“A crucial study in the political manipulation of intelligence, understanding how Curveball got us into Iraq will arm us for the next round of lies coming out of Washington.”—Robert Baer, author of See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism Curveball answers the crucial question of the Iraq war: How and why was America’s intelligence so catastrophically wrong? In this dramatic and explosive book, award-winning Los Angeles Times reporter Bob Drogin delivers a narrative that takes us to Europe, the Middle East, and deep inside the CIA to find the truth—the truth about the lies and self-deception that led us into a military and political nightmare. Praise for Curveball “Just when you thought the WMD debacle couldn’t get worse, here comes veteran Los Angeles Times national-security correspondent Drogin’s look at just who got the stories going in the first place. . . . Simultaneously sobering and infuriating—essential reading for those who follow the headlines.”—Kirkus Reviews “In this engrossing account, Los Angeles Times correspondent Drogin paints an intimate and revealing portrait of the workings and dysfunctions of the intelligence community.”—Publishers Weekly “An insightful and compelling account of one crucial component of the war's origins . . . Had Drogin merely pieced together Curveball's story, it alone would have made for a thrilling book. But he provides something more: a frightening glimpse at how easily we could make the same mistakes again. . . . The real value of Drogin's book is its meticulous demonstration that bureaucratic imperative often leads to self-delusion.”—Washington Monthly “Drogin delivers a startling account of this fateful intelligence snafu.”—Booklist “By the time you finish this book you will be shaking your head with wonder, or perhaps you will be shaking with anger, about the misadventures that preceded the misadventures in Iraq. This book is so powerful, it almost refutes its subtitle: The man called Curveball did not cause a war; he became a pretext—one among many.”—George F. Will
“A crucial study in the political manipulation of intelligence, understanding how Curveball got us into Iraq will arm us for the next round of lies coming out of Washington.”—Robert Baer, author of See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism Curveball answers the crucial question of the Iraq war: How and why was America’s intelligence so catastrophically wrong? In this dramatic and explosive book, award-winning Los Angeles Times reporter Bob Drogin delivers a narrative that takes us to Europe, the Middle East, and deep inside the CIA to find the truth—the truth about the lies and self-deception that led us into a military and political nightmare. Praise for Curveball “Just when you thought the WMD debacle couldn’t get worse, here comes veteran Los Angeles Times national-security correspondent Drogin’s look at just who got the stories going in the first place. . . . Simultaneously sobering and infuriating—essential reading for those who follow the headlines.”—Kirkus Reviews “In this engrossing account, Los Angeles Times correspondent Drogin paints an intimate and revealing portrait of the workings and dysfunctions of the intelligence community.”—Publishers Weekly “An insightful and compelling account of one crucial component of the war's origins . . . Had Drogin merely pieced together Curveball's story, it alone would have made for a thrilling book. But he provides something more: a frightening glimpse at how easily we could make the same mistakes again. . . . The real value of Drogin's book is its meticulous demonstration that bureaucratic imperative often leads to self-delusion.”—Washington Monthly “Drogin delivers a startling account of this fateful intelligence snafu.”—Booklist “By the time you finish this book you will be shaking your head with wonder, or perhaps you will be shaking with anger, about the misadventures that preceded the misadventures in Iraq. This book is so powerful, it almost refutes its subtitle: The man called Curveball did not cause a war; he became a pretext—one among many.”—George F. Will
In Dylan, Bob Spitz provides a dramatic yet clear-eyed view of the enigmatic guru of modern music. Drawing on hundreds of interviews with Dylan's family, friends, lovers and fellow musicians. Spitz presents the true Bob Dylan in a vast array of guises: the early years in small-town Minnesota, when Bobby Zimmerman - loner, gadabout and local weirdo - reinvented himself as Bob Dylan and set out to be a star; his struggle to conquer the night world of Greenwich Village in the early 1960s; the cataclysm that rocked the music world when he went electric; the mad years, when drugs and paranoia corrupted his gospel of peace and love; his flirtations with political causes, born-again Christianity, Orthodox Judaism and the glitter of superstardom.
Bob Dylan transcends music. He has established himself as one of the most important figures in entertainment history. This biography examines the life and work of the iconic artist, including his groundbreaking achievements of the last two decades. In this thematically organized biography, cultural historian and prolific biographer Bob Batchelor examines one of the most important yet elusive figures in modern history. Rather than taking an exhaustive and cumbersome chronological approach to Bob Dylan's 50-plus year career, the author focuses on the most significant aspects of his life and accomplishments. This work examines the musician's life and career by placing him in the context of contemporary American history and culture. Dylan's music and lyrics are at the center of the analysis, while attention is also paid to how his image transformed as he moved from being the "voice of a generation" during the 1960s to becoming a bonafide rock and roll icon. Readers will appreciate the book for its in-depth, scholarly coverage that remains readable and engaging, and gain a full appreciation for Dylan's place in American history and cultural evolution.
Previously published as Invisible Republic and already considered a classic of modern American cultural criticism, The Old, Weird America is Greil Marcus's widely acclaimed book on the secret music (the so-called "Basement Tapes") made by Bob Dylan and the Band while in seclusion in Woodstock, New York, in 1967--a folksy yet funky, furious yet hilarious music that remains as seductive and baffling today as it was more than thirty years ago. As Mark Sinker observed in The Wire: "Marcus's contention is that there can be found in American folk a community as deep, as electric, as perverse, and as conflicted as all America, and that the songs Dylan recorded out of the public eye, in a basement in Woodstock, are where that community as a whole gets to speak." But the country mapped out in this book, as Bruce Shapiro wrote in The Nation, "is not Woody Guthrie's land for made for you and me . . . It's what Marcus calls 'the old, weird America.'" This odd terrain, this strange yet familiar backdrop to our common cultural history--which Luc Sante (in New York magazine) termed the "playground of God, Satan, tricksters, Puritans, confidence men, illuminati, braggarts, preachers, anonymous poets of all stripes"--is the territory that Marcus has discovered in Dylan's most mysterious music. And his analysis of that territory "reads like a thriller" (Ken Tucker, Entertainment Weekly) and exhibits "a mad, sparkling brilliance" (David Remnick, The New Yorker) throughout. This new edition of The Old, Weird America includes an updated discography.
On October 13, 2016, it was announced that Bob Dylan had been awarded the Nobel Prize for Literature, recognizing his countless contributions to music and letters over the last fifty years. Some months later, he delivered a lecture that will now be available in book form for generations to come. In it, he reflects on his life and experience with literature, giving readers a rare and intimate look at an American icon. From being inspired by Buddy Holly to the novels that helped shape his own approach to writing (The Odyssey, Moby Dick, and All Quiet on the Western Front), this is Dylan like you've never seen him before.
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