It’s not every day you encounter a hamster experiencing an existential crisis, but Sapphire has spent her short pet-store life convinced that she’s waiting for…something. At first she thinks it’s to be FREE, but it may be possible that life has a greater purpose in store—a purpose Sapphire will discover thanks to a nine-year-old girl whose family is changing in ways she doesn’t quite understand. Jeannie’s dad has moved out, her mom is always tired and snappish, and her older brother just wants to play video games in his room all day. Jeannie doesn’t understand what’s going on, but she knows one thing: she really, REALLY wants a hamster. Her mom promised she could buy one with her Christmas money, but it’s been WEEKS since the holidays and Jeannie’s beginning to worry she’ll never get her pet. But maybe if she does, her dad will come to visit. Maybe a hamster will make everything better. Narrated by Jeannie and Sapphire in alternating chapters, Sapphire the Great and the Meaning of Life is a touching middle-grade novel by award-winning author Beverley Brenna that explores themes of family, friendship, togetherness, and self-identity. With a cast that includes a transgender neighbor, a father finally accepting his homosexuality, and a realistic protagonist who will appeal to fans of Ramona Quimby, Brenna’s latest offering is an age-appropriate introduction to some difficult subjects that also abounds with humor and poignancy.
Bereavement is a painful and inevitable experience. This book shares the experience of many bereavements, how they are dealt with, understood, and eventually adapted to in the ongoing framework of human life.
While in London in 1705, Robert Beverley wrote and published The History and Present State of Virginia, one of the earliest printed English-language histories about North America by an author born there. Like his brother-in-law William Byrd II, Beverley was a scion of Virginia's planter elite, personally ambitious and at odds with royal governors in the colony. As a native-born American--most famously claiming "I am an Indian--he provided English readers with the first thoroughgoing account of the province's past, natural history, Indians, and current politics and society. In this new edition, Susan Scott Parrish situates Beverley and his History in the context of the metropolitan-provincial political and cultural issues of his day and explores the many contradictions embedded in his narrative. Parrish's introduction and the accompanying annotation, along with a fresh transcription of the 1705 publication and a more comprehensive comparison of emendations in the 1722 edition, will open Beverley's History to new, twenty-first-century readings by students of transatlantic history, colonialism, natural science, literature, and ethnohistory.
Beverley Butler’s ethnography of the Bibliotheca Alexandrina project critiques the underlying western foundational concepts and values behind the Library in a nuanced postcolonial examination of memory, cultural revival, and homecoming.
What motivates a Japanese translator and theatre company to translate and perform a play about racial discrimination in the American South? What happens to a 'gay' play when it is staged in a country where the performance of gender is a theatrical tradition? What are the politics of First Nations or Aboriginal theatre in Japanese translation and 'colour blind' casting? Is a Canadian nô drama that tells a story of the Japanese diaspora a performance in cultural appropriation or dramatic innovation? In looking for answers to these questions, Theatre Translation Theory and Performance in Contemporary Japan extends discussions of theatre translation through a selective investigation of six Western plays, translated and staged in Japan since the 1960s, with marginalized tongues and bodies at their core. The study begins with an examination of James Baldwin's Blues for Mister Charlie, followed by explorations of Michel Marc Bouchard's Les feluettes ou La repetition d'un drame romantique, Tomson Highway's The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, Roger Bennett's Up the Ladder, and Daphne Marlatt's The Gull: The Steveston t Noh Project. Native Voices, Foreign Bodies locates theatre translation theory and practice in Japan in the post-war Showa and Heisei eras and provokes reconsideration of Western notions about the complex interaction of tongues and bodies in translation and theatre when they travel and are reconstituted under different cultural conditions.
Twelve-year-old Symphony Strange has had enough. Enough of the ‘gruesome twosome’ Phyllida and Suzette’s mean ‘tricks’ because they don't see her as being posh enough, enough of St Bartholomew’s School for Girls and most of all, enough of having no friends. With headteacher Mrs Grabbit and all the other pupils in the twosome's menacing grip, Symphony can’t see things ever changing. So she’s mega happy when she gets a new neighbour and best friend in the shape of Annabatya de Vole, who is also joining their year. Okay, she may seem a bit odd and is batty about bats, but Symphony thinks Annabatya is amazing and she totally is, at absolutely everything, which sends ‘the gruesome twosome’ into a meltdown. Promising trouble with a capital T, they threaten to snoop into Annabatya’s father’s top-secret work. Desperate to protect her new BFF, Symphony decides to play Phyllida and Suzette at their own game, but has she done more harm than good?
The Automatic Fetish traces Marx's analysis of capital, step by step, through the material compiled posthumously as the third volume of Capital. Identifying the critique of value as the central through line of the entire work, Beverley Best elaborates a theory of movement through which the capital machine generates social forms of appearance as the inversion of its inner operating mechanisms. Neither a return to basics nor a new-fangled reconstruction, The Automatic Fetish eschews novelty to show once again that Marx rewards careful study. - 'If I had to choose one book that would make the case for the relevance of Marx's critique of political economy to the humanities, this might very well be it' Colleen Lye, co-editor of After Marx - 'The contribution of The Automatic Fetish is hard to exaggerate' Nicholas Brown, author of Autonomy - 'Will make a significant contribution to the wider field of materialist theory' Joshua Clover, author of Riot. Strike. Riot - 'In Best's hands, Capital becomes not only fascinating but useful, down to its last detail. Written with clarity, focus, and urgency, Best has "unreconstructed" Marx for our times' Richard Dienst, author of The Bonds of Debt - 'A groundbreaking book' Werner Bonefeld, author of A Critical Theory of Economic Compulsion - 'That rare work of theory whose practical implications just sing out loud . Surely among the most useful books on Capital III ever written' Christopher Nealon, author of The Matter of Capital - 'Brilliant, eloquent, and precise. Best has given us one of the most profound re-readings of Capital to have appeared in a generation and an essential source' Neil Larsen, author of Determinations
Since childbirth became a medicalized - and usually hospitalized - event a century ago, women's and families' psychosocial needs have been relegated to a somewhat peripheral role within the clinically focussed hierarchy of medical care. This text reinstates psychosocial issues as a primary focus of care, together with clinical excellence. Family-centred care is a familiar phrase in today's maternity services, with professional guidelines and hospital policies including the term in their care protocols; however, few definitions, and no specific standards, for family-centred care exist. While all caregivers and care services are likely to define their care as sensitive to women's needs, and family-centred, the actual implementation of a family-centred approach - despite it being a current fashion in care - is still inadequate. This book clearly defines family-centred perinatal care, and outlines how truly family-centred care can, and should, be implemented, and how, and where, this has been done.
Murder. Betrayal. Adventure. A Score That Must Be Settled.A tale of twists and turns following the most unlikely of female leads.'How do you know my name?' I asked... 'We will come to that,' he said.'Do you think they meant to kill him?'War between Britain, France and Spain forms the backdrop to Beverley Elphick's much-anticipated second novel, Retribution. Our heroine Esther Coad is looking forward at last to starting a normal family life; but with the town under threat, and plagued by shadows from the past, can Esther reach her longed for happy ever after?This is the second instalment of Beverley Elphick's trilogy set in the eighteenth century when smuggling is rife and a strong female voice rarely heard.At the heart of the story is family; not always the one you are born with, but the one you carve out for yourself.
In this reprint edition the contents [of the original 34 volumes] have been rearranged, re-typed, and consolidated in three hardcover volumes, each with its own master index."--Title page verso.
The Rough Guide to Cambodia, in full color throughout, is the ultimate travel guide to this spectacular region. With 30 years of experience and our trademark "tell it like it is" writing style, Rough Guides covers all the basics, includes practical details travelers need to know, and unmissable alternatives to the usual must-see sights.
Monitoring the Critically Ill Patient is an invaluable, accessible guide to caring for critically ill patients on the general ward. Now fully updated and improved throughout, this well-established and handy reference guide text assumes no prior knowledge and equips students and newly-qualified staff with the clinical skills and knowledge they need to confidently monitor patients at risk, identify key priorities, and provide prompt and effective care. This new edition includes the following five new chapters: Monitoring the critically ill child Monitoring the critically ill pregnant patient Monitoring the patient with infection and related systemic inflammatory response Monitoring a patient receiving a blood transfusion Monitoring pain
This book has been written for her family by a matriarch who can still recall the times and unique characters who contributed to her early life. It is a personal compilation of anecdotes and stories, descriptions, reflections and old family images recording days long passed and is presented as an homage to those significant people who shared with her their special gift of love.
Explanations of how identities are constructed are fundamental to contemporary debates in feminism and in cultural and social theory. Formations of Class & Gender demonstrates why class should be featured more prominently in theoretical accounts of gender, identity and power. Beverley Skeggs identifies the neglect of class, and shows how class and gender must be fused together to produce an accurate representation of power relations in modern society. The book questions how theoretical frameworks are generated for understanding how women live and produce themselves through social and cultural relations. It uses detailed ethnographic research to explain how ′real′ women inhabit and occupy the social and cultural positions of class, femininity and sexuality. As a critical examination of cultural representation - informed by recent feminist theory and the work of Pierre Bourdieu - the book is an articulate demonstration of how to translate theory into practice.
This original and thought-provoking study looks at the context of postmodernist thought in general cultural terms as well as in relation to history. Postmodernism in History traces philosophical precursors of postmodernism and identifies the roots of current concerns. Beverley Southgate describes the core constituents of postmodernism and provides a lucid and profound analysis of the current state of the debate. His main concern is to counter 'pomophobia' and to assert a positive future for historical study in a postmodern world. Postmodernism in History is a valuable guide to some of the most complex questions in historical theory for students and teachers alike.
The first publication of Beverley Clack and Brian R. Clack’s exciting and innovative introduction to the philosophy of religion has been of enormous value to students, as well as providing a bold and refreshing alternative to the standard analytic approaches to the subject. This second edition retains the accessibility which made it popular for both teachers and students, while furthering its distinctive argument that emphasises the human dimension of religion. The text has been fully revised and updated. The traditional emphasis on the arguments for the existence of God is reflected in a newly extended and reworked investigation into natural theology. Recent developments in the subject are also reflected in updated chapters, and, in a move that highlights the originality of the authors’ approach, they offer a critical engagement with current world events. An entirely new concluding chapter interrogates the connection between religion and terror, and demonstrates how philosophy of religion might be conducted under the terrible shadow of 9/11. This new edition of The Philosophy of Religion will continue to be essential reading for all students and practitioners of the subject.
In this marvelous book, Beverly Fehr presents a comprehensive and richly detailed examination of what scholars have learned about the formation, maintenance, and dissolution of friendships. . . . Overall, a model of careful scholarship, clear writing, and good sense. For anyone studying friendships, there is no better place to start. This is perhaps the best book of its kind." --Choice Friends are an integral part of our lives--they sometimes replace family relationships and often form the basis for romantic relationships. Friendship Processes, new in the Sage Series on Close Relationships, examines exactly how friends give meaning to our lives and why we rely so heavily on them. Broad in its coverage, the book is process oriented and research based with each phase of the friendship process documented by empirical research. The result is a conceptual framework that illuminates the fascinating components of how we make friends, how we become close, how we maintain friends, and how friendships deteriorate and dissolve. Author Beverley Fehr equips the reader with valuable knowledge about the formations and continuations of the intriguing personal relationship called friendship. Friendship Processes also illustrates well the fact that, as a field of study, close relationships is maturing rapidly. Promising to be the definitive study of the subject for many years to come, this book will be of particular interest to professionals, academics, and students of social psychology, sociology, communication, family studies, and social work as well as any interested reader who is anxious to deepen his or her understanding and appreciation of a very engaging topic.
In consumer economies, success has increasingly been defined in terms of material attainment and the achievement of status. This model of 'the good life' and its formulas for success ignore the haunting possibility that one may not succeed and as a result be deemed 'a failure'. How to be a Failure and Still Live Well explores that often neglected theme of failure, not just as the opposite of achievement, but also, and more importantly, how it has been conflated with loss: that which haunts all transient, mortal human experience. Understanding loss as a form of failure affects our ability to cope with the everyday losses that permeate existence as a result of the natural processes of ageing, death, and decay. Engaging with loss and thinking about what it inevitability means for our lives and commitments, allows different values to emerge than those connected to success as attainment. Relationships, spontaneity, and generosity are explored as qualities that arise from taking seriously our vulnerability and that form the basis for richer accounts of what it might mean to 'live well'.
Llywelyn ap Gruffudd: Prince of Wales is an outstanding work by an author with a perceptive understanding of the complexities of his subject. It is clearly, sometimes passionately, written and is destined to be the definitive work on this matter for many generations. This is the first full-length English-language study of Llywelyn ap Gruffudd (c. 1225-1282), prince of Wales. In this scholarly and lucid book J. Beverley Smith offers an in-depth assessment not only of Llywelyn, but of the age in which he lived. The author takes thirteenth-century Wales as a backdrop against which he analyses the relationship between a sense of nationhood and the practical realities of creating a structure to embrace a unified principality of Wales held under the aegis of the English Crown. This examination of the triumphs and subsequent reverses of a ruler of exceptional vision and vigour is a substantial contribution to our understanding of the nature of Welsh politics and the complexities of Anglo-Welsh relations.
Will Amy risk disgrace or make the ultimate sacrifice? Brought up by her grandparents in the blooming Wiltshire countryside, Amy Roberts seeks solace amongst her grandfather’s prized roses to escape the cruel taunts from the village children about her rumoured illegitimacy. When she is then packed off to Lambeth at the age of twelve, Amy encounters the harsh reality of life in London’s darkest slums. But it is there she is given a chance: for a brief, magical interlude in her otherwise harsh existence Amy finds joy in her new position as a lady’s maid. It seems as though her future might finally be assured. But Amy's introduction to the glittering Warminster family comes with its price: it's not long before Amy loses her innocence, and in the most cruel way imaginable. Subsequently caught in a horrid feud between a father and son, she is trapped between the pull of love and duty. Betrayed and alone, Amy is left facing a heartbreaking choice... A poignant and passionate love story from the author of Song of Songs, this is perfect for fans of Diney Costeloe and Margaret Dickinson. Praise for Roses Have Thorns “Good, long, satisfying... full of detail and good characterisation” Bella
New York Times bestselling author Jo Beverley "brings the Regency Period to life." (Joan Hammond) Emily Grantwich lives quietly with her crippled father and eccentric aunt, managing the family's land, until the fateful day she walks down the main street of Melton Mowbray and is showered with Poudre de Violettes, thrown by a lady of loose morals at the handsomest man Emily has ever seen. He is Piers Verderan, known by many as the Dark Angel. His friends lay the blame for his scandalous ways on his troubled past. No decent woman should be seen in his company, but Emily must dutifully manage her father's estate-which Verderan's land adjoins. Soon Emily learns that the Dark Angel is very dangerous, especially to her sanity and her heart...
Pamela Sue Anderson's A Feminist Philosophy of Religion (1998) and Grace Jantzen's Becoming Divine: Towards a Feminist Philosophy of Religion (1998) set the tone for subsequent feminist philosophies of religion. This Element builds upon the legacy of their investigations, revisiting and extending aspects of their work for a contemporary context struggling with the impact of 'post-truth' forms of politics. Reclaiming the power of collective action felt in religious community and the importance of the struggle for truth enables a changed perspective on the world, itself necessary to realise the feminist desire for more flourishing forms of life and relationship crucial to feminist philosophy of religion.
It's summer in Niagara Falls. IT'S HOT, IT'S HUMID, IT'S DEADLY The Black Sheep walks among them, seemingly untouchable. He works, he parties, he kills. No woman is safe. They all know- HE'S CHARMING, HE'S INTELLIGENT. They just don't know- HE'S A KILLER. He has his sights on one more victim, then he'll quit, and disappear forever. She's beautiful, she's smart, she's vulnerable. CAN THE POLICE CATCH HIM BEFORE HE CATCHES HER?
Is history factual, or just another form of fiction? Are there distinct boundaries between the two, or just extensive borderlands? How do novelists represent historians and history? The relationship between history and fiction has always been contentious and sometimes turbulent, not least because the two have traditionally been seen as mutually exclusive opposites. However, new hybrid forms of writing – from historical fiction to docudramas to fictionalised biographies – have led to the blurring of boundaries, and given rise to the claim that history itself is just another form of fiction. In his thought-provoking new book, Beverley Southgate untangles this knotty relationship, setting his discussion in a broad historical and philosophical context. Throughout, Southgate invokes a variety of writers to illuminate his arguments, from Dickens and Proust, through Virginia Woolf and Daphne du Maurier, to such contemporary novelists as Tim O’Brien, Penelope Lively, and Graham Swift. Anyone interested in the many meeting points between history and fiction will find this an engaging, accessible and stimulating read.
Grasp and retain the fundamentals of medical terminology quickly and easily Don't know a carcinoma from a hematoma? This friendly guide explains how the easiest way to remember unfamiliar, often-tongue-twisting words is to learn their parts: the prefix, root, and suffix. Medical Terminology For Dummies breaks down the words you'll encounter in your medical terminology course and gives you plain-English explanations and examples to help you master definitions, pronunciations, and applications across all medical fields. For many, the language of medicine and healthcare can be confusing, and frequently presents the greatest challenge to students – this guide was designed to help you overcome this problem with ease! Packed with ideas, study materials, quizzes, mind maps, and games to help you retain the information, Medical Terminology For Dummies quickly gets you up to speed on medical prefixes, suffixes, and root words so you'll approach even unfamiliar medical terms with confidence and ease. Bone up on words that describe and are related to the body's systems Correctly pronounce and understand the meanings of medical terms Find tricks and study tips for memorizing words Build your knowledge with helpful word-building activities If you're working toward a certification or degree in a medical or healthcare field, or if you're already on the job, Medical Terminology For Dummies is the fast and easy way to learn the lingo.
Speaking about the kind of filmmaking now known as Classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli once gave away its secret: "I feel that a picture that stays with you is made up of a hundred or more hidden things. They're things that the audience is not conscious of, but that accumulate." How would we go about finding those things? What method would enable us to retrieve them, and by doing so, to understand better how Hollywood films got made? The ABCs of Classic Hollywood attempts to answer those questions by looking closely at four movies from the 1930-1945 period when the American Studio System reached the peak of its economic and cultural power: Grand Hotel, The Philadelphia Story, The Maltese Falcon, and Meet Me in St. Louis. To avoid the predictable generalizations that have plagued Film Studies, Ray works with the movies' details, treated as initially mysterious, but promising, clues: e.g., Grand Hotel's coffin and room assignments; The Philadelphia Story's diving board and license plate PA55; The Maltese Falcon's clocks and missing bed; Meet Me in St. Louis's violinist and ribboned cat. By producing at least 26 entries for each of these films (one for every letter of the alphabet), Ray demonstrates that a movie's details contain the record of the work and ideas that produced them, the endless negotiation between commercial efficiency and seductive enchantment. In our unconscious memories, we recognize something in the movies, something tantalizing and just out of reach. This book unlocks those memories, making them conscious and explicit, so that they will help us understand the most powerful and important storytelling system ever designed.
This bibliography covers the 70 years of existence of the Communist Party in Australia . The material listed relates not only to the CPA but to its allied and breakaway movements from 1920 to 1991. Contains over 3400 references and includes a name index.
Stories by: Lauren Willig • Adriana Trigiani • Jo Beverley • Alexandra Potter • Laurie Viera Rigler • Frank Delaney & Diane Meier • Syrie James • Stephanie Barron • Amanda Grange • Pamela Aidan • Elizabeth Aston • Carrie Bebris • Diana Birchall • Monica Fairview • Janet Mullany • Jane Odiwe • Beth Pattillo • Myretta Robens • Jane Rubino and Caitlen Rubino-Bradway • Maya Slater • Margaret C. Sullivan • and Brenna Aubrey, the winner of a story contest hosted by the Republic of Pemberley “My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” If you just heaved a contented sigh at Mr. Darcy’s heartfelt words, then you, dear reader, are in good company. Here is a delightful collection of never-before-published stories inspired by Jane Austen—her novels, her life, her wit, her world. In Lauren Willig’s “A Night at Northanger,” a young woman who doesn’t believe in ghosts meets a familiar specter at the infamous abbey; Jane Odiwe’s “Waiting” captures the exquisite uncertainty of Persuasion’s Wentworth and Anne as they await her family’s approval of their betrothal; Adriana Trigiani’s “Love and Best Wishes, Aunt Jane” imagines a modern-day Austen giving her niece advice upon her engagement; in Diana Birchall’s “Jane Austen’s Cat,” our beloved Jane tells her nieces “cat tales” based on her novels; Laurie Viera Rigler’s “Intolerable Stupidity” finds Mr. Darcy bringing charges against all the writers of Pride and Prejudice sequels, spin-offs, and retellings; in Janet Mullany’s “Jane Austen, Yeah, Yeah, Yeah!” a teacher at an all-girls school invokes the Beatles to help her students understand Sense and Sensibility; and in Jo Beverley’s “Jane and the Mistletoe Kiss,” a widow doesn’t believe she’ll have a second chance at love . . . until a Miss Austen suggests otherwise. Regency or contemporary, romantic or fantastical, each of these marvelous stories reaffirms the incomparable influence of one of history’s most cherished authors.
Class, Self, Culture puts class back on the map in a novel way by taking a new look at how class is made and given value through culture. It shows how different classes become attributed with value, enabling culture to be deployed as a resource and as a form of property, which has both use-value to the person and exchange-value in systems of symbolic and economic exchange. The book shows how class has not disappeared, but is known and spoken in a myriad of different ways, always working through other categorisations of nation, race, gender and sexuality and across different sites: through popular culture, political rhetoric and academic theory. In particular attention is given to how new forms of personhood are being generated through mechanisms of giving value to culture, and how what we come to know and assume to be a 'self' is always a classed formation. Analysing four processes: of inscription, institutionalisation, perspective-taking and exchange relationships, it challenges recent debates on reflexivity, risk, rational-action theory, individualisation and mobility, by showing how these are all reliant on fixing some people in place so that others can move.
In June 1942, the U.S. Army began recruiting immigrants, the children of immigrants, refugees, and others with language skills and knowledge of enemy lands and cultures for a special military intelligence group being trained in the mountains of northern Maryland and sent into Europe and the Pacific. Ultimately, 15,000 men and some women received this specialized training and went on to make vital contributions to victory in World War II. This is their story, which Beverley Driver Eddy tells thoroughly and colorfully, drawing heavily on interviews with surviving Ritchie Boys. The army recruited not just those fluent in German, French, Italian, and Polish (approximately a fifth were Jewish refugees from Europe), but also Arabic, Japanese, Dutch, Greek, Norwegian, Russian, Turkish, and other languages—as well as some 200 Native Americans and 200 WACs. They were trained in photo interpretation, terrain analysis, POW interrogation, counterintelligence, espionage, signal intelligence (including pigeons), mapmaking, intelligence gathering, and close combat. Many landed in France on D-Day. Many more fanned out across Europe and around the world completing their missions, often in cooperation with the OSS and Counterintelligence Corps, sometimes on the front lines, often behind the lines. The Ritchie Boys’ intelligence proved vital during the liberation of Paris and the Battle of the Bulge. They helped craft the print and radio propaganda that wore down German homefront morale. If caught, they could have been executed as spies. After the war they translated and interrogated at the Nuremberg trials. One participated in using war criminal Klaus Barbie as an anti-communist agent. Meanwhile, Ritchie Boys in the Pacific Theater of Operations collected intelligence in Burma and China, directed bombing raids in New Guinea and the Philippines, and fought on Okinawa and Iwo Jima. This is a different kind of World War II story, and Eddy tells it with conviction, supported by years of research and interviews.
In 1754 Eleanor Powers was hung for a murder committed during a botched robbery. She was the first woman condemned to die in Canada, but would not be the last. In Uncertain Justice, Beverley Boissery and Murray Greenwood portray a cast of women characters almost as often wronged by the law as they have wronged society. Starting with the Powers trial and continuing to the not-too-distant past, the authors expose the patriarchal values that lie at the core of criminal law, and the class and gender biases that permeate its procedures and applications. The writing style is similar to that of a popular mystery: "Harriet Henry lay dead. Horribly and indubitably. Her body sprawled against the bed, the head twisted at a grotesque angle. Foam engulfed the grinning mouth." Scholarly analysis combines with the narrative to make Uncertain Justice a fascinating and engaging read. There is a wealth of information about the emerging and evolving legal system and profession, the state of forensic science, the roles of juries, and the political turmoil and growing resistance to a purely class-based aristocratic form of government.
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