Bringing history to life, Blackwhite America chronicles the racial struggle since America's origins. Told in the first-person, present-tense voice of Thomas Jefferson, it is a story of stories, each one reliving a time of important change and decision-making. Orr takes an open-minded, well-researched, fresh look at how American whites and blacks lived fitfully together under common governments, from arrival of the first blacks to reelection of Barack Obama-1619-2012. Orr seeks insights to questions he poses at the outset: If the purpose of the Civil War was to free the slaves, why did it take more than a century and a half for blacks to get as close as we are now to equal rights? How far have we all come, really? When, if ever, will we get there? Where is "there?" Blackwhite America details the evolution of America's growth toward emancipation, the progress of civil rights, and the hope of racial equality.
Gettysburg is the most written about battle in American military history. Generations after nearly 50,000 soldiers shed their blood there, serious and fundamental misunderstandings persist about Robert E. Lee's generalship during the campaign and battle. Most are the basis of popular myths about the epic fight. Last Chance for Victory: Robert E. Lee and the Gettysburg Campaign addresses these issues by studying Lee's choices before, during, and after the battle, the information he possessed at the time and each decision that was made, and why he acted as he did. Even options open to Lee that he did not act upon are carefully explored from the perspective of what Lee and his generals knew at the time. Some of the issues addressed include:Whether Lee's orders to Jeb Stuart were discretionary and allowed him to conduct his raid around the Federal army. The authors conclusively answer this important question with the most original and unique analysis ever applied to this controversial issue;Why Richard Ewell did not attack Cemetery Hill as ordered by General Lee, and why every historian who has written that Lee's orders to Ewell were discretionary are dead wrong;Why Little Round Top was irrelevant to the July 2 fighting, a fact Lee clearly recognized;Why Cemetery Hill was the weakest point along the entire Federal line, and how close the Southerners came to capturing it;Why Lee decided to launch en echelon attack on July 2, and why most historians have never understood what it was or how close it came to success; Last Chance for Victory will be labeled heresy by some, blasphemy by others, all because its authors dare to call into question the dogmas of Gettysburg. But they do so carefully, using facts, logic, and reason to weave one of the most compelling and riveting military history books of our age.Readers will never look at Robert E. Lee and Gettysburg the same way again.
One of the most controversial films of its time, The Wild Bunch is the epitome of the no-holds-barred filmmaking of the 1960s and 1970s. Since its 1969 release, it has come to be recognized not only as an iconic Western, but as one of the most important films in the American cinematic canon. Over the years a parade of filmmakers have tried to imitate its gut-punch effects but none have equaled it. The Wild Bunch revived the floundering career of volatile, self-destructive director Sam Peckinpah--it also hung on him the label "Bloody Sam." This book tells the complete story of the film's production, reception and legacy.
The late nineteenth century, known commonly as the "Gilded Age," produced some of the most beautiful yet controversial architecture in America's history. The great influencers of the period, including Richard Upjohn, Henry Hobson Richardson, and Charles McKim, each spread the gospel of his own architectural style. The result was an eclectic mix of styles that some detested but that others embraced. Caught in the struggle to find an architecture America could claim as its own, Hartford, Connecticut architect William Brocklesby carved out his own stylistic path. In an age when the taste for ostentation and pretension was adopted by many, William Brocklesby produced some of the most dignified and beautiful architecture in the Connecticut Valley. His churches, libraries, and theaters remain as artistic landmarks throughout western New England, and his work at colleges from Hartford to Amherst, Massachusetts make for some of the most picturesque college campuses in America. This book serves as a companion to the author's earlier book, Asher Benjamin, American Architect, Author, Artist. Taken together, the two books provide a view of developments in American architecture from 1790 to 1910. The Architecture of William C. Brocklesby Hailing from Hartford, Connecticut, architect William C. Brocklesby (1847-1910) spent his career designing beautiful yet dignified churches, libraries, and public buildings throughout the Connecticut River Valley and western New England. Working in an age when ostentation was the rule rather than the exception, Brocklesby maintained a restrained hand in the application of ornament. His design ofForbes Library in Northampton, Massachusetts stands out as a monument to his ability as a design architect. In addition, William Brocklesby was among a handful of nineteenth century architects who made the Connecticut River Valley the birthplace of the prototypical American college campus. Working largely within the vision of the famed American landscape architects Andrew Jackson Downing and Frederick Law Olmstead, Brocklesby and others built campuses that were meant to mimic the traditional New England village. “Through the designs of the college buildings by Peabody and Stearns and William Brocklesby, Smith College's architectural history traces the development of late nineteenth-century styles.” - National Register of Historic Places Inventory
Bill Saylor decided to share his life with all his friends. His book begins with his childhood, proceeds to his Naval career, the many jobs he performed, his life as a broadcaster, first in radio, then television, and finally politics. Along the way there is a great emphasis on baseball, a major part of his life.
More than any other sport, professional football contributed fighting men to the battles of World War II, and the 22 or so players or former players that lost their lives are among the riveting stories told in this tribute to football's war heroes that spans many decades and military conflicts. The National Football League counts three Congressional Medal of Honor recipients among its honors, along with numerous Silver Stars, Distinguished Flying Crosses, and Purple Hearts. When Football Went to War offers a ground-breaking look at football—college and professional football alike—and many of the wartime heroes who came off the field of play to fight for their country. Detailed biographies of those who gave their lives are supplemented by many other stories of wartime heroism, from World War I through to Pat Tillman's tragic death in the Global War on Terrorism. Football has become the most popular sport in America and this heartfelt book honors the many sacrifices of NFL athletes over the years in service of their country.
Discusses children's poetry, the techniques and forms of poetry, and related topics, and provides advice for teachers on such aspects of using poetry in the classroom as reading aloud, dramatization, and student poetry writing.
Bill Kauffman has carved out an idiosyncratic identity quite unlike any other American writer. Praised by the likes of Gore Vidal, Benjamin Schwarz, and George McGovern, he has, with a distinctive and slashingly witty, learnedly allusive style, illumed forgotten corners of American history, articulated a defiant and passionate localism, and written with love and dark humor of his repatriation. Poetry Night at the Ballpark gathers the best of Bill Kauffman's essays and journalism in defense and explication of his alternative America--or Americas. Its discrete pieces are bound by a thematic unity and propulsive energy and are full of unexpected (yet startlingly apposite) connections and revelatory linkages. Whether he's writing about conservative Beats, backyard astronomers, pacifist West Pointers, or Middle America in the movies, Bill Kauffman will challenge, maybe even change, the way you look at American politics and the American provinces.
At the outset of the Second World War Canadians wanted to avoid the horrors encountered on the western front in 1914-18, one of the most significant of which was "shell shock." Most medical personnel preferred not to assign to combat those who showed neurotic symptoms during training, but this approach was challenged by the Canadian Psychological Association and by the new Personnel Selection Directorate established in 1941. Personnel Selection claimed to be able to distinguish, before training, between those suited and those unsuited to combat duty. However, when Canadian troops went into battle in Italy, the preparatory work seemed to have had little impact. Canadian losses due to "battle exhaustion" were no less than those of other allied forces. Front-line treatment allowed about half of these to return to their units, but eventually a very large number of soldiers were assigned to non-combat roles because it was judged they could no longer function effectively in battle. Similar problems were encountered in Normandy, Belgium, Holland, and Germany. Copp and McAndrew are critical of military commanders who thought strict discipline coupled with high morale from good training and success in battle would keep battle exhaustion in check, and of officers in the Royal Canadian Army Medical Corps who tried to impose theoretical solutions that did not fit the circumstances. The authors show how some doctors, using energy and common sense, contributed to the evolution of contemporary psychiatric ideas about the realities of large-scale psychological casualties.
Bill Traylor, born into slavery in 1854, began to draw at the age of 82 in 1939 when he moved from the plantation where he was born to Montgomery, Alabama. He has become an almost mythical figure in the history of American folk art.
What would Washington, Jefferson, Madison, Lincoln, the Roosevelts, Truman, and Eisenhower have done about today's federal debt crisis? America's Fiscal Constitution tells the remarkable story of fiscal heroes who imposed clear limits on the use of federal debt, limits that for two centuries were part of an unwritten constitution. Those national leaders borrowed only for extraordinary purposes and relied on well-defined budget practices to balance federal spending and revenues. That traditional fiscal constitution collapsed in 2001. Afterward -- for the first time in history -- federal elected officials cut taxes during war, funded permanent new programs entirely with debt, grew dependent on foreign creditors, and claimed that the economy could not thrive without routine federal borrowing. For most of the nation's history, conservatives fought to restrain the growth of government by insisting that new programs be paid for with taxation, while progressives sought to preserve opportunities for people on the way up by balancing budgets. Virtually all mainstream politicians recognized that excessive debt could jeopardize private investment and national independence. With original scholarship and the benefit of experience in finance and public service, Bill White dispels common budget myths and distills practical lessons from the nation's five previous spikes in debt. America's Fiscal Constitution offers an objective and hopeful guide for people trying to make sense of the nation's current, most severe, debt crisis and its impact on their lives and our future.
Part of the Emerging Civil War Series, this history covers a crucial clash between the Blue and the Gray that impacted future Union tactics and victories. The months after the Battle of Gettysburg were anything but quiet—filled with skirmishes and cavalry clashes. Nonetheless, Union commander Maj. Gen. George Gordon Meade had yet to encounter his Confederate counterpart, Gen. Robert E. Lee, in combat. Lee’s army, severely bloodied at Gettysburg, did not have the offensive capability it once possessed. Yet Lee’s aggressive nature could not be quelled, and he looked for the chance to strike out at Meade. In mid-October, 1863, both men shifted their armies into motion, each surprising the other. Quickly, Meade found himself racing northward for safety along the Orange & Alexandria Railroad, with Lee charging up the rail line behind him. Last stop: Bristoe Station, Virginia. In A Want of Vigilance, authors Bill Backus and Robert Orrison trace the battle from the armies’ camps around Orange and Culpeper through the foothills of the Blue Ridge Mountains and along the vital railroad—to Centreville and back—in one of the war’s most little-known confrontations, pitting the “goggle-eyed snapping turtle” against “the old gray fox.” “An excellent short summary of a complex but often overlooked period of the Civil War. The tactical stalemates of Bristoe and later Mine Run led to the reorganization of the Union war effort in the East and the subsequent Overland Campaign of the Spring and Summer of 1864.” —Civil War News
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.
A compassionate, sweeping history of the transformation in American attitudes toward animals by the best-selling authors of Rabid Over just a few decades at the end of the nineteenth century, the United States underwent a moral revolution on behalf of animals. Before the Civil War, animals' suffering had rarely been discussed; horses pulling carriages and carts were routinely beaten in public view, and dogs were pitted against each other for entertainment and gambling. But in 1866, a group of activists began a dramatic campaign to change the nation’s laws and norms, and by the century’s end, most Americans had adopted a very different way of thinking and feeling about the animals in their midst. In Our Kindred Creatures, Bill Wasik, editorial director of The New York Times Magazine, and veterinarian Monica Murphy offer a fascinating history of this crusade and the battles it sparked in American life. On the side of reform were such leaders as George Angell, the inspirational head of Massachusetts’s animal-welfare society and the American publisher of the novel Black Beauty; Henry Bergh, founder of the American Society for the Prevention of Cruelty to Animals; Caroline White of Philadelphia, who fought against medical experiments that used live animals; and many more, including some of the nation’s earliest veterinarians and conservationists. Caught in the movement’s crosshairs were transformational figures in their own right: animal impresarios such as P. T. Barnum, industrial meat barons such as Philip D. Armour, and the nation’s rising medical establishment, all of whom put forward their own, very different sets of modern norms about how animals should be treated. In recounting this remarkable period of moral transition—which, by the turn of the twentieth century, would give birth to the attitudes we hold toward animals today—Wasik and Murphy challenge us to consider the obligations we still have to all our kindred creatures.
When Canadian troops cracked mentally, their commanders could not understand that strict discipline and good training were not enough to keep battle exhaustion in check. Some Canadian doctors, using energy and common sense, understood the problem better.
In this collection of essays, interviews, and profiles, William Banfield reflects on his life as a musician and educator, as he weaves together pieces of cultural criticism and artistry, all the while paying homage to Black music of the last 40 years and beyond. In Representing Black Music Culture: Then, Now, and When Again?, Banfield honors the legacy of artists who have graced us with their work for more than half a century. The essays and interviews in this collection are enhanced by seven years of daily diary entries, which reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons. These include Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Spike Lee, Maya Angelou, Patrice Rushen, and many others. Though many of the individuals Banfield lauds are well-known to most readers, he also turns his attention to musicians and artists whose work, while perhaps unheralded by the world at large, are no less deserving of praise and respect for their contributions to the culture. In addition, this volume is filled with candid photographs of many of these fellow artists as they participate in expressive culture, whether on stage, on tour, in clubs, behind the scenes, in rehearsal, or even during meals and teaching class. This unique book of essays, interviews, diary entries, and Banfield's personal photographs will be of interest to scholars and students, of course, but also to general readers interested in absorbing and appreciating the beauty of Black culture.
FM rock deejay and private investigator Rick Shannon is back in a big way in the second novel of a series that began with the rollicking Radio Activity. Highway 61 Resurfaced kicks off when a woman named Lollie Woolfolk sashays into the offices of Rockin' Vestigations and says she wants to find her long lost granddaddy, blues producer Tucker Woolfolk. Before it's over, Rick Shannon has crisscrossed the sweltering Mississippi Delta in search of the thread that connects a dead man in Yazoo City found with a fork stuck in his back to an old man known as Pigfoot Morgan who was just released from Mississippi State Penitentiary after serving fifty years for murder. Further complicating matters is the lovesick Crail Pitts, onetime Ole Miss football star who is driving around the Magnolia State with a noisy lawyer in his trunk, and Cuffie LeFleur, one of four generations of a cotton dynasty that may be on its last legs. In the end, everything points to one of the great mysteries in blues lore: whether Blind Buddy Cotton, Crippled Willie Jefferson, and Crazy Earl Tate ever recorded together. When Rick starts a rumor that he's found the tapes from the legendary Blind, Crippled, and Crazy sessions, a killer is sent to collect them and Rick starts singing the PI blues.
From "the finest literary stylist of the American right," a surprising and spirited account of how true conservatives have always been antiwar and anti-empire (Allan Carlson, author of The American Way) Conservatives love war, empire, and the military-industrial complex. They abhor peace, the sole and rightful property of liberals. Right? Wrong. As Bill Kauffman makes clear, true conservatives have always resisted the imperial and military impulse: it drains the treasury, curtails domestic liberties, breaks down families, and vulgarizes culture. From the Federalists who opposed the War of 1812, to the striving of Robert Taft (known as "Mr. Republican") to keep the United States out of Korea, to the latter-day libertarian critics of the Iraq war, there has historically been nothing freakish, cowardly, or even unusual about antiwar activists on the political right. And while these critics of U.S. military crusades have been vilified by the party of George W. Bush, their conservative vision of a peaceful, decentralized, and noninterventionist America gives us a glimpse of the country we could have had—and might yet attain. Passionate and witty, Ain't My America is an eye-opening exploration of the forgotten history of right-wing peace movements—and a clarion manifesto for antiwar conservatives of today.
From the start of their courtship the REagans were the kind of couple who held hands in public and kissed with genuine affection. Thier story from Hollywood to the white House.
This in-depth history of our nation’s 46 presidents is now fully revised and updated to include Donald Trump’s eventful term in office, Joe Biden’s path to the presidency, and the election of Kamala Harris, the nation’s first female, black vice president. The Presidents Fact Book is the complete compendium of all things presidential and a sweeping survey of American history through the biography of every president from George Washington to Joe Biden. Organized chronologically by president, each entry covers the major accomplishments and events of the presidential term; cabinet members, election results, groundbreaking legislation, and Supreme Court appointments; personality and personal habits including hobbies, odd behaviors, and outlandish penchants; a behind the scenes look at the wives, families, friends, and foes; and much more. Major moments from administrations – from the Bill of Rights and the Emancipation proclamation to the Civil Rights Era and the coronavirus pandemic – provide a glimpse into the crucial moments of America's storied past. Perfect for students, history buffs, and political junkies, The Presidents Fact Book is at once an expansive collage of the American presidency and a comprehensive view of American history.
The most honored literary series in America celebrates two decades of continuous publication.. Winner of Publishers Weekly's Carey-Thomas Award, selected many times as the outstanding book of the year by the New York Times Book Review, and chosen for two Book-of-the-Month Club QPBC selections, the annual Pushcart Prize sets the standard of excellence for literary anthologies. Picking from thousands of nominations, each year it presents the most distinguished short stories, essays, and poetry first published by small presses and magazines nationwide; and each year it is hailed as a touchstone of literary discovery. This year the Pushcart Prize surpasses its own reputation with an astonishing diversity of writers, some renowned and many others destined for fame. Selected from hundreds of journals and presses, Pushcart Prize XX brings together the finest writing in America today and continues its tradition of introducing to a wider public the dazzling literary galaxy of the small press.
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