This Essential provides an initial overview of the intersections of digitalisation and psychology and outlines the developing field of digital psychology. It highlights current projects, formulates research questions and aims to stimulate discussion, action and further development.
This Essential provides an initial overview of the intersections of digitalisation and psychology and outlines the developing field of digital psychology. It highlights current projects, formulates research questions and aims to stimulate discussion, action and further development.
Headed for Germany from Denmark, nineteen-year-old Birgit had her whole life ahead of her. Independent and free, she was pursuing her dream to learn commercial fashion art, planning to work abroad before returning to Sweden to settle. Birgit met Urban in Munich. He was creative, charming, and funny. They were together every day from the day they met. He said he loved her and told everyone they met that they were getting married, which was news to Birgit. When Urban's mother booked him a one way ticket to Sweden to visit Birgit's family, it was the first hint that not everything was what it seemed with Urban. A pregnancy, a marriage, and another two children later, and Birgit felt as if her life was no longer her own. Small arguments within the marriage spiralled into frightening, violent episodes. Urban's behaviour was confusing and hurtful, causing Birgit lived in fear of Urban's violent threats, while at the same time basking in his attentions and generosity. Her mistake was keeping the reality of her life with Urban a secret. Birgit and Urban's life together took them from Germany, to Sweden, to America, and finally to Canada, where, after fifty-five years of tumultuous marriage, an unthinkable event brought it to an end....
This is the first book to deal exclusively with Russian cinema of the 1990s. It introduces readers to the currents and common interests of contemporary Russian cinema, offers close studies of the work of filmmakers like Sokurov, Muratova and Astrakhan, reviews the Russian film industry in a period of massive economic transformation, and assesses cinema's function as a definer of Russia's new identity.
The black spot—the one very black spot—in the picture is the frightful mortality in the Concentration Camps. I entirely agree with you in thinking, that while a hundred explanations may be offered and a hundred excuses made, they do not really amount to any adequate defence. I should much prefer to say at once, so far as the Civil authorities are concerned, that we were suddenly confronted with a problem not of our making, with which it was beyond our power properly to grapple. And no doubt its vastness was not realised soon enough. It was not till six weeks or two months ago that it dawned on me personally, (I cannot speak for others), that the enormous mortality was not merely incidental to the first formation of the camps and the sudden inrush of thousands of people already sick and starving, but was going to continue. The fact that it continues, is no doubt a condemnation of the Camp system. The whole thing, I think now, has been a mistake.Alfred Milner to Joseph Chamberlain, December 7th, 1901The British scorched earth policy during the last phase of the Anglo-Boer War of 1899-1902 led to the burning of farms, the destruction of homesteads, harvests and livestock and to the internment of the civil population in the so-called concentration camps. There, people—mainly women and children—died of malnutrition and diseases such as measles, pneumonia and typhoid. The death rate in the camps was so high—nearly 28,000 white Boers succumbed—that the English population, renowned for its gallantry and chivalry, was consternated. Lloyd George blamed his government for its policy of extermination, Campbell-Bannerman spoke of methods of barbarism, and philanthropic institutions protested, led by Emily Hobhouse, who was the first civilian to investigate the conditions of the camps. The government reacted and sent a ladies' commission under the leadership of Millicent Garrett Fawcett to South Africa.Birgit Seibold's study is the first to compare the 'inofficial' and the official report on the camps and to give an insight into conditions in each of the thirty-three white concentration camps. Based on first-hand research among the Hobhouse manuscripts, this book is both scholarly and compulsively readable.
This book explores silence and memory in Germany's ongoing discourse about the Nazi past. It examines the ways in which exile literature and critical thought by Anna Seghers joins postwar discourse and current historical research to formulate an acceptable memory of private life during the Third Reich. Seghers' work is particularly relevant in light of a postwar rift between private and public memory discourse. Her texts, The Seventh Cross, The Excursion of the Dead Girls, and especially her depictions of female figures offer a rare in-depth examination of ordinary life under Hitler. From exile, Seghers reveals hidden voices and personal experience with the Nazi regime that linger in the silenced voids of history. Silence and Acts of Memory reconnects private and public discourse about traumatic events of the Nazi past; the book contributes valuable insights to the current discourse about the continuing formative process of German national identity. Birgit Maier-Katkin is an Associate Professor of German at the Florida State University.
Learn the ABCs of canning and preserving and how to take fruits and vegetables--some sweet, some savory--from the vine to your pantry. With helpful tips on spices and flavorings with vinegar, you'll find everything you need for canning and preserving success.--Publisher's description.
In this fascinating study of Yury Lyubimov’s tempestuous career and his liberating style of theatre, Birgit Beumers thoroughly explores the making of a major figure in twentieth-century theatre. She traces the development of Lyubimov’s ideas, from his arrival at the Taganka theatre in 1964, through his expulsion in 1984 and his period of exile in the West, until his return in 1989 to a much changed Russia -- Back cover.
Like no other medium before it, the popular movie presents the potential of a new power for illuminating the depth of human experience. E-Motion Picture Magic employs that power as a tool to increase consciousness. Cinema therapy offers more perspective on life, prompting the viewer to step back from his or her problems in order to feel less insecure, worried, or discontented. Using films for self-improvement allows a shift in perspective when viewed with conscious awareness. The use of movies for personal growth and healing carries forward a long-standing connection between storytelling and self-reflection that may date back to the beginnings of spoken language. The movie experience used in very specific ways can have significant benefits for those who are willing to apply themselves using E-Motion Picture Magic that can be both beneficial as well as enjoyable.
For the Austrian poet and novelist Rainer Maria Rilke, travel was not only integral to his work, it was a way of life. Venice stands out as a location of particular importance to Rilke, and he visited the city ten times between 1897 and 1920. This city has inspired countless writers and artists, but Rilke, both enthralled and provoked by it, reveals a striking and deeply felt love for the city. He was as eager to explore the city’s underbelly, its deserted shipyards and back alleys, as he was to experience its iconic sights of St. Mark’s and the Doge’s Palace. Staying in both simple guesthouses and the grand palaces of his patrons, Rilke would walk prodigiously. His contemporary Stefan Zweig commented that “knowing every last corner and depth of the city was his passion” and Rilke himself said his walking allowed him to “grasp the whole breadth of the city.” In eleven walks, Birgit Haustedt guides readers through Venice following the poet’s footsteps. Haustedt invites us to look on the beloved sights of the city through Rilke’s eyes, offering a new vision of this famed destination. Rilke’s Venice provides new insight into one of the finest and most widely recognized writers of the twentieth century. It also acts as a literary travel companion and guidebook to Venice, offering eleven detailed maps of walks through the city.
In this book leading scholars debate current issues and shed light on future prospects in the field of Knowledge Management. It presents new perspectives on knowledge and learning, including modes of knowing in practice, transactive knowledge systems, organizational narrations, and challenges conventional wisdom. It deals with emerging issues in knowledge and innovation embracing models of distributed innovation and forms of co-operation. It also includes problems in managing knowledge, leadership issues and how to measure knowledge.
In this study of identity politics, memory and long-distance nationalism among Serbian migrants in California, the author examines the complicated ways in which visions of the past are used to form Diaspora subjects and make claims to the homeland in the present. Drawing on extended fieldwork in the San Francisco Bay Area community, she shows how the Yugoslav wars generated a revaluation Serbian history and personal life stories, resulting in the strengthening of ethnic identity. Nevertheless, strategies for dealing with rupture and change also included contestation of exile nationalism.
A revealing look at contemporary Russian popular culture, exploring the historical and social influences that make it unique. Pop music is only one aspect of contemporary Russian culture that has taken some unexpected turns in the chaotic aftermath of the Soviet Union's collapse. Television and advertising, theater and cinema, athletics and religion, even fashion and food now reflect more exposure to the West, yet remain in essence distinctively Russian. Pop Culture Russia! introduces readers to the fascinating, often surprising, post-Soviet cultural landscape. With chapters on media, the arts, recreation, religion, and consumerism, the book offers an insightful survey of Russian mass culture from the death of Stalin in 1953 to the present, exploring the historical significance of important events and trends, as well as the social and political contexts from which they emerged.
Birgit Spengler untersucht in ihrer Arbeit das zeitgenössische Genre der »Spinoffs« – Romane, die klassische kanonische Werke der amerikanischen Literatur kreativ um- und fortschreiben. Am Beispiel der schreibenden Auseinandersetzung mit Klassikern wie »Moby- Dick« oder den »Adventures of Huckleberry Finn« entschlüsselt sie die literarischen Strategien, die »Spinoffs« nutzen, um auf gesamtkulturelle Sinnstiftungsprozesse Einfluss zu nehmen und sich in die kulturelle Imagination einzuschreiben. Dabei stellen diese Romane auch die Frage nach der Abgeschlossenheit von Kunstwerken, nach kulturellem Kapital und geistigem Eigentum neu.
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