It all started in a small town on the east coast. I grew up in the projects. It was a challenge not to get involved in the negative activity going on around me, because I had dreams of being a professional baseball player. But there came a turning point in my life where I chose the wrong path. By not being focused on my goals, I took a liking to what I was seeing on the block. I saw all the nice cars and women the drug dealers had, and it quickly pulled me into the drug game. As time went on, I had a new goal, which was to become one of the biggest drug dealers there was and to have my own block. But all that came to an end when I drew my final straw with the law. Although I'd gotten in trouble many times before, I never would have thought a judge would've saw fit to give me a second chance ...
Revised and expanded, with a new afterword by the author, this is the definitive biography of Duane Allman, one of the most revered guitarists of his generation. Skydog reveals the complete story of the legendary guitarist: his childhood and musical awakening; his struggling first bands; his hard-won mastery of the slide guitar; his emergence as a successful session musician; his creation of the Allman Brothers Band; his tragic death at age 24; and his thriving musical legacy.
Most Americans are more aware of the workings of the federal government than of their own state government. But these "laboratories of democracy" constitute perhaps the most creative and successful component of the American political experiment. Like each of the states, Tennessee state government has a distinct history and a political culture that reflects that history. This book places Tennessee's modern political institutions in the context of the history and personalities that formed them. They pay special attention to the period after 1978, when three governors left a lasting impression on the direction and culture of the state government. Separate chapters examine the legislative, executive, and judicial branches, explaining how and why Tennessee's political culture differs from other states. The book also explores the ways in which education, health care, corrections, and economic development define much of the government agenda. Additional chapters on the media, political campaigns, and local government provide a backdrop that elucidates more fully how the state government functions. The authors profile many of the personalities who have shaped the state's political agenda. Among these are longtime Senate Democratic Speaker John Wilder; his close ally, Senate Republican Leader Ben Atchley; House Speaker Jimmy Naifeh, son of a Lebanese immigrant; and Bill Snodgrass, who served as State Comptroller for forty-seven years. The book explains how each of these individuals related to three Tennessee governors, Republicans Lamar Alexander and Don Sundquist and Democrat Ned McWherter, whose administrations presided over the state's greatest period of growth and prosperity. Illustrated with photographs and tables, and featuring anecdotal sidebars that illuminate key issues, this book will become the standard text on Tennessee state government and politics for years to come. The Authors: William Lyons is a professor of political science at the University of Tennessee and coauthor of such books as American Government: Politics and Political Culture. John M. Scheb II is a professor of political science and director of the Social Science Research Institute at the University of Tennessee and coauthor of American Constitutional Law, among other books. In partnership with Dr. Lyons, he provides campaign consulting for political candidates and applied survey research for businesses and organizations. Billy Stair is director of communication and community outreach at Oak Ridge National Laboratory. He served for eighteen years in the legislative and executive branches of state government, including eight years as senior policy advisor to the Governor.
Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
Summarizes many of the advances made in this area and reviews in depth the topics and treatment techniques not widely used in daily practice. New chapters to this second edition include: New Techniques to Manage Pain; Advances in Diagnostic Imaging; Management of Germ Cell Tumors of the Mediastinum, Updates on Diaphragmatic Pacing; and Preoperative Evaluation of Neuro-Motor Diseases of the Esophagus.
(Book). Although he's a showbiz lifer, Billy Vera is cut from a wholly different cloth than his peers. If an artist is measured by their devotion to their craft, Harlem to Hollywood may be the purest treatise on the subject ever produced. All the better, it's also an astounding story. Born into a white, suburban family, Vera fell for black music as a child and started down a winding performer's path that would buoy him the rest of his life. In the sixties, Vera paid his bills by songwriting (for other artists) through the day and playing mobbed up clubs at night. By 1967, as Newark burned on the other side of the Hudson, he and gospel singer Judy Clay, the first interracial duet to perform at the Apollo, tore the house down with a little ditty he wrote for himself: "Storybook Children," a commercial hit produced by Atlantic Records. Through the seventies, popular taste shifted drastically. As blue-eyed soul went out of fashion, Vera, like many other musicians, found himself scrounging for survival gigs, but one crucial difference set him apart: he abstained from the drugs and drink that fueled and eventually claimed so many of his contemporaries. As that decade sputtered to a close, a woman by the name of Dolly Parton recorded Vera's "I Really Got the Feeling" and hit number one on the charts. Riding the tide of this unexpected attention, Vera hightailed it to Los Angeles, formed a new band, Billy and the Beaters, and charted twice before the close of 1981 with songs from their eponymous album recorded live at the Roxy. Five years later, one of these minor hits, "At This Moment," was featured in several episodes of NBC's Family Ties . The song rocketed up the charts and a 42-year-old Vera found himself with his very own number one single. Nine visits to Carson and an American Bandstand appearance later, Vera tasted many other flavors of success: acting both on- and off-camera, producing records, and reissuing his own work. Today, with a star on the Hollywood Walk and Fame and a Grammy in tow, he's finally prepared to share his journey (did we mention that he's also a photographer and music historian who documented every step of career?). To sit down with Billy Vera is to take a personalized tour through nearly fifty years of entertainment history. Won't you come along for the ride?
He never did much, but he • had two first cars, • went on three first dates with the same girl, • played in Yankee Stadium every summer, • made All-American without playing a single down, • grew three feet in one day, and • played in the game of the century. It’s just part of being an ordinary guy having the time of his life growing up in a small town. Join the fun! Read the book! Enjoy life!
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