Growing up on the hardscrabble streets of LA in the late 1950s, Billy McGill stood out. At eleven he was dunking. At fifteen he was playing in pickup games against Bill Russell and Wilt Chamberlain--and holding his own, in part because he invented the jump hook shot, which no one could defend. How he went from college phenom, well on his way to becoming the greatest player Los Angeles ever produced, to sleeping in abandoned houses and washing up in a Laundromat sink is the story Billy "the Hill" McGill recounts here. The first African American to play basketball for the University of Utah and the highest scoring big man in NCAA history, McGill was the first pick of the 1962 NBA draft. But the injury that would undo him--a knee injury in his junior year of high school--had already occurred, and it would worsen year after year until his career faded away. From college star (whose scoring record is still unbroken) to troubled player, bouncing around the NBA and the ABA, McGill takes us from the heights to his precipitous fall--and the slow recovery of a life he had never prepared for. A cautionary tale, written with a candor and authenticity rarely seen in pro athletes, his book is also the incredible story of one of the greatest unknown basketball players of all time.
Growing up on the hardscrabble streets of LA in the late 1950s, Billy McGill stood out. At eleven he was dunking. At fifteen he was playing in pickup games against Bill Russell and Wilt Chamberlain--and holding his own, in part because he invented the jump hook shot, which no one could defend. How he went from college phenom, well on his way to becoming the greatest player Los Angeles ever produced, to sleeping in abandoned houses and washing up in a Laundromat sink is the story Billy "the Hill" McGill recounts here. The first African American to play basketball for the University of Utah and the highest scoring big man in NCAA history, McGill was the first pick of the 1962 NBA draft. But the injury that would undo him--a knee injury in his junior year of high school--had already occurred, and it would worsen year after year until his career faded away. From college star (whose scoring record is still unbroken) to troubled player, bouncing around the NBA and the ABA, McGill takes us from the heights to his precipitous fall--and the slow recovery of a life he had never prepared for. A cautionary tale, written with a candor and authenticity rarely seen in pro athletes, his book is also the incredible story of one of the greatest unknown basketball players of all time.
Luther H Holton along with his friends Frederick Lawford and James Nelson stood by the side of an immense shallow pit. It was an unusually long hole in the ground that stretched almost all the way between two parallel streets in the recently burgeoning section of the city now known as Newtown. The city itself, was unique in the fact that it had been built on the side of a mountain in the middle of an island surrounded by a mighty river. One of the earliest settlements in North America, the city was undergoing unprecedented development in the mid 19th century. Already established as Londons most important colonial center of commerce, the city had just witnessed the construction of a great Iron bridge across the mighty river considered by many to be an eighth wonder of the world. Adding to that was the completion of a lengthly canal that would allow shipping from the citys port into the interior of the continent. Already, a host of industries were establishing themselves along this canal; steel foundries, grain mills, sugar refineries, countless manufacturing companies, water filtration plants and the citys gas works. The old city had been founded next to its port a few hundred years earlier, but then began expanding east and west of its center and up the sides of its mountain. There are a series of three natural horizontal shelflike terraces climbing their way from the waterfront up the face of the mountain to just below its summit. Basically flat open areas on a slope, it was here on the uppermost terrace now called Newtown, that three men were looking down into a long shallow pit that had just recently been dug up. With its earth in neat piles stacked around it, stones in tidy little mounds like jewels in a very long tiara...lay the pit that would become a rink. Are you sure about this? asked Holton, in a tone more inquisitive than skeptical. Absolutely replied the two young architects, quickly answering the question with a unified response that seemed almost rehearsed. But youve just built churches, how will you build a rink? Same way we build a church but with a rink in it. This last remark brought a deep warm chuckle from Holton who knew very well how wealthy churchgoers would be falling all over themselves, vying to become investors and charter members of his new rink association. Holton possessed an acumen into the affairs of men as only a man can have that started at the bottom and raised himself to the very top. One of the most successful men of his era, he had an innovative mind which put pieces together like ships and railroads, banks and property, rinks and churches. His restless and inquisitive nature brought him into realms of genuine pleasure and creativity. Dammit all, This rink shall be my Queen he told himself in the privacy of his thoughts. Often he would think back to the time when he was a poor rural boy growing up in the old port. He was only seven years old when his father passed away, leaving his mother to raise six young children while attempting to run a struggling farm in eastern Ontario. She dreamed of a better life for her children than the harsh reality of an impoverished farm life, and so, sacrificing her love of family and her own emotions, she arranged for her nine year old son to stay with relatives in the old port city. She could have never possibly imagined what her decision would one day mean... to all of us...to us all.
Any book about Georges Durst can hardly be accurate as volumes could be written about this multifaceted individual. I decided to undertake this work only because I feel that I owed a strong sense of debt to this man who has enriched so many of us with his creativity.
Three disasters neatly spaced seven years apart. Troy Dawkins hears a pop in his right shoulder and his dream of pitching professionally evaporates in a split-second. In hushed voices, those closest to him refer to it as the first event in “The Trilogy of Tragedy.” He receives an unwelcome letter from an egotistical preacher that sets off a strange chain of events. With a newfound friend and possible love on the line, can he find a way to escape the haunting nightmares of death and rediscover hope, finding faith . . . one last time?
Wang Gungwu is one of the most influential historians of his generation. Initially renowned for his pioneering work on the structure of power in early imperial China, he is more widely known for expanding the horizons of Chinese history to include the histories of the Chinese and their descendents outside China. It is probably no coincidence, Philip Kuhn observes, that the most comprehensive historian of the Overseas Chinese is the historian most firmly grounded in the history of China itself. This book is a celebration of the life, work, and impact of Professor Wang Gungwu over the past four decades. It commemorates his contribution to the study of Chinese history and the abiding influence he has exercised over later generations of historians, particularly in the Asia-Pacific region. The book begins with an historiographical survey by Philip Kuhn (Francis Lee Higginson Professor of History at Harvard University) of Wang Gungwu's enduring contribution to scholarship. It concludes with an engaging oral history of Professor Wang's life, career, and research trajectory. The intervening chapters explore many of the fields in which Wang Gungwu's influence has been felt over the years, including questions of political authority, national identity, commercial life, and the history of the diaspora from imperial times to the present day. Each of these chapters is authored by a former student of Professor Wang, now working and teaching in Hong Kong, Southeast Asia, Australasia, Taiwan and Canada.
Being sent for piano lessons was probably the single worst thing that could have happened in my young life. But thanks to an exceptional lady and piano teacher named Florence Powers, I wound up unexpectedly becoming a professional piano player. Here are some curious things about the piano that I picked up along the way... Playing the piano has got to be one of life’s greatest treasures. In my estimation, there are few other activities that can even begin to compare with the ability to play this amazing instrument. As you can probably guess, I have the highest regard for those individuals who have mastered the art of playing the piano. Some performers have taken the art to a very high level, often out of the reach of most players. But my aim here is to present a simple accessible approach on learning how to listen to, or how to approach playing the piano for one’s own pleasure... first and foremost. This self-centered idea doesn’t necessarily imply being selfish, but it probably does require a slight adjustment to one’s priorities. However, if you can get around this inconvenience, the possibilities are sitting right there in front of you... and all you have to do is reach out and take. My aim here is to demystify the piano for both listeners or those who wish to learn how to get started in learning how play this amazing instrument. In any event, I feel that pleasure can be derived by having a wider understanding as just what the piano actually is. And while a book such as this one may be helpful to those who wish to learn to play the piano, there is no substitute for a live teacher. However, it’s extremely important to find a teacher that can fulfill one’s personal musical taste and ambition. There is much involved if a student wishes to become a proficient music reader, thus having a good teacher is essential to success in this area. Take your time in finding the right one... and good luck! However, before looking at the piano, it’s also important to establish what kind of music one is interested in, whether for listening or performing. For purposes of this book, I have arbitrarily broken it down into four major forms: Classical, Standards, Popular and Jazz. Classical leads the list as the music that has been around longer, much longer than the other two forms of music. It represents the foundation of all of today’s music. Much of it is seriously challenging to play, and requires years of dedicated practice. At the concert level, Olympic style discipline prevails, as the techniques of performance far surpasses the scope of this book. Be that as it may, classical music has an abundance of priceless melodiesthat can be played in a simplified manner while still retaining their pure magic for listeners. (and pianists ) Music operates on principles that were founded in the past 600 years, they carry with them an enormous amount of human cultural genius, including the invention of equal temperament.
AT FIRST GLANCE, THERE MIGHT NOT BE MUCH IN COMMON BETWEEN THESE TWO VERY DIFFERENT NORTH AMERICAN CITIES. AND WHILE THIS IS IN FACT TRUE, THE CASUAL READER MAY BE SURPRISED TO LEARN THAT BOTH LOCATIONS SHARE A STRIKINGLY SIMILIAR BACKGROUND OF EVENTS THAT MAKE THEM SOMEWHAT DIFFERENT THAN THEIR CONTINENTAL NEIGHBOURS. BEST DESCRIBED AS AFFECTIONATE PROFILING THE AUTHOR LEADS US DOWN A PATHWAY INTO A GALLERY OF IMAGES AND FACTS ABOUT THESE TWO, EXTRA EXTRA ORDINARY COMMUNITIES MIAMI AND MONTRAL
A saintly swindler befriends a young jazz pianist and together they pull off a financial sting operation against the mafia... With blessings from high levels of the United States government
At a time when opinion trumps facts and truth is treated as nothing more than another perspective, free speech has become a battleground. While authoritarians and algorithms threaten democracy, we argue over who has the right to speak.To protect ourselves from encroaching tyranny, we must look beyond this one-dimensional notion of what it means to be free and, by reconnecting liberty to equality and accountability, restore the individual agency engendered by the three dimensions of freedom.
An inspiring tale of one man’s courage and determination... Easter 1963. The end of the school holidays are approaching, but instead of returning to school, Billy “Scratch” Hitchen ran away to sea - he was just fourteen years old. Before the age of nineteen, he had sailed around the world five times. “Scratch” Salcombe Boy takes us on a wild ride around the world: from the mountainous seas off Cape Horn, to the Indian Ocean and the Pacific, from the most southerly tip of New Zealand to the North Atlantic and Canada, from oil drilling and exploration in Argentina to the construction of oil pipelines in the swamps and jungles of West Africa. In 1973, Scratch finally returned home to Salcombe in South Devon and went on to spend the next three decades fishing in every sea area, from Dover to Rockall. As Scratch tells the story, the reader will be drawn to the charismatic writing and inspired by the sheer determination of the man who overcame many obstacles, not least his lifelong struggles with dyslexia. Without reference to any written document or diary, the story he tells is written from the heart and carried in his soul. Readers who delight in sea exploration and travel, as well as vivid, well-written autobiographies, will enjoy this fascinating life well lived.
It is no exaggeration to say that the Hankey, a small British ship that circled the Atlantic in 1792 and 1793, transformed the history of the Atlantic world. This extraordinary book uncovers the long-forgotten story of the Hankey, from its altruistic beginnings to its disastrous end, and describes the ship’s fateful impact upon people from West Africa to Philadelphia, Haiti to London. Billy G. Smith chased the story of the Hankey from archive to archive across several continents, and he now brings back to light a saga that continues to haunt the modern world. It began with a group of high-minded British colonists who planned to establish a colony free of slavery in West Africa. With the colony failing, the ship set sail for the Caribbean and then North America, carrying, as it turned out, mosquitoes infected with yellow fever. The resulting pandemic as the Hankey traveled from one port to the next was catastrophic. In the United States, tens of thousands died in Philadelphia, New York, Boston, and Charleston. The few survivors on the Hankey eventually limped back to London, hopes dashed and numbers decimated. Smith links the voyage and its deadly cargo to some of the most significant events of the era—the success of the Haitian slave revolution, Napoleon’s decision to sell the Louisiana Territory, a change in the geopolitical situation of the new United States—and spins a riveting tale of unintended consequences and the legacy of slavery that will not die.
Thaim wi a guid Scots tongue in their heid are fit tae gang ower the warld' In The Scottish World, renowned broadcaster Billy Kay takes us on a global journey of discovery, highlighting the extraordinary influence the Scots have had on communities and cultures on almost every continent. While others have questioned the self-confidence of the Scots, Kay has travelled the world from Bangkok to Brazil, Warsaw to Waikiki and found ringing endorsements for the integrity and intellect, the poetry and passion of the Scottish people in every country he has visited. He expands people's view of Scotland by relating remarkable stories of the wealthy Scottish merchant community in Gdansk; of national geniuses of Scots descent, such as Lermontov in Russia and Grieg in Norway; of an American Civil War blamed on Sir Walter Scott and initiated in the St Andrew's Society of Charleston; of inspirational missionaries in Calabar and Budapest; of Scotch professors establishing football in soccer strongholds such as Barcelona and São Paulo; of pioneers like Sandeman and Cockburn, and the Scottish roots of many of the great wines of Europe; and of their amazing involvement in liberation movements in Malawi, Chile, Peru, Greece, Corsica and India. The Scottish World is a celebration of the enormous contribution the Scots have made to the modern world.
Lambda Literary Award, Finalist / "A Best Book of 2020" —Kirkus Reviews, Book Riot, CBC, Globe and Mail, Largehearted Boy. "Stunning... Happiness, this beautiful book says, is the ultimate act of resistance." —Michelle Hart, O, The Oprah Magazine The youngest ever winner of the Griffin Prize mines his personal history in a brilliant new essay collection seeking to reconcile the world he was born into with the world that could be. For readers of Ocean Vuong and Maggie Nelson and fans of Heart Berries by Terese Marie Mailhot, A History of My Brief Body is a brave, raw, and fiercely intelligent collection of essays and vignettes on grief, colonial violence, joy, love, and queerness. Billy-Ray Belcourt’s debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray’s writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.
Hilarious and heartfelt observations on aging from one of America's favorite comedians as he turns 65, and a look back at a remarkable career Billy Crystal is turning 65, and he's not happy about it. With his trademark wit and heart, he outlines the absurdities and challenges that come with growing old, from insomnia to memory loss to leaving dinners with half your meal on your shirt. In humorous chapters like "Buying the Plot" and "Nodding Off," Crystal not only catalogues his physical gripes, but offers a road map to his 77 million fellow baby boomers who are arriving at this milestone age with him. He also looks back at the most powerful and memorable moments of his long and storied life, from entertaining his relatives as a kid in Long Beach, Long Island, his years doing stand-up in the Village, up through his legendary stint at Saturday Night Live, When Harry Met Sally, and his long run as host of the Academy Awards. Readers get a front-row seat to his one-day career with the New York Yankees (he was the first player to ever "test positive for Maalox"), his love affair with Sophia Loren, and his enduring friendships with several of his idols, including Mickey Mantle and Muhammad Ali. He lends a light touch to more serious topics like religion ("the aging friends I know have turned to the Holy Trinity: Advil, bourbon, and Prozac"), grandparenting, and, of course, dentistry. As wise and poignant as they are funny, Crystal's reflections are an unforgettable look at an extraordinary life well lived.
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.
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