A true-life account of how the deceit, lies and incompetence of the US intelligence services led America, Britain and Australia into the most disastrous and bloody conflict of our generation.
“A crucial study in the political manipulation of intelligence, understanding how Curveball got us into Iraq will arm us for the next round of lies coming out of Washington.”—Robert Baer, author of See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism Curveball answers the crucial question of the Iraq war: How and why was America’s intelligence so catastrophically wrong? In this dramatic and explosive book, award-winning Los Angeles Times reporter Bob Drogin delivers a narrative that takes us to Europe, the Middle East, and deep inside the CIA to find the truth—the truth about the lies and self-deception that led us into a military and political nightmare. Praise for Curveball “Just when you thought the WMD debacle couldn’t get worse, here comes veteran Los Angeles Times national-security correspondent Drogin’s look at just who got the stories going in the first place. . . . Simultaneously sobering and infuriating—essential reading for those who follow the headlines.”—Kirkus Reviews “In this engrossing account, Los Angeles Times correspondent Drogin paints an intimate and revealing portrait of the workings and dysfunctions of the intelligence community.”—Publishers Weekly “An insightful and compelling account of one crucial component of the war's origins . . . Had Drogin merely pieced together Curveball's story, it alone would have made for a thrilling book. But he provides something more: a frightening glimpse at how easily we could make the same mistakes again. . . . The real value of Drogin's book is its meticulous demonstration that bureaucratic imperative often leads to self-delusion.”—Washington Monthly “Drogin delivers a startling account of this fateful intelligence snafu.”—Booklist “By the time you finish this book you will be shaking your head with wonder, or perhaps you will be shaking with anger, about the misadventures that preceded the misadventures in Iraq. This book is so powerful, it almost refutes its subtitle: The man called Curveball did not cause a war; he became a pretext—one among many.”—George F. Will
Bob Dylan transcends music. He has established himself as one of the most important figures in entertainment history. This biography examines the life and work of the iconic artist, including his groundbreaking achievements of the last two decades. In this thematically organized biography, cultural historian and prolific biographer Bob Batchelor examines one of the most important yet elusive figures in modern history. Rather than taking an exhaustive and cumbersome chronological approach to Bob Dylan's 50-plus year career, the author focuses on the most significant aspects of his life and accomplishments. This work examines the musician's life and career by placing him in the context of contemporary American history and culture. Dylan's music and lyrics are at the center of the analysis, while attention is also paid to how his image transformed as he moved from being the "voice of a generation" during the 1960s to becoming a bonafide rock and roll icon. Readers will appreciate the book for its in-depth, scholarly coverage that remains readable and engaging, and gain a full appreciation for Dylan's place in American history and cultural evolution.
In Dylan, Bob Spitz provides a dramatic yet clear-eyed view of the enigmatic guru of modern music. Drawing on hundreds of interviews with Dylan's family, friends, lovers and fellow musicians. Spitz presents the true Bob Dylan in a vast array of guises: the early years in small-town Minnesota, when Bobby Zimmerman - loner, gadabout and local weirdo - reinvented himself as Bob Dylan and set out to be a star; his struggle to conquer the night world of Greenwich Village in the early 1960s; the cataclysm that rocked the music world when he went electric; the mad years, when drugs and paranoia corrupted his gospel of peace and love; his flirtations with political causes, born-again Christianity, Orthodox Judaism and the glitter of superstardom.
“A crucial study in the political manipulation of intelligence, understanding how Curveball got us into Iraq will arm us for the next round of lies coming out of Washington.”—Robert Baer, author of See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism Curveball answers the crucial question of the Iraq war: How and why was America’s intelligence so catastrophically wrong? In this dramatic and explosive book, award-winning Los Angeles Times reporter Bob Drogin delivers a narrative that takes us to Europe, the Middle East, and deep inside the CIA to find the truth—the truth about the lies and self-deception that led us into a military and political nightmare. Praise for Curveball “Just when you thought the WMD debacle couldn’t get worse, here comes veteran Los Angeles Times national-security correspondent Drogin’s look at just who got the stories going in the first place. . . . Simultaneously sobering and infuriating—essential reading for those who follow the headlines.”—Kirkus Reviews “In this engrossing account, Los Angeles Times correspondent Drogin paints an intimate and revealing portrait of the workings and dysfunctions of the intelligence community.”—Publishers Weekly “An insightful and compelling account of one crucial component of the war's origins . . . Had Drogin merely pieced together Curveball's story, it alone would have made for a thrilling book. But he provides something more: a frightening glimpse at how easily we could make the same mistakes again. . . . The real value of Drogin's book is its meticulous demonstration that bureaucratic imperative often leads to self-delusion.”—Washington Monthly “Drogin delivers a startling account of this fateful intelligence snafu.”—Booklist “By the time you finish this book you will be shaking your head with wonder, or perhaps you will be shaking with anger, about the misadventures that preceded the misadventures in Iraq. This book is so powerful, it almost refutes its subtitle: The man called Curveball did not cause a war; he became a pretext—one among many.”—George F. Will
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