In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Proposes a radical view of the influence that colonised societies have had on their former colonisers. In this work, Ashcroft extends the arguments posed in The Empire Writes Back to investigate the transformative effects of post-colonial resistance and the continuing relevance of colonial struggle. Author from UNSW.
In his new book, Bill Ashcroft gives us a revolutionary view of the ways in which post-colonial societies have responded to colonial control. The most comprehensive analysis of major features of post-colonial studies ever compiled, Post-Colonial Transformation: * demonstrates how widespread the strategy of transformation has been * investigates political and literary resistance * examines the nature of post-colonial societies' engagement with imperial language, history, allegory, and place * offers radical new perspectives in post-colonial theory in principles of habitation and horizonality. Post-Colonial Transformation breaks new theoretical ground while demonstrating the relevance of a wide range of theoretical practices, and extending the exploration of topics fundamentally important to the field of post-colonial studies.
This hugely popular A-Z guide provides a comprehensive overview of the issues which characterize post-colonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity. For this third edition over thirty new entries have been added including: Cosmopolitanism Development Fundamentalism Nostalgia Post-colonial cinema Sustainability Trafficking World Englishes. Post-Colonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.
Postcolonial Studies is more often found looking back at the past, but in this brand new book, Bill Ashcroft looks to the future and the irrepressible demands of utopia. The concept of utopia - whether playful satire or a serious proposal for an ideal community - is examined in relation to the postcolonial and the communities with which it engages. Studying a very broad range of literature, poetry and art, with chapters focussing on specific regions - Africa, India, Chicano, Caribbean and Pacific - this book is written in a clear and engaging prose which make it accessible to undergraduates as well as academics. This important book speaks to the past and future of postcolonial scholarship.
An essential guide to understanding the issues which characterize post-colonialism. A comprehensive glossary has extensive cross-referencing, a bibliography of essential writings and an easy-to-use A-Z format.
Edward Said is perhaps best known as the author of the landmark study Orientalism, a book which changed the face of critical theory and shaped the emerging field of post-colonial studies, and for his controversial journalism on the Palestinian political situation. Looking at the context and the impact of Said's scholarship and journalism, this book examines Said's key ideas, including: the significance of 'worldliness', 'amateurism', 'secular criticism', 'affiliation' and 'contrapuntal reading' the place of text and critic in 'the world' knowledge, power and the construction of the 'Other' links between culture and imperialism exile, identity and the plight of Palestine a new chapter looking at Said's later work and style This popular guide has been fully updated and revised in a new edition, suitable for readers approaching Said's work for the first time as well as those already familiar with the work of this important theorist. The result is the ideal guide to one of the twentieth century's most engaging critical thinkers.
The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture. The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language. This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.
Here is the first comprehensive introduction to Edward Said's literary, political and cultural thinking. Drawing upon Said's journalism as well as his more formal works, Ashcroft and Ahluwalia reveal Said's contemporary significance. While acknowledging the ground breaking significance of Said's Orientalism, this book demonstrates that the key to his work lies in its concept of worldliness and in his demonstration of the paradoxical nature of identity formation in the post-colonial world.
At his popular Internet Web site, author Bill Stockton uses piercing satire and zany humor to take on everything from George W. Bush and Washington's neoconservatives to the danger of global warming caused by bovine methane emissions. In Is That True or Did You Make It Up? Cosmic Ruminations from Bill Stockton's Satirium.com, the author has assembled the funniest articles from his satirical cyber-hangout, www.satirium.com, including: Telepathic Parrot Caught Monitoring Karl Rove's Brain Is Death Final? Debate Riles Obituary Writers Castoff Armani Launches Homeless Man's Lobbyist Career Latest Terror Worry Is Radioactive Horse Manure Lord of the Rings Plunges Fan into Six-Day Coma Neocon Identity Card Theft Alarms Beltway Insiders The author, an editor at The New York Times for two decades, learned the hard way that nothing is ever what it seems. Is That True or Did You Make It Up? provides a witty and irreverent road map to a new world order viewed from behind the looking glass. Be warned: this book could cause you to shriek helplessly and roll around on the floor
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