunder rollicks through 141 years of Canadian Conservative leadership. A sprawling, page-turning exposé, Blue Thunder draws upon a wealth of public and private material that Plamondon has enriched with fresh insights. Make no mistake. Blue Thunder is no hagiography. This is a warts-and-all portrait that examines in compelling and revealing detail the lows as well as the highs. Along the way myths are exposed, blame is assessed, and heroes are chosen. More analytically, Plamondon boldly sifts from the record what today's Conservatives need to learn from the past to be successful in the future. A captivating, entertaining and definitive look at the accomplishments and failures of Canadian Conservative leadership, Blue Thunder is a must read for anyone who follows Canadian politics today and an invaluable reference source for decades.
This story chronicles the adventures, dangers, humor, and beauty of private river rafters in the Grand Canyon. In addition, it is a call to arms in defense of an intelligent, non-toxic, recycling, biodegradable, and sustainable free market capitalism guided by reverence for the earth.
A major figure in American blues and folk music, Big Bill Broonzy (1903–1958) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s. His success came as he fused traditional rural blues with the electrified sound that was beginning to emerge in Chicago. This, however, was just one step in his remarkable journey: Big Bill was constantly reinventing himself, both in reality and in his retellings of it. Bob Riesman’s groundbreaking biography tells the compelling life story of a lost figure from the annals of music history. I Feel So Good traces Big Bill’s career from his rise as a nationally prominent blues star, including his historic 1938 appearance at Carnegie Hall, to his influential role in the post-World War II folk revival, when he sang about racial injustice alongside Pete Seeger and Studs Terkel. Riesman’s account brings the reader into the jazz clubs and concert halls of Europe, as Big Bill's overseas tours in the 1950s ignited the British blues-rock explosion of the 1960s. Interviews with Eric Clapton, Pete Townshend, and Ray Davies reveal Broonzy’s profound impact on the British rockers who would follow him and change the course of popular music. Along the way, Riesman details Big Bill’s complicated and poignant personal saga: he was married three times and became a father at the very end of his life to a child half a world away. He also brings to light Big Bill’s final years, when he first lost his voice, then his life, to cancer, just as his international reputation was reaching its peak. Featuring many rarely seen photos, I Feel So Good will be the definitive account of Big Bill Broonzy’s life and music.
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