. . . a lively trip to Ireland and an action packed adventure with lots of mischief, mystery and passionate characters." ~Jennifer Blake Miles Cavanagh just wants to hunt in the Shires, but instead he finds himself the guardian to a twenty-year-old heiress hell-bent on marrying a fortune-hunting wretch. Refusing to let Felicity throw her life away, Miles kidnaps his ward and carries her off to England. But Felicity's determination is proving equal to his. As fierce wills clash, and fiery hearts ignite into passion, Felicity faces a choice: pursue her mission, or trust the tyrant she's come to love. From The Publisher: Author Jo Beverley is known for her consumate attention to historical detail that wisks the reader back in time to a near first-hand experience. Fans of Regency romance and historical British fiction set in the 19th century, as well as readers of Jess Michaels, Mary Balogh, Christi Caldwell, Stephanie Laurens, Madeline Hunter and Mary Jo Putney will want to read every book by Jo Beverley. "Brimming with sensual adventure and daring wit." ~RT "...a fast paced, fun romance that will keep you glued. First rate keeper!" ~Aromancereview.com
Class, Self, Culture puts class back on the map in a novel way by taking a new look at how class is made and given value through culture. It shows how different classes become attributed with value, enabling culture to be deployed as a resource and as a form of property, which has both use-value to the person and exchange-value in systems of symbolic and economic exchange. The book shows how class has not disappeared, but is known and spoken in a myriad of different ways, always working through other categorisations of nation, race, gender and sexuality and across different sites: through popular culture, political rhetoric and academic theory. In particular attention is given to how new forms of personhood are being generated through mechanisms of giving value to culture, and how what we come to know and assume to be a 'self' is always a classed formation. Analysing four processes: of inscription, institutionalisation, perspective-taking and exchange relationships, it challenges recent debates on reflexivity, risk, rational-action theory, individualisation and mobility, by showing how these are all reliant on fixing some people in place so that others can move.
Alex Chegasa’s new life as a princess is soon derailed and she is forced to hide on the Bassett moon. Here, her romance with Iggy blossoms but doubts haunt her, as she realizes the magical universe of Spirismus may not be as perfect as it appears. Meanwhile, as Alex learns about her new home in the collection of planets and moons that form the magical universe of Spirismus, Billey NicNevin has reunited with her love, Geilis. Having regained her memory, she sets out to guide Alex on their joint destiny. But, knowing the price she must pay for her connection to the Crann, she must decide if love is worth more than destiny. Hiding in the shadows, one person is determined to stop Alex’s destiny. Do Alex’s secrets threaten everybody around her? Can they stop somebody who can’t be found?
This study of Góngora’s Soledades is intended to summarize and discuss some of the problems which seemed important for a better understanding of these poems. Special attention is paid to the two opposing ‘camps’ that developed over time; one mainly focussing on the form and the other on the content of Soledades. In this volume the authors tries to integrate the methods and results of both of the ‘camps’.
Growing up in a small mining town in New South Wales, Australia, during World War II, Beverley Keegan knew that she wanted to become a nurse. Her adventures began when she traveled on an overnight train to the big city of Sydney to commence her nursing training. Once she became a nurse, her working life continued for more than fifty years in various locations in Australia, New Guinea, and the Red Centre around Alice Springs. Television, Bedpans, and Me tells the true story of the many adventures she encountered as she traveled around Australia during her nursing career. Her story follows the amazing growth of medicine from basic nursing in the fifties to the electronic age of today. At the same time, the advent of television followed her as she moved from state to state and from Sydney to the Australian Outback. This memoir shares the journey taken by one woman, including humorous tales, pathos, and ordinary family occurrences that colour all of our lives, while tracing the development of the miracles of modern medicine. In Television, Bedpans, and Me, Keegan lovingly recounts her experiences as a registered nurse and recalls the people she has nursed and worked with for over half a century.
‘Wow! I absolutely loved this book from the first page, it just pulls you in and doesn't let go!... The ending was brilliant… If I could give it more than 5 stars I would.’ Goodreads Reviewer ⭐⭐⭐⭐⭐ ‘Are you sure he’s someone you can trust? We know nothing at all about him. Who is he, really?’ Susanne and her two best friends need this holiday. Between bereavements, bad break-ups and an ex-husband getting remarried, the three of them have had a hard year. A month in Italy will be the perfect chance to relax and enjoy each other’s company. Then they meet Harry. Handsome, charming and great company, Harry soon sweeps Susanne off her feet for a holiday fling. He is just what Susanne needs – except that everything he’s told them is a lie. Who is the man they’ve let into their house – who Susanne has let into her bed? They have no idea what Harry is capable of – what he’s done to get this far, and what he’s prepared to do to ensure he gets his way. By the time they find out, it will be too late to stop their dream holiday becoming a nightmare. An utterly addictive, page-turning thriller with a jaw-dropping twist. If you loved The Girlfriend, The Holiday and Something in the Water, you’ll be completely gripped by The Perfect Liar. Readers are loving The Perfect Liar ‘I LOVED THIS BOOK!... Impeccably written and ticks every single box for a mystery junkie like me!... A fantastically, fast-paced, high tension filled end… I literally finished it all in one sitting.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Wow! I absolutely loved this book from the first page, it just pulls you in and doesn't let go! I really had to force myself to put it down at times but it was well worth the wait! And the ending was brilliant… I can't wait to see what else this author has to offer in the future. If I could give it more than 5 stars I would.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Blood stopped in my fingers while holding my Kindle… Beverley just blows my mind with this brilliant story… Its characters are deeply satisfying with a crisp narration that you won't find in any other book.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘An intriguing, captivating, I-want-to-know-how-it-all-comes-together, leave-me-alone-and-let-me-read kind of book.’ B for Bookreview ⭐⭐⭐⭐⭐ ‘Fabulous read… The journey was fantastic and the characters were totally memorable, and the revelations – oh my!... Totally addictive.’ Carla Kovach ⭐⭐⭐⭐⭐ ‘Filled the void of missing a holiday abroad. I could feel the sun and smell the prosciutto. [Beverley’s] style of telling the story from each character’s perspective is perfect for this type of psychological thriller and I will definitely be keeping an eye out for more of her novels.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Many twists and turns in this book that I thoroughly enjoyed and didn't see coming. I cannot say enough about how much I LOVED the ending! I cannot wait to read more from this author.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Ticked all of the boxes for me and, most telling of all, I did not want to put it down… A captivating read, and I was seduced by the Tuscan setting that plays such a prominent role in the atmospheric intrigue. Highly recommended.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Well this is a thriller and a half… It completely hooks you in and you just keep wanting to know more. Very twisty and excellently written.’ beanie_bookworm ⭐⭐⭐⭐⭐ ‘Loved this book. An all around riveting read and one I highly recommend. Unusual plot, kept me guessing until the shocking ending. Don't miss reading this one’ NetGalley reviewer ⭐⭐⭐⭐⭐
Ouyi Zhixu (1599Ð1655) was an eminent Chinese Buddhist monk who, contrary to his contemporaries, believed karma could be changed. Through vows, divination, repentance rituals, and ascetic acts such as burning and blood writing, he sought to alter what others understood as inevitable and inescapable. Drawing attention to OuyiÕs unique reshaping of religious practice, Living Karma reasserts the significance of an overlooked individual in the modern development of Chinese Buddhism. While Buddhist studies scholarship tends to privilege textual analysis, Living Karma promotes a balanced study of ritual practice and writing, treating OuyiÕs texts as ritual objects and his reading and writing as religious acts. Each chapter addresses a specific religious practiceÑwriting, divination, repentance, vows, and bodily ritualsÑoffering first a diachronic overview of each practice within the history of Chinese Buddhism and then a synchronic analysis of each phenomenon through close readings of OuyiÕs work. The book sheds much-needed light on this little-known figure and his representation of karma, which proved to be a seminal innovation in the religious thought of late imperial China.
An ex is an ex for a reason To Rebecca Winters, it’s not just a saying or the title to a catchy tune, it’s a rule she staunchly lives by. Especially since the break up with herex. What’s the point in trying to fix the “unfixable”? Besides, only a girl hell-bent onmore heartbreak would go back to the guy who bailed on her when she needed him most. But saying no to Scott is becoming more difficult than surviving the breakup itself. And unfortunately for her, the kind of pressure he's exerting is making her rule all too easy to break. Scott Carver has given up trying to get over his ex. He’s still in love with her and their year apart has done nothing to change that. Yeah, he knows he screwed up. Just how royally, he wasn't aware of until now. So when Becca agrees to give him a second chance, he grabs on to it with both hands. But it’s clear the only way things will ever truly be right between them is if he comes clean…about everything. He can only pray the truth doesn’t send her running—for good this time.
Speaking about the kind of filmmaking now known as Classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli once gave away its secret: "I feel that a picture that stays with you is made up of a hundred or more hidden things. They're things that the audience is not conscious of, but that accumulate." How would we go about finding those things? What method would enable us to retrieve them, and by doing so, to understand better how Hollywood films got made? The ABCs of Classic Hollywood attempts to answer those questions by looking closely at four movies from the 1930-1945 period when the American Studio System reached the peak of its economic and cultural power: Grand Hotel, The Philadelphia Story, The Maltese Falcon, and Meet Me in St. Louis. To avoid the predictable generalizations that have plagued Film Studies, Ray works with the movies' details, treated as initially mysterious, but promising, clues: e.g., Grand Hotel's coffin and room assignments; The Philadelphia Story's diving board and license plate PA55; The Maltese Falcon's clocks and missing bed; Meet Me in St. Louis's violinist and ribboned cat. By producing at least 26 entries for each of these films (one for every letter of the alphabet), Ray demonstrates that a movie's details contain the record of the work and ideas that produced them, the endless negotiation between commercial efficiency and seductive enchantment. In our unconscious memories, we recognize something in the movies, something tantalizing and just out of reach. This book unlocks those memories, making them conscious and explicit, so that they will help us understand the most powerful and important storytelling system ever designed.
Llywelyn ap Gruffudd: Prince of Wales is an outstanding work by an author with a perceptive understanding of the complexities of his subject. It is clearly, sometimes passionately, written and is destined to be the definitive work on this matter for many generations. This is the first full-length English-language study of Llywelyn ap Gruffudd (c. 1225-1282), prince of Wales. In this scholarly and lucid book J. Beverley Smith offers an in-depth assessment not only of Llywelyn, but of the age in which he lived. The author takes thirteenth-century Wales as a backdrop against which he analyses the relationship between a sense of nationhood and the practical realities of creating a structure to embrace a unified principality of Wales held under the aegis of the English Crown. This examination of the triumphs and subsequent reverses of a ruler of exceptional vision and vigour is a substantial contribution to our understanding of the nature of Welsh politics and the complexities of Anglo-Welsh relations.
What motivates a Japanese translator and theatre company to translate and perform a play about racial discrimination in the American South? What happens to a 'gay' play when it is staged in a country where the performance of gender is a theatrical tradition? What are the politics of First Nations or Aboriginal theatre in Japanese translation and 'colour blind' casting? Is a Canadian nô drama that tells a story of the Japanese diaspora a performance in cultural appropriation or dramatic innovation? In looking for answers to these questions, Theatre Translation Theory and Performance in Contemporary Japan extends discussions of theatre translation through a selective investigation of six Western plays, translated and staged in Japan since the 1960s, with marginalized tongues and bodies at their core. The study begins with an examination of James Baldwin's Blues for Mister Charlie, followed by explorations of Michel Marc Bouchard's Les feluettes ou La repetition d'un drame romantique, Tomson Highway's The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, Roger Bennett's Up the Ladder, and Daphne Marlatt's The Gull: The Steveston t Noh Project. Native Voices, Foreign Bodies locates theatre translation theory and practice in Japan in the post-war Showa and Heisei eras and provokes reconsideration of Western notions about the complex interaction of tongues and bodies in translation and theatre when they travel and are reconstituted under different cultural conditions.
Research in Nursing, Midwifery and Allied Health provides students with the theory to understanding research frameworks in nursing and allied health. Using practical examples, this text applies the theory to practice in a number of updated cases that reflect students across the nursing, midwifery and allied health areas. The research framework introduced in the book has three different intersecting purposes: (i) to show students how to critically appraise existing research (ii) to show students how the results of research can be used in clinical practice to inform patient care (iii) to conduct their own research. The sixth edition includes more content than ever before linking research to evidence-based practice, helpfully sign posted throughout the text in new evidence-based practice boxes. Research in Nursing, Midwifery and Allied Health supports instructors as they guide new nursing researchers through the entire research process in a practical and easy to read step-by-step guide. The new four-colour design will be a welcome addition to Cengage’s suite of Nursing texts, as well as new CourseMate Express website and Search Me! Nursing, giving students unique access to current journals and news articles specific to nursing and health research.
English Phonetics and Pronunciation Practice provides a unique introduction to basic articulatory phonetics for students of English. Built around an extensive collection of practice materials, this book teaches the pronunciation of modern standard non-regional British English to intermediate and advanced learners worldwide. This book: provides an up-to-date description of the pronunciation of modern British English; demonstrates the use of each English phoneme with a selection of high-frequency words, both alone and in context in sentences, idiomatic phrases and dialogues; provides examples and practice material on commonly confused sounds, including illustrative pronunciation diagrams; is supported by a companion website featuring phonetic transcriptions and over 30 hours of practice audio material to check your pronunciation against; can be used not only for studying pronunciation in the classroom but also for independent student practice. English Phonetics and Pronunciation Practice is essential reading for any student studying this topic.
Stories by: Lauren Willig • Adriana Trigiani • Jo Beverley • Alexandra Potter • Laurie Viera Rigler • Frank Delaney & Diane Meier • Syrie James • Stephanie Barron • Amanda Grange • Pamela Aidan • Elizabeth Aston • Carrie Bebris • Diana Birchall • Monica Fairview • Janet Mullany • Jane Odiwe • Beth Pattillo • Myretta Robens • Jane Rubino and Caitlen Rubino-Bradway • Maya Slater • Margaret C. Sullivan • and Brenna Aubrey, the winner of a story contest hosted by the Republic of Pemberley “My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” If you just heaved a contented sigh at Mr. Darcy’s heartfelt words, then you, dear reader, are in good company. Here is a delightful collection of never-before-published stories inspired by Jane Austen—her novels, her life, her wit, her world. In Lauren Willig’s “A Night at Northanger,” a young woman who doesn’t believe in ghosts meets a familiar specter at the infamous abbey; Jane Odiwe’s “Waiting” captures the exquisite uncertainty of Persuasion’s Wentworth and Anne as they await her family’s approval of their betrothal; Adriana Trigiani’s “Love and Best Wishes, Aunt Jane” imagines a modern-day Austen giving her niece advice upon her engagement; in Diana Birchall’s “Jane Austen’s Cat,” our beloved Jane tells her nieces “cat tales” based on her novels; Laurie Viera Rigler’s “Intolerable Stupidity” finds Mr. Darcy bringing charges against all the writers of Pride and Prejudice sequels, spin-offs, and retellings; in Janet Mullany’s “Jane Austen, Yeah, Yeah, Yeah!” a teacher at an all-girls school invokes the Beatles to help her students understand Sense and Sensibility; and in Jo Beverley’s “Jane and the Mistletoe Kiss,” a widow doesn’t believe she’ll have a second chance at love . . . until a Miss Austen suggests otherwise. Regency or contemporary, romantic or fantastical, each of these marvelous stories reaffirms the incomparable influence of one of history’s most cherished authors.
Enraged screams filled his head. Deadly shapes bore down. Animal and man driven by one single thought. Kill or be killed. Neither wanted to die. Falsely accused of a terrible crime, impetuous young aristocrat Lord Dallas Acheson is forced to flee his native Scotland, leaving behind the only woman he has ever loved–Lady Lorna de Iongh. From that day onwards, he must learn to live a different life in a land where danger is an ever-present partner. Fate takes him to southern Africa and the emerging seaport of Durban, from where he sets off to trade and hunt, seeking his fortune in the little-travelled midlands of Natal and the wilds of Zululand. Tested to the limit, Dallas discovers more than he could have imagined. Married to a woman he doesn't love, he yearns to abandon the restraints of nineteenth-century society to be with Lorna. And when the Zulu war breaks out, finds himself torn between old and new loyalties, required to be an enemy of the land that is now his true home.
This book, first published in 1982, examines the reality of the so-called revolution in Afghanistan. It focuses on the career of Hafizullah Amin, considered in the West as a near-genocidal mass murderer, intent on establishing a personal fiefdom in Afghanistan. However, this book argues that he was a man struggling against impossible odds to preserve his country’s independence and at the same time drag it into the twentieth century. He commanded such loyalty and support within the Afghanistan Communist Party and the armed forces that the Russians had to invade to get rid of him.
Featuring five deliciously romantic stories set in historical and high fantasy worlds, this exclusive eBook set is the perfect gift for any romance reader. Featuring stories by Jo Beverley, Cecelia Holland, Robin Hobb, Jacqueline Carey, and Tanith Lee, this collection of five wonderful romantic stories from five wickedly creative authors includes beautiful maids and clever minstrels, orphans destined for greatness and spies thirsting for revenge, and a pair of lovers who must struggle against the forces of magic and fate. Originally published in the anthology Songs of Love and Death (edited by George R.R. Martin and Gardner Dozois), these compelling stories are specially packaged in one eBook set at a great price.
#1 NATIONAL BESTSELLER SHORTLISTED FOR THE ARTHUR ELLIS AWARDS From the former Chief Justice of Canada comes a riveting thriller starring Jilly Truitt, a rising, young defense attorney faced with a case that hits close to home. When everyone has something to hide, the truth is the only defense. There’s nothing Jilly Truitt likes more than winning a case, especially against her former mentor, prosecutor Cy Kenge. Jilly has baggage, the residue of a dark time in a series of foster homes, but that’s in the past. Now she’s building her own criminal defense firm and making a name for herself as a tough-as-nails lawyer willing to take risks in the courtroom. When the affluent and enigmatic Vincent Trussardi is accused of his wife Laura’s murder, Jilly agrees to defend him, despite predictions that the case is a sure loser and warnings from those close to her to stay away from the Trussardi family. Determined to prove everyone wrong, Jilly investigates Laura’s death, hoping to discover a shred of evidence that might give the jury a reasonable doubt. Instead, she is confronted by damning evidence and uncooperative witnesses at every turn. Someone isn’t telling the truth, but who? With her reputation and Vincent’s life on the line, Jilly tries to unravel the web of secrets surrounding Laura’s murder. As she digs deeper, she uncovers a startling revelation that will change not only the case, but her life forever. From the gritty streets of Vancouver to the fateful halls of justice, Full Disclosure is a razor-sharp thriller that pulses with authenticity and intrigue.
When Sandra, a single mother of two decides go to Brooklyn and work illegally for six months as a caregiver, she really believes that she will be able to make a lot of money in a short space of time. Encouraged by her cousin Patsy who lives in Brooklyn, Sandra leaves her children Antonio and Andrea behind in the hope that she will be able to make a better life for them. In the diverse community of Brooklyn with its large West Indian population, she feels very much at home. However after a few unfortunate encounters, Sandra soon realizes that America is not quite the place that she naively imagined it to be. She questions the wisdom of her decision many times but in her desire to send barrels home to her children, she loses sight of what is truly important - family. Andrea and Antonio face many challenges, as they struggle to cope with their mother's absence. Their father, who has started a new family, does not offer much parental support. Soon they fall prey to bad company and it is only a matter of time before their lives become irreversibly changed. When Sandra eventually returns to Trinidad having achieved her financial goals, she learns the hard way that money cannot take the place of a parent's love and the price she must pay in the end for her decision is higher than she had ever imagined it would be. From the Author of The Stolen Cascadura - Winner of Trinidad and Tobago NALIS One Book One Community Award 2012
Lady Mara St. Bride has never backed down from a good adventure, which was how she wound up roaming the streets of London in the middle of the night, wearing nothing but a shift and corset beneath an old blanket. Luckily, her brother’s oldest friend, the devilishly sexy Lord Darius Debenham, answered her plea for help. Now she intends to repay the favor... Before he was wounded at Waterloo, Dare had embraced everything life had to offer. Forever changed by the war, he now believes nothing—not even the interference of a lovely young minx like Mara—can rescue him from his demons. But Mara is determined to reignite his warm smile, and enlists the help of all the Rogues to offer Dare a temptation he cannot resist...
The summer Josh and I got together, we agreed to keep things strictly physical. And it was. Until our casual hookups stopped feeling casual. Having sex with him stopped being just about sex. And the thought of calling a halt to it left me feeling empty and cold. But Josh doesn’t “do” relationships, so I called it quits before I started to fall. Luckily, I was able to move on from the experience completely unscathed, my heart fully intact. Or so I thought. Until I saw him again. His arm was wrapped around her. And unlike me, she isn’t a hookup or a “booty” call. No, she’s the girlfriend he told me he didn’t want. And she’s getting from him everything he’d said he couldn’t give any girl. So it turns out that Josh isn’t averse to being in a relationship after all. He simply hadn’t wanted to be in a relationship with me. Other Books in the Series: The Trap Trapped Burned - TBA
“Eight authors celebrate Christmas in Regency England in this heart-warming anthology . . . each second chance is a sweet gift for the reader.” —Publishers Weekly Unwrap the most romantic of Regency delights in this sparkling holiday collection . . . Christmastime in England—a time for passionate secrets, delicious whispers, and wicked-sweet gifts by the fire. From a spirited lady who sets out to save her rakish best friend from an unsuitable engagement, to a bold spy who gets the unexpected chance to win the woman he’s always loved, to a vicar’s daughter who pretends to be a saucy wench, these holiday tales will make you curl up in front of the fire for a memorable season of mischief and mistletoe . . . “Confections that charm and delight, like the holidays themselves.” —RT Book Reviews “Touching, gently funny, satisfying, and short enough to be read in one sitting, each story in this delectable anthology is a holiday treat.” —Library Journal “A collection of historical fiction romances set around the Yuletide season. This was a delightful collection and while I had favorites I can honestly say I enjoyed each and every tale by these talented authors.” —Caffeinated Book Reviewer
While in London in 1705, Robert Beverley wrote and published The History and Present State of Virginia, one of the earliest printed English-language histories about North America by an author born there. Like his brother-in-law William Byrd II, Beverley was a scion of Virginia's planter elite, personally ambitious and at odds with royal governors in the colony. As a native-born American--most famously claiming "I am an Indian--he provided English readers with the first thoroughgoing account of the province's past, natural history, Indians, and current politics and society. In this new edition, Susan Scott Parrish situates Beverley and his History in the context of the metropolitan-provincial political and cultural issues of his day and explores the many contradictions embedded in his narrative. Parrish's introduction and the accompanying annotation, along with a fresh transcription of the 1705 publication and a more comprehensive comparison of emendations in the 1722 edition, will open Beverley's History to new, twenty-first-century readings by students of transatlantic history, colonialism, natural science, literature, and ethnohistory.
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