Matthew's theology of the spirit has received little scholarly attention, which is regrettable since the evangelist is careful to note that the eschatological redemption described in his gospel is the direct result of the activity of God's Spirit. Matthew's narrative of God's restoring work, which begins with Jesus and continues through his followers, is both informed by and extends the larger biblical narrative of God's creative, redemptive and restoring work, at the centre of which stands his Spirit, his active presence. Charette's study elaborates on the broad sweep of Matthew's interest in the Spirit and examines the operation of the Spirit in relation to the three theological categories of Christology, soteriology and ecclesiology.
Matthew's theology of the Spirit has received scant scholarly attention, a regrettable oversight since the evangelist is careful to note that the eschatological redemption described in his Gospel is the direct result of the activity of God's Spirit. Matthew's narrative of God's restoring work, which begins with Jesus and continues through his followers, is informed by, even as it extends, the larger biblical narrative concerning God's creative, redemptive, and restorative work at the centre of which stands his Spirit, his active presence. As the study elaborates upon the broad sweep of Matthew's interest in the Spirit, the operation of the Spirit is examined in relation to the three theological categories of christology, soteriology, and ecclesiology.
Matthew's theology of the Spirit has received scant scholarly attention, a regrettable oversight since the evangelist is careful to note that the eschatological redemption described in his Gospel is the direct result of the activity of God's Spirit. Matthew's narrative of God's restoring work, which begins with Jesus and continues through his followers, is informed by, even as it extends, the larger biblical narrative concerning God's creative, redemptive, and restorative work at the centre of which stands his Spirit, his active presence. As the study elaborates upon the broad sweep of Matthew's interest in the Spirit, the operation of the Spirit is examined in relation to the three theological categories of christology, soteriology, and ecclesiology.
The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about God’s Spiritedness. Can the experience of music speak to human spiritedness, the world’s transcendentality, or a person’s own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of “the flesh.” As such, this book also engages music’s placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.