For the first time, the best of McKibben's essays--fiery, magical, and infused with his uniquely soulful investigations of modern life--are collected in a single volume.
Makes charges about how politicians, the clergy, and families are failing to protect those in their care, presenting strong statements about personal responsibility and self-reliance in today's uncertain world.
**2022 Will Rogers Medallion Award Silver Winner for Western Biographies and Memoirs** Two Native American leaders who left a lasting legacy, Geronimo and Sitting Bull. Most Americans and many people worldwide have heard these two famous names. Today, however, the general public knows little about the lives of these great leaders. During the second half of the nineteenth century when they opposed white intrusion and expansion into their territories, just the mention of their names could spark fear or anger. After they surrendered to the army and lived in captivity, they evoked curiosity and sympathy for the plight of the American Indian. Author Bill Markley offers a thoughtful and entertaining examination of these legendary lives in this new joint biography of these two great leaders. .
The Communist International's Popular Front campaign of the 1930s brought to the fore ideas that resonated in Chicago's African American community. Indeed, the Popular Front not only connected to the black experience of the era, but outlasted its Communist Party affiliation to serve as both model and inspiration for a postwar cultural insurrection led by African Americans. With a new preface Bill V. Mullen updates his dynamic reappraisal of a critical moment in American cultural history. Mullen's study includes reassessments of the politics of Richard Wright's critical reputation and a provocative reading of class struggle in Gwendolyn Brooks' A Street in Bronzeville. He also takes an in-depth look at the institutions that comprised Chicago's black popular front: the Chicago Defender, the period's leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about African Americans; and the WPA-sponsored South Side Community Art Center.
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