This is a compilation of the descendants of Jacob Bishop and Katherine Elkins. Jacob was the son of Hans Johannes Bischoff and Margaretha Overmeyer. Many of their descendants settled in and remained in the Floyd and Montgomery County areas of Virginia. Includes photos.
Offering the most comprehensive collection of head and neck pathology specimens available in one reference, Gnepp's Diagnostic Surgical Pathology of the Head and Neck, 3rd Edition, is a must-have resource for pathologists in training and practice. This abundantly illustrated volume covers both common and rare disease entities of the entire head and neck area, with particular emphasis on differential diagnosis and diagnostic problems and pitfalls. Detailed text and a highly visual format help you improve turnaround time when diagnosing a specimen and facilitate clear communication of prognosis and therapeutic management options to surgical/medical colleagues. - Covers key topics such as molecular aspects of disease, especially in reference to targeted therapy and personalized medicine; the latest classification and staging systems for head and neck diseases and disorders; and immunohistochemical features that help ensure diagnostic accuracy. - Discusses new diagnostic biomarkers and their utility in differential diagnosis, as well as newly described variants and new histologic entities. - Includes a new chapter on eye pathology. - Incorporates new criteria as established by the 2017 World Health Organization classification of Head and Neck tumors and the 2017 World Health Organization classification of Endocrine organ tumors. - Provides clinicopathologic correlations throughout to give you all the information you need to formulate a complete diagnostic report. - Features more than 1700 full-color illustrations that capture the pathologic appearance of the full range of common and rare neoplastic and non-neoplastic lesions. - Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.
In 2004, journalist Bill Bishop coined the term "the big sort." Armed with startling new demographic data, he made national news in a series of articles showing how Americans have been sorting themselves into alarmingly homogeneous communities -- not by region or by state, but by city and even neighborhood. Over the past three decades, we have been choosing the neighborhood (and church and news show) compatible with our lifestyle and beliefs. The result is a country that has become so polarized, so ideologically inbred that people don't know and can't understand those who live a few miles away. How this came to be, and its dire implications for our country, is the subject of this ground-breaking work. In The Big Sort, Bishop has taken his analysis to a new level. He begins with stories about how we live today and then draws on history, economics and our changing political landscape to create one of the most compelling big-picture accounts of America in recent memory.
Cornell University is fortunate to have as its historian a man of Morris Bishop's talents and devotion. As an accurate record and a work of art possessing form and personality, his book at once conveys the unique character of the early university—reflected in its vigorous founder, its first scholarly president, a brilliant and eccentric faculty, the hardy student body, and, sometimes unfortunately, its early architecture—and establishes Cornell's wider significance as a case history in the development of higher education. Cornell began in rebellion against the obscurantism of college education a century ago. Its record, claims the author, makes a social and cultural history of modern America. This story will undoubtedly entrance Cornellians; it will also charm a wider public. Dr. Allan Nevins, historian, wrote: "I anticipated that this book would meet the sternest tests of scholarship, insight, and literary finish. I find that it not only does this, but that it has other high merits. It shows grasp of ideas and forces. It is graphic in its presentation of character and idiosyncrasy. It lights up its story by a delightful play of humor, felicitously expressed. Its emphasis on fundamentals, without pomposity or platitude, is refreshing. Perhaps most important of all, it achieves one goal that in the history of a living university is both extremely difficult and extremely valuable: it recreates the changing atmosphere of time and place. It is written, very plainly, by a man who has known and loved Cornell and Ithaca for a long time, who has steeped himself in the traditions and spirit of the institution, and who possesses the enthusiasm and skill to convey his understanding of these intangibles to the reader." The distinct personalities of Ezra Cornell and first president Andrew Dickson White dominate the early chapters. For a vignette of the founder, see Bishop's description of "his" first buildings (Cascadilla, Morrill, McGraw, White, Sibley): "At best," he writes, "they embody the character of Ezra Cornell, grim, gray, sturdy, and economical." To the English historian, James Anthony Froude, Mr. Cornell was "the most surprising and venerable object I have seen in America." The first faculty, chosen by President White, reflected his character: "his idealism, his faith in social emancipation by education, his dislike of dogmatism, confinement, and inherited orthodoxy"; while the "romantic upstate gothic" architecture of such buildings as the President's house (now Andrew D. White Center for the Humanities), Sage Chapel, and Franklin Hall may be said to "portray the taste and Soul of Andrew Dickson White." Other memorable characters are Louis Fuertes, the beloved naturalist; his student, Hugh Troy, who once borrowed Fuertes' rhinoceros-foot wastebasket for illicit if hilarious purposes; the more noteworthy and the more eccentric among the faculty of succeeding presidential eras; and of course Napoleon, the campus dog, whose talent for hailing streetcars brought him home safely—and alone—from the Penn game. The humor in A History of Cornell is at times kindly, at times caustic, and always illuminating.
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