The Jordan's River and I'm Bound To Cross is a book based on faith and trust in a true and living God to help us get through our ups and down, it also help us deal with the trials of life we face every day and points out the scriptures in the bible as needed.
What makes Shakespeare centrally 'exceptional' to the current humanities curriculum, a measure and minimum unit for University administrations and the general public to recognise the activity of 'the humanities'? The contributing authors of essays in this issue of the Yearbook ask how we might push this question beyond familiar categories of the exceptional, the superlative, the above, beyond, below, or even the normative and familiar, in order to scale Shakespeare historically, canonically, and ontologically in relation to 'the human'. Each essay offers a case study devoted to Shakespeare's attentiveness to or implications for a specific location along the scala naturae -- from the wind of the coelum down to the stony lapis. Attending to locations such as these offers to displace 'the human' to a periphery, to but one among the jostling forces of life. Yet, as a centripetal figure of our culture, even of world culture, Shakespeare proves hard to displace, being engrained so deeply in our sense. Essays in the volume take up the challenge of evaluating Shakespeare’s intimate involvement with our understandings of what is or makes 'the human'. In the now-established tradition of The Shakespearean International Yearbook, the 15th issue surveys important developments and topics of concern in contemporary Shakespeare studies.
The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. This year the volume includes a special section on Updating Shakespeare, looking at Shakespearean adaptation in several countries. Contributors to the volume come from the US and the UK, Poland, Japan and Brazil.
A New Politics for Philosophy: Perspectives on Plato, Nietzsche, and Strauss presents meticulous readings of key philosophical works of towering figures from both the classical and modern intellectual traditions: Protagoras, Aeschylus, Xenophon, Plato, Nietzsche, and Leo Strauss. Inspired by the scholarship of Laurence Lampert, this international group of scholars explores questions of the nature or identity of the philosopher. The chapters touch on topics ranging from Plato’s Charmides, Aeschylus’ Prometheia Trilogy, Xenophon’s Hiero or Tyrannicus, Nietzsche’s Thus Spoke Zarathustra and Ecce Homo, Nietzsche’s Plato, whether Nietzsche thought of himself as a modern-day Socrates, philosophy’s relationship to science, the function of the noontide image in the center of Part IV of Nietzsche’s Zarathustra, a re-evaluation of the young Nietzsche’s break from the spell of Schopenhauer, the dramatic date of the conversation presented in Plato’s Republic, Leo Strauss’s account of the modern break with classical political philosophy, and Nietzschean environmentalism. The book also includes an interview with Laurence Lampert.
The extended special section in the ninth issue of The Shakespearean International Yearbook investigates the uses to which Shakespeare's work was put in South Africa in the twentieth century. The temporal limit emphasizes how the titanic political and ideological struggles that convulsed South Africa also affected how Shakespeare was studied, interpreted, taught and performed. This issue also includes essays on Henry V; garden scenes in Shakespeare; and all-male productions of As you Like It.
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
This eighth volume of The Shakespearean International Yearbook presents a special section on European Shakespeares, which highlights how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. Contributors to this issue come from Europe, North America, South Africa, and India. In addition to the section on European Shakespeares, essays in this volume consider issues of character and the genre of romance, and other topics.
Honoring Shakespearean scholar Michael Neill, this eleventh issue of The Shakespearean International Yearbook assesses Neill's extraordinary body of work, employing his many analyses of place as points of departure for new critical investigations of Shakespeare and Renaissance culture. It also challenges us to think about the conception of place implicit in the International of the Yearbook's title.
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