Mothers and midwives reveal the wonders and difficulties of early twentieth century childbirth in this informative and insightful healthcare history. Before the foundation of the United Kingdom’s National Health Service (NHS) in 1948, expectant mothers relied on midwives to help them through childbirth. Based on interviews conducted with dozens and mothers and retired midwives over several years, Billie Hunter and Nicky Leap’s The Midwife’s Tale shares the stories of these women in their own words, shedding light on their experiences and on the realities of childbirth in the first half of the twentieth century. Intriguing, poignant, and sometimes humorous, this oral history covers the experiences of women from the 1910s through the 1950s including accounts of the difficulties of rearing large families in poverty-stricken environments and the lack of information about contraception and abortion—even as midwifery changed from an unqualified “handywoman” skill to an actual profession.
In today’s culture, there are countless opposing voices seeking to shape your identity as a woman. But above the noise, a resounding call rings out: “Who can find a virtuous woman? for her price is far above rubies.” Proverbs 31:10 You are a priceless creation, uniquely made and loved by Father God. It’s...
In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City not green Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine.
All of the previous 9 books I have written are about a family and their friends, who are scattered all around the country and Scotland. They seldom see each other except at the annual family reunion, Book 10 brings these people together for their final reunion in the territory of Wyoming the first week of October, 1959. Some come from Scotland by ship, join others in NYC, ride a train to Omaha, and a stagecoach to Wyoming. Others riding a train from western Virginia mountains, joined them in Pittsburg. Some came by wagon train from western Kentucky.
This is the inspiring story of the work of John and Billie Barret in the bush country of Kenya, East Africa. Billie, a nurse was used of God to build a medical complex in an area without electricity, running water and very little money. John and their adopted Kenyan son, Thad Omari, developed Christ centered primers in the Swahili dialect. In two years his students were able to write and to read the Bible. Some are pastors of their own churches today. Through many hardships God showed Himself faithful, meeting every need. God uses ordinary people to do mighty works. The author and publisher pray that this touching book will move you to a closer walk with God.
Chelsey Bodeine is a lanky, golden-brown-skinned preteen with a happy-go-lucky disposition. She's as beautiful as the word "angel," and nothing seems to get her down. Chelsey looks forward to finally becoming thirteen and leaving behind her preteen years. Unfortunately, she's not looking forward to the summer that stands between her and young womanhood. She constantly reminds herself that after this summer, her mother will no longer be able to say to her "almost a young lady or almost a teenager." She vows the word "almost" will no longer be a part of her vocabulary after the most important day of her life! Chelsey remembers her grandmother always telling her that she became a "young lady" at the age of eleven. She doesn't quite understand the difference between the "young lady" her grandmother became at the age of eleven and the "young lady" she dreams of becoming, but she realizes that she will know once and for all what it means to be a young lady after this summer. She figures out in her mind that the young lady her grandmother became at eleven isn't the "young lady" she has dreamed of becoming since she was ten. All Chelsey cares about is becoming a full-fledged teenager on September 1. Whenever she talks to her best friend Alisha about what her mother says, that with young womanhood comes responsibilities, Alisha becomes girly giggly and says, "That's not the kind of responsibilities your mom's talking about." Chelsey puts her hands over her ears when Alisha becomes girly giggly. Chelsey spends every other summer in Louisiana with her mother's oldest sister, Aunt Ophelia, but unfortunately, this isn't the summer she'll be spending time with her favorite aunt. The thought of not spending the most important summer of her life with Aunt Ophelia gives Chelsey a sick feeling in the pit of her stomach. Chelsey's not looking forward to spending her summer alone and clueless. This summer is the most important summer of her life, and she will have to endure it without the wise advice and comforting arms of her Aunt Ophelia. Chelsey knows that without Aunt Ophelia, this will be one long and lazy summer.
The United States has a hate problem. In recent years, hate speech has led not only to deep division in our politics but also to violence, murder, and even insurrection. And yet established constitutional jurisprudence holds that all speech is protected as “content neutral” and that the proper democratic response to hateful expression is not regulation but “more speech.” So how can ordinary citizens stand up to hate groups when the state will not? In Combating Hate, Billie Murray proposes an answer to this question. As a participant in anti-racist and anti-fascist protests, including demonstrations against the Ku Klux Klan, neo-Nazis, and the Westboro Baptist Church, Murray witnessed firsthand the limitations of the “more speech” approach as well as the combative tactics of anti-fascist activists. She argues that this latter group, commonly known as antifa, embodies a radically different strategy for combating hate, one that explodes the myth of content neutrality and reveals hate speech to be a tactic of fascist organizing with very real, highly anti-democratic consequences. Drawing on communication theory and this on-the-ground experience, Murray presents a new strategy, which she calls “allied tactics,” rooted in the commitment to affirm, support, and even protect those who are the victims of hate speech. Engaging and sophisticated, Combating Hate contends that there are concrete ways to fight hate speech from the front lines. Murray’s urgent argument that we reconsider how to confront and fight this blight on American life is essential reading for the current era.
Visual literacy is an increasingly critical skill in a globalizing, digital world. This book addresses the core issues concerning visual literacy in education, underscoring its importance for the instruction of students and educators. Professor Billie Eilam argues that the incorporation of visual skill development in teacher training programs will help break the cycle of visual illiteracy. Understanding the pedagogical benefits and risks of visual representation can help educators develop effective strategies to produce visually literate students. Eilam presents a broad overview of theoretical knowledge regarding visual representation, as well as a discussion of best practices for the use of visual elements in schools. In addition to theory, Eilam includes practical exercises for introducing visual literacy into teacher education, offering strategies for analyzing visualization in curricula and for increasing awareness of visual culture.
This new edition provides an up-to-date and thoughtful guide to supporting women in labour, looking at a range of techniques and approaches that promote a safe and positive experience of birth for women and their families. Across the world, support in labour has been shown to reduce obstetric interventions and improve outcomes for women and babies. Written by two highly experienced midwifery authors, this text draws on a wide range of cutting-edge research on this topic, identifying how the evidence can be applied to everyday practice. Narratives from women and practitioners, including midwives, doulas, childbirth educators and students, are used to illustrate a range of situations where the quality of support is central to the quality of the experience and outcome. Supporting Women for Labour and Birth encourages readers to reflect on their experiences and examine the evidence provided by both research and experiences of women and practitioners in order to explore how this could be incorporated into their practice. The only book to deal directly with the practical and emotional issues associated with labour support, this is an ideal text for student midwives and an important reference for practising midwives, doulas and other childbirth practitioners.
In the timeline relevant to Billie H. Vincent’s watch, terrorist attacks against world aviation are on the rise. Vincent weaves his plot with the motives of these radicals, their causes, and the religious biases for extremist Islamic Jihadist attacks on a global scale to his protagonist’s story. Billie has his hands full dealing with these threats and helping out other nations in their aviation security efforts. The threats and attacks, in actual terms, have left a permanent impact on Western society and aviation in particular. Vincent knows all the ins and outs of the business. His book is replete with all the hardcore technology that are an aficionado’s dream, the LED monitors light up the twilight world of the first line of defense for all airline passengers against all who might threaten the security of airports and airlines. Billie and an international company of aviation security experts come up against the attempted bombing of an international Pan-American Airlines flight to Rio de Janerio. Over the previous two weeks they had been investigating a bomb that exploded on a flight out of Tokyo’s Narita airport that killed a Japanese youth going to a vacation in Hawaii. Vincent faces a new generation of terrorists of the era – bombs sneaked in a variety of ingenious ways into the planes and terminals abound in this dangerous world. Will he and his elite profession of dedicated men and women be able to stand up against all aviation security threats? The answer is, they will have to because the lives of innocents are at stake. Billie shows readers exactly how in this gripping Bombers, Hijackers, Body Scanners, And Jihadists.
This important book helps school leaders let go of a "comfortable" mindset and enter a world of courageous conversations that examine and challenge the impact of racism and other forms of oppression on disciplinary patterns, instructional practices, and school policies. Authors Hunsberger, Mayo, and Neal prepare you to address these difficult issues though authentic, critical discourse. The book includes classroom activities and facilitation tips to help prompt systematic changes in schools through improving instruction, supporting inclusiveness, and strengthening student engagement. After reading Becoming a Social Justice Leader you’ll be able to: Design conversations that support participant engagement and create a safe environment for discussion. Explore personal dispositions, attitudes, and stances that contribute to systemic oppression. Understand how oppression is established and sustained in order to enact change. Create alliances within school settings to foster dialogue and combat oppression. Additional worksheets that help educators examine and expand their work as social justice leaders are also available for download (http://www.routledge.com/products/9781138957749).
European settlement of Western Canada was both rapid and dramatic. People came from all over the world to take advantage of cheap land ($10 for 160 acres/64.7 hectares). Women most often came with parents, or followed husbands and brothers. They traded extended family life in familiar landscapes imbued with ancient histories for life in an undeveloped country with few roads and rough, new communities full of people from diverse cultures, speaking dozens of different languages. We know the stories of men who settled and developed the West, but of the women, except for a handful of rich and famous, we know little. They Came tells the heroic stories of 113 women who came to Western Canada from somewhere else between 1890 and 1950. Following each story is a recipe, something their children and grandchildren remember fondly.
Permanence as an architectural concept is no longer restricted to the Vitruvian virtue of firmitas. To think about it in this sense today produces a schism: absolutism in a world of relativism. The fourth volume of Inflection extrapolates the permanent and the temporary not as opposing forces, but as a spectrum to be navigated at each stage of architecture's unfolding narrative. Through each of the responses presented in this year's edition, Permanence provides a critical voice as architecture and design continually seek an enduring foothold in an inherently evolving landscape, physical or otherwise. Inflection is a student-run design journal based at the Melbourne School of Design, University of Melbourne. Born from a desire to stimulate debate and generate ideas, it advocates the discursive voice of students, academics and practitioners. Founded in 2013, Inflection is a home for provocative writing—a place to share ideas and engage with contemporary discourse.
Teach your child that our differences make us unique and are to be celebrated. Gender inequality is something that happens in lots of ways, every day. But it doesn't have to! This book helps kids notice when things are unfair, ask why, and do something about it. Equality is worth standing up for because each one of us matters, and when we are all included and represented equally, we all thrive. Meet A Kids Co., a new kind of media company with a collection of beautifully designed books that kick-start challenging, empowering, and important conversations for kids and their grown-ups. Learn more at akidsco.com.
This expert volume in the Diagnostic Pathology series is an excellent resource for practitioners at all levels of experience and training. Covering all aspects of hospital autopsy in the way it is practiced clinically, this volume incorporates the most up-to-date scientific and technical knowledge to provide a comprehensive overview of all key issues relevant to today's practice, helping pathologists accurately determine the cause and mechanism of in-hospital death. Richly illustrated and easy to use, Diagnostic Pathology: Hospital Autopsy, second edition, is a visually stunning, one-stop resource for every practicing pathologist, resident, student, or fellow as an ideal day-to-day reference or as a reliable training resource. - Features complete coverage of every aspect of autopsy practice?including clinical presentation with chart review, technical and diagnostic aspects of autopsy performance, and reporting - Presents classic autopsy techniques while also emphasizing the role of molecular studies and other laboratory and ancillary tests not commonly thought of during autopsy practice - Contains new chapters on emerging pathogens and medical entities (deaths from COVID-19 or vaccine complications, multisystem inflammatory disorders in children, adenoviral hepatitis in children, and more), toxicity/pathology associated with new drug therapies (CAR-T, mRNA vaccine-related immune events, etc.), and new cardiac and other medical devices - Features new or updated content on morgue/autopsy suite maintenance, enhanced biosafety techniques, the role of the autopsy practitioner in a pandemic setting, and more - Provides important clinical and diagnostic information through more than 1,100 clinical and gross pathology photographs, histologic images, full-color illustrations, and radiologic images - Includes case presentations highlighting important aspects of reporting that impact clinicians as well as next of kin - Focuses on pathologists in hospital settings, but also provides value to forensic pathologists, private practice pathologists, and others involved in death investigation, such as coroners, medical examiners, law enforcement, and pathology residents - Employs consistently templated chapters, bulleted content, key facts, a variety of tables, annotated images, pertinent references, and an extensive index for quick, expert reference - Any additional digital ancillary content may publish up to 6 weeks following the publication date.
The popular comedienne’s account of her theatrical career and her married life with Florenz Ziegfeld. This is the life story of an actress, a beautiful redheaded actress who lived and played in a glittering era now gone but fondly remembered. Although she attained moments of great fame and happiness, she never knew security. Like her father, the well-known clown, she went through life with a feather on her nose.—Print Ed.
With contributions from a range of leading international authors, this 'stop and make you think' book explores the many contemporary issues surrounding emotion work in reproductive healthcare. The editors, forerunners in their field, have brought together both theoretical and clinical aspects to challenge readers to consider the significance of this important topic in their day-to-day work. Using examples of maternity care and infertility settings from the UK and beyond, and with an emphasis on personal reflection throughout, the book explores the subjects of: - Emotional well-being - Client-practitioner relationships - Infertility - Loss - Breast feeding - Motherhood Emotions in Midwifery and Reproduction underlines the importance of emotions and how they are managed, experienced and negotiated in clinical settings, addressing issues that are frequently overlooked in the drive for efficiency and effectiveness in the health service. It is stimulating reading for all midwifery and nursing students and practitioners looking to understand their patients' and their own emotional needs.
The Arab Spring did not arise out of nowhere. It was the physical manifestation of more than a decade of new media diffusion, use, and experimentation that empowered ordinary people during their everyday lives. In this book, Billie Jeanne Brownlee offers a refreshing insight into the way new media can facilitate a culture of resistance and dissent in authoritarian states. Investigating the root causes of the Syrian uprising of 2011, New Media and Revolution shows how acts of online resistance prepared the ground for better-organised street mobilisation. The book interprets the uprising not as the start of Syria's social mobilisation but as a shift from online to offline contestation, and from localised and hidden practices of digital dissent to tangible mass street protests. Brownlee goes beyond the common dichotomy that frames new media as either a deus ex machina or a means of expression to demonstrate that, in Syria, media was a nontraditional institution that enabled resistance to digitally manifest and gestate below, within, and parallel to formal institutions of power. To refute the idea that the population of Syria was largely apathetic and apolitical prior to the uprising, Brownlee explains that social media and technology created camouflaged geographies and spaces where individuals could protest without being detected. Challenging the myth of authoritarian stability, New Media and Revolution uncovers the dynamics of grassroots resistance blossoming under the radar of ordinary politics.
In this highly acclaimed study, Billie Melman recovers the unwritten history of the European experience of the Middle-East during the colonial era. She focuses on the evolution of Orientalism and the reconstruction - through contact with other cultures - of gender and class. Beginning with the eighteenth century Billie Melman describes the many ways in which women looked at oriental people and places and developed a discourse which presented a challenge to hegemonic notions on the exotic and 'different'. Through her examination of the writings of famous feminist writers, travellers, ethnographers, missionaries, archaeologists and Biblical scholars, many of which are studied here for the first time, Billie Melman challenges traditional interpretations of Orientalism, placing gender at the forefront of colonial studies. 'This book provides a real extension to Edward Said's writing not only in the sense of challenging Edward Said's perspective, but also by adding a significant empirical and conceptual element to the discussion on orientalism. Those interested in women's history, in the cultural politics of cross-cultural encounters and in feminist or cultural theory will find much to engage them, inform them and challenge them in Melman's book.' - Joanna De Groot, Times Higher Education Supplement 'Using the perspectives of both gender and class Melman sets an alternative view of the Orient against that of Said... a much less monolithic and much more complex and heterogenous than that of Said' - Francis Robinson, Times Literary Supplement 'Women's Orients is an important contribution to our understanding of Orientalism. Melman's work is characterized by a fruitful bringing together of the skills of the historian with the sensitive reading of the British women writers...' - Catherine Hall, The Feminist Review 'An excellent work... This book is a must for anyone interested in women's history, both English and Middle Eastern. It is well written and well argued and effectively does what it promises to do' - Afaf Lutfi Al-Sayyid Marsot, The International History Review 'Women's Orients, a project of recovery and analysis, is an important consideration of European women traveller's writing on the Middle East. It provides a rich and detailed interpretation of a feminine version of the Orient' - Sherifa Zuhur, MESA Bulletin 'The book raises provocative issues and suggests complexities that deepen our understanding of colonial changes and representations' - Dorothy O.Helly, American Historical Review.
Country Girl tells the life story of Billie (Grable) Jurlina, born in a small town in West Texas, who has become a successful and beloved wife, mother, friend, and teacher. She recounts the hard times as well as the joys in this memoir so that her family and friends might know her better. Diverse recollections such as riding to Kindergarten on horseback behind her teacher and a treasured pony given by her older brother, to accounts of trips abroad to discover family roots and more offer a vivid picture of life in a different time and place. Step back into days-gone-by and experience life in Texas through the eyes of this Country Girl.
It was an age of innocence and sometimes ignorance. I want to memorialize what a wonderful era it was in which to be a child and to grow old. It began as a chronological biography, but that was not the way life is lived. Stuff happens and rehappens, appears and disappears, changes and remains the same. Thus my memories and emotions became a haphazard collection of short sketches and stories. Early on the decision was made to mainly include the good "stuff." We begin this saga with my grandmother Jenny's story. the matriarch of the clan. "Jenny Cantrell was born October 29, 1858, in a farmhouse near Red Sulphur Springs. She is one-half of a set of twin daughters born to James and Elizabeth Ratliff. Mrs. Cantrell grew up on a farm in Mercer County near Littlesburg. One year a young Charlestonian, James M. Cantrell came to Mercer County "to take an interest in the mines." They fell in love and at 16 years of age, Jenny Ratliff became his bride.
Originally published in 1998, Sexual Harassment in Higher Education addresses the problem of sexual harassment on college campuses. This work reflects on a variety of aspects of sexual harassment, its litigation and law, as well as how the issues they demonstrate often have as much to do with linguistics or jurisprudence as with negative action, though there is a great deal of evidence of the latter. The book provides a clear-eyed and detailed assessment of the 'harassment' controversies now plaguing America's universities and colleges.
Close your eyes. Get set. Go! ... to where Bay Swamp smells like aftershave, to where friends raise Billie's dad a barn in a day. You're there! On her "pizer," Grandma, waiting to serve dinner, relaxes with a dip of her Sweet Society snuff. Billie's mom and dad, sweaty from hoeing tobacco, rush in and wash up. They can't wait to bite into Grandma's succulent chicken. They tell you, "Pull up a chair!" After dinner, take off your shoes, trek across sandy, open fields, feel sand between your toes. Beyond the watermelon patch, a rare sight: Venus flytraps and yellow trumpet flowers, set to gobble up every bug in sight, and Bug Swamp has bugs. Also gators, bears, cooters, possums, snakes ... gold. Later, on Grandma's "pizer," you'll hear how Billie and her mom almost become bear bait, and Grandma will spellbind you, telling about Grandpa's tussle with a gator. Discover for yourself how Grandma's pipeline to God keeps everyone on track. Pity she doesn't have Hitler's ear in Germany, or Tojo's in Japan. Why, Grandma could even advise Harry Truman! He uses a weapon so strong it keeps on killing and killing. That Great Depression? Pray it won't destroy Billie's family. Her dad puts a mortgage on the place that can tear their family apart or hold them together. Luckily, World War II ends, and good and bad teeter into place.
Institutions everywhere seem to be increasingly aware of their roles in settler colonialism and anti-Black racism. As such, many racialized workers find themselves tasked with developing equity plans for their departments, associations or faculties. This collection acknowledges this work as both survival and burden for Black, Indigenous and racialized peoples. It highlights what we already know and are already doing in our respective areas and offers a vision of what equity can look like through a decolonial lens. What helps us to make this work possible? How do we take care with ourselves and each other in this work? What does solidarity, collaboration or “allyship” look like in decolonial equity work? What are the implicit and explicit barriers we face in shifting equity discourse, policy and practice, and what strategies, skills and practices can help us in creating environments and lived realities of decolonial equity? This edited collection centres the voices of Indigenous, Black and other racialized peoples in articulating a vision for decolonial equity work. Specifically, the focus on decolonizing equity is an invitation to re-articulate what equity work can look like when we refuse to separate ideas of equity from the historical and contemporary realities of colonialism in the settler colonial nation states known as Canada and the United States and when we insist on linking an equity agenda to the work of decolonizing our shared realities.
Global Change and the Earth System describes what is known about the Earth system and the impact of changes caused by humans. It considers the consequences of these changes with respect to the stability of the Earth system and the well-being of humankind; as well as exploring future paths towards Earth-system science in support of global sustainability. The results presented here are based on 10 years of research on global change by many of the world's most eminent scholars. This valuable volume achieves a new level of integration and interdisciplinarity in treating global change.
A remarkable debut novel and bittersweet tale of the unflinching love and devotion between a mother and daughter. Razor sharp and darkly funny, Going Down Swinging chronicles two years in the life of the Hoffmans. Eilleen Hoffman has just told Danny, her con-artist lover and father of her youngest daughter Grace, to get out—for good. Once a teacher, Eilleen lived a middle-class life, but her taste in men coupled with a predilection for pills and booze has brought her down. Desperate to prevent her family from sinking deeper into poverty, Eilleen reluctantly goes on welfare. Eventually she turns to the only friends she has left, hustlers and hookers, to learn how a woman makes fast money, no investment necessary. With Eilleen on welfare and her older daughter Charlotte a teenaged runaway, child welfare authorities descend on the Hoffmans. As Eilleen trails through several attempts at drying out, the well-intentioned Children's Protection Society finally intervenes to apprehend Grace. With the threat of prolonged separation now a stark reality, Eilleen and Grace must rally to confront their demons with grit, determination and humour. Unblinkingly observed and brilliantly written, Going Down Swinging is about the powerful bond between mother and child. And with her skilful narrative interplay, Billie Livingston illustrates poignantly how the truth of our stories lies not so much in the black and white, as it does in the grey.
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