Liking Ike reveals the prominent role that celebrities and advertising agencies played in Dwight Eisenhower's presidency. Guided by Madison Avenue executives and television pioneers, Eisenhower cultivated famous supporters as a way of building the broad-based support that had eluded Republicans for twenty years. While we often think of John F. Kennedy and his Rat Pack entourage as the beginning of presidential glamour in the United States, celebrities from Ethel Merman and Irving Berlin to Jimmy Stewart and Helen Hayes regularly appeared in Eisenhower's campaigns. Ike's political career was so saturated with stardom that opponents from the right and left accused him of being a glamour candidate. Author David Haven Blake tells the story of how Madison Avenue executives strategically brought celebrities into the political process. Based on original interviews and long neglected archival materials, Liking Ike explores the changing dynamics of celebrity politics as Americans adjusted to the television age. By the 1920s, entertainers were routinely drawing publicity to their favorite candidates, but with the rise of television and mass advertising, political advisers began to professionalize the way that celebrities brought attention to presidential campaigns. In meetings, memos, and television scripts, they charted a strategy for leavening political programming with celebrity interviews, musical performances, and elaborate television spectaculars. Commentators worried about the seemingly superficial values that television had introduced to political campaigns, and writers, filmmakers, and fellow politicians criticized the influence of glamour and publicity. But despite these complaints, Eisenhower's legacy would live on in the subsequent careers of John F. Kennedy and Ronald Reagan-and, ultimately, provide a template for the presidential campaigns of Barack Obama, John McCain, Donald Trump, and Hillary Clinton.
Winner of the J. B. Jackson Prize from the Association of American Geographers Three centuries ago, the Los Angeles River meandered through marshes and forests of willow and sycamore. Trout spawned in its waters and grizzly bears roamed its shores. The bountiful environment the river helped create supported one of the largest concentrations of Indians in North America. Today, the river is made almost entirely of concrete. Chain-link fence and barbed wire line its course. Shopping carts and trash litter its channel. Little water flows in the river most of the year, and nearly all that does is treated sewage and oily street runoff. On much of its course, the river looks more like a deserted freeway than a river. The river's contemporary image belies its former character and its importance to the development of Southern California. Los Angeles would not exist were it not for the river, and the river was crucial to its growth. Recognizing its past and future potential, a potent movement has developed to revitalize its course. The Los Angeles River offers the first comprehensive account of a river that helped give birth to one of the world's great cities, significantly shaped its history, and promises to play a key role in its future.
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion. By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.
Iron Lady: The Thatcher Years takes a thorough yet lighthearted look at the life and times of Britain's longest-serving twentieth-century prime minister.
What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.
In Transforming the Nation, leading Canadian politicians and scholars reflect on the major policy debates of the period and offer new and surprising interpretations of Brian Mulroney. Mulroney had a tremendous impact on Canada, charting a new direction for the country through his decisions on a variety of public-policy issues - free trade with the United States, social-security reform, foreign policy, and Canada's North. The Mulroney government represented a dramatic break with Canada's past.
This report presents a quantitative assessment of how the presentation of news has changed over the past 30 years and how it varies across platforms. Over time, and as society moved from “old” to “new” media, news content has generally shifted from more-objective event- and context-based reporting to reporting that is more subjective, relies more heavily on argumentation and advocacy, and includes more emotional appeals.
Hailed by critics during the 1980s as the decade's 'Great American Playwright', Sam Shepard continued to produce work in a wide array of media including short prose, films, plays, performances and screenplays until his death in 2017. Like Samuel Beckett and Tennessee Williams in their autumnal years, Shepard relentlessly pressed the potentialities and possibilities of theatre. This is the first volume to consider Shepard's later work and career in detail and ranges across his work produced since the late 1980s. Shepard's motion picture directorial debut Far North (1988) served as the beginning of a new cycle of work. He returned to the stage with the politically engaged States of Shock (1991) which resembled neither his earlier plays nor his family cycle. With both Far North and States of Shock, Shepard signaled a transition into a phase in which he would experiment in form, subject and media for the next two decades. Skelton's comprehensive study includes consideration of his work in films such as Hamlet (2000), Black Hawk Down (2001), The Assassination of Jesse James by the Coward Robert Ford (2007) and Brothers (2009); issues of authenticity in the film and screenplay Don't Come Knocking (2005) and the play Kicking a Dead Horse (2007); of memory and trauma in Simpatico, The Late Henry Moss and When the World was Green, and of masculine and conservative narratives in States of Shock and The God of Hell. Lauded by critics in his lifetime and since his death in July 2017 as 'one of the most important and influential writers of his generation' (NY Times), Shepard 'excelled as an actor, screenwriter, playwright and director' (Guardian); this is a timely and important assessment of his work spanning the last three decades of his life.
Since Confederation, Canadian prime ministers have consciously constructed the national story. Each created shared narratives, formulating and reformulating a series of unifying national ideas that served to keep this geographically large, ethnically diverse, and regionalized nation together. This book is about those narratives and stories. Focusing on the post–Second World War period, Raymond B. Blake shows how, regardless of political stripe, prime ministers worked to build national unity, forged a citizenship based on inclusion, and defined a place for Canada in the world. They created for citizens an ideal image of what the nation stood for and the path it should follow. They told a national story of Canada as a modern, progressive, liberal state with a strong commitment to inclusion, a deep respect for diversity and difference, and a fundamental belief in universal rights and freedoms. Ultimately, this innovative history provides readers with a new way to see and understand what Canada is, and what holds us together as a nation.
Charlie Brown's America tells the story of how and why the lovable kids and an adventurous beagle of Peanuts became the unlikely spokespeople for American life in the last half of the twentieth century.
Adopting a comparative approach and covering four countries over the period 1950-1990, studies the relationship between parties, government, and public sector employees. Examines how different parties and governments treat public sector employees, with regard to level of employment, wages, workers rights and the right to engage in political activity, focusing on whether parties and governments of the left are more generous towards public sector employees than those of the right.
With a career-ending injury, Olympic kickboxer Sheila Stone is forced back to her small hometown, where her older sister, the local sheriff, offers her a spot on the local police force. When college girls show up dead in locker rooms, Sheila, facing past demons, must summon all her fighting skills in a deadly game of cat and mouse… “A masterpiece of thriller and mystery.” —Books and Movie Reviews, Roberto Mattos (re Once Gone) ⭐⭐⭐⭐⭐ SILENT TRAIL (A Sheila Stone Suspense Thriller—Book 2) is Book #2 in a long-anticipated new series by #1 bestseller and USA Today bestselling author Blake Pierce, whose bestseller The Perfect Wife (a free download) has received over 20,000 five star reviews. With her Olympic dreams crumbled, Sheila, 28, struggles to find her place back home. She is surrounded by reminders of what could have been, stuck inside the shadow of her older sister: the golden child, the respected sheriff. But when her sister persuades her to join the local police force, Sheila’s life and career start anew. As she hunts serial killers, Sheila notices clues that others miss and offers a perspective that no one else has. She realizes she has a talent outside of fighting, and that she has a chance to embrace a new life in Salt Lake—a life outside the ring. This is a different kind of ring, though. Sheila quickly realizes that to survive, she will need more than just her strength—she’ll need a brilliance to match that of even the most diabolical killer. Can Sheila win this match? Or will she finally lose it all? A page-turning and harrowing suspense thriller featuring a brilliant and tortured protagonist, the SHEILA STONE series is a riveting mystery, packed with suspense, twists and turns, revelations, and driven by a breakneck pace that will keep you flipping pages late into the night. Future books in the series are also available. “An edge of your seat thriller in a new series that keeps you turning pages! ...So many twists, turns and red herrings… I can't wait to see what happens next.” —Reader review (Her Last Wish) ⭐⭐⭐⭐⭐ “A strong, complex story about two FBI agents trying to stop a serial killer. If you want an author to capture your attention and have you guessing, yet trying to put the pieces together, Pierce is your author!” —Reader review (Her Last Wish) ⭐⭐⭐⭐⭐ “A typical Blake Pierce twisting, turning, roller coaster ride suspense thriller. Will have you turning the pages to the last sentence of the last chapter!!!” —Reader review (City of Prey) ⭐⭐⭐⭐⭐ “Right from the start we have an unusual protagonist that I haven't seen done in this genre before. The action is nonstop… A very atmospheric novel that will keep you turning pages well into the wee hours.” —Reader review (City of Prey) ⭐⭐⭐⭐⭐ “Everything that I look for in a book… a great plot, interesting characters, and grabs your interest right away. The book moves along at a breakneck pace and stays that way until the end. Now on go I to book two!” —Reader review (Girl, Alone) ⭐⭐⭐⭐⭐ “Exciting, heart pounding, edge of your seat book… a must read for mystery and suspense readers!” —Reader review (Girl, Alone) ⭐⭐⭐⭐⭐
“Using each major lesson learned during the decade-plus of rebuilding lower Manhattan after 9/11—each achievement and setback—From the Ground Up offers Americans, for the first time, a comprehensive, practical, and inspiring plan for re-engineering the entire country. It’s about time.”—Governor George Pataki Confronted with helping to rebuild the ruins of lower Manhattan in the aftermath of September 11, Ambassador Charles A. Gargano spent the next twelve years cleaning up and revitalizing Ground Zero and developing One World Trade Center. The experience was life affirming and provided a signature testament of hope in the shadow of one of the worst events of the twenty-first century. As a legendary real estate icon, engineer, and Republican strategist who served in the US government for three decades, Gargano has become a thought leader and pioneer in the field of re-engineering. He knows what does and doesn’t work and how to apply that experience to the foundation of America. Gargano’s approach to engineering powerful, beautiful structures and planting seeds of hope in our greatest cities has given him a distinct vantage point and unique voice. Seasoned with authority, his advice is indispensable for rebuilding an America at risk of ruin. Now, facing the most politically divisive moment in generations, Gargano applies his decades of experience in public service toward the task of re-engineering our nation’s political and moral infrastructure From the Ground Up with traditional, values-based leadership. In the words of Gargano, the only person who can get a grip on this off-course country—and steer it true—is you.
At long last here is a textbook for the basic public speaking course--one that integrates a Christian worldview with up-to-date scholarship in the field of communication. Proclamation! covers the standard speech types: informative speech, persuasive speech, and ceremonial speech. In addition, Blake J. Neff recognizes that Christians need to know how to deliver an edifying speech and a personal testimony speech. Neff acknowledges that one of the reasons to study public address at the university level is that God has commanded His people to "always be prepared to give an account" (1 Peter 3:15). Proclamation! prepares Christians to speak not only as one to many but also as members of interpersonal or small groups. Christian teachers of public speaking will appreciate the assistance this book offers toward integrating faith with learning. Students will applaud the practical and readable approaches found in Proclamation!
How should we understand the political morality of migration? Are travel bans, walls, or carrier sanctions ever morally permissible in a just society? This book offers a new approach to these and related questions. It identifies a particular vision of how we might apply the notion of justice to migration policy - and an argument in favor of expanding the ethical tools we use, to include not only justice but moral notions such as mercy/
A STORY about the life of a BLACK BOY growing up on the SOUTH SIDE of CHGO. The streets werent so mean then, YOU HAD A LIFE WORTH LIVING. You could have an adventure and LIVE to tell about it. Adventures like, Flying a kite, playing baseball, making bows & arrows, stealing bikes and lunches from white rich people, walking the walls at the Museum of Science and Industry and going to the 59th street beach. This saga, tells what it was like to move into the Robert Taylor Housing Project and see a better life for yourself and your buddies. It tells of Dreams of going to the PROs and / or COLLEGE, to live in a CONCRETE COMMUNITY where you could come outside play with your buddies and dont end up DEAD. You went to SEGREGATED HBHSs (HISTORICALLY BLACK HIGH SCHOOLS), DuSable, Phillips, Marshall, or Crane and play sports in HOPES that one day you could come back as a PRO. Some of us made it, like, KEVIN PORTER, MAURICE CHEEKS, and KIRBY PUCKETT, most of us did not. This HOPE, this DREAM became a LIFE SHATTERED and one day a return to; RACISM, POLITICS and RECOVERING ADDICTS. The book tells of a story, where a BLACK MAN returns to CHGO to face the RACISM of a SEGREGATED PUBLIC SCHOOL SYSTEM where WHITES are in control of BLACK COMMUNITIES that are legal, and BLACKS are in control of BLACK COMMUNITIES that are illegal. This is where an EDUCATED BLACK MAN FROM CHGO DOESNT STAND A CHANCE of making it in either world. The next 20 years of his life is spent in & out of both worlds, not accepted by either. Not living legal because RACISM is so PREVALENT in CHGO WHERE BLACK MEN are given these TEMP JOBS and the possibility of success is impeded by that always present GLASS CEILING, YOU CAN LOOK UP but DONT GO UP. This is the story of a BLACK MAN, TRUE TO THE GAME, but the GAME AINT TRUE TO HIM. He exceeds in SELLING DRUGS, but the, OLD GAME IS DEAD and he gets STUCK UP and this TRAUMATIC EVENT opens the door to ADDICTION. Frustrated with the protection afforded to him by his RACE, this Educated College Man gets caught up in the GRIP, a point of HOMELESSNESS, JOBLESSNESS, and PENNIELESSNESS. The saga tells of what an Addicted Black Man experiences from Pacific Gardens to Hobo Road. It tells of the experience that Addiction brings JAILS, INSTITUTIONS & DEATH. JAILS, where he meets the Devil Himself, and by the GRACE of GOD, escapes the deadly clutches. INSTITUTIONS, where, if not careful, a BLACK MAN can get lost forever and get so far gone that HE IS LOST FOREVER, GONE BEYOND RECALL. DEATH THE NIGHT of the LIVING DEAD, wandering the CITY virtually NIGHT & DAY looking for JUST ONE MORE. One more hit, One more fix, One more drink, One more pill, Anything to fill that empty spot, that vacuum. A life where ONE IS TOO MANY and A THOUSAND IS NEVER ENOUGH. CHASING THE GHOST, CHASING JASON, CHASING A LIFE MEANT FOR BLACK BOYS GROWING UP ON THE SOUTH SIDE OF CHGO. A LIFE MEANT TO CHEW YOU UP AND SPIT YOU OUT, UNTIL YOU WITHER AND DIE. SO OUT OF THIS LIVING, OUT OF THIS DYING, OUT OF THIS EXISTENCE, COMES THE NEXT 20 YEARS TO HAVE A GOD WHO CHOOSES TO PICK HIM UP AND OUT OF THE MUCK AND THE MIRE, AFTER THOSE AROUND HIM HAVE COUNTED HIM OUT. AFTER BEING THE LOWEST SCUM ON EARTH, THIS HP, THIS HIGHER POWER, DECIDES. The HP DECIDES that HE IS ONE OF THE CHOSEN FEW, who will CARRY THE MESSAGE to others, all over this country. To carry the message that, ANY ADDICT CAN CHANGE HIS LIFE, LOSE THE DESIRE TO USE AND FIND A NEW WAY TO LIVE. THAT THERE IS A LIFE STYLE THAT EXISTS FOR ALL OF US, A PROVEN WAY OF LIFE, THROUGH THE 12 STEPS. YES, EVEN A CHUMP, RAISED ON THE SOUTH SIDE OF CHGO, CAN BECOME A PRODUCTIVE MEMBER OF SOCIETY DESPITE THE RACISM, DESPITE THE POLITICS, DESPITE THE ADDICTION, CAN RECOVER FROM A HORRIBLE EXISTENCE THAT IS MEANT TO END LIFE, HERE ON EARTH.
The definitive book on the Chesapeake Bay, with a new focus on Baltimore, Annapolis, and Maryland's portion of the Bay area! Once again, travel writer and longtime maryland resident Allison Blake surveys the Chesapeake Bay area and its distinctive lodgings, aquatic adventures, and tucked-away towns. In Explorer's Guide Baltimore, Annapolis & The Chesapeake Bay: A Great Destination, the new version of her well-loved guidebook The Chesapeake Bay Book, Blake has also thoroughly explored from Baltimore (the colorful old port city that anchors the northern end of the Bay), to Maryland's 300-year old capital, Annapolis (known as America's Sailing Capital), south to the Potomac River and the Eastern Shore and onto the Virginia border. This is Maryland's Chesapeake Bay plus iconic Tangier Island, located in Virginia. This expansive guide will give visitors and residents alike all the information they need to fully explore and enjoy the thousands of miles of shoreline, the towns and cities, and the adjoining countryside of this lovely and historically significant area. Whether you're interested in urban or outdoors adventures, oysters in a chic bistro of famous Maryland blue crabs on a paper-covered picnic table, pursuits like hiking, biking, boating, museum-hopping, or relaxing on a beach, Maryland's Chesapeake Bay has everything you're looking for. As in every Explorer's Great Destinations title, you’ll find helpful information for lodging, dining, shopping, transportation, recreational activities, and special events. The focused and very helpful "If Time Is Short" advice, historical notes, and many maps and photographs make this an indispensable guide. Use it to help you discover all the Chesapeake region has to offer. Includes: history, lodging, dining, culture, recreation, shopping, transportation and more! Previous editions of this guide were published under the title The Chesapeake Bay Book.
The Public's Law is a theory and history of democracy in the American administrative state. The book describes how American Progressive thinkers - such as John Dewey, W.E.B. Du Bois, and Woodrow Wilson - developed a democratic understanding of the state from their study of Hegelian political thought. G.W.F. Hegel understood the state as an institution that regulated society in the interest of freedom. This normative account of the state distinguished his view from later German theorists, such as Max Weber, who adopted a technocratic conception of bureaucracy, and others, such as Carl Schmitt, who prioritized the will of the chief executive. The Progressives embraced Hegel's view of the connection between bureaucracy and freedom, but sought to democratize his concept of the state. They agreed that welfare services, economic regulation, and official discretion were needed to guarantee conditions for self-determination. But they stressed that the people should participate deeply in administrative policymaking. This Progressive ideal influenced administrative programs during the New Deal. It also sheds light on interventions in the War on Poverty and the Second Reconstruction, as well as on the Administrative Procedure Act of 1946. The book develops a normative theory of the state on the basis of this intellectual and institutional history, with implications for deliberative democratic theory, constitutional theory, and administrative law. On this view, the administrative state should provide regulation and social services through deliberative procedures, rather than hinge its legitimacy on presidential authority or economistic reasoning.
The award-winning author’s “fearless” debut novel chronicles the life of a legendary Texas outlaw with “a ruthless sensibility . . . spare and tough” (Publishers Weekly). Some called him a Texas hero. Some called him the Devil himself. But on one point they all agreed. While he was alive, John Wesley Hardin was the deadliest man in Texas. A killer at fifteen, in the next few years he became skilled enough with his pistols to back down Wild Bill Hickok in the street. The law finally caught up with him when he was twenty-five. By then, he had killed as many as forty men and been shot so many times that, it was said, he carried a pound of lead in his flesh. In jail he became a scholar, studying law books until he won himself freedom, and afterwards he tried to lead an upright life. It was not to be. By the time he was killed in 1895, Hardin was an anachronism—the last true gunfighter of the Old West. With each chapter told from a different character’s perspective, The Pistoleer is “a genuine tour-de-force” of Western historical fiction from the Los Angeles Times Book Prize–winning author of In the Rogue Blood (Rocky Mountain News). “Astonishing.” —Kirkus Reviews “Detailed and cinematic.” —Publishers Weekly “An achievement by any standards, but as a first novel is simply astounding.” —Roundup Magazine
A pioneer of the “exvangelical” movement examines how toxic right-wing beliefs took over American Christianity—and why people are leaving the church and speaking out against it With the rise of Trumpism, the American evangelical movement has more political influence than ever—yet at the same time, people are leaving Christianity in record numbers. Why are so many people walking away from the right-wing religion they were raised in, and what are they doing to overcome the past? Writer and podcaster Blake Chastain is uniquely positioned to understand this phenomenon. Raised evangelical, he went to a Christian college intending to become a pastor—until he found himself unable to reconcile his faith with the prejudice and even abuse he saw being done in God’s name. He created the popular hashtag #exvangelical and the hit podcast of the same name, and soon became part of a growing movement of people walking away from toxic religion and using the unique tools of the internet to speak out, find healing, and build new communities. In Exvangelical and Beyond, Chastain delves into evangelicalism’s deep roots in American politics and society, and explains why and how so many Christians—and ex-Christians—are forging a new path online. Blending history, personal narrative, and incisive analysis, this is a must-read for anyone who has left the church, is deconstructing their own faith, or simply wants to understand religious culture in America.
This clear and concise manual will help librarians understand licenses so that they can become better reviewers, drafters, and negotiators. Libraries purchase or subscribe to countless resources that are governed by licenses—both digital products and physical objects like rare books or equipment. Many librarians, however, lack the legal expertise to comprehend and assess the clauses found in licenses. Authors Corey Halaychik and Blake Reagan have reviewed and edited thousands of contracts and use the lessons they've learned to help librarians sort through the often archaic and confusing language found in licenses. Library Licensing is a key reference for anyone responsible for reviewing, editing, negotiating, and agreeing to licenses that govern library resources. It contains essential information that will allow the reader to not only understand the language used in contracts but also to replace confusing and redundant language with clear and concise alternatives. Organized with ease of use in mind, chapters are written for quick and easy consultation and application.
Divided into five parts, this novel conjures up a comic and subtle undertow of political and personal disillusion, of mythologies and urban myths that circle round our apparently comfortable lives.
Emerging Voices was the first multicultural reader to emphasize both reading and writing in composition. The second Edition is even more focused on teaching critical reading and thinking. Each reading includes a headnote, pre-reading questions, journal entry topics, and critical thinking discussion question. Most chapters end with cross-referential questions, collaborative activities, essay-writing and research topics. The anthology concludes with a research casebook on Louise Erdich's novel, Love Medicine.
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