Holy Murder, first published in 1934, is a fascinating, controversial look at the “Avenging Angel” of the Mormon Church, Porter Rockwell. The authors trace the violent history of the Mormon Church beginning with its origins in New York and Illinois, to the flight of its members and their settlement near the Great Salt Lake. Citing numerous sources and interviewing witnesses and descendants, the exploits of Rockwell are detailed to form a picture of a man on the one hand kind to children and his friends, while on the other capable of the most grisly murders of perceived enemies of the church. Although open to criticism for its anti-Mormon bias, attempting to accurately portray Rockwell is difficult as he did not keep a personal diary and many of his activities were shrouded in secrecy. Included are 12 pages of illustrations.
Holy Murder, first published in 1934, is a fascinating, controversial look at the “Avenging Angel” of the Mormon Church, Porter Rockwell. The authors trace the violent history of the Mormon Church beginning with its origins in New York and Illinois, to the flight of its members and their settlement near the Great Salt Lake. Citing numerous sources and interviewing witnesses and descendants, the exploits of Rockwell are detailed to form a picture of a man on the one hand kind to children and his friends, while on the other capable of the most grisly murders of perceived enemies of the church. Although open to criticism for its anti-Mormon bias, attempting to accurately portray Rockwell is difficult as he did not keep a personal diary and many of his activities were shrouded in secrecy. Included are 12 pages of illustrations.
These essays, written between 1937 and 1960, have remained classics of their kind. They include important discussions on irony—its native traditions and its occurrence in early English literature, an account of critics’ appreciation of Chaucerian irony prior to this century, and a detailed examination of four of the Canterbury Tales. The illuminating analysis of the complex use of various kinds of irony in the Miller’s Tale, the Friar’s Tale, the Summoner’s Tale, and the Manciple’s Tale emphasizes aspects of Chaucer’s art that are very acceptable to contemporary. As a result, these essays lead today’s reader towards a fuller understanding of Chaucer’s achievement.
Self and Identity: The Basics is a jargon-free and accessible introduction that draws on key theories and ideas in Social Psychology to explore the ways that other people affect our thoughts, feelings, and behaviours. Highlighting selfhood as a function of identity, the book shows that it is our relationships with others in our social world that largely determine who we are. "Who am I?" It’s a question that most all humans have grappled with at some point or another. This book seeks to answer this question through relatable examples that show how psychological theory can be applied to our own lives. It considers the philosophical and psychological context in which ideas about selfhood have developed and reviews the ways that the people around us, and the groups that we belong to, affect who we are. Finally, these ideas are considered in the context of real-world phenomena and behaviours; for instance, how we use language, conflict between groups, and social influence. With a glossary of key terms, suggestions for further reading, and chapter summaries, this book is an ideal introduction for students of social psychology and related fields. It will be of interest to anyone who wants to gain social psychological insight into who they are and how others got them there.
Performing History: How to Research, Write, Act, and Coach Historical Performance addresses those areas that are of greatest challenge to novice historical performers. Historical performers must approach the process that is their work with a respect for both subject matter (the people who made the decisions that lead to what we call history) and for audiences, whatever the knowledge level they bring to the subject. That respect requires careful, on going research (to wear the mantle of authority), while also recognizing that none of us will ever know everything there is to know (the mantle is lined with humility). It requires the crafting of stories that will interest targeted audiences, and the skill to tell those stories in a compelling manner. Performing History is crafted for people who want to develop a first person narrative, those who have created a first person narrative but want to make it better, and those who want to help others develop first person narratives--museum and historic site volunteer coordinators, program and education curators, and, of course, those who wear many hats in small staffs. It is also for teachers, parents, and partners who are providing support for historical performers.
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