Meet John Gullivan, age thirteen, obsessed with the moles that dot most of his body. Meet his brother Gully, who can't stop laughing at them. Now meet the brothers ten years later, in the middle of the most ferocious blizzard anyone can remember. Set in an Irish working-class suburb of Boston in the 1960s and 1970s, Puff centers on a quest as the soon-to-be-orphaned brothers, posing as rescue personnel, attempt to steer their dilapidated van through insurmountable snow, all to score a bag of pot. Trapped in their own ruse and forced to act the part of the saviors they are pretending to be, the brothers run into an endless stream of foes and obstacles: the cops, their childhood priest, a knife-wielding maniac, and the ill all stand in the way of their elusive high. A raucous caper, Puff is as hilarious as it is heartfelt and will resonate with old and young alike.
This captivating book presents innovative answers to the question: why storytelling? Each chapter represents leading edge narrative research designs from Arthur V. Mauro Institute for Peace and Justice in central Canada, one of the world’s leading academic programs for Peace and Conflict Studies (PACS), and a major contributor to PACS scholarship. The authors are candid and offer inspiration for other scholars seeking groundbreaking ideas for their own research design while offering profound expansions to the current PACS literature. The scholarship reflects a diversity of ideas, passions, approaches, disciplinary roots, and topic areas. Each chapter explores different and critical issues in the field of PACS through various forms of storytelling, while providing recent original research designs for the future development of the field and the education of its practitioners and academics. This volume, co-edited by three of the early graduates of the program, presents and explores a number of these issues across the broad spectrum of Peace and Conflict Studies. Contributors to the book are recognized scholars and practitioners in their respective fields. The book has a wide audience, targeting those particularly interested in tackling and understanding old conflicts in new ways, and for those seeking to learn at the growing edges of PACS, at the undergraduate, graduate, and post-graduate levels.
Here is the story of the outrageous talent and the fatal addictions of brilliant comedian, actor and star John Belushi. Told by Bob Woodward, the author of Veil, Wired was an acclaimed hardcover, and its mass market debut ties in to the upcoming movie release!
Bob Funk wanted to be a preacher -- to help people. Instead, he found another way to assist people in need -- finding them jobs. In the past quarter century, he has led Express Personnel Services to become to largest franchised, privately-held staffing company in the United States and has put millions of people to work."--Publisher's description
Coaching and mentoring are fast becoming essential aspects of modern managerial practice. With this growth comes an increasing number of students embarking on mentoring and coaching courses. The authors (well respected and trusted scholars in the field) provide an authoritative text with a comprehensive overview and critical grounding in the key concepts, models and research studies in coaching and mentoring and answer important questions such as `What does coaching and mentoring involve?', `What is its value?' and `How can the added value of mentoring and coaching be demonstrated?' Examples are drawn from a variety of sectors, including private businesses, public and voluntary organizations and schools. Contemporary debates are explained and chapters include features such as case studies, research questions and helpful tips to support the reader. To gain a wider perspective, there is a chapter which provides critical comment on the state of the art in the US, while the final chapter offers the first attempt at developing a unified theory of coaching and mentoring by drawing on their respective antecedents.
Fossil fuels don’t simply impact our ability to commute to and from work. They condition our sensory lives, our erotic experiences, and our aesthetics; they structure what we assume to be normal and healthy; and they prop up a distinctly modern bargain with nature that allows populations and economies to grow wildly beyond the older and more clearly understood limits of the organic economy. Carbon Nation ranges across film and literary studies, ecology, politics, journalism, and art history to chart the course by which prehistoric carbon calories entered into the American economy and body. It reveals how fossil fuels remade our ways of being, knowing, and sensing in the world while examining how different classes, races, sexes, and conditions learned to embrace and navigate the material manifestations and cultural potential of these new prehistoric carbons. The ecological roots of modern America are introduced in the first half of the book where the author shows how fossil fuels revolutionized the nation’s material wealth and carrying capacity. The book then demonstrates how this eager embrace of fossil fuels went hand in hand with both a deliberate and an unconscious suppression of that dependency across social, spatial, symbolic, and psychic domains. In the works of Eugene O’Neill, Upton Sinclair, Sherwood Anderson, and Stephen Crane, the author reveals how Americans’ material dependencies on prehistoric carbon were systematically buried within modernist narratives of progress, consumption, and unbridled growth; while in films like Charlie Chaplin’s Modern Times and George Stevens’s Giant he uncovers cinematic expressions of our own deep-seated anxieties about living in a dizzying new world wrought by fossil fuels. Any discussion of fossil fuels must go beyond energy policy and technology. In Carbon Nation, Bob Johnson reminds us that what we take to be natural in the modern world is, in fact, historical, and that our history and culture arise from this relatively recent embrace of the coal mine, the stoke hole, and the oil derrick.
This reissue of Bob Woodword’s classic book about John Belushi—one of the most interesting performers and personalities in show business history—“is told with the same narrative style that Woodward employed so effectively in All the President’s Men and The Final Days” (Chicago Tribune). John Belushi was found dead of a drug overdose March 5, 1982, in a seedy hotel bungalow off Sunset Boulevard in Hollywood. Belushi’s death was the beginning of a trail that led Washington Post reporter Bob Woodward on an investigation that examines the dark side of American show business—TV, rock and roll, and the movie industry. From on-the-record interviews with 217 people, including Belushi's widow, his former partner Dan Aykroyd, Belushi’s movie directors including Jack Nicholson and Steven Spielberg, actors Chevy Chase, Robin Williams, and Carrie Fisher, the movie executives, the agents, Belushi’s drug dealers, and those who live in the show business underground, the author has written a close portrait of a great American comic talent, and of his struggle to succeed and to survive that ended in tragedy. Using diaries, accountants’ records, phone bills, travel records, medical records, and interviews with firsthand witnesses, Woodward has followed Belushi’s life from childhood in a small town outside Chicago to his meteoric rise to fame. Bob Woodward has written a spellbinding account of rise and fall, a cautionary tale for our times, and a poignant and gentle portrait of a young man who had so much, gave so much, and lost so much.
More than seventy-five years after his death, Irving Thalberg remains a legendary Hollywood figure. In this definitive biography, his legend comes to life -- from his beginnings as the "Boy Wonder of Hollywood", to the creation with Louis B. Mayer of Metro-Goldwyn-Mayer, to his tragic death at the age of thirty-seven. With his remarkable talent for developing stars and doctoring scripts, this architect of the American film created some of America's best-loved movies: Ben-Hur, Mutiny on the Bounty, A Night at the Opera, Grand Hotel, Romeo and Juliet, The Good Earth, Camille. His genius has made his name a legend in the land of legends.
Meet John Gullivan, age thirteen, obsessed with the moles that dot most of his body. Meet his brother Gully, who can't stop laughing at them. Now meet the brothers ten years later, in the middle of the most ferocious blizzard anyone can remember. Set in an Irish working-class suburb of Boston in the 1960s and 1970s, Puff centers on a quest as the soon-to-be-orphaned brothers, posing as rescue personnel, attempt to steer their dilapidated van through insurmountable snow, all to score a bag of pot. Trapped in their own ruse and forced to act the part of the saviors they are pretending to be, the brothers run into an endless stream of foes and obstacles: the cops, their childhood priest, a knife-wielding maniac, and the ill all stand in the way of their elusive high. A raucous caper, Puff is as hilarious as it is heartfelt and will resonate with old and young alike.
Charles "Gus" Dorais (1891-1954) was the quarterback of Notre Dame's "Dorais to Rockne" tandem that revolutionized football's forward pass. A triple threat prep star from Chippewa Falls, Wisconsin, Dorais was a captain and undefeated four-year starter at Notre Dame, and the school's first consensus All-American in 1913. Over the next four decades, Dorais was a professional player in the pre-NFL days and a college football coach--notably at the University of Detroit--and then head coach of the Detroit Lions. During his career, he tallied more than 150 wins. A pioneer of offensive strategies, Dorais played with and coached against most of the prominent football legends of his time.
During the "Must See TV" 1990s, Americans enjoyed such immensely popular sitcoms as Friends, Seinfeld, Home Improvement and The Drew Carey Show. Shows that did not make the ratings cut numbered in the hundreds--the emergence of new networks and cable channels airing original programming resulted in a vast increase in short-lived sitcoms over the previous decade. Some of these "flops" were actually quite good and deserved a better fate. The author revisits them--along with the "dramedies" of the day--with detailed entries providing production and broadcast information, along with critical analyses, and recollections by cast and crew members. A subsection highlights sitcoms that returned for an abbreviated second season. Dozens of cast and crew photographs are included.
The ever-provocative author and presenter Bob sitze explores the question: What does the human brain have to do with the beliefs, practices, and structures of congregations? Weaving together clear, accessible explanations about the workings of the human brain. Sitze shows how a congregation's identity and behaviors are shaped by the work of individual members' brains as well as "the collected brain" of the congregation. Study groups will enjoy the "Big Question" Sitze asks throughout the book, as well as the discussion questions and follow-up activities included at the end of each chapter.
New technologies now offer accessibility to the medium of video and film for virtually anyone who feels they have something to say. You might be: someone who wants to create a video to share online; someone who wants to record and document everyday events that happen around you; a charity worker wanting to highlight the plight of the less fortunate, or a journalist keen to use film to explore social issues; an artist or a writer eager to experiment within an an audio visual medium; anyone who wants to step into a world of discovery and challenge, and learn new skills along the way.This book offers an abundance of hints, tips and practical advice that will help emerging film-makers discover an exciting form of expression, either for personal satisfaction or to make their mark in a highly competitive industry. It includes: deciding what kind of film you want to make; choosing a camera; choosing your subject matter; dealing with copyright; using music to enhance your film; working with professional actors; researching information and avoiding location problems; production meetings; budgets; schedules; conducting interviews for documentaries; digital editing; aound and lighting techniques; and, making your film stand out from the crowd.
This book deals with film depictions of Imperial Japan from the time it was a totalitarian power to the productions of recent years. It especially covers wartime depictions, as well as the historical events that inspire the stories behind these productions. In the 1930s, Hollywood gave us the likeable Mr. Moto at the same time Japan was set on its expansionist course. When war broke out, both the Allies and the Axis produced propaganda films that increased hatred for the enemy. In the postwar years as the Cold War took hold, the U.S. government encouraged friendship with their former wartime enemy. This book details correspondence between studio personnel and the Production Code office, as well as the critiques of film reviewers, historians and military figures from both sides of the conflict. Also examined are behind-the-scenes machinations from both the Japanese and American governments in the censorship of controversial film content.
Birdville School opened in 1922 on the corner of two dirt roads at the edge of a fallow farm. Over the next 67 school years it witnessed, and influenced, the unfolding story of the town that grew up around it, amid flood, brushfire, blizzard, tornado, and earthquake; poverty and prosperity; war, peace, and cold war; and even the collapse of the earth beneath its foundations. Its auditorium and cafeteria hosted PTA meetings, plays, movies, concerts, basketball tournaments, holiday parties, Girl Scout and Boy Scout meetings, polio vaccination clinics, and war-time rationing registrations and scrap-collection drives. Local sand-lot softball, baseball, and football teams competed in the same surrounding fields that swarmed with gleeful children at recess, and that echoed with the roar of low-flying aircrafts snagging mailbags on their tail hooks. Among its staff were thespians, musicians, firemen, outdoorsmen, and athletes, including a singer who performed in the Coolidge White House, a candidate for the state legislature, an army medic, and a ball player who faced off against the Homestead Grays and the Pittsburgh Pirates. By the time classes concluded for the last time in 1989, thousands of children - including the author - had benefitted from the care, instruction, and example of the Birdville School family. This book is a feeble tribute to those who made us who we are.
Traditionally, company leaders develop a business strategy based on bottom lines and profit margins, then hire an ad agency to back up that strategy with creative advertising. But history shows that some of the most effective branding campaigns are born when companies work with ad agencies to develop a business strategy that has a big, creative idea at its heart-what CEO of Euro RSCG Bob Schmetterer calls the Creative Business Idea. In Leap, Bob Schmetterer shows advertisers how to combine advertising creativity and bottom-line realities to develop winning business strategies and winning ad campaigns. He analyzes some of the most creative business ideas in history, showing how successful advertising and marketing strategies do more than simply communicate the brand-they define it. Advertisers know how to create demand for an existing brand, but Schmetterer argues that the next challenge for advertisers is to help their clients apply creative thinking to their core business strategy before they launch a branding blitz. Leap is about connecting the left brain and the right brain to develop solid business strategies that are also creative, fresh, and exciting. It's about mixing business's cold fixation on numbers with the warm heart of art and creativity to build revolutionary brands. It's about connecting with and listening to the client, understanding the business and the product, tapping into the client's passion for the product, and transmitting that passion to the consumer. It's about what happens when the business makes creativity part of its core strategy-enabling it to move beyond self-imposed boundaries and expand the limits of its reach. With a wealth of examples from Volvo to Purdue, Schmetterer shows ad agencies and managers how to help their clients develop the big, creative idea that will transform their businesses-and perhaps their industries. It's time for companies to make the Leap that synthesizes business and creativity to reap the full rewards of profitable innovation. BOB SCHMETTERER is Chairman and CEO of Euro RSCG Worldwide, a one of the world's top five global advertising and communications agencies with clients such as Intel, Peugeot, Air France, Orange, Abby National, MCI, Danone Group, Reckitt Benckiser, Volvo, and Yahoo!
Since they burst onto the scene in 1968, the San Diego Padres have taken fans on a roller coaster ride of ups, downs, and unforgettable moments. In Tales from the San Diego Padres Dugout, longtime Padres announcer Bob Chandler shares his memories of the team with Bill Swank in an easy-to-read recap of the team’s colorful past.
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