Individuals are tools of production and consumption, relentlessly looking for pleasure that never comes. Their same "self" vanishes while attempting to fill up the emptiness of their existences completely dehumanized and possessed by the totalitarian law of profit. Neither old nor new values will never appease their plight while the social regime remains unaltered. Until the social room we all occupy is humanized, there is no chance for Man to finally be born, we'll keep being oppressed by the ruthless Leviathan, no matter if it disguises itself with the reassuring forms of civil rights and democracy. Democracy is not an alternative to totalitarianism, it is just one of the faces of dominion. It is nothing more than a good system to produce goods and accumulate money under peculiar circumstances. There's nothing left out of the iron grasp by Capital, its domination spreads from end to end across our entire world and place in the universe. The law of profit allows no option, it's despotic, and it appropriates of everybody and everything, and moves the individuals according to the invisible, yet overbearing and unstoppable, hand of necessity. As a consequence, the search for humanization and liberation of all Mankind goes necessarily through overcoming the actual social regime, for a world without social classes, money, trade, politics and power. The entire novel plays and rocks between reality and dream, and yet hallucination and actuality melt and confuse one another. One thing is Chimera, another is Utopia, but most of all, it's all happening now right now in front of each and every one of us while we're wide awake...
Crystal Dawn is an up-and-coming actress. She meets Jared Masters, one of the stars of the popular supernatural show Vampire City at her latest audition, and passion ignites. Tish Adams is an up-and-coming singer. She meets Derrick Brukner, the main star of Vampire City through her friend, Jared, and sparks fly. Bob London is a performer whose star is on the rise. He meets Tom Lemley when his life-long best friend, Crystal, invites him to the Vampire City wrap party. Things soon go from flirtatious to steamy as the couples spend unforgettable moments together and fall in love. But will love be enough to overcome meddling friends, betrayal, and death? Filled with romance, drama, and lots of humor, Hollywoods Pleasure, the first book in the Love in the City of Angels series, is a rollercoaster ride of emotion.
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Keenly observed and deeply grounded in contemporary Southern politics, "Blue Dixie" reveals the changing face of American politics in the South itself and its impact on the rest of the nation.
For 60 years, Bob Vereen has been a participant in-and observer of-the hardware industry, both in the U. S. and abroad. He ran a wholesale merchandising group, edited the industry's leading magazine for 30 years, founded a daily newspaper covering the National Hardware Show(r) as well as an international magazine called Worldwide Hardware, managed the Home Center Institute for a while, managed a trade association, the Worldwide DIY Council for 20 years and continues to be active in it currently. He was a key executive with the National Retail Hardware Association for decades, retiring in 1987 as senior vice president. He claims to have visited more than 10,000 hardware stores, lumberyards and home centers-which is probably understated. He continues to observe and write about the industry for a number of international hardware/home center publications.
The new edition of Electrical Principles for the Electrical Trades has been substantially revised and restructured to meet the needs of students and trade professionals in Electrotechnology. Each chapter is now comprehensively aligned to the knowledge and skills specified in units of competency in national training packages for an electrical trade qualification. These units include: UEENEEE104A Solve problems in DC circuits (CIII–Core, CII–Elective) UEENEEG101A Solve problems in electromagnetic devices and related circuits (CIII–Core) UEENEEK142A Apply environmentally and sustainable procedures in the energy sector (CIII–Core, CII–Elective) UEENEEG102A Solve problems in low voltage AC circuits (CIII–Core) UEENEEG006A Solve problems in single and three phase low voltage machines (CIII–Core) UEENEEG006A Solve problems in single and three phase low voltage machines (CIII–Core) UEENEEG109A Develop and connect electrical control circuits (CIII–Core) Written in a clear and concise manner, the text employs full-colour diagrams and photographs to illustrate key concepts and topics. The new design supports practical and effective learning. Features include: • New chapter on sustainable practices in the electrical trades • Examples with worked solutions • Improved chapter structure and layout to enhance readability and ease of use • Full-colour illustrative material • End-of-chapter summaries
One of the greatest entrepreneurial success stories of the past twenty years When a friend told Bernie Marcus and Arthur Blank that “you’ve just been hit in the ass by a golden horseshoe,” they thought he was crazy. After all, both had just been fired. What the friend, Ken Langone, meant was that they now had the opportunity to create the kind of wide-open warehouse store that would help spark a consumer revolution through low prices, excellent customer service, and wide availability of products. Built from Scratch is the story of how two incredibly determined and creative people—and their associates—built a business from nothing to 761 stores and $30 billion in sales in a mere twenty years. Built from Scratch tells many colorful stories associated with The Home Depot’s founding and meteoric rise; shows that a company can be a tough, growth-oriented competitor and still maintain a high sense of responsibility to the community; and provides great lessons useful to people in any business, from start-ups to the Fortune 500.
[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.
Ten Thousand Birds provides a thoroughly engaging and authoritative history of modern ornithology, tracing how the study of birds has been shaped by a succession of visionary and often-controversial personalities, and by the unique social and scientific contexts in which these extraordinary individuals worked. This beautifully illustrated book opens in the middle of the nineteenth century when ornithology was a museum-based discipline focused almost exclusively on the anatomy, taxonomy, and classification of dead birds. It describes how in the early 1900s pioneering individuals such as Erwin Stresemann, Ernst Mayr, and Julian Huxley recognized the importance of studying live birds in the field, and how this shift thrust ornithology into the mainstream of the biological sciences. The book tells the stories of eccentrics like Colonel Richard Meinertzhagen, a pathological liar who stole specimens from museums and quite likely murdered his wife, and describes the breathtaking insights and discoveries of ambitious and influential figures such as David Lack, Niko Tinbergen, Robert MacArthur, and others who through their studies of birds transformed entire fields of biology. Ten Thousand Birds brings this history vividly to life through the work and achievements of those who advanced the field. Drawing on a wealth of archival material and in-depth interviews, this fascinating book reveals how research on birds has contributed more to our understanding of animal biology than the study of just about any other group of organisms.
String band music is most commonly associated with the mountains of North Carolina and other rural areas of the Blue Ridge and Appalachian mountains, but it was just as abundant in Piedmont region of North Carolina, albeit with different influences and stylistic conventions. This work focuses exclusively on the history and culture of the area, the music's development and the changes within traditional communities of the Piedmont. It begins with a discussion of the settlement of the Piedmont in the mid-1700s and early references to secular folk music, including the attitudes the various ethnic and religious groups had on music and dance, the introduction of the fiddle and the banjo, and outside influences such as minstrel shows, Hawaiian music and classical banjo. It then goes on to cover African-Americans and string band music; the societal functions of square dances held at private homes and community centers; the ways in which musicians learned to play the music and bought their instruments; fiddler's conventions and their history as community fundraisers; the recording industry and Piedmont musicians who cut recordings, including Ernest Thompson and the North Carolina Cooper Boys; Bascom Lamar Lunsford and the Carolina Folk Festival; the influence of live radio stations, including WPTF in Raleigh, WGWR in Asheboro, WSJS in Winston-Salem, WBIG in Greensboro and WBT in Charlotte; the first generation of locally-bred country entertainers, including Charlie Monroe's Kentucky Partners, Gurney Thomas and Glenn Thompson; and bluegrass and musical change following World War II.
The private plane rolled down the runway a little after ten o'clock. From where he stood in the departure/arrival lounge, Paul saw Shihab strut down the stairs of the jet as if he owned it. Behind him was the man who would pull the trigger in the very near future. He was a small man, slightly balding, and walked with a limp. His eyes were piercing""not necessarily evil, but the message was clear. He was not looking to make a friend. It was as if his eyes were connected to a brain that might possibly deliver emotion""but not today.
Suggests ways of motivating employees by recognizing their accomplishments, including both formal and informal rewards; individual and group rewards; and special events, incentives, and contests.
This monograph articulates and defends a theory-based epistemology of modality (TEM). According to TEM, someone justifiably believe an interesting modal claim if and only if (a) she justifiably believes a theory according to which that claim is true, (b) she believes that claim on the basis of that theory, and (c) she has no defeaters for her belief in that claim. The book has two parts. In the first, the author motivates TEM, sets out the view in detail, and defends it against a number of objections. In the second, the author considers whether TEM is worth accepting. To argue that it is, the author sets out criteria for choosing between modal epistemologies, concluding that TEM has a number of important virtues. However, the author also concedes that TEM is cautious: it probably implies that we are not justified in believing some interesting modal claims that we might take ourselves to be justified in believing. This raises a question about TEM's relationship to Peter van Inwagen's modal skepticism, which the author explores in detail. As it turns out, TEM offers a better route to modal skepticism than the one that van Inwagen provides. But rather than being a liability, the author argues that this is a further advantage of the view. Moreover, he argues that other popular modal epistemologies do not fare better: they cannot easily secure more extensive modal justification than TEM. The book concludes by clarifying TEM’s relationship to the other modal epistemologies on offer, contending that TEM need not be a rival to those views, but can instead be a supplement to them.
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