Follow a true story of a family’s adventure as they embark on a three-year sea voyage on their twenty-nine foot sailing boat. Reliant on a sextant and compass, Bill Hapgood, his wife and their two daughters navigated approximately 26,000 nautical miles before making their return to Canada. While some questioned their judgement to embark upon a dangerous journey, they remained undeterred in their quest to explore wondrous locations and experience great adventure. With a sense of exploration in front of them, they were not prepared for the challenges that lay ahead—at sea and on land—not least unpredictable weather, piracy, drug dealers and places that were notorious for violence against anybody perceived to be an outsider. Despite the dangers they would meet a host of interesting and unusual characters. Families who had also made the sea their home and strangers who would become close friends. Keeping in contact with each other as they journeyed forth, such camaraderie would prove essential throughout their journey. They would discover that these newly found relationships would be a vital ingredient in holding them together in their most desperate times, particularly on occasions when they would question their own rationale. Three Years at Sea is a tale of courage, discipline and a family’s devotion to succeed as they set out on a three-year sailing trip of 26,000 nautical miles of ocean. An account of a family’s unity, unexpected learning and daring to accomplish their dream—a true adventure of danger and discovery.
Follow a true story of a family’s adventure as they embark on a three-year sea voyage on their twenty-nine foot sailing boat. Reliant on a sextant and compass, Bill Hapgood, his wife and their two daughters navigated approximately 26,000 nautical miles before making their return to Canada. While some questioned their judgement to embark upon a dangerous journey, they remained undeterred in their quest to explore wondrous locations and experience great adventure. With a sense of exploration in front of them, they were not prepared for the challenges that lay ahead—at sea and on land—not least unpredictable weather, piracy, drug dealers and places that were notorious for violence against anybody perceived to be an outsider. Despite the dangers they would meet a host of interesting and unusual characters. Families who had also made the sea their home and strangers who would become close friends. Keeping in contact with each other as they journeyed forth, such camaraderie would prove essential throughout their journey. They would discover that these newly found relationships would be a vital ingredient in holding them together in their most desperate times, particularly on occasions when they would question their own rationale. Three Years at Sea is a tale of courage, discipline and a family’s devotion to succeed as they set out on a three-year sailing trip of 26,000 nautical miles of ocean. An account of a family’s unity, unexpected learning and daring to accomplish their dream—a true adventure of danger and discovery.
One of the world’s most beloved and bestselling writers takes his ultimate journey -- into the most intriguing and intractable questions that science seeks to answer. In A Walk in the Woods, Bill Bryson trekked the Appalachian Trail -- well, most of it. In In A Sunburned Country, he confronted some of the most lethal wildlife Australia has to offer. Now, in his biggest book, he confronts his greatest challenge: to understand -- and, if possible, answer -- the oldest, biggest questions we have posed about the universe and ourselves. Taking as territory everything from the Big Bang to the rise of civilization, Bryson seeks to understand how we got from there being nothing at all to there being us. To that end, he has attached himself to a host of the world’s most advanced (and often obsessed) archaeologists, anthropologists, and mathematicians, travelling to their offices, laboratories, and field camps. He has read (or tried to read) their books, pestered them with questions, apprenticed himself to their powerful minds. A Short History of Nearly Everything is the record of this quest, and it is a sometimes profound, sometimes funny, and always supremely clear and entertaining adventure in the realms of human knowledge, as only Bill Bryson can render it. Science has never been more involving or entertaining.
From three-inch fang blennies to thirty-foot prehistoric crocodiles, from gaboon vipers to Neanderthals, Bite is a fascinating journey through the natural, scientific, and cultural history of something right in front of—or in—our faces: teeth. In Bite, zoologist Bill Schutt makes a surprising case: it is teeth that are responsible for the long-term success of vertebrates. The appearance of teeth, roughly half a billion years ago, was an adaptation that allowed animals with backbones, such as fish, amphibians, reptiles, birds, dinosaurs and mammals—including us—to chow down in pretty much every conceivable environment. And it’s not just food. Tusks and fangs have played crucial roles as defensive weapons—glimpsing the upper canines of snarling dogs is all it takes to know that teeth are an efficient means of aggression. Vampire bats use their razor-sharp teeth to obtain a widespread but generally untappable resource: blood. Early humans employed their teeth as tools to soften tough fibers and animal hides. Our teeth project information and social status—the ancient Etruscans were the first to wear tooth bling, and it’s doubtful that George Washington would have been elected president without the false teeth he wore. So much of what we know about life on this planet has come from the study of fossilized teeth, which have provided information not only about evolution but also about famine, war, and disease. In his signature witty style, the author of Pump and Cannibalism shows us how our continued understanding of teeth may help us humans through current and future crises, from Alzheimer’s disease to mental health issues. Bite is popular science at its best and will appeal to readers of Mary Roach, Merlin Sheldrake, and Ed Yong.
From Bill Yenne, author of the military histories Big Week and Aces High, comes the stirring true story of the Eighth Air Force in World War II. Barely a month after the attack on Pearl Harbor, the U.S. Army formed its Eighth Air Force, the first bomber command on either side to commit to strategic daylight bombing, with the goal of defeating the Third Reich from the air. The men of the Eighth paid the price in both lives and blood. Hit the Target introduces readers to those who made the Eighth Air Force the formidable juggernaut it soon became. Men of all ranks, from General Tooey Spaatz, the hard-driving founding commander, to Colonel Jimmy Doolittle, the hero who led the first air raid on Japan, to Maynard “Snuffy” Smith, the irascible first airman in Europe to be awarded the Medal of Honor. The story of the Mighty Eighth is told through these men, whose careers paralleled the early history of aviation and who helped to revolutionize airborne warfare and win World War II. INCLUDES PHOTOS “Bill Yenne scores another bull’s-eye with Hit the Target...This is a story everyone should know.”—Robert Bruce Arnold is the co-author of Wilderness of Tigers, A Novel of Saigon and grandson of the Air Force’s only Five Star General, Hap Arnold “The story of the mighty United States Eighth Air Force is one for the ages.”—Brian Sobel, author of The Fighting Pattons
Based on the author’s decades of teaching, pedagogical and theatrical research, and his professional experience as actor and director, Making a Scene: Creating a Scene Study Class for Actors offers a pedagogical approach to rehearsal scenes as a primary tool for diagnosis and actor improvement. This volume carefully lays out the case for thinking deeply and critically about the nature of every facet of an acting class: the environment of the classroom, the choice of material for performing, diagnostic tools for responding to scene sessions, and means for engaging all students. This study includes suggestions for a teacher’s philosophy towards the work; a justification for implementing games, improvisations, and etudes; suggestions for resources for exercises both basic and complex; and a brief discussion on approaches to period styles material and connecting it to contemporary student life and issues. Addressed to both the beginning theatre teacher and the seasoned educator, this will be an essential book for anyone seeking to update their work with performers in private studios, high school settings, or in higher education.
When her father dies, lawyer Sarah Curtis returns to her hometown of Bolton to wind up his law practice. She plans to leave as soon as she can but when Gerry, a family friend, goes missing and his family receive death threats, she agrees to help his wife move to a safe location and find out what’s behind Gerry’s disappearance.
The late nineteenth century, known commonly as the "Gilded Age," produced some of the most beautiful yet controversial architecture in America's history. The great influencers of the period, including Richard Upjohn, Henry Hobson Richardson, and Charles McKim, each spread the gospel of his own architectural style. The result was an eclectic mix of styles that some detested but that others embraced. Caught in the struggle to find an architecture America could claim as its own, Hartford, Connecticut architect William Brocklesby carved out his own stylistic path. In an age when the taste for ostentation and pretension was adopted by many, William Brocklesby produced some of the most dignified and beautiful architecture in the Connecticut Valley. His churches, libraries, and theaters remain as artistic landmarks throughout western New England, and his work at colleges from Hartford to Amherst, Massachusetts make for some of the most picturesque college campuses in America. This book serves as a companion to the author's earlier book, Asher Benjamin, American Architect, Author, Artist. Taken together, the two books provide a view of developments in American architecture from 1790 to 1910. The Architecture of William C. Brocklesby Hailing from Hartford, Connecticut, architect William C. Brocklesby (1847-1910) spent his career designing beautiful yet dignified churches, libraries, and public buildings throughout the Connecticut River Valley and western New England. Working in an age when ostentation was the rule rather than the exception, Brocklesby maintained a restrained hand in the application of ornament. His design ofForbes Library in Northampton, Massachusetts stands out as a monument to his ability as a design architect. In addition, William Brocklesby was among a handful of nineteenth century architects who made the Connecticut River Valley the birthplace of the prototypical American college campus. Working largely within the vision of the famed American landscape architects Andrew Jackson Downing and Frederick Law Olmstead, Brocklesby and others built campuses that were meant to mimic the traditional New England village. “Through the designs of the college buildings by Peabody and Stearns and William Brocklesby, Smith College's architectural history traces the development of late nineteenth-century styles.” - National Register of Historic Places Inventory
Teaching the Arts: Early Childhood and Primary Education provides a comprehensive and exciting introduction to Arts education in Australia and New Zealand. By illustrating the fundamental links between theory and practice, this book equips students with the skills and knowledge to teach the Arts. The book covers each of the five Arts strands –dance, drama, media arts, music and visual arts – in detail. Each chapter encourages readers to engage with the Arts and provides opportunities to develop understanding and practical skills through reflective questions, examples and activities. Teaching the Arts draws important links to the Australian Curriculum, the New Zealand Curriculum, the Early Years Learning Framework and Te Whāriki, and includes substantial references to Indigenous histories and cultures, relationships with Asia and sustainability. Generously illustrated and featuring excellent on-line resources, Teaching the Arts is an indispensable resource for pre-service teachers.
Makes charges about how politicians, the clergy, and families are failing to protect those in their care, presenting strong statements about personal responsibility and self-reliance in today's uncertain world.
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