Blandine Kriegel, at one time a collaborator with Michel Foucault, is one of France's foremost political theorists. This translation of her celebrated work L'Etat et les esclaves makes available for English-speaking readers her impassioned defense of the state. Published in France in 1979 and republished in 1989, this work challenged not only the anti-statism of the 1960s but also generations of romanticism in politics that, in Kriegel's view, inadvertently threatened the cause of liberty by refusing to distinguish between the despotic and the lawful state. In a work that addresses the urgent concerns of Europe and the contemporary world as a whole, Kriegel examines the background of modern liberal democracy in the late seventeenth and eighteenth centuries and argues cogently for the future of constitutional social-democracy. She maintains, among other positions, that European liberal democracies would have been impossible without the political basis provided by the lawful state first developed by monarchies. She also shows that early modern centralized states became liberal insofar as they developed a centralized legal system, rather than a centralized administration. In developing these ideas, she presents a picture of the state as a major force for human liberty.
Ce catalogue est publié à l'occasion de l'exposition "Agnès Thurnauer. Now, When, Then, de Tintoret à Tusmans" présentée au musée des Beaux-Arts de Nantes, du 28 février au 11 mai 2014.00L'exposition présente des tableaux d'Agnès. Thurnauer avec, en regard, des portraits choisis dans les collections du Musée des beaux-arts de Nantes, envisageant ainsi l'oeuvre de l'artiste contemporaine comme un espace singulier qui communique avec d'autres espaces mentaux, formels et temporels
Ouvrage publié à la suite de l'exposition organisée par le Musée des beaux-arts de Nantes et le Frac des Pays de la Loire et présentée au Hangar à Bananes à Nantes du 6 février au 26 avril 2009. Monographie rétrospective : les oeuvres emblématiques de Gina Pane, des premières peintures géométriques aux ultimes installations et sculptures, en passant par les actions corporelles qui l'ont rendues célèbre à partir des années 1970, avec quatre essais et des notices complètes documentant et contextualisant chaque série.
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