From the MTV trailblazer, stand-up comedian, and actor, a hilariously candid memoir that is an intimate, entertaining, and heartfelt tour through the exclusive, elusive, and eternally iconic world of ’90s pop culture. Imagine 50 Cent’s Hustle Harder, Hustle Smarter written by a nerdy Black kid from Newark, New Jersey, who made it big despite the skepticism of his family. That’s Top Billin'. Bill Bellamy is Carlton Banks’s slightly cooler and comedically inclined alter-ego—a guy who went against the grain and left a promising corporate career path to pursue comedy (much to the dismay of his family). Making the leap paid off—in ways Bill never expected. In Top Billin', he looks back at his time at MTV during the ’90s, when the cable music channel was at the epicenter of pop culture. He recounts his legendary interviews with the biggest pop stars—Tupac, Biggie, and Kurt Cobain—making friends with Janet Jackson, and even coining the infamous term “booty call” on HBO’s Def Comedy Jam. During his time at MTV, Bill broke color and class barriers, appearing four times a week on the network’s various programs, including MTV Jamz and MTV Beach House. Top Billin' is an exclusive, all-access backstage pass to Bill’s career and life. It’s all in here—memories, music, and unforgettable moments, including conversations with some of the decade’s legendary artists, the best of the ’90s celebri-tea, nostalgia, and insights on what it meant to be a tastemaker during one of the most exciting and innovative periods in music and American pop culture history.
Bill Bellamy was a young officer in the 8th King's Royal Irish Hussars from 1943 to 1955. He served in 7th Armoured Division in the North West Europe campaign, landing in Normandy on D+3, fought throughout the Battle for Normandy and into the Low Countries as a troop leader in Cromwell tanks, and was latterly a member of the initial occupying force in Berlin in May 1945. Against the rules, Bill kept diaries and notes of his experiences. His account is fresh and open, and his descriptions of battle are vivid. He witnessed many of his contemporaries killed in action, and this life-altering experience clearly informs his narrative. The accounts of tank fighting in the leafy Normandy bocage in the height of summer, or in the iron hard fields of Holland in winter, are graphic and compelling.
It's been almost a century and a half since a critical mass of Americans believed that secession was an American birthright. But breakaway movements large and small are rising up across the nation. From Vermont to Alaska, activists driven by all manner of motives want to form new states-and even new nations. So, just what's happening out there? The American Empire is dying, says Bill Kauffman in this incisive, eye-opening investigation into modern-day secession-the next radical idea poised to enter mainstream discourse. And those rising up to topple that empire are a surprising mix of conservatives, liberals, regionalists, and independents who-from movement to movement-may share few political beliefs but who have one thing in common: a sense that our nation has grown too large, and too powerfully centralized, to stay true to its founding principles. Bye Bye, Miss American Empire traces the historical roots of the secessionist spirit, and introduces us to the often radical, sometimes quixotic, and highly charged movements that want to decentralize and re-localize power. During the George W. Bush administration, frustrated liberals talked secession back to within hailing distance of the margins of national debate, a place it had not occupied since 1861. Now, secessionist voices on the left and right and everywhere in between are amplifying. Writes Kauffman, "The noise is the sweet hum of revolution, of subjects learning how to be citizens, of people shaking off . . . their Wall Street and Pentagon overlords and taking charge of their lives once more." Engaging, illuminating, even sometimes troubling, Bye Bye, Miss American Empire is a must-read for those taking the pulse of the nation.
The influence of Sherlock Holmes can be found throughout the cultural landscape. From the Three Little Pigs to the ancient poetry of Horace, from John Wayne to Macbeth, from the sultry moves of Madonna to the theories of Sigmund Freud, the stories about the greatest of detectives link to just about any subject or situation. In Pursuing Sherlock Holmes, Bill Mason uncovers seething sex in The Hound of the Baskervilles, observes Professor Moriarty through the eyes of Generation X, reveals a hidden formula of death, explains the mystic effect of colors on the mind of Sherlock Holmes, exposes Conan Doyles theft of the plot of Dracula, resurrects ten compelling characters from their graves, and visits the mind of Sherlock Holmes to find his true thoughts about romantic love. This collection of innovative essays, stories and even poetry approaches Sherlock Holmes from a thoroughly unique perspective that combines humor with literature and classic tales with familiar aspects of modern culture.
In Now You Are Told: A Collection of True Tales from My Yesteryears, Bill Neal tells both serious and often funny and memorable true stories from his life. He begins with a history of the area, including the Comanche Indians, and how they influenced the naming of his hometown of Medicine Mound, Texas. These stories give us a glimpse of frontier life during the thirties and forties while growing up on a large West Texas ranch. One vivid childhood memory includes December 7, 1941, when the Japanese bombed Pearl Harbor and forever changed life in America. After becoming friends with A. C. Greene, his college journalism teacher, Bill started an interesting career as a news reporter in several West Texas towns. Later, a desire to be his own boss led him to a new career. After graduating number one from his University of Texas Law School class in 1964, Bill returned to his home turf to practice law. He tells us of the unbelievable cases he handled-some funny and some sad-during his forty-year law career, as well as other unbelievable incidences that happened along the way.
What would Washington, Jefferson, Madison, Lincoln, the Roosevelts, Truman, and Eisenhower have done about today's federal debt crisis? America's Fiscal Constitution tells the remarkable story of fiscal heroes who imposed clear limits on the use of federal debt, limits that for two centuries were part of an unwritten constitution. Those national leaders borrowed only for extraordinary purposes and relied on well-defined budget practices to balance federal spending and revenues. That traditional fiscal constitution collapsed in 2001. Afterward -- for the first time in history -- federal elected officials cut taxes during war, funded permanent new programs entirely with debt, grew dependent on foreign creditors, and claimed that the economy could not thrive without routine federal borrowing. For most of the nation's history, conservatives fought to restrain the growth of government by insisting that new programs be paid for with taxation, while progressives sought to preserve opportunities for people on the way up by balancing budgets. Virtually all mainstream politicians recognized that excessive debt could jeopardize private investment and national independence. With original scholarship and the benefit of experience in finance and public service, Bill White dispels common budget myths and distills practical lessons from the nation's five previous spikes in debt. America's Fiscal Constitution offers an objective and hopeful guide for people trying to make sense of the nation's current, most severe, debt crisis and its impact on their lives and our future.
Many Indiana University fans have heard the name Branch McCracken, after whom the hallowed court at Assembly Hall is named, but how many of them know about the legendary coach himself? Before Tom Crean, before Bob Knight, IU basketball relied on this man to make the school famous for its hoops stars. And boy did he--with two national titles, four Big Ten titles, and numerous other accolades, McCracken defined Hoosier Hysteria for a generation. However, his greatest legacy remains the example of good character he set and the way he touched the lives of everyone around him. Fans remember him as the coach who helped IU break the color barrier in Big Ten basketball, and players remember him as a second father. If, as McCracken once wrote, "A coach is not paid in money or winning teams, but in the men his players become," he was a rich man, indeed. Branch McCracken made Indiana University basketball a force to be reckoned with, and this is his story.
The award-winning journalist reveals the untold story of why America is so culturally and politically divided in this groundbreaking book. Armed with startling demographic data, Bill Bishop demonstrates how Americans have spent decades sorting themselves into alarmingly homogeneous communities—not by region or by state, but by city and neighborhood. With ever-increasing specificity, we choose the communities and media that are compatible with our lifestyles and beliefs. The result is a country that has become so ideologically inbred that people don't know and can't understand those who live just a few miles away. In The Big Sort, Bishop explores how this phenomenon came to be, and its dire implications for our country. He begins with stories about how we live today and then draws on history, economics, and our changing political landscape to create one of the most compelling big-picture accounts of America in recent memory.
In his first published work, Bill Hunt has actually produced a multitude of stories in one book. As the reader progresses through the four short stories narrated by the Grandson of George Hunt, the main character, the readers will find themselves thinking, Huh, did I miss something? About half way through that will change to a Hmmm. The main story involves the backgrounds and interactions of four individuals who end up together in the Argonne Forest during World War I. The final story is the Grandsons, and his turn to serve, fifty years later in the Disneyland of Southeast Asia.
NEW YORK TIMES BESTSELLER • The NBA according to The Sports Guy—now updated with fresh takes on LeBron, the Celtics, and more! Foreword by Malcom Gladwell • “The work of a true fan . . . it might just represent the next phase of sports commentary.”—The Atlantic Bill Simmons, the wildly opinionated and thoroughly entertaining basketball addict known to millions as ESPN’s The Sports Guy, has written the definitive book on the past, present, and future of the NBA. From the age-old question of who actually won the rivalry between Bill Russell and Wilt Chamberlain to the one about which team was truly the best of all time, Simmons opens—and then closes, once and for all—every major pro basketball debate. Then he takes it further by completely reevaluating not only how NBA Hall of Fame inductees should be chosen but how the institution must be reshaped from the ground up, the result being the Pyramid: Simmons’s one-of-a-kind five-level shrine to the ninety-six greatest players in the history of pro basketball. And ultimately he takes fans to the heart of it all, as he uses a conversation with one NBA great to uncover that coveted thing: The Secret of Basketball. Comprehensive, authoritative, controversial, hilarious, and impossible to put down (even for Celtic-haters), The Book of Basketball offers every hardwood fan a courtside seat beside the game’s finest, funniest, and fiercest chronicler.
John Ford (1894-1973) is universally acknowledged as one of the greatest directors in the history of cinema. He is the only person to win four Academy Awards for Direction, for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952). This reference book is a comprehensive guide to his career. The volume begins with a biography that looks at Ford as a person, a director, and a cinematic legend and influence. Ford's life is discussed chronologically, but the biography repeatedly considers how his early experiences shaped his creative vision and attempts to explain why he was so self-destructive and unhappy throughout his career. In addition, the biography carefully scrutinizes his methods, styles, techniques, and secrets of direction. A chronology presents his achievements in capsule form. The rest of the book provides detailed information about his many productions and about the response to his works. The heart of the volume is a filmography, which includes individual entries for 184 films with which Ford was involved, as either an actor, a director, a producer, a writer, an advisor, or an assistant. These entries include cast and credit information, a plot synopsis, critical commentary, and excerpts from reviews. The book also includes the most extensive annotated bibliography on Ford ever published, with more than 1000 entries for books, articles, dissertations, documentaries, and even four works of fiction concerning Ford. Additional sections of the book provide information about his unrealized projects; his radio, television, and theater work; his awards and honors; and special collections and archives.
Bill Bryson has one of the liveliest, most inquisitive minds on the planet, and At Home is likely to become the most illuminating book on the way we lived then and live now--the why and the where and the how of it--ever written. Now, in this handsome new edition, his sparkling prose will be enhanced by some 200 carefully curated full-colour images from both the past and the present. Selected from a staggering array of sources to bring Bill's journey to vivid life, these pictures will make reading At Home an immersive experience. When you've finished this book, you will see your house--and your daily life--in a new and revelatory light.
Postcolonial Studies is more often found looking back at the past, but in this brand new book, Bill Ashcroft looks to the future and the irrepressible demands of utopia. The concept of utopia – whether playful satire or a serious proposal for an ideal community – is examined in relation to the postcolonial and the communities with which it engages. Studying a very broad range of literature, poetry and art, with chapters focussing on specific regions – Africa, India, Chicano, Caribbean and Pacific – this book is written in a clear and engaging prose which make it accessible to undergraduates as well as academics. This important book speaks to the past and future of postcolonial scholarship.
When Bill Russell retired in 1969, his departure signaled the end of the Boston Celtics dynasty. The Celts, with Russell in the middle, had won 11 NBA championships in 13 years, but as the 1969-70 season opened so did the door for a new champion. Some felt the L.A. Lakers, with their superstar triumvirate of Jerry West, Elgin Baylor, and Wilt Chamberlain would claim the title. Others picked the high-scoring Baltimore Bullets or the balanced and deep Atlanta Hawks. And there were even a few people who picked the New York Knicks. The Knicks? Weren't they the team that had never won an NBA title, despite being an original franchise when the league began play in 1946? They were, indeed, but in the fall of 1969 the Knicks put a different kind of team on the floor, one they had been building for years. Center Willis Reed and guard Walt Clyde Frazier were the New Yorker's two best players, but it was a trade with Detroit the season before that gave Coach Red Holzman the kind of team he wanted by bringing hardworking forward Dave DeBusschere into the fold. Former Princeton All-American Bill Bradley and veteran guard Dick Barnett completed the starting five. A strong bench and the defensive minded Holzman were the other elements that allowed it to work. The old-school Holzman made defense a byword, imploring his players to see the ball, and on offense to hit the open man. With five starters playing as one, and a solid bench behind them, the Knicks unveiled the kind of team basketball that hadn't been seen in years. Playing unselfishly from the start, they ran off a record 18-game win streak and took it from there, showing the basketball world how teamwork and defense could win. Tales from the1969-70 New York Knicks is the story of a group of individuals and a coach who created a magical season for New York fans that is still remembered today. The Knicks won it all, but not without sacrifice, struggle, and a moment of high drama that is perhaps unmatched in NBA annals.
A book about a struggling actor who mumbles, tumbles, and fumbles his way through acting school and reperatory and touring theatre in England in the early 20th century A Book for Theatre Lovers This novel takes place in England in the early 20th century. It features numerous on-and-off stage adventures of an acting aspirants youth and theatrical encounters with a magician, stowing away on a shipload of touring actors, attending acting school, serving as an apprentice with the Birmingham and Liverpool Repertory Companies, and touring with a fit-up. It is an extraordinary, evolutionary education in theatre from the very basic stage movements to the plots of scores of contemporary productions, the characterizations of stage performers, chores of backstage crew, and problems and issues faced by Thespians of the time. Books may be obtained through the publisher, AuthorHouse; Amazon and Barnes & Noble and as an ebook or from the author at wgthomas@cox.net. A Sample of Reviews Upstage, Downstage, Cross is, just like the title, a delightful and sparkling account of an English boys love affair with the theatre and his wacky and wild, albeit imaginative attempts to become an actor in spite of family opposition and his own unexpected limitations in the art of actingIf you are an aficionado or love English theatre, youll be riveted by the stories of the theatre in the period before WWWI, through the war and its aftermath. This was a period of transition from the days when there were dozens of theatre companies touring Britain and it was the entertainment of masses, to the beginning and then rise of the moving pictures that drew away the usual theatre audiences to the moviesThe style of the book is sparkling with wit and adventure and vignettes of the theatre. Bill Thomas writes in the wonderful tradition of English authors, although he does avoid the Dickensonsian downers. His story is populated with good people, which is a breath of fresh air. Pick up this book and enjoy. Adriana Renescu, Author Your affection for the Bard and English theatre shines through in every way. I particularly dig stowing away on the Lusitania Great StuffOne thing I learned is that I definitely dont want to be a stage manager. Much too hard. Your attention to detail is ever impressive. John Hall, former feature writer, Orange County Register I found your book a very insightful look into life in middle class England during the early 20th century. I enjoyed the way you incorporated a wealth of historical information into a delightful story of a young boy coming of age while pursuing his dreams of becoming an actor. ..I also learned much about the development of English theatre and the way the medium transitioned from the classical and vaudevillian to real life dramasOverall; I was greatly impressed by the depth of research evidenced in the novel regarding English theatre and its influence on society during that period of tumultuous change. John DeNizio, member, San Clemente Book Club he writes of a theatre world that no longer exists, but he captures the excitement of that era through his main character, who has a love for the theatre and lets nothing stand in his way to be an actor. Reading Bills book I realized I was being led by a master writer. His descriptions and detail can only come from one who has seen and retained what he saw and heard. His writing reveals a wit that has been fine tuned with a long and fruitful life. Herman Sillas, Attorney and writer.
In Only the Lonely (1991), Ally Sheedy appeases prospective mother-in-law Maureen O'Hara by going along to see the 1939 film How Green Was My Valley--starring Maureen O'Hara. Richard LaGravenese, slighted by critic Gene Siskel over his screenplay for The Fisher King (1991) wrote an unsavory character named Siskel into The Ref (1994). Movies and television shows often feature inside jokes. Sometimes there are characters named after crew members. Directors are often featured in cameo appearances--Alfred Hitchcock's silhouette can be seen in Family Plot (1976), for example. This work catalogs such occurrences. Each entry includes the title of the film or show, year of release, and a full description of the in-joke.
Brisbane: Utopian Dreams and Dystopian Nightmares tells the stories of little-known, and rather peculiar aspects of Brisbane’s colourful history. Eleven Brisbane authors from the 19th and 20th centuries wrote about how wonderful, ‘utopian’, Brisbane could be — or how dreadful, ‘dystopian’, it could also be. Some writers imagined a future utopian Brisbane where inequality has been eliminated, where everyone is prosperous, living in the most beautiful city with wide, tree-lined boulevards, wonderful opera-houses and museums, bubbling fountains and grand squares. They saw Brisbane becoming the centre of the civilised world, a model for humanity. Other writers depicted Brisbane as having been annihilated, violently wiped off the face of the earth except for a few stone ruins overgrown with lantana. These dystopian images saw Brisbane residents enslaved in a racial nightmare, beset with poverty and violence, their lives being precarious at best. What led to these utopian and dystopian visions? Who were the visionaries? What do they tell us about a little-known part of Brisbane’s quirky history? These are images of a wonderful or dreadful Brisbane that never eventuated — but could have. This well-illustrated book reveals all in a witty, but sometimes disturbing way.
In this wonderful celebration of all that is best about the world's greatest football league, talkSPORT has taken on the challenge of listing the 100 greatest Premiership legends. Featuring contributions from many of talkSPORT's presenters, including Alan Brazil, Stan Collymore and Andy Gray, the talkSPORT team has drawn up its definitive listing of Premiership stars. Of course, being talkSPORT, nothing is straightforward and the opinions are hotly debated. Some surprising names make into the list, while others are relegated to the bottom or even fail to appear at all. Who comes out on top: Gianfranco Zola or Alan Shearer? How do you decide who's in and who's out from 20 years of footballing genius? Each of the stars is fully profiled, with surprising and fascinating information revealed about all of them, and their individual ranking in the list is fully justified. In short, this book will not only provide great football memories of moments that won leagues, spared clubs from relegation, and drew stunned silence from watching crowds, but cause much controversy - just like talkSPORT itself.
Immanuel Kant's Critique of Pure Reason is both one of the most rewarding of all philosophical works and one of the most difficult. Norman Kemp Smith's translation is valuable, not simply because he rendered Kant's language into readable English, but also because his own extensive understanding of the Critique made him acutely aware of the pitfalls of translation.
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
From "the finest literary stylist of the American right," a surprising and spirited account of how true conservatives have always been antiwar and anti-empire (Allan Carlson, author of The American Way) Conservatives love war, empire, and the military-industrial complex. They abhor peace, the sole and rightful property of liberals. Right? Wrong. As Bill Kauffman makes clear, true conservatives have always resisted the imperial and military impulse: it drains the treasury, curtails domestic liberties, breaks down families, and vulgarizes culture. From the Federalists who opposed the War of 1812, to the striving of Robert Taft (known as "Mr. Republican") to keep the United States out of Korea, to the latter-day libertarian critics of the Iraq war, there has historically been nothing freakish, cowardly, or even unusual about antiwar activists on the political right. And while these critics of U.S. military crusades have been vilified by the party of George W. Bush, their conservative vision of a peaceful, decentralized, and noninterventionist America gives us a glimpse of the country we could have had—and might yet attain. Passionate and witty, Ain't My America is an eye-opening exploration of the forgotten history of right-wing peace movements—and a clarion manifesto for antiwar conservatives of today.
Every Indiana Hoosiers fan has a bucket list of activities to take part in at some point in their lives. But even the most die-hard fans haven't done everything there is to experience in and around Bloomington, Indiana. From visiting the campus to copying Keith Smart's jump shot to win the 1987 national championship, author Terry Hutchens and Bill Murphy provide ideas, recommendations, and insider tips for must-see places and can't-miss activities near the Assembly Hall. But not every experience requires a trip to campus; long-distance Hoosiers fans can cross some items off their list from the comfort of their own homes. Whether you're attending every home game or supporting the Hoosiers from afar, there's something for every fan to do in The Indiana Hoosiers Fans' Bucket List.
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