Jacob Boden is a fifty-three-year-old recovering alcoholic, at odds with himself, his family and God. In an effort to overcome his loneliness and isolation, Jacob begins a fearless moral inventory of his past. Along the way, he shares his "love-at-first sight" encounter with Meg Roberts and the bittersweet relationship that ensues and becomes an obsession; recounts misadventures and scrapes with the law as he tries to adapt to family moves, new environments and changing societal values; describes the terror of fighting in the rice paddies of Vietnam; recalls experiences with drugs and alcohol on the back alleys of Saigon and streets of Washington D.C.; and reveals what it was like to rejoin society while suffering from alcoholism. Interwoven with dreams and reappearing alter-egos who help Jacob find his road in life, Four Steps from the Sycamore is the intense struggle of a man searching for meaning. Its open and honest appraisal of this journey provides each of us with permission to look into the darkest sides of our nature and find the demons that block the pathway to the soul.
Recipient of three National Endowment for the Arts grants and with works exhibited at the prestigious Biennale de Paris, New York’s Whitney Museum, the de Menil Collection in Houston, and other venues, Bob “Daddy-O” Wade started “keeping it weird” in 1961 when he arrived in Austin with his ’51 custom Ford hot rod and his slicked-back hair. Primed to study art at the University of Texas, Wade’s coif and dragster earned him his trademark moniker, and the abstract, welded sculptures he fashioned from automobile bumpers in his frat house basement laid the foundations for the distinctive, larger-than-life art pieces that would eventually make him famous. Daddy-O is the creator of the forty-foot iguana that perched atop the Lone Star Café in New York City, the immense cowboy boots (entered in the Guinness Book of World Records) outside San Antonio’s North Star Mall, and Dinosaur Bob, who graces the roof of the National Center for Children’s Illustrated Literature in Abilene, Texas. He is widely recognized as one of the progenitors of the “Cosmic Cowboy Culture” that emerged in Texas during the 1970s. Daddy-O’s Book of Big-Ass Art features images of more than a hundred of Wade’s most famous pieces, complete with the wild tales that lie behind the art, told in brief essays by both Wade and more than forty noted artists and writers familiar with Wade’s work.
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