“To millions there has never a fighter like Jack Dempsey, and there never will be again.” Originally published in 1960, this is the autobiography from boxing heavyweight champion Jack Dempsey himself, as told to U.S. sports writers Bob Considine and Bill Slocum.
Check out the first ever biography on the popular drag racer, Butch “The California Flash” Leal. Born and raised in central California, Larry “Butch” Leal was obsessed with cars from a very early age. What began with field cars turned into hard work and new Chevrolets. This took place when the golden era of drag racing was in its infancy, and Leal joined with enthusiasm. He performed well at the track with his early Chevys and had an impressive number of wins before he was out of high school. His success brought him plenty of attention and collaboration with other big names in the sport. In 1963, GM pulled out of the sport on an official basis. As a result, Butch (at age 19) teamed up with Mickey Thompson and joined the Ford camp, securing a ride with the factory team and its new Thunderbolts for 1964. After his success that season, including winning the Super Stock (S/S) class at the 1964 NHRA US Nationals in Indianapolis, Chrysler came calling, and Butch signed on to race the new altered-wheelbase cars in match races for 1965, as the NHRA did not have a class for these new “funny” looking cars. While Leal dabbled again with Ford and Chevrolet later, his relationship with Chrysler lasted well into the following decades, running both Funny Cars and Super Stockers. Penned by talented automotive historian Bob McClurg, who was there for it all, and featuring full collaboration with the book’s subject, Butch “The California Flash” Leal covers the span of his fascinating career during arguably the most interesting era in drag racing history. Butch was an 11-time NHRA champion and 4-time recipient of Car Craft Magazine’s All-Star Driver of the Year award in a career that spanned the 1960s through the 1990s. It’s all here, the events, great vintage photography, and the stories from one of the best storytellers the NHRA has ever known. Add this entertaining volume to your drag racing library today.
This is the fourteenth of a series of novels that revolve around JP Parker a 100 year old retired New York City private detective from the 30s, 40s, and 50s. The novels are his first person recollections as told to a young writer who is compiling them into book form. They deal with his most notable cases and the famous people who crossed his path. This time Parker is hired by an old friend to act as a body guard when he picks up some top secret materials from the government. After the detective's con man ex father-in-law also hires him, Parker finds himself drawn into, not one but two, secret government projects. How are these seemingly unrelated people and everts tied together? How can the private detective get to the bottom of the complicated mess when no one will tell him the truth? In a case that takes him across the country to risk his life for his friend, Parker becomes involuntarily involved with the FBI, terrorists, organized crime, and murder.
Writing in a golden age of sports, Bob Markus, like a Zelig or a Forrest Gump, was present at many of the most famous-or infamous--sports events of that time. He was there for the Franco Harris Immaculate Reception", for the tragic 1972 Munich Olympics and the stunning upset of the United States basketball team by the Russians, with an assist by the game officials, for the over-hyped Bobby Riggs-Billie Jean King tennis match, for the first Muhammad Ali-Joe Frazier heavyweight Championship Fight and several college football so-called games of the century. The athletes he interviewed and wrote about included Ali, Joe Frazier, Michael Jordan, Jack Nicklaus, Arnold Palmer, Roberto Clemente, Mario Andretti and Joe DiMaggio. Here are many of his best columns and stories, interspersed with the story of his own sports writing life. You'll read of the day Ali admitted to him he was afraid each time he stepped in a ring and of the tragic 1973 Indianapolis 500 in which driver Swede Savage, a good friend was killed. And, you'll read about office politics and behind the scenes maneuvering that resulted in one man's journey from ecstasy to angst.
From the pivotal crossover from bare knuckles to gloves, when John L. Sullivan was the No. 1 sports celebrity in the United States, despite blacks such as Sam Lanford being prohibited from fighting white world champions, through the forties with Willie Pep and Sandy Saddler, to Rocky Marciano ruling the fifties, Marvelous Marvin Hagler prominent as one of the Four Kings (Sugar Ray Leonard, Roberto Duran and Tommy Hearns) during the eighties, up to contemporary times with the lone active fighter, Demetrius Andrade. Who are New England's greatest boxers of all-time, in order, from 1 to 25?
Someone lucky enough to live on Milwaukee’s near north side between 1888 and 1952 could experience the world without ever leaving the neighborhood. Nestled between North Seventh and Eighth Streets and West Chambers and Burleigh, Borchert Field was Milwaukee’s major sports venue for 64 years. In this rickety wooden stadium (originally called Athletic Park), Wisconsin residents had a close-up view of sports history in the making, along with rodeos, thrill shows, and even multiple eruptions of Mount Vesuvius. In Borchert Field, baseball historian Bob Buege introduces the famous and fascinating athletes who dazzled audiences in Milwaukee’s venerable ballpark. All the legendary baseball figures—the Bambino, Satchel Paige, Ty Cobb, Joltin’ Joe, Jackie Robinson, the Say Hey Kid—played there. Olympic heroes Jim Thorpe, Babe Didrikson, and Jesse Owens displayed their amazing talents in Borchert. Knute Rockne’s Fighting Irish competed there, and Curly Lambeau’s Green Bay Packers took the field 10 times. Buege tells stories of other monumental moments at Borchert as well, including a presidential visit, women ballplayers, the arrival of television broadcasting, the 1922 national balloon race, and an appearance by scat-singing bandleader Cab Calloway. Borchert Field is long gone, but every page of this book takes readers back to the sights, sounds, and spectacle of its heyday.
A love letter to the game of baseball from one of America's foremost scribes Bob Ryan has scored every baseball game he's attended, at every level, since the start of the 1977 season. It's a deeply personal tradition still going strong at more than 1,400 games and counting. The tattered scorebooks he's filled are worn from age, travel, and countless summer days, but their grids and scrawled symbols tell the stories of milestones, rivalries, rare historic achievements, and more. In Scoring Position captures the incomparable spirit of baseball, with its infinite possibilities and madcap anomalies. Ryan, alongside baseball historian and statistician Bill Chuck, has scoured his scorecard archives for the most singular events—a switch-hitter being hit by a pitch from both sides of the plate in the same game; a player batting for the cycle off four different pitchers; even back-to-back pinch-hit home runs with two outs in the 9th. Featuring some of the game's biggest names and wildest scenarios, this is a fascinating romp through baseball history, exuding a pure zeal for this sport that fans of all teams will recognize in themselves. Part of the collection at the library of the National Baseball Hall of Fame and Museum, this volume also features reproductions of dozens of scorecards from Ryan's collection.
Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!
From 'A Low Blow' to 'Went the Distance', a fascinating and lively examination of the regular use of terms from the boxing ring in our everyday language. Have you ever stopped to notice how often your local newspaper or favourite magazine uses the terms 'On the Ropes', 'The Gloves Are Off' and 'Knockout Punch'? How often TV newsreaders will say that a politician has "Thrown His hat in the Ring', is a 'Big Hitter', is 'Taking it on the Chin', is 'Down for the Count' or has the 'Killer Instinct'? Knight of the realm, leading businessman, colourful and controversial commentator, and boxing aficionado Sir Robert — Bob —Jones certainly has. Over a period of years he made careful note of how often terms cropped up and then retraced their etymological origins in boxing history. The result is a lively, entertaining, and thought-provoking miscellany of boxing terms that are now part of our everyday English language. Some have strayed far from their original meanings, others are more frequently in use now than at any other time. Jones asks why that might be, and his answers are, well, a knockout.
If you are stupid, then you're too dumb to know it. If you're smart, then you are no doubt smart enough to doubt yourself. --Bob Fenster The Big Book of Duh! is the perfect read regardless of where you happen to be sitting--think Uncle John's Bathroom Reader meets The Darwin Awards (without any of the dreary dead stuff). Proving there is a lot of reading going on in suburbia's smallest room, more than 1.5 million copies of Uncle John's Bathroom Reader have been sold since its first publication in 1988. As the new water-closet contender, Bob Fenster continues his romp into areas of idiot intrigue by chronicling the folly and reckless abandon of the human race. * Covering such topics as My Favorite Morons, It Seemed Like a Good Idea at the Time, The Surprising Things People Don't Know, and Dumb Plays in the Face of Fate, this compendium chronicles the densely inept and decidedly ignorant. * Featuring outrageous new stories plus the best material from the previous Duh! books, this compilation is the ultimate collection of human stupidity.
The seeds of a killer are sown as Billy Bonner suffers torture at the hands of his father and two older brothers on the family farm in Iowa. He commits his first two acts of murder when he is just twelve years old, and he spends the rest of his life avenging the abuse his family perpetrated on him. Forty-two-year-old Nick Powers, a seventeen-year veteran of the New York City Police Department, is assigned to investigate a special case. A serial killer is on the loose in New York City. Targeting victims over the age of sixty, this murderer disguises himself as a charming deliveryman, policeman, or priest. After gaining entrance to the victims homes, he hangs the women by their ankles while they bleed to death, and then he removes their eyes. The notes left at the scenes read: She should have seen. Powers vows to catch this diabolical killer who has successfully eluded twenty police departments for twenty years. But the chase becomes personal when the killer contacts Powers and threatens to harm his family
When Edwin Henderson introduced the game to Washington, D.C., in 1907, he envisioned basketball as a way for more outstanding black student athletes to excel at northern white colleges and debunk negative stereotypes of the race. Almost simultaneously, black basketball was catching on quickly in New York. Kuska establishes that these two cities served as the birthplace of the black game.
Clemson: Where the Tigers Play is the most comprehensive book ever written on Clemson University athletics. This book chronicles over 100 years of Tiger athletics, listing yearly accounts of statistics, records, bowl and tournament appearances, and historical moments. Read about the legends that put the Clemson Tigers on the map, including Banks McFadden, John Heisman, Rupert Fike, Frank Howard, Fred Cone, Bruce Murray, Bill Wilhelm, and I.M. Ibrahim. Also included are vignettes on some of Clemson's greatest moments -- the 1981 national football championship, the 1984 and 1987 national championship soccer seasons, College World Series appearances, the Frank Howard era, and the inaugural running down the hill in Death Valley.
WINNER OF THE NOBEL PRIZE IN LITERATURE The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan. 'I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.' So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan’s eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan’s New York is a magical city of possibilities - smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book’s side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times. By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan’s thoughts and influences. Dylan’s voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art. 'Chronicles stunned everyone . . . [it's] clear, apparently frank, unremittingly serious about his musical influences and exquisitely written. It is, in fact, a masterpiece' Sunday Times 'Entertaining and surprisingly deprecating... The book's structure is elegant . . . Chronicles is tautly written, vividly cinematic, and funny . . . a courageous little book' Financial Times 'There is something on every page, in every paragraph, that demands attention . . . In rock and roll terms, this book is like discovering the lost diaries of Shakespeare. It may be the most extraordinarily intimate autobiography by a 20th-century legend' Daily Telegraph
When the tornado roared across southern Missouri, southern Illinois, and southwestern Indiana for many hours during the afternoon on March 18th in 1925, there was now way that people along the tornado path would know it was occurring before they could see it. This was because there was no radar systems then and the National Weather Service was not able to let people know that a tornado was going to occur or that there was a tornado already occurring since they did not know much about tornadoes. So, the only way a person then was able to know that a tornado was occurring and it was going to hit them was when they were able to see it close to where they were and realize that it was a tornado. This story shows in Franklin, Hamilton, and White Counties in Illinois what some people saw and what they did, and what happened to them when the tornado hit them. This story also has many detailed maps across the townships in Franklin, Hamilton, and White Counties in Illinois that show where many peoples homes, many schools and churches, and other things were located when they were hit by the tornado and damaged or destroyed. Some of the maps also show where some people landed after they were blown well away from there home. There are also some pictures in this story that shows what some homes, schools and other things looked like when they were damaged or damaged by the tornado. And a few of them show what they looked like before they were hit by the tornado. Some of the eyewitnesses of this tornado that I net with and went on driving surveys with are shown on pictures in this book.
Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!
Recording Artists don't always enjoy success with their first release. A hit record relies on any number of factors: the right song, a memorable performance, a healthy promotional budget, great management, a spot of luck, and even some intangibles. Take choice of a name. For a single artist, duo, vocal group or band, the name can carry a lot of weight. Some recording artists changed their name to appeal to an entirely different demographic, like when country superstar Garth Brooks recorded as Chris Gaines to score on the pop charts. The Beefeaters became the Byrds—and they spelled the band name with a "y" in the wake of the meteoric success of the Beatles, whose letter "A" turned the image of a nasty bug into something intriguing. Paul Simon and Art Garfunkel amassed a litany of aliases—Simon went by True Taylor, Jerry Landis, and Paul Kane; Art Garfunkel as Artie Garr; together they were Tom & Jerry before finally using their very ethnic-sounding given names. Bob Leszczak has amassed several hundred examples of musical pseudonyms in The Encyclopedia of Pop Music Aliases, 1950-2000, describing the history of these artists from their obscure origins under another name to their rise to prominence as a major musical act. Music trivia buffs, rock historians, and popular music fans will uncover nugget after nugget of eye-opening information about their favorite acts and perhaps learn a thing or two about a number of other acts. Leszczak goes the extra yard of gathering critical data directly from many of these famous recording artists through in-person interviews and archival research. Whether skipping around randomly or reading from cover-to-cover, readers will find The Encyclopedia of Pop Music Aliases, 1950-2000 a must-have for that music library.
Three months after the assassination of John F. Kennedy, two prizefighters named Charles “Sonny” Liston and Cassius Marcellus Clay Jr. stepped into a boxing ring in Miami to dispute the heavyweight championship of the world. Liston was a mob fighter with a criminal past, and rumors were spreading that Clay was not just a noisy, bright-eyed boy blessed with more than his share of the craziness of youth, but a believer in a shadowy cult: the Nation of Islam. Neither could be a hero in the eyes of the media. Against this backdrop of political instability, of a country at war with itself, in a time when ordinary African-American people were maimed and killed for the smallest acts of defiance, Liston and Clay sought out their own individual destinies. Liston and Ali follows the contrasting paths these two men took, from their backgrounds in Arkansas and Kentucky through to that sixteen-month period in 1964 and 1965 when the story of the world heavyweight championship centered on them and all they stood for. Both Ali and Liston’s tracks are followed as their paths diverge: Ali going on to greatness with his epic fights and Liston catapulted back into oblivion until his mysterious death in 1970. Using original source material, it explores a riveting chapter in sports history with fresh insight and striking detail. Liston and Ali is a valuable addition to the literature about these world icons and their opponents.
In his fourth book on President George W. Bush and his controversial 'War on Terror,' Bob Woodward takes us behind closed doors, into the hidden rooms of the White House, the Pentagon, the State Department, and US intelligence agencies, where the details of the wars in Iraq and Afghanistan were fiercely debated and eventually determined. Today, the Iraq War is a major source of contention around the world, and may become the defining political, social and moral issue of this brief period in American history. In an attempt to understand the Bush presidency, and its divisive legacy, Woodward examines this conflict at its source: in Washington D.C. This fast-paced, groundbreaking book includes never-before-published information, as Woodward draws upon his vast experience a veteran political journalist to provide a richly detailed and meticulously researched examination of the war in Iraq over the past two years. In The War Within, Woodward expands upon his study of the Bush administration in his previous three books, with his signature authoritative, measured, and deeply human sense of perspective.
Oregon has its share of playmakers, dramatic finishes and legendary coaches. With humor and insight, Oregon native and longtime sportswriter Bob Robinson relates highlights from six decades of coverage throughout the state. Blazermania overruns the Rose City as the Trail Blazers take down the favored Philadelphia 76ers in 1977. Oregon State's Orange Express, coached by Ralph Miller, captivates the state in 1981 before a shocking stumble in the NCAA playoffs. University of Oregon's Bill Dellinger kickstarts the school's distance-running tradition with a stunning win in 1954. In the 1970s, Mouse Davis performs coaching magic at Portland State with his Run and Shoot football offense. In these twenty essays, Robinson offers a unique, behind-the-scenes account of some of Oregon's greatest sports moments and game-changing personalities.
Scales on War is a collection of ideas, concepts and observations about contemporary war taken from over 30 years of research, writing and personal experience by retired Major General Bob Scales. The book melds Scales’ unique style of writing that includes contemporary military history, current events and his philosophy of ground warfare to create a very personal and expansive view of where Americn defense policies are heading in the future. The book is a collection. Each chapter addresses distinct topics that embrace tactical ground warfare, future gazing, the draft and the role of women in the infantry. His uniting thesis is that throughout its history the United States has favored a technological approach to fighting its wars and has neglected its ground forces. America’s enemies have learned though the experience of battle how to defeat American technology. The consequences of a learning and adaptive enemy has been a continuous string of battlefield defeats. Scales argues that only a resurgent land force of Army and Marine small units will restore America’s fighting competence.
In Modernism the Morning After, Bob Perelman scrutinizes a number of long-held modernist dogmas in order to articulate a more capacious model for thinking about modernism-past, present, and future. Throughout his career, Perelman has focused on the persistence of modernist ambition in poetry, with all of its admirable articulations and tragicomic short-circuits. Poetry, it turns out, is not simply "news that stays news," as Ezra Pound postulated. Instead, as Perelman demonstrates, poetry often gropes toward whatever news can be found in the broader contexts of public speech-the cultural commons, the almost-real or much-too-real language of people and our hyperactive media. Book jacket.
The history of hot rodding and performance cars has been well chronicled through the years. Books and magazines have covered the cars, builders, pioneers, engineers, early racers, muscle cars, street racers, etc. Most take a nostalgic and fun look at the cars that many have loved their entire lives. Some even cover the lifestyle, the hobby as it involves people, and the effort, time, and commitment people put into it. It is more than just a hobby to most, and to many, a certain wave of nostalgia comes over them when remembering what the car scene was like "back in the day." The local speed shop is an important element of the nostalgic feeling that people have when fondly remembering their hot rodding youth. Speed shops were not just parts stores, they were a communal gathering place for car guys wanting to talk smart, bench race, and catch up on the local scene, as well as to solicit the expert advice from the owner or staff behind the counter. Here, longtime hot rodder and industry veteran Bob McClurg brings you the story of the era and the culture of speed shops as told through individual shop's histories and compelling vintage photography. He covers the birth of the industry, racing versus hot rodding, mail-order, and advertising wars. You learn about the performance boom of the 1960s and 1970s, lost speed shops as well as survivors, and a overview of the giant mail-order speed shops of today.
With rare exceptions, serious intentional, reflective and sustained interfaith encounter is a novel and recent enterprise. This book looks in detail at one such encounter--the intentional recent Hindu-Christian dialog in India--and asks why and how the practice of dialog came to replace previous attitudes of confrontation and monologue (especially on the part of Christians). Part I sets the encounter in its global context. Part II offers a comprehensive and critical analysis of the actual encounter. Part III draws on aspects of the Christian tradition as it critically examines the ways in which the dialog has been justified in Christological categories. A final chapter discusses the future of the encounter. Unlike many other works in the area of interfaith studies, this work combines both descriptive detail of the actual encounter and critical theological analysis of the strengths and weakness of the dialog model.
The result of 15 years of exhaustive research, this work is the definitive statistical and factual reference for everything related to college football in the past 50 years.
With sales in the millions backing him up, Bob Phillips proves that kids—and parents—love good, clean joke books! The laughter never ends as kids share juicy jokes, quacky quips, and zany zappers.
For readers of Paulette Jiles and Gil Adamson, a 19th-century tale of a father’s greatest regret and path to redemption Devastated at his wife’s death and stricken at raising two girls and a boy on his own, Arthur Delaney places his children in a Halifax orphanage and runs off to join the Union Army in the American Civil War. The trauma of battle and three years in a disease-ridden prisoner-of-war prison changes his perspective on life and family. After the war, Delaney odd-jobs his way up the American east coast and catches a schooner to Halifax. There he discovers the orphanage has relocated to a farm in rural Nova Scotia. His children are not there. They and others had been sold and resold as farm workers and house servants through the Maritime provinces, as well as Quebec and Ontario. Their whereabouts is unknown. Arthur Delaney sets out on a punishing 20-year journey across Canada to find them. This is a heartbreaking, beautifully told story of a father’s attempt to reconnect with his children
Critical facsimile edition making crucial modernist texts available for the first time since 1931 Restores a rare but highly influential modernist anthology to print in a new critical facsimile editionProvides extensive scholarly commentary, analyses, and newly discovered biographical information, setting the anthology in its broader cultural contextOffers the first collection of avant-garde writing designed to be read on a 'reading machine' invented by the American expatriate poet Bob BrownIncludes both Craig Saper's new Introduction and a separate chapter on the Contributors and their readies. Saper is the leading scholar of Bob Brown's work as well as an important scholar of experimental writing, media, publishing, and artThis new edition of Bob Brown's groundbreaking collection of modernist writing experiments has been out of print since 1931, when Brown's Roving Eye Press originally published it. Only a few copies exist in archives today. The contributors include major modernist writers such as Gertrude Stein, William Carlos Williams, F. T. Marinetti, Eugne Jolas and Ezra Pound, key social realists like Kay Boyle and James T. Farrell and daring queer novelists and artists including Charles Henri Ford and Sidney Hunt. Providing extensive scholarly commentary, analyses and newly discovered biographical information, this book sets the anthology in its broader cultural context. This is an essential resource for those interested in print and book history, the politics and culture of the expatriate avant-garde and the reading machine's impact on reading, writing and literacy.
Less than 45 miles from San Francisco and Silicon Valley, La Honda is an isolated rural community nestled in the majestic coastal redwood forests of the Santa Cruz Mountains. Pioneers in the late 19th century were loggers and ranchers who competed against grizzly bears and mountain lions for food. Outlaws like the Younger brothers (partners with Jesse James) used La Honda's isolation to avoid justice. Gradually the community became a mountain retreat for cityweary San Franciscans, and in the 1960s, La Honda was home to One Flew Over the Cuckoo's Nest author Ken Kesey and his psychedelic Merry Pranksters. Today's La Honda is an enigma--its size and character have barely changed while the rest of the San Francisco Peninsula has exploded around it.
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