William Blanchard Jerrold (1826 -1884) was an English journalist and author. He was the founder and president of the English branch of the International Literary Association for the assimilation of copyright laws. Four of his plays were successfully produced on the London stage, including the popular farce, Cool as a Cucumber (1851). Jerrold divides the museum into four sections giving a brief description of each area. The first day includes Southern Zoological Room, Southern Zoological Gallery, Mammalia Saloon, Eastern Zoological Gallery, Northern Zoological Gallery, and the British Zoological Room. The second day includes Northern Mineral and Fossil Gallery, The Egyptian Room, The Bronze Room, Etruscan Room, and Ethnographical Room. The third visit includes the Egyptian Saloon, the Lycian Room, and the Nimroud Room. The final day includes Townley Sculpture, Phigaleian Saloon, Elgin Saloon.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
London: A Pilgrimage' was conceived in 1868 by the journalist and playwright Blanchard Jerrold. Accompanied by the famous artist Gustave Doré, Jerrold prowled every corner of the heaving metropolis, sometimes with plain-clothes police for protection. 'London: A Pilgrimage' is a forgotten classic of social journalism, a frank and brutal look at the poverty striken, gin-swilling London of the nineteenth century, written in a perceptive, bold and gripping style. 180 incredible etchings by Doré escort Jerrold on his odyssey through the pulsating city, into the Lambeth gas works, seedy opium dens and grubby bathing houses; peering curiously into the desperate lives of the flower sellers, lavender girls and organ grinders. 'London: A Pilgrimage' is an enlightening work that brings to life the chaotic and gloomy past of a great city on the cusp of modern times. Peter Ackroyd's excellent introduction sheds further light on the period and the context in which Jerrold and Doré felt compelled to reveal to the world the squalor into which London was slowly sinking.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.