In a post 9/11 world, knowledge is power and secretly leveraged knowledge is the most powerful of all. When two hunters in the woods of Clearwater, Georgia, stumble onto an underground bunker filled with sophisticated information-gathering equipment, the FBI sets up surveillance to discover who has been stealing sensitive national secrets. As clues point to double-crossing operatives in cahoots with French and Russian agencies, FBI director Russell Norton has no choice but to assign disgraced agent, Jeff Kelley, and a team of green academy trainees to unravel the most destructive foreign intelligence operation in United States history. Before long, the CIA, NSA and MI6 are involved, and Kelley and his team, along with officials at the highest levels, must scramble to disable foreign data centers and bring to justice an intricate web of conspirators at home and abroad.—Without sparking World War three and setting intelligence back fifty years. For readers of Tom Clancy, Alex Bernstein and John le Carré, Cable Ties is a slow-burn political thriller that reflects the realities of modern intelligence, law enforcement, department cooperation, and international politics. The sequel, Cable Pairs, followed by Cable Ways will be available soon.
Starting over in San Francisco after college, Paul Carter, haunted by a painful breakup, joins the Gay Men's Basketball League where he meets Evan "Twitch" Hartwitch, and as they begin to fall in love, Paul becomes caught in the middle of a biracial love feud that forces him to grow up. Original. 30,000 first printing.
Eleven African Americans, including a musician, were among the First Fleet of colonial settlers to Australia. In the 150-plus following years, African Americans visiting the region included jubilee singers, vaudevillians, sports stars and general entertainers. This book provides the only comprehensive history of more than 350 African American entertainers in Australia and New Zealand between European settlement in Australia in 1788 and the entry of the United States into World War II in 1941. Famous names covered include boxer Jack Johnson, film star Nina Mae McKinney and jazz singer Eva Taylor. Background stories provide a multidimensional view of the entertainers' time in a place very far from home.
During the 1996 Centennial Olympic Games in Atlanta, much of the world watched and celebrated as athletes broke world records and took home medals, fulfilling their Olympic dreams. The athletes' scores were available instantaneously and are now easily accessible, but what about the performance records of the first modern Olympic athletes? The Modern Olympic Games began in 1896 in Athens, Greece, but an official record of these Olympic games does not exist. This work is the first in a series of comprehensive reference works giving the results of the Olympic Games, beginning in 1896. Based primarily on 1896 sources, the sites, dates, events, competitors, and nations as well as the event results are compiled herein for track and field, cycling, fencing, gymnastics, shooting, swimming, tennis (lawn), weightlifting, wrestling and other sports and events. Although mainly a statistical analysis, this work does include a short synopsis of the Sorbonne Congress and reprints of famous articles about the Olympics.
A history of the 1947 disaster that rocked a segregated Texas boomtown and revealed disturbing negligence by the private sector and the US government. First published in 2003, City on Fire is a gripping, intimate account of the explosions of two ships loaded with ammonium nitrate fertilizer that demolished Texas City, Texas, in April 1947, in one of the most catastrophic disasters in American history. “Remarkable. . . . A terrific nonfiction work that has the narrative force of an adventure novel.” —Washington Post “[Among] the greatest life-or-death tales ever told.” —Esquire “City on Fire will stand on its own as one of the finest books ever written about Texas.” —Texas Observer “Incendiary reading. . . . A harrowing mosaic about a blaze during a time of racial divisions and environmental plundering…evocatively told. . . . The book vividly details the carnage as well as some acts of heroism and selflessness.” —Publishers Weekly “Riveting . . . Reminiscent of New York City’s rise from the askes after September 11, the chronicle of Texas City’s devastation and resurrection will strike a chord with contemporary readers.” —Booklist “History at its best, at once thrilling and illuminating. The story of ambition, hubris, tragedy, and bravery . . . is as timeless today in all of America as it was back in Texas more than half a century ago.” —David Maraniss, author of Barack Obama: The Story
Ohio State University's remarkable 2012 season--and the beginning of a new era at the Big Ten school—are recalled in this fascinating account. It tells the story of Urban Meyer, who accepted the job as head coach at Ohio State just before the NCAA banned the Buckeyes from postseason play in 2012, rendering them ineligible for the Big Ten Championship and bowl games. Meyer ultimately rose to the challenge of motivating a group of players to commit to the program despite the ban, and the book recounts what turned out to be one of the most remarkable seasons in Ohio State's 123-year history. Filled with never-before-revealed details about Meyer and the 2012 season, this surprising and entertaining record provides a complete picture of the new age at Ohio State.
Editorial cartoonists are an endangered species, and even in their heyday they were rare birds -- at the top ranks of print journalism, only a few hundred such jobs existed worldwide in the 20th century. Yet those who wielded the drawing pen had enormous influence and popularity as they caricatured news events and newsmakers into "ink-drenched bombshells" that often said more than the accompanying news stories. Bill Sanders, working in a liberal tradition that stretches back to Thomas Nast and in more recent times includes Herblock, Oliphant, Feiffer, and Trudeau, began his career in the Eisenhower era and is still drawing in the age of Trump. In Against the Grain, he shares the upbringing and experiences that prepared him to infflict his opinions on the readers of the three major newspapers he worked for, the 100-plus papers he was syndicated in, and now, an internet channel. Sanders's memoir is both personal and political. He reveals his small-town Southern roots, his athletic exploits and military service, his courtship and enduring marriage, and his life-long passion for music. These threads are woven into his main narrative, explaining how a cartoonist works and why: "The cartoon should be a vehicle for opinion and it should be polemical in nature -- otherwise, it is a waste of time." Along the way he shares vignettes about people he encountered and events he witnessed, illustrated here with a few photos and scores of the cartoons he produced to meet daily newspaper deadlines. He notes that while a cartoon is a simple communication, it is based on reading and research, and only then comes the drawing. Finally, there is this: "While there may be -- to varying degrees -- two sides to some issues, don't bother looking for that posture on the following pages.
Best selling crime-fiction author, Jack Danziger, discovers that the film rights for his one highly personal novel–which details his passionate relationship with his beautiful international model ex-lover, Chantal–have been acquired by his deadly enemy, Kurtz, genius movie maker and psychotic. As an act of revenge upon Danziger, whom he hates, Kurtz, who has a Svengali-like hold on the girl, intends to turn the book into the ultimate pornographic fantasy; one that will ruin Chantal's career, and maybe threaten her life. The only way to prevent her destruction by Kurtz and the circus of crazies with whom he surrounds himself, is for the soft-living Danziger to take on the tough persona of his own fictional invention, "Lieutenant McKnight', and follow, step by step, the most dangerous plot he has ever written–an obsessive game plan for real-life that takes him in a deadly direction. As the pages roll off his word processor, and as Danziger hardens himself up physically for the desperate things he must do, a complex scam develops that will rock the film industry to its heels–and result in a final bloody confrontation with Kurtz.
“Border Radio tells the 50,000-watt clear-channel story of the most outrageous and audacious phenomenon to ever hit the airwaves.”—Los Angeles Times Before the Internet brought the world together, there was border radio. These mega-watt “border blaster” stations, set up just across the Mexican border to evade U.S. regulations, beamed programming across the United States and as far away as South America, Japan, and Western Europe. This book traces the eventful history of border radio from its founding in the 1930s by “goat-gland doctor” J. R. Brinkley to the glory days of Wolfman Jack in the 1960s. Along the way, it shows how border broadcasters pioneered direct sales advertising, helped prove the power of electronic media as a political tool, aided in spreading the popularity of country music, rhythm and blues, and rock, and laid the foundations for today’s electronic church. The authors have revised the text to include even more first-hand information and a larger selection of photographs. “The magic of [a] wildly colorful chapter in broadcast history lives on in this entertainingly informative look at the forces and the people who contributed to the rise of the medium.”—Chicago Tribune “Characters like Wolfman Jack, Reverend Ike, Norman Baker, “Dr.” J. R. Brinkley, Pappy O’Daniel and others were master showmen and tremendously successful salesmen. Secret-formula medicines, magic prayer cloths, Crazy Water Crystals, and goat-gland rejuvenations are just part of this often hilarious telling of this outrageous period in broadcast history.”—Variety “If you’re wondering where Herbalife, Home Shopping Network, No-Money-Down Seminars, and Jim and Tammy Bakker found their inspiration and techniques, look no further than this superb book.”—Dallas Morning News
Beloved Texas Sheriff Dan Rhodes is back with his final murder case in That Old Scoundrel Death. When a man is run off the road by a thug with a snake tattooed around his neck, Sheriff Dan Rhodes knows it's his duty to stop and help out. The grateful victim gives his name as Cal Stinson, on his way to the nearby town of Thurston to take a look at the old school building before the city tears it down. The next day, Cal Stinson turns up again. Only this time, he's dead. His body is found in the dilapidated school that's about to be razed, and the woman who let Cal onto the premises claims he gave his name as Bruce Wayne. Whoever is he is, he was shot in the back of the head, and a piece of chalk lies inches away from his hand, under a lone line on the chalkboard, his last words unfinished. Between not-so-bright hoodlums who can't seem to stay on the right side of the law, powerful families in town who are ready to go to battle over whether the old school should come down, and trying futilely to get private detective Seepy Benton to stop making mountains of mole hills, Sheriff Rhodes is beginning to wonder if retirement might be as good as it sounds.
Veeps' tells the sordid, head-scratching, perversely-entertaining stories of the men the US has chosen over the years to become Vice President including the rogues, cowards, drunks, featherweights, doddering geriatrics, bigots, and atrocious spellers.
Bill Parcells may be the most iconic football coach of our time. During his decades-long tenure as an NFL coach, he turned failing franchises into contenders. He led the ailing New York Giants to two Super Bowl victories, turned the New England Patriots into an NFL powerhouse, reinvigorated the New York Jets, brought the Dallas Cowboys back to life, and was most recently enshrined in the Pro Football Hall of Fame. Taking readers behind the scenes with one of the most influential and fascinating coaches the NFL has ever known, PARCELLS will take a look back at this coach’s long, storied and influential career, offer a nuanced portrayal of the complex man behind the coach, and examine the inner workings of the NFL.
The urge to connect with that which transcends our experience, be it a higher power, another person or some artistic ideal or aspect of nature, is one of the things that makes us human. People view the object of this quest, as well as what it means to achieve it, differently. Yet regardless of how it is understood, the urge to participate in or belong to something greater and more lasting than ourselves—a feeling born of an awareness of our mortality—is what defines us as spiritual beings. Though often dismissed as ephemeral or, worse, demonic, popular music has given voice to this quest for transcendence since its beginnings. Pop singers are rarely as outwardly spiritual as, say, their gospel counterparts; they're forever pointing beyond themselves, though, be it to some better future, some higher ideal, or to some vision of deliverance. Fontella Bass's "Rescue Me," the Four Tops's "Reach Out (I'll Be There)," Jimmy Cliff's "Many Rivers to Cross," Afrika Bambaataa's "Looking for the Perfect Beat," and U2's "I Still Haven't Found What I'm Looking For" are but a handful of popular recordings from the past few decades that express a longing for something more. What, other than transcendence, is Jimi Hendrix talking about in "Purple Haze" when he shouts, "'scuse me, while I kiss the sky"? Or Van Morrison, in "Caravan," when he implores us to crank our radios and sail away with him into the mystic? Heard in the right light, secular and even carnal records have the power to speak to transcendental concerns, galvanizing their historical and cultural moments. Regardless of their spiritual leanings, all of the subjects discussed in this book (including Public Enemy, Madonna, Sleater-Kinney, Tricky, Johnny Cash, Nine Inch Nails, Moby, Marvin Gaye, Eminem, Polly Harvey, Bruce Springsteen and Sly & the Family Stone) make music that expresses a basic striving for transcendence. Artists' stories and personalities inform these discussions, but only in as much as they illuminate the struggles and concerns that run through their music. I'll Take You There is a beautifully written, wide-ranging and illuminating examination of some of the most potent popular music ever recorded.
Newfoundland and Labrador are like two uneasy stepsisters, each with its own distinct identity, trying to share a common house. Using original research, including personal interviews, and drawing on his forty-year association with Labrador, Bill Rompkey explores this relationship in the context of the region's unique racial, geographical, political, and social history. Rompkey charts the rise of Labrador as a giant in Canada's near north. He looks at the impact of the region's vast natural resources, which includes the recently discovered nickel mine at Voisey's Bay, the largest in the world, and Ramah chert, a choice stone the Aboriginals traded thousands of years ago. The Story of Labrador is also the story of Innuit caribou hunters and people of the seal, French fishermen and Basque whalers, settlers, traders, and absentee governors. It is the story of great Canadian construction projects like the Quebec North Shore and Labrador Railway, the rich iron ore operations at Labrador City and Wabush, and Chuchill Fall, which was the largest hydro project in the world when it was created.
From Grand Manan to Mount Desert to the Isles of Shoals on the New Hampshire border, sixty-eight lighthouses stand along the coast of Maine and her rivers. In his conversational way, Bill Caldwell leads his readers on a historical tour of nearly all the Maine lighthouses. In Caldwell's hands the legends, lore, and history of the impressive signals come to life. Maine's lighthouses are symbols of it's proud maritime heritage, and of a way of life that has long passed. Who better to pass on the traditions than master story-teller Bill Caldwell. In addition to numerous books about Maine, Bill Caldwell wrote regular columns for the Portland Press Herald and the Maine Sunday Telegram. He was an ardent sailor, and his sixteen years sailing among the Maine islands gave him a unique insight into Maine's people and culture. He died at his home in Arizona in January 2001.
Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary chronicles the career of Otto Binder, from pulp magazine author to writer of Supergirl, Captain Marvel, and Superman comics. As the originator of the first sentient robot in literature ("I, Robot," published in Amazing Stories in 1939 and predating Isaac Asimov's collection of the same name), Binder's effect on science fiction was profound. Within the world of comic books, he created or co-created much of the Superman universe, including Smallville; Krypto, Superboy's dog; Supergirl; and the villain Braniac. Binder is also credited with writing many of the first "Bizarro" storylines for DC Comics, as well as for being the main writer for the Captain Marvel comics. In later years, Binder expanded from comic books into pure science writing, publishing dozens of books and articles on the subject of satellites and space travel as well as UFOs and extraterrestrial life. Comic book historian Bill Schelly tells the tale of Otto Binder through comic panels, personal letters, and interviews with Binder's own family and friends. Schelly weaves together Binder's professional successes and personal tragedies, including the death of Binder's only daughter and his wife's struggle with mental illness. A touching and human story, Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary is a biography that is both meticulously researched and beautifully told, keeping alive Binder's spirit of scientific curiosity and whimsy.
Stevie Dyer had a knack for making loads of money from the time he began selling newspapers at a large defense company outside of Boston. So when he meets CJ Wilson and Billy Toye while in the Air Force, coming up with a get-rich quick scheme is only a matter of time. Putting their heads together, the three friends form The Black Gold Investment Corp., with Stevie putting up the money to get it started. It isnt long before the three partners are awash in money, but with success comes problems. I dont know squat about investing, and while Im vacationing in Vietnam you guys mind our little store, Stevie tells them. Little store! Billy shouts back. In case you are not aware you jerk, our little store is worth over twenty-five million dollars!!! Filled with romance, rivalry, war stories, and the type of conflict only money can bring, youll be amazed by the twists and turns in Bagman.
Philadelphia's Washington Square, a shaded 6.6-acre plot near the nation's birthplace at Independence Hall, has been a focal point of the city's history for more than 300 years. Designated by William Penn in 1683 as an open space, the square served as a potter's field for its first 100 years. The remains of more than 2,000 indigents, soldiers, and yellow fever victims rest beneath its sod. By 1825, the graveyard was closed and the square was redesigned as a public promenade. Rude huts on its periphery gave way to fashionable middle-class homes. Washington Square became a destination for publishing and advertising, home to the likes of J. B. Lippincott, W. B. Saunders, Curtis Publishing Company, Farm Journal, and advertising giant N. W. Ayer. In the 1950s, its Society Hill neighborhood was restored, and a memorial to the unknown soldier of the American Revolution was dedicated in the square. Today the square is again attracting the affluent with condominiums in its converted publishing houses.
When jazz musicians get together, they often delight one another with stories about the great, or merely remarkable, players and singers they've worked with. One good story leads to another until someone says, "Somebody ought to wrie these down!" With Jazz Anecdotes, somebody finally has. Drawing on a rich verbal tradition, bassist and jazz writer Bill Crow has culled stories from a wide variety of sources, including interviews, biographies and a remarkable oral history collection, which resides at the Institute of Jazz Studies at Rutgers University, to paint fascinating and very human portraits of jazz musicians. Organized around general topics--teaching and learning, life on the road, prejudice and discrimination, and the importance of a good nickname--Jazz Anecdotes shows the jazz world as it really is. In this fully updated edition, which contains over 150 new anecdotes and new topics like Hiring and Firing, Crow regales us with new stories of such jazz greats as Benny Goodman, Chet Baker, Ravi Coltrane, Buddy Rich and Paul Desmond. He offers extended sections on old favorites--Louis Armstrong, Duke Ellington, Coleman Hawkins and Lester Young, and the fabulous Eddie Condon, who seems to have lived his entire life with the anecdotist in mind. With its unique blend of sparkling dialogue and historical and social insight, Jazz Anecdotes will delight anyone who loves a good story. It offers a fresh perspective on the joys and hardships of a musician's life as well as a rare glimpse of the personalities who created America's most distinctive music.
Wild Bill Hickok and Buffalo Bill Cody were considered heroes and the greatest plainsmen of their time. They were larger than life, legendary characters. They knew where to locate water, good grass for livestock, sheltered campsites, and game for hunting. They knew how to survive the blistering heat and terrific thunderstorms of summer and the subzero blizzards of winter. They could avoid Indians or act as trackers following the trails of Indians as well as desperados. They were expert marksmen and did not back down from a fight. They rushed in where others held back. Hickok, a frontier wagon and stagecoach driver, became a Union spy during the Civil War, furthering his reputation after the war as a frontier Army scout, gunfighter, and lawman. Cody, who claimed to ride for the Pony Express, served in the Union Army, and became legendary as an expert buffalo hunter and Army scout. Hickok and Cody were good friends and experienced a series of adventures together. Hickok traveled to Deadwood, Dakota Territory, during the 1876 Black Hills goldrush where he was assassinated by Jack McCall. Cody continued scouting for the Army and after the Battle of the Little Big Horn, won a one-on-one duel with a Cheyenne warrior, Yellow Hair. Cody went on to become one of the most well-known showmen in the world with his Buffalo Bill’s Wild West. Wild Bill Hickok and Buffalo Bill Cody: Plainsmen, the fourth book in the Legendary West series, explores the lives of these two well-known characters.
Bill Gulick's writing career, spanning more than six decades, is truly remarkable. He has written twenty-seven novels, eight nonfiction books and several plays. He was a regular contributor to The Saturday Evening Post and other national magazines. His stories have become major motion pictures starring screen legends like Burt Lancaster, and Jimmy Stewart. A list of his literary friends reads like a whose who of western wrtiting. Gulick is considered one of the foremost authorities on Pacific Northwest history. In Sixty-four Years as a Writer, he details the journey from his Depression era Oklahoma roots to his position as one of the nation's premier western authors."--Publisher's description
Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in hardcover format (ISBN 978-0-7864-4230-0).
Here is the first-to-market, most comprehensive, and most fun annual reference guide to the complete lifetime stats on every player in the majors in 2015. New sections include “On the Black” analysis of how often specific pitchers hit the corners of the plate and “Times to First Base” on how fast specific batters get to first on balls in play. And, of course, there will be first projections on what players can be expected to do next season in every facet of the game.
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