First published to wide acclaim in Sweden (1995) and in Germany (1997), the autobiography of opera legend Birgit Nilsson (1918-2005) is finally available in an English translation. From her humble roots in rural Sweden to her artistic triumphs in Stockholm, Bayreuth, Milan, and the Metropolitan Opera House, this candid and utterly charming memoir reveals the personality behind one of the great voices of the past century. Gracefully weaving together the private and professional, Nilsson chronicles her idyllic childhood in Vastra Karup, the early recognition of her unique natural abilities, and her first tentative steps into a wider artistic world. After achieving national acclaim in Verdi's Lady Macbeth, she went on to establish herself as the dominant Wagnerian soprano of her generation, appearing at the Bayreuth and Munich Festivals, and the Vienna and Bavarian State Opera Houses, creating, along the way, definitive performances of Sieglinde, Brnnhilde, and Isolde. The book details her rise to international stardom with behind-the-scenes recollections of her phenomenal triumph as Turandot at La Scala in 1958 and her headline-making Met premier in Tristan und Isolde the following year. Nilsson's long and illustrious career (she performed until 1984), her celebrated professional and personal relationships, her friendships and rivalries, are all recounted with a down-to-earth wit and an engagingly odd admixture of ego and selfeffacement. She tells it all: the legendary quips, the often prickly relationships with Met impresario Rudolph Bing and conductor von Karajan, the infamous story of the stalker "Miss N," and the touchingly rendered relationship with her beloved husband, Bertil Niklasson. What emerges from these pages is a diva in the old mold: a giant voice matched by an oversize personality, a professional who expected the same level of perfection from others that she demanded of herself, and a woman who loved and lived life with joy and good humor . . . and oh, that voice. Includes 56 photographs and a discography.
On May 17, 2018, Birgit Nilsson (1918 - 2005) celebrated Swedish dramatic soprano, would have celebrated her 100th birthday.Arguably the last of the 'true' Wagnerians, she was by no means limited to Wagner. Her Isolde and Brünnhilde together with Salome, Elektra, Dyer's Wife and Turandot were often collectively referred to as the 'Nilsson repertoire'.Birgit Nilsson's voice was capable of flooding an opera house with 'oceans of sound' which no commercial recording has ever been able to capture; recordings of live opera broadcasts however come much closer to the 'real' Nilsson voice.This epic book is an homage in appreciation of countless glorious performances. Her career lasted almost 40 years. For some 25 years -- from the late 1950s to the early 1980s -- she was the dominant force in the dramatic / heroic soprano repertoire and the undisputed 'Queen of Wagnerians' of her generation, one of the all-time Greats in the history of opera.This lavish, highly collectible boxed publication includes text contributions from prominent members of the music world such as conductors James Levine and Riccardo Muti, and opera tenor Placido Domingo, plus collected photographs of Birgit Nilsson in her various roles from all major opera houses around the world.Published on the occasion of the exhibition at, The Metropolitan Museum of Art, New York (Autumn 2018 / Spring 2019).
First published to wide acclaim in Sweden (1995) and in Germany (1997), the autobiography of opera legend Birgit Nilsson (1918-2005) is finally available in an English translation. From her humble roots in rural Sweden to her artistic triumphs in Stockholm, Bayreuth, Milan, and the Metropolitan Opera House, this candid and utterly charming memoir reveals the personality behind one of the great voices of the past century. Gracefully weaving together the private and professional, Nilsson chronicles her idyllic childhood in Vastra Karup, the early recognition of her unique natural abilities, and her first tentative steps into a wider artistic world. After achieving national acclaim in Verdi's Lady Macbeth, she went on to establish herself as the dominant Wagnerian soprano of her generation, appearing at the Bayreuth and Munich Festivals, and the Vienna and Bavarian State Opera Houses, creating, along the way, definitive performances of Sieglinde, Brnnhilde, and Isolde. The book details her rise to international stardom with behind-the-scenes recollections of her phenomenal triumph as Turandot at La Scala in 1958 and her headline-making Met premier in Tristan und Isolde the following year. Nilsson's long and illustrious career (she performed until 1984), her celebrated professional and personal relationships, her friendships and rivalries, are all recounted with a down-to-earth wit and an engagingly odd admixture of ego and selfeffacement. She tells it all: the legendary quips, the often prickly relationships with Met impresario Rudolph Bing and conductor von Karajan, the infamous story of the stalker "Miss N," and the touchingly rendered relationship with her beloved husband, Bertil Niklasson. What emerges from these pages is a diva in the old mold: a giant voice matched by an oversize personality, a professional who expected the same level of perfection from others that she demanded of herself, and a woman who loved and lived life with joy and good humor . . . and oh, that voice. Includes 56 photographs and a discography.
There are over 3000 runic inscriptions on stone made in Scandinavia in the late Viking Age. This book is the first attempt by a historian to study the material as a whole. The analysis reveals significant regional variations that reflect different stages in the process of conversion, and thegrowth of royal power. Many monuments were declarations of faith or manifestations of status; but virtually all reflect inheritance claims, and cast unexpected light on the prehistory of the inheritance customs found in later Scandinavian law codes. The results of this analysis make a significantcontribution to understanding developments in other parts of the Germanic world, as well as Scandinavia. The inclusion of a digest of the data-base on which this book is based will facilitate further study of this rich vein of evidence.
Online publication: https://pub.norden.org/temanord2020-514/ Abstract [en] Nordic national cultural history museums are linked with Arctic societies due to the shared heritage of substantial museum collections. We share concerns to re-vitalize, preserve and exchange knowledge on this heritage. Thanks to a grant from NMR’s The Nordic region and its neighbors to the west the National Museum (DK) in partnership with the Museum of Cultural History (NO) in 2017-19 successfully executed the project Arctic heritage in Nordic museums. Strengthening Arctic efforts in Nordic national museums. This volume presents recommendations within the project’s three major fields: 1) Intensified collaboration on digital strategies and heritage perspectives with Canadian Inuit organizations, 2) a comprehensive and critical analysis of digital databases of cultural institutions in the ABM sector, 3) the constitution of a feasible and sustainable Nordic Cross-Arctic Museum Network.
This is the first overview of Performing Arts Collections in the Nordic Countries published in English from Nordisk Center for Teaterdokumentation. It is a register of archives, libraries, museums, theatres and institutions that hold performing arts records in their collections as well as a description of what the collections contain. Furthermore the main educational institutions are mentioned. As a foreigner to Nordic languages, it can be difficult to access Nordic performing arts archives and get an overview over the field. The ambition with this publication is to make the archives accessible to a larger group of scholars all over the world. For the first time in more than 40 years of publishing an overview over Performing Arts Collections in the Nordic countries (until now in Finnish, Norwegian, Swedish, and Danish) and Iceland, we have included Greenland and The Faroe Islands. The performing arts tradition in these two countries still lack broader research. It is my hope, as editor in chief, that this inclusion will strengthen scholarly awareness of the performing arts history of both Greenland and The Faroe Islands in a broader context. We live in a digital era, with access to a great deal of digital or digitized records. Unfortunately, web links die out quickly. Thus, the editorial choice has been to link to the main web page of each institution. Not all institutions have an English web site, but with the descriptions in this publication, it is our hope that it will be easier to access the collections listed in it. The editorial team from Nordisk Center for Teaterdokumentation consists of Marjaana Launonen (Finland) Sigríður Jónsdóttir (Iceland), Benedikte Berntzen (Norway), Magnus Blomkvist and Rikard Larsson (Sweden), Birgit Kleist Pedersen (Greenland), and Anna Lawaetz (Denmark and The Faroe Islands).
Prompted by recent events in the EU’s international environmental cooperation, this thought-provoking book explores the establishment and use of multilateral environmental compliance mechanisms as part of the EU’s external environmental action. Expanding upon current discussions in external relations law, this timely book uses a doctrinal approach to analyse EU engagement with this key instrument of treaty-based international environmental governance.
English Medium Instruction in Multilingual and Multicultural Universities analyses the issues related to EMI at both a local and international level and provides a broad perspective on this topic. Drawing on field studies from a Northern European context and based primarily on research carried out at the University of Copenhagen, this book: introduces a topical global issue that is central to the higher education research agenda; identifies the issues and challenges involved in EMI in relation to central linguistic, pedagogical, sociolinguistic and socio-cultural concepts; captures university lecturers’ experiences in the midst of curricular change and presents reflections on ways to navigate professionally in English to meet the demands of the multilingual and multicultural classroom. English Medium Instruction in Multilingual and Multicultural Universities is key reading for researchers, pre- and in-service teachers, university management, educational planners, and advanced students with an interest in EMI and the multilingual, multicultural university setting.
Essential Orthodontics is a comprehensive introduction to the biological principles of orthodontics. This book covers the why, when and how of orthodontics, enabling readers to identify which individuals need to be treated, to diagnose based on individual dentofacial development, and to understand the mechanical principles and tissue responses involved. Divided into three parts, this authoritative resource covers pretreatment considerations, treatment principles of skeletal and dentoalveolar anomalies, and tissue response to orthodontic and orthopaedic forces. Classification of malocclusions and craniofacial growth and development are discussed, and the text explores how to distinguish between normal occlusion and malocclusions. Essential Orthodontics outlines how to perform a comprehensive orthodontic examination leading to an orthodontic diagnosis, and the formation of a treatment plan. Following a student-friendly layout with key objectives and chapter summaries, Essential Orthodontics is an accessible yet comprehensive resource for both undergraduate and postgraduate dental students.
This fully revised translation of the world-renowned German edition covers the complete and modern knowledge of plant biochemistry. The book presents the topic in a concise and simplified manner so that students can digest the message and gain a basic knowledge of the entire field of plant biochemistry, from photosynthesis (the synthesis of natural plant products) to all kinds of genetic engineering with its many commercial applications. Topics include cell structure and function, lipid and polysaccharide metabolism, nitrogen fixation, phloem transport, synthesis and function of isoprenoids, phenylpropanoids and other secondary metabolites, plant growth regulation and development. Heldt provides a comprehensive description of photosynthesis, primary and secondary metabolism, the function of phytohormones and molecular engineering. The text covers research findings until the end of 2003 and identifies areas of future research. There are extensive references to the most recent scientific literature. * Illustrated with two-color diagrams and well designed metabolic schemes * Plant metabolism presented in the context of the structure and function of the plant * Many examples of commercial applications for the protection and quality improvement of harvest crops, plant breeding, and the production of raw materials for industrial use * Coverage of the latest research findings
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