Offers the memoirs of a cowboy and cattleman who left his Texas home at the age of twelve and worked at various ranches before becoming an active participant in Montana's cattle industry
After Lucky, photographer Bob Soltys' Jack Russell terrier, suffered a near-death experience in t he Rocky Mountains, he decided to tell his life story with some help from his Dad. A Lucky Life begins with Lucky's long night and uncertain future, telling about a dog's twelve-year journey across America with a photographer, making friends and opening doors for his Dad along the way. Lucky's Dad illustrated text with black and white photos he took over the last twelve years, showing you magic moments are everywhere if you're open to seeing them." -- Back cover
Twenty Miles of Fence recounts a decade of transformation when Bob West, a westerner at heart, decided to escape the pretense of his unfulfilling architectural life and to become, quite simply, a cowboy. A cowboy? That old cliché about biting off more than you can chew fittingly describes the lessons learned when West and his family bought the Devil’s Washtub Ranch in Wyoming. Already owning two horses, housed in a stylish stable on five acres near the yuppie haven of Boulder, Colorado, West soon discovered that ownership of two horses does not equal twenty miles of fence, 3,200 deeded acres, 400 BLM acres, 154 head of black angus, two and a half miles of the North Laramie River—and what would become for him the very best of times. Little did West know how those years would test him, inspire him, and lead him back to his true character.
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
I have always enjoyed writing poetry, but what prompted me to share this composition with you, the reader, is that each poem has had such a positive influence on others, as well as on me.Poetry can and has changed lives in my family and people around the world.I love my family! Sure, there have been some ups and downs. That is part of life. That is what inspired this writer for yet another title.I learned early in life to share, so here's to you, my fellow readers! May you enjoy this book as much as I have enjoyed the journey in the composing of each poem.
From the publishers of The Unofficial Guide to Walt Disney World "A Tourist's Best Friend!" —Chicago Sun-Times "Indispensable" —The New York Times Five Great Features and Benefits offered ONLY by The Unofficial Guide: More than 100 cruise lines and 500 ships reviewed and ranked for value and quality Complete details on cruise lines, ships, and itineraries around the world Industry secrets for getting the lowest possible fare, plus extras like free vacation days Everything you need to know to make planning your cruise vacation fun and easy Helpful hints for getting the best cabin—without breaking your bank account
Sport Management: principles and applications second edition provides a comprehensive introduction to the practical application of management principles within sport organisations. Ideal for all students studying sport management at an introductory level, it presents an international balanced view between accepted practice and what research evidence tells us about the application of a range of management principles and practices in sport. Structured in two parts it offers an introduction and explanation of the structure of the sport industry and covers the fundamental management issues unique to sport including: strategy, human resource management, leadership, finance, marketing, governance and performance management. Each chapter has a coherent learning structure complete with international case studies and accompanying online lecturer and student support material which: presents a conceptual overview of the focus for the chapter presents accepted practice supported by specific organisational examples at the community, state/provincial, national and professional level, these organisations will include examples specifically from the UK, Australia and New Zealand presents one big case for analysis per chapter, which is supported by online diagnostics and tutor resource materials presents research findings from around the globe presents a summary of guiding principles for the focus of the chapter based on a balanced view of practice and research presents a section of teaching and learning resources including a review questions, further reading, relevant websites provides online access to PowerPoints per chapter, tutorial activities per chapter and test bank of multiple choice questions for students per chapter This book combines clearly explained theory with a variety of pedagogical features that make it essential for students and teachers of sport management.
In the end, if there is an end to such wrong, Mrs. Primm, bedridden for six years, passed away peacefully. Ironically, she passed just one year before her boss, Mr. Dynamic. Old Kernal lived on another two years. He married again and moved to Mexico. The angel survived another two years before passing. She is very much missed but will surely be up in heaven next door to doggie heaven with her loyal companion, Sam. Mrs. Proper and Cowboy live on happily and enjoying life at eighty-six years old. They have learned many lessons during this horrible ordeal. It is their hope and prayer that these lessons will help some other families going through the same dilemmas.
In 2021, Texas Country Reporter celebrates its fiftieth season on the air. Broadcast every week on stations across Texas, it focuses on “ordinary people doing extraordinary things.” And at the center of it is Bob Phillips, the show’s creator and host—an erstwhile poor kid from Dallas who ended up with a job that allowed him to rub elbows with sports figures, entertainers, and politicians but who preferred to spend his time on the back roads, listening to less-famous Texans tell their stories. In this memoir, Phillips tells his own story, from his early days as a reporter and his initial pitch for the show while a student at SMU to his ongoing work at the longest-running independently produced TV show in American television history. As we travel with Phillips on his journey, we meet Willie Nelson and former Dallas Cowboys coach Tom Landry; reflect on memorable, unusual, and challenging show segments; experience the behind-the-scenes drama that goes on in local television; witness the launching of an annual festival; and discover the unbelievable allure of Texas, its culture, and, especially, its people. Spanning generations, A Good Long Drive is proof that life’s journey really is a destination unto itself.
In their heyday, pulp westerns were one of America's most popular forms of entertainment. Often selling for less than 50 cents, the paperback books introduced generations to the "exploits" of Billy the Kid and Jesse James, brought to life numerous villains (usually named "Black" something, e.g., Black Bart and Black Pete), and created a West that existed only in the minds of several talented writers. It was only natural that filmmakers would look to the pulps for stories, adapting many of the works for the big screen and shaping the Western film genre. The adaptations of seven of the pulps' best writers--Ernest Haycox, Luke Short, Frank Gruber, Norman A. Fox, Louis L'Amour, Marvin H. Albert, and Clair Huffaker--are analyzed here. Insightful and humorous, the work looks at how the pulp novels and the movie adaptations reflected the times in which they were produced. It examines the cliches that became a part of the story: the rescue of the heroine, the gunfights, the evil banker or rancher ready to steal the land of the good, law-abiding citizens, and the harlot with a heart of gold. A critical examination of how the books were interpreted--or frequently misinterpreted--by filmmakers is included, along with commentary on the actors and directors who put the pulps on screen.
For more than a century the Western film has proven to be an enduring genre. At the dawn of the 20th century, in the same years that The Great Train Robbery begat a film genre, Owen Wister wrote The Virginian, which began a new literary genre. From the beginning, both literature and film would usually perpetuate the myth of the Old West as a place where justice always triumphed and all concerned (except the villains) pursued the Law. The facts, however, reflect abuses of due process: lynch mobs and hired gunslingers rather than lawmen regularly pursued lawbreakers; vengeance rather than justice was often employed; and even in courts of law justice didn't always prevail. Some films and novels bucked this trend, however. This book discusses the many Western films as well as the novels they are based on, that illustrate distortions of the law in the Old West and the many ways, most of them marked by vengeance, in which its characters pursued justice.
This work not only traces Audie Murphy's life as a film actor (from Beyond Glory, 1948, to A Time for Dying, 1971) but also provides a biography that runs from his birth to his three years in the army, winning every possible combat medal including the Congressional Medal of Honor--and from his Hollywood debut at James Cagney's invitation to his final dramatic decline, gambling his fortunes away, becoming involved in violent episodes, and dying in a plane crash in 1971. Each of the 49 film entries gives full credits, including casts, characters, crew, date of release, location, and cost, backgrounds for directors and main players, and comments and anecdotes from interviews with Murphy's colleagues. Critical reviews are quoted and the work is richly illustrated with film stills and private photographs.
Nearly 25,000 titles with current values fill this hardbound book. Much more than just a typical price guide, the book is a directory with scores of actual buyers listed by the subject matter they are searching for, as well as dealers offering the books at listed prices. It will put you in touch with a person interested in buying or selling the books you have piled on your bookshelves
[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.
The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture. Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film's production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points. Instructors considering this book for use in a course may request an examination copy here.
A memoir of growing up in mob-run Sin City from a casino heir-turned-governor who's seen two sides of every coin When Bob Miller arrived in Las Vegas as a boy, it was a small, dusty city, a far cry from the glamorous, exciting place it is today. Driving the family car was his father Ross Miller, a tough guy—though a good family man—who had operated on both sides of the law on some of the meaner streets of industrial Chicago. The Miller family was as close and as warm as "Ozzie and Harriet," as long as you knew that Ozzie was a bookmaker and a business acquaintance of some very dubious criminal types. As Bob grew up, so did Vegas, now a "town" of some two million. Ross Miller became a respectable businessman and partner in a major casino, though he was still capable of settling a score with his fists. And Bob went on to law school, entering law enforcement and eventually becoming a popular governor of Nevada, holding office longer than anybody in the state's history. And the Miller family's legacy continues. Bob's own son is presently serving as Secretary of State. A warm family memoir, the story of a city heir, with just a little bit of The Godfather and Casino thrown in for spice, Son of a Gambling Man is a unique and thoroughly memorable story.
This book finally casts a spotlight on some short-lived and almost forgotten sitcoms--those which aired for only one single season. Many books have already been written about situation comedies that enjoyed long and storied runs on television but this volume focuses upon the others. Overflowing with fresh facts, interviews, photographs, and stories, nearly 300 short-lived sitcoms over a 32 year span are presented A-to-Z, whether network or syndicated, prime time or Saturday morning.
No other book on the market houses as much information for a bargain price. Once again over 50,000 listings from reliable sources are included and carefully checked by an authority on the subject. More than 400 expert advisors make sure only the best and most accurate data remains. Hundreds of sharp photographs accompany the 500+ categories: glass and porcelain, match holders, purses, cookie jars, jewelry, advertising, furniture, dolls, records and more. History and other pertinent facts complement the descriptive listings, which reflect the current market and developing trends.
“Everybody has to start somewhere. Businessmen start on the ground floor and try to work their way up the corporate ladder. Baseball players bide their time in the minor leagues wishing for an opportunity to move up and play in the majors. Musical compositions aren’t very different – some songs just don’t climb the charts the first time they’re recorded. However, with perseverance, the ideal singer, the right chemistry, impeccable timing, vigorous promotion, and a little luck, these songs can become very famous.” So writes Bob Leszczak in the opening pages of Who Did It First?: Great Rock and Roll Cover Songs and Their Original Artists. In this third and final volume to the Who Did It First? series, readers explore the hidden history of the most famous, indeed legendary, rock songs and standards. Did you know that the Wild Ones had a “Wild Thing” before the Troggs? Were you aware that it took a second shot for “Double Shot of My Baby’s Love” to make the charts? Had you heard that Guy Villari and the Regents dated “Barbara Ann” five years before the Beach Boys? Were you privy to the fact that there was “Hanky Panky” going on with Ellie Greenwich and the Raindrops, as well as the Summits, before Tommy James and the Shondells made the song a number 1 classic? Some of the information contained within these pages will shock, rattle and roll you. You may fancy yourself a music expert, but this third and last in a series of titles devoted to the story of great songs and their revival as great covers is filled with eye openers. In many instances, one’s eyes will open even wider as a result of the list of cover artists (with Paul Anka’s remake of Nirvana’s “Smells like Teen Spirit” leading the pack). Who Did It First?Great Rock and Roll Cover Songs and Their Original Artistsis the perfect playlist builder. So whether quizzing friends at a party, answering a radio station contest, or just satisfying an insatiable curiosity to know who really did do it first, this work is a must-have.
George Jones's nearly 60-year recording and performing career has had a profound influence on modern country music and influenced a younger generation of singers, including Garth Brooks, Alan Jackson, Randy Travis, Tim McGraw, and Trace Adkins. As Merle Haggard said of Jones in Rolling Stone magazine, “His voice was like a Stradivarius violin: one of the greatest instruments ever made.” Jones's saga is a larger-than-life tale of rags to riches and back to rags again. He was born into near poverty in a backwater patch of East Texas. His formal education ended early; by his early teens, he was singing on the streets of Beaumont, Texas, for tips. After beginning to record in the mid-1950s Jones became, by sheer dint of his vocal prowess, one of Nashville's most celebrated honky-tonk singers. But from the start, Jones's life, as often reflected in his music, was shaped by misdirection, chaos, turmoil, and emotional strife aggravated by a ferocious appetite for alcohol. Fame and adulation seemed to merely intensify his personal travails. Jones's story has a relatively happy ending. With the help of fourth wife Nancy during the final decade and a half of his life, he got clean and sober, was feted as a much-revered elder statesman for the music, and, by most accounts, found peace of mind at long last.
On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honor. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree desert at the age of twenty-six. Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early 70s, he was a key confidante of Keith Richards. In 1972, he gave Emmylou Harris her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country's patron saint. In Calling Me Home, Kealing traces the entire arc of Parsons's career, emphasizing his Southern roots. Drawing on dozens of new interviews as well as rare letters and photographs provided by Parsons's family and legendary photojournalist Ted Polumbaum, Kealing has uncovered facts that even the most stalwart Parsons fans will find revealing. Travelling from Parsons' boyhood home in Waycross, Georgia, to the southern folk mecca of Coconut Grove, Florida, from the birthplace of outlaw country in Austin, Texas, to the Ryman auditorium in Nashville, Tennessee Kealing celebrates Parsons's timeless and transformative musical legacy.
It's the most famous highway in the world - find out, or remember, why. Tens of thousands of travelers from around the world spend millions of dollars every year trying to recapture the aura of a simpler time. When gasoline can top $4 a gallon and Route 66 is, in many ways, a shell of its former glory, what keeps them coming? Author Bob Boze Bell, a lifelong resident of Kingman, Arizona (one of the quintessential Route 66 towns), has accumulated a unique sense of the Mother Road's history, not to mention friendships with folks from Kingman and other Route 66 communities. In The 66 Kid--part autobiography, part narrative history, part oral history - Bell offers a highly illustrated account of the world's most famous highway full of the author's personal observations and recollections, and exciting first-person accounts from people who lived, worked, and played along the road. Bell digs deep into the roots of the Route 66, offering insights into the people who made it run: from the neon-lit motels to the greasy-spoon diners, and even the shady roadside attractions. Illustrated with period postcards and photos, as well as the author's own maps and art created for this project, The 66 Kid proves that you can still get your kicks on Route 66.
This book brings together a wealth of black and white pictures which together record not only the operations of the WLA but also scenes of the countryside between 1939 and 1950. Drawn from the worldwide albums of many ex-land girls at a time when film was rationed and photography monitored, this collection offers a fascinating insight into the people and places associated with the WLA. Many of these photos have never been published in book form and so offer a unique record of the organisation. Every photo is captioned, providing names and dates where possible, revealing historical anecdotal detail which gives life to the scenes and personalities captured through the camera lens. Presenting training, occupations and the social activities of the Land Army women, this absorbing collection will not only evoke many wartime memories, but will also inspire readers through these images of hope, strength and unity.
Many well-read students, historians, and loyal aficionados of Texas Ranger lore know the name of Texas Ranger Captain Frank Jones (1856-1893), who died on the Texas-Mexico border in a shootout with Mexican rustlers. In Six-Shooters and Shifting Sands, Bob Alexander has now penned the first full-length biography of this important nineteenth-century Texas Ranger. At an early age Frank Jones, a native Texan, would become a Frontier Battalion era Ranger. His enlistment with the Rangers coincided with their transition from Indian fighters to lawmen. While serving in the Frontier Battalion officers' corps of Company D, Frank Jones supervised three of the four "great" captains of that era: J.A. Brooks, John H. Rogers, and John R. Hughes. Besides Austin Ira Aten and his younger brothers Calvin Grant Aten and Edwin Dunlap Aten, Captain Jones also managed law enforcement activities of numerous other noteworthy Rangers, such as Philip Cuney "P.C." Baird, Benjamin Dennis Lindsey, Bazzell Lamar "Baz" Outlaw, J. Walter Durbin, Jim King, Frank Schmid, and Charley Fusselman, to name just a few. Frank Jones' law enforcing life was anything but boring. Not only would he find himself dodging bullets and returning fire, but those Rangers under his supervision would also experience gunplay. Of all the Texas Ranger companies, Company D contributed the highest number of on-duty deaths within Texas Ranger ranks.
Captain Frank Jones, a famed nineteenth-century Texas Ranger, said of his company-s top sergeant, Baz Outlaw (1854-1894), "A man of unusual courage and coolness and in a close place is worth two or three ordinary men." Another old-time Texas Ranger declared that Baz Outlaw "was one of the worst and most dangerous" because "he never knew what fear was." But not all thought so highly of him. In Whiskey River Ranger, Bob Alexander tells for the first time the full story of this troubled Texas Ranger and his losing battle with alcoholism. In his career Baz Outlaw wore a badge as a Texas Ranger and also as a Deputy U.S. Marshal. He could be a fearless and crackerjack lawman, as well as an unmanageable manic. Although Baz Outlaw's badge-wearing career was sometimes heroically creditable, at other times his self-induced nightmarish imbroglios teased and tested Texas Ranger management's resoluteness. Baz Outlaw's true-life story is jam-packed with fellows owning well-known names, including Texas Rangers, city marshals, sheriffs, and steely-eyed mean-spirited miscreants. Baz Outlaw's tale is complete with horseback chases, explosive train robberies, vigilante justice (or injustice), nighttime ambushes and bushwhacking, and episodes of scorching six-shooter finality. Baz met his end in a brothel brawl at the hands of John Selman, the same gunfighter who killed John Wesley Hardin.
The result of 15 years of exhaustive research, this work is the definitive statistical and factual reference for everything related to college football in the past 50 years.
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