He Abused Her Body... Everyone who knew them thought stunning Farah Fratta and her husband Robert, a firefighter and public safety officer, had it all--a solid, nine-year marriage, three beautiful children, and a comfortable house in a middle class Houston suburb. But behind closed doors, Robert's deviant sexual appetites trapped Farah in a world of sick perversity...until she filed for divorce in 1992. Her Terrorized Her In Her Own Home... During a bitter custody suit, Farah bravely recounted--in graphic detail--her husband's bizarre sexual demands, which the presiding judge called the most depraved behavior he'd ever heard. Then Fratt'a behavior turned violent. Hoping to intimate his wife into dropping the proceedings against him, he hired an ex-con to brutally rape and torture her with a stun gun. Two years after the case began, the court was about to rule in Farah's favor...and seal her fate. Then He Took Her Life... On the night of November 9, 1994, as an unsuspecting Farah stepped out of her car, a man wearing a black ski mask emerged from the backyard and pumped two lethal bullets into her head. Charged with Farah's murder, Fratta tried to use a visit with his children as an alibi. Instead, he and two others were convicted of the bloody plot and sentenced to die by lethal injection.
Newlywed Will Battese finds himself homesick and overwhelmed after following his ambitious wife, Shannon, to New York City. When a surprise pregnancy shreds their already meager budget, Will drops out of college and settles for work at a low-end diner. There, a small act of kindness draws the attention of Victor Degas, a man with an unsettling presence and deformed eyes. Unbeknownst to Will, Degas belongs to an ancient, sophisticated cult known as the Edens and believes Will to be the key to gaining otherworldly power. As the sun sets on Good Friday, Degas orchestrates a home invasion in which Will and his baby boy, Gideon, are kidnapped, leaving Shannon to join forces with an unreliable agent from the Roman Catholic Church. While Will struggles to save other innocents from the Eden parish below the city, Shannon discovers that the cult plans to use her family for an unimaginable demonic ritual, and that the Vatican may let it happen. With no one to trust but themselves, Shannon and Will must fight not only to survive, but to keep their humanity intact. THE CULT OF EDEN is the first volume in The Unrisen saga.
At fourteen, Steve Truscott was a typical teenager in rural Ontario in the fifties, mainly concerned about going fishing, playing football, and racing bikes with his friends. One summer evening, his twelve-year-old classmate, Lynne Harper, asked for a lift to the nearby highway on his bicycle and Steve agreed. Unfortunately, that made Steve the last person known to see Lynne alive. His world collapsed around him when he was arrested and then convicted of killing Lynne Harper. The penalty at the time was death by hanging. Although the sentence was changed to life in prison, Steve suffered for years behind bars for a murder he didn't commit. When his case gained national attention, the Supreme Court of Canada reviewed the evidence -- and confirmed his conviction. It took over forty years and a determination to prove his innocence for him to finally clear his name. He has since received an apology and compensation for his ordeal. In this book, young readers will discover how an innocent boy was presumed guilty by the justice system, and how in the end, that same justice system, prodded by Truscott and his lawyers, was able to acknowledge the terrible wrong done to him. [Fry reading level - 4.8
The concept of sustainability lies at the core of the challenge of environment and development and the way governments, business and environmental groups respond to it. Green Development provides a clear and coherent analysis of sustainable development in both theory and practice. This third edition retains the clear and powerful argument of previous editions, but has been updated to reflect advances in ideas and changes in international policy. Greater attention has been given to political ecology, environmental risk and the environmental impacts of development. This fully revised third edition discusses: the origins of thinking about sustainability and sustainable development and its evolution to the present day the ideas that dominate mainstream sustainable development (ecological modernization, market environmentalism and environmental economics) the nature and diversity of alternative ideas about sustainability that challenge ‘business as usual’ thinking (for example ecosocialism, ecofeminism, deep ecology and political ecology) the dilemmas of sustainability in the context of dryland degradation, deforestation, biodiversity conservation, dam construction and urban and industrial development the nature of policy choices about the environment and development strategies and between reformist and radical responses to the contemporary global dilemmas. Green Development offers clear insights into the challenges of environmental sustainability and social and economic development. It is unique in offering a synthesis of theoretical ideas on sustainability and in its coverage of the extensive literature on the environment and development around the world. This book has proved its value to generations of students as an authoritative, thought-provoking and readable guide to the field of sustainable development.
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
In this volume, scholars from a wide range of fields within the humanities explore the links between space and place and their relation to cultural expression. This collection shows that a focus on the spatial can help elucidate important facets of symbolic expression and cultural production, whether it be literature, music, dance, films, or art.
With a six‐gun in his holster and a Bowie knife in his boot, Judge Roy Bean leaves Mexico on the Spanish Trail heading for California in search of a woman and buried gold. But which one was he willing to fight for more? The American Frontier promises adventure for Bean, but not without the threat of trouble. Without a shadow of fear, Bean proves to be unlike any other cowboy that the Comanches of the Southwest have ever seen . . . or will see again.
British imperialism was almost unparalleled in its historical and geographical reach, leaving a legacy of entrenched social transformation in nations and cultures in every part of the globe. Colonial annexation and government were based on an all-encompassing system that integrated and controlled political, economic, social and ethnic relations, and required a similar annexation and control of natural resources and nature itself. Colonial ideologies were expressed not only in the progressive exploitation of nature but also in the emerging discourses of conservation. At the start of the 21st century, the conservation of nature is of undiminished importance in post-colonial societies, yet the legacy of colonial thinking endures. What should conservation look like today, and what (indeed, whose) ideas should it be based upon? Decolonizing Nature explores the influence of the colonial legacy on contemporary conservation and on ideas about the relationships between people, polities and nature in countries and cultures that were once part of the British Empire. It locates the historical development of the theory and practice of conservation - at both the periphery and the centre - firmly within the context of this legacy, and considers its significance today. It highlights the present and future challenges to conservationists of contemporary global neo-colonialism The contributors to this volume include both academics and conservation practitioners. They provide wide-ranging and insightful perspectives on the need for, and practical ways to achieve new forms of informed ethical engagement between people and nature.
Conservation in the 21st century needs to be different and this book is a good indicator of why.' Bulletin of British Ecological Society Against Extinction tells the history of wildlife conservation from its roots in the 19th century, through the foundation of the Society for the Preservation of the Wild Fauna of the Empire in London in 1903 to the huge and diverse international movement of the present day. It vividly portrays conservation's legacy of big game hunting, the battles for the establishment of national parks, the global importance of species conservation and debates over the sustainable use of and trade in wildlife. Bill Adams addresses the big questions and ideas that have driven conservation for the last 100 years: How can the diversity of life be maintained as human demands on the Earth expand seemingly without limit? How can preservation be reconciled with human rights and the development needs of the poor? Is conservation something that can be imposed by a knowledgeable elite, or is it something that should emerge naturally from people's free choices? These have never been easy questions, and they are as important in the 21st century as at any time in the past. The author takes us on a lively historical journey in search of the answers.
The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture. The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language. This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.
It was 1862 and the Cariboo Gold Rush was in full swing. Sophia Cameron, the Beauty of Barkerville, lay dying of typhoid when her husband, John Cariboo Cameron, made one last promise to his fading young wife. The Promise is a compelling story of a great love and an epic struggle to honour a dying wife's final request: to take her body home to eastern Canada. Told in the voice of Robert Stevenson, Cameron's friend and mining partner, the story travels with the two men as they leave the frozen goldfields of BC and carry Sophia's body by sled, ship and rail to a tree-shaded cemetery near Cornwall, Ontario. However, she was buried amid mistrust and dark suspicions because Cameron refused to open the coffin-did it truly contain his lovely, young wife? In this his first novel, Bill Gallaher provides unique insight into a famous legend of the gold rush. A story about a promise of epic proportions. Highly entertaining yarn based on gold miner Robert Stevenson's memoir of his life and adventures with John Cariboo Cameron. —Kamloops Daily News Intrigued by the level of commitment and loyalty in the Cariboo Cameron saga, Bill Gallaher first wrote a song about the Camerons and as a result of further extensive research, wrote The Promise. He is now an author of several well-received books, The Journey: The Overlanders' Quest for Gold; A Man Called Moses: The Curious Life of Wellington Delaney Moses; Deadly Innocent; and The Frog Lake Massacre. Bill lives with his family in the Cariboo region of British Columbia.
The "Mozart of baseball statistics" (Chicago Sun Times) is back with the 1994 edition of his defintive book on the players and their stats, offering evaluations of more than a thousand major league players and minor league prospects for fantasy league owners, casual fans, and just admirers of insightful prose.
Philadelphia's Washington Square, a shaded 6.6-acre plot near the nation's birthplace at Independence Hall, has been a focal point of the city's history for more than 300 years. Designated by William Penn in 1683 as an open space, the square served as a potter's field for its first 100 years. The remains of more than 2,000 indigents, soldiers, and yellow fever victims rest beneath its sod. By 1825, the graveyard was closed and the square was redesigned as a public promenade. Rude huts on its periphery gave way to fashionable middle-class homes. Washington Square became a destination for publishing and advertising, home to the likes of J. B. Lippincott, W. B. Saunders, Curtis Publishing Company, Farm Journal, and advertising giant N. W. Ayer. In the 1950s, its Society Hill neighborhood was restored, and a memorial to the unknown soldier of the American Revolution was dedicated in the square. Today the square is again attracting the affluent with condominiums in its converted publishing houses.
The competition for the senior hockey championship and the Herder Memorial Trophy in Newfoundland and Labrador began in 1935. This book looks at the early days of amateur competition for the coveted trophy, through its glory days of paid players and its eventual retu to the grass roots level in the 1990s. It includes a listing of winning teams-and players-for each year.
All the members of the Long Grey Line that stretches through the years from 1802 have the cadet gray uniform in common, but individual classes develop different personalities shaped by experiences and times through which they pass. Each Academy class is different from every other ... Much of what follows is derived from interviews with the men of '62. Their contributions are typical of those made by other West Point classes. Throughout, I'll use my own observations to provide perspectives on the times through which we passed"--Introduction
Use this book to find antique treasures at the Tinker Swiss Cottage in Rockford, an elaborate spa in the middle of central Illinois farmland, or Wyatt Earp's birthplace in Monmouth.
Medford, Oregon, pioneered aviation in Southern Oregon and has long enjoyed a reputation for being an air-minded city. When the City of Medford built Newell Barber Field in 1920, it established the first municipally owned airfield in the state. In 1926, Pacific Air Transport selected Medford as a station for the West Coast airmail route. While Portland's airmail service was located across the river at Vancouver's Pearson Field in Washington, Medford's Newell Barber Field was Oregon's only airmail stop. The 1920s secured Medford's position as a leader in the growth of both civil and commercial aviation. When technology rendered the original field obsolete, the voters handily approved a new, state-of-the-art field that has continued to expand and grow into a major international airport and free trade zone, capable of accommodating some of the world's largest aircrafts.
Will lightning ever strike twice? Can David beat Goliath a second time? These questions haunt everyone in the small town of Milan, Indiana, whose basketball team inspired Hoosiers, the greatest underdog sports movie ever made. From a town of just 1,816 residents, the team remains forever an underdog, but one with a storied past that has them eternally frozen in their 1954 moment of glory. Every ten years or so, Milan has a winning season, but for the most part, they only manage a win or two each year. And still, perhaps because it's the only option for Milan, the town believes that the Indians can rise again. Bill Riley follows the modern day Indians for a season and explores how the Milan myth still permeates the town, the residents, and their high level of expectations of the team. Riley deftly captures the camaraderie between the players and their coach and their school pride in being Indians. In the end, there are few wins or causes for celebration—there is only the little town where basketball is king and nearly the whole town shows up to watch each game. The legend of Milan and Hoosiers is both a blessing and a curse.
Surely you remember Wi, a name especially chosen to fit our attention spans? The world-record kidnappee, nabbee, swipee, snatchee, hoisted so many times even he’s lost count? (How about those three times in five minutes effort? That takes rare raw talent, that does.) I mean, if it wasn’t for our Wi how many of these yabbers, yarns, shaggy dogs and yank-your-chain whoppers could I trot out for you? Even getting across one’s not easy when it’s always against the wind from people laughing in your face. No, really, without our Wi, where would all the odd-balls be, drowning their sorrows by ingesting the food in Dominic’s Eatery, swallowing whole mouthfuls without a thought for their own safety? Would any plate get the Wi wipe and come out miraculously unscathed from what had been just laid upon it? Without Wi, how many screwballs could have hired him to do all they’ve always wanted to do? God knows, and the Talls say ‘God knows’ because, if you take it that God made him in His own image, then maybe you’ve stumbled across the one time God spoke too soon. Okay, setting that aside, coming to you is a cast of Lankan characters – and you’d cast too -- and barf, and burp – if you had some of Dominic’s food inside you, let’s not kid ourselves. Not all of us have cast-iron guts and can absorb what could canonize you if you kept it down. And our Wi can’t help being White, either. Did he ever ask for the hoists he’s had to suffer, or complained about the lack of duty-of-care his kidnappers have shown him -- their kidnappee, after all? No. All he asked was a hideaway high above the stars so bright. At least he got that. And, though having to watchfully wait, at least he received the epiphs, too. With the epiphs, he could epiphicatedly dream, so I guess he had something going for him. And let’s not forget he’s Talls recorded as having said, ‘Just let me know if I’m breathing too much and I’ll stop’. Hey, what kidnappee or country like Australia gets a kidnappee so considerate? Is he a peach of a pooch, or what? ---------------------- Bill Reed is an Australian novelist, playwright and short-story writer with national awards for all three. He now lives in both Australia and Sri Lanka.
In 1939, Europe stands on the brink of war, and Germany is desperate to find new sources of gold and platinum to fuel its war machine. When a cache of iridium, a platinum metal used in the production of the Spitfire fighter plane, is discovered in the Venezuelan Andes, Adolf Hitler personally authorizes a mission, codenamed Aguila Negra, to recover the ore and ship it back to Germany. Carburetors built with the Andean iridium would boost the Messerschmitt's velocity, giving the Germans a decided technological advantage in the battle for air supremacy. To carry out the top-secret operation, Hitler sends a submarine force along with a small band of elite paratroopers. They successfully extract the precious metal and proceed to make a run for the Caribbean coast. Only Jack Ford, an American archaeologist working for U.S. military intelligence, stands in the way of a Nazi victory. Uncertain who to trust and which way to turn, Jack decides to take the future into his own hands-and with it, perhaps, the future of the entire war
(Book). Ampeg: The Story Behind the Sound tells the tale of this extraordinary company on its 50th anniversary, weaving together the American success story of the company founder, the role of key inventors and inventions, and the development of innovative music equipment products all against the backgrounds of American pop music and corporate competition in the music industry. Many Ampeg endorsees are profiled, including: Johnny Smith, James Jamerson, Donald "Duck" Dunn, Gary Karr, Victor Wooten, Bill Wyman, Jason Newsted, Michael Anthony and more. The result provides something of interest to musicians, collectors, and those who lived part of the history. Includes more than 200 photos and a color section.
Discover rare, never-before-collected tales of the duck with delusions of adequacy as Marvel's trawl through the annals of Howard history plunders the magazine era! As rendered by legends like Gene Colan, John Buscema and Michael Golden, Howie has never looked better, while his adventures get wilder than ever. As for the stories, who could resist epics like "Of Dice and Ducks," "Captain Americana" and "Duck Soup"? Howard will reunite with muck monster Man-Thing and meet Santa Claus, and one of horror's greatest icons may leave a lasting impression: prepare for Drakula, the undead duck! It's enough to make a furious fowl head back home to Duckworld - and Beverly comes along for the ride! Plus: In the name of all that's decent, Howard puts on some pants! COLLECTING: Howard the Duck Magazine #2-7.
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