The Feminist Takeover chronicles the rapid growth of the Women's Movement over the past two decades. It evaluates the movement forcefully and honestly by looking at its history and the radical changes it has wrought on society today. The author asks us to re-examine assumptions on which most of us have been raised – and to consider what we stand to lose if we do not turn back the feminist tide.
In this lively book, Betty Steele argues that feminism has had its day – that men and women once again are drawing towards one another, seeking new understanding and reconciliation. She writes that men and women today are admitting that they are looking for love and sex that spring from friendship a slow growth of trust, and an affinity of the spirit – which together can lead to a lifetime commitment. Meanwhile, mothers are realizing that motherhood-on-the-run is a shabby excuse for the real thing, that one hour or so a day of "quality time" with their children is not enough and is shortchanging the next generation. Beyond its incisive analysis and documentation, Together Again offers hope that bridges can be built between the sexes towards a happier, healthier society in the 1990s.
Her creative and dramatic writing has influenced the reading habits of thousands, but what do we know about her life? You'll enjoy this account of Grace Livingston Hill.
For fifteen-year-old Rosa, the road to her American dream is shrouded in difficulty. Her journey begins in Italy in 1924 with an arranged marriage to an Italian-American in Utica, New York, and travel to a foreign land where unimaginable circumstanc
Can one Christian's efforts and prayers change the course of history? Read how Wilberforce spent his whole political life fighting for the freedom and rights of slaves. A poignant biography.
Joel Steele is reminiscing of how his horse King is now known around the country. King is more or less a household name since winning the Kentucky derby in 1878. The following year, he and King won the Preakness race here at the Pimlco track. But that was three years ago, traveling from one track to another, King has become a true champion wining each race easily.Joel is now riding out in the country, passing an old beautiful estate, but suddenly something caught his attention in a nearby field; a young girl is trying to hang onto a plow seemingly unable to stop the horse. Joel went into action and had his horse jump the fence, and he rode hard to bring the horse to a halt; he dismounted hurried to the girl, who is still hanging on to the plow. Joel reached out to her, asking, "Are you okay?"When she finally looked up at him, Joel had trouble breathing; this is no young child but the most beautiful woman he has ever seen. He smiled at her, no reaction, other than to pull herself away from the plow, put her hands on her hipps, and say, "Sir, just who do you think you are and to ride in here to keep me from my work?""Aw...work? I thought you were in need of being rescued!
This book is a synopsis of many years of research in an eff ort to add a human face and personality to the data culled from various sources of vital records. As the family tree unfurls, it reveals the vivid contrasts between its many branches. It exposes the hardships and devastating eff ects of alcoholism that followed several branches, as well as the prestige and prosperity that were perpetuated in others. However, each individual is equally important to the color and texture of the fi ne tapestry created by this OGrady family history.
Companions Without Vows is the first detailed study of the companionate relationship among women in eighteenth-century England--a type of relationship so prevalent that it was nearly institutionalized. Drawing extensively upon primary documents and fictional narratives, Betty Rizzo describes the socioeconomic conditions that forced women to take on or to become companions and examines a number of actual companionate relationships. Several factors fostered such relationships. Husbands and wives of the period lived largely separate social lives, yet decorum prohibited genteel women from attending engagements unaccompanied. Also, women of position insisted on having social consultants and confidantes. Filling this need were the many well-born young women without sufficient funds to live independently. Because family money and property were concentrated in the hands of eldest sons, these women frequently had to seek the protection of female benefactors for whom they performed unpaid, nonmenial tasks, such as providing a hand at cards or simply offering pleasant company. The companionate relationship between women could assume many forms, Rizzo notes. It was often analogous to marriage, with one partner dominant and the other subservient, while some women experimented in establishing partnerships that were truly egalitarian. Rizzo explores these various types of relationships both in real life and in fiction, noting that much of the period's discourse about women's relationships can be seen as a tacit commentary on marriage. Provocative and engagingly written, this authoritative work casts new light on women's attempts to deal with a patriarchal power structure and offers new insight into eighteenth-century social history.
The Conversational Circle offers a model for exploring a range of novels that experiment with narrative patterns. It makes a compelling case that teleological approaches to novel history that privilege the conflict between the individual and society are, quite simply, ahistorical. Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon, however, have revealed a number of early novels that do not fit this mold. Betty Schellenberg identifies another kind of plot, one that focuses on the social group—the "conversational circle"—as a model that can affirm traditional values but just as often promotes an alternative sense of community. Schellenberg selects a group of mid-eighteenth-century novels that experiment with this alternative plot structure, embodied by the social circle. Both satirical and sentimental, canonical and non-canonical, these novels demonstrate a concern that individualistic desire threatened to destabilize society. Writing that reflects a circular structure emphasizes conversation and consensus over individualism and conquest. As a discourse that highlights negotiation and harmony, conversation privileges the social group over the individual. These fictions of the conversation circle include lesser-known works by canonical authors (Henry Fielding's Amelia and Richards's Sir Charles Grandison as well as his sequel to Pamela), long-neglected novels by women (Sarah Fielding's David Simple and its sequel Volume the Last, and Sarah Scott's Millenium Hall), and Tobias Smollet's last novel, Humphrey Clinker. Because they do not fit the linear model, such works have long been dismissed as ideologically flawed and irrelevant.
Denver turned 150 just a few years ago--not too shabby for a city so down on its luck in 1868 that Cheyenne boosters deemed it "too dead to bury." Still, most of the city's history is a recent memory: Denver's entire story spans just two human lifetimes. In Denver Inside and Out, eleven authors illustrate how pioneers built enduring educational, medical, and transportation systems; how Denver's social and political climate contributed to the elevation of women; how Denver residents wrestled with-and exploited-the city's natural features; and how diverse cultural groups became an essential part of the city's fabric. By showing how the city rose far above its humble roots, the authors illuminate the many ways that Denver residents have never stopped imagining a great city. Published in time for the opening of the new History Colorado Center in Denver in 2012, Denver Inside and Out hints at some of the social, economic, legal, and environmental issues that Denverites will have to consider over the next 150 years.
Her Prince Charming? Sister Tabitha was an effi cient nurse, but when it came to matters of the heart she was less sure of herself. So when she fell in love, she had no idea how to deal with her feelings. Was that why the Dutch surgeon Marius van Beek called her Cinderella? If only Marius would ride up on a white horse and ask for her hand in marriage. But people lived happily ever after only in fairy tales, didn’t they?
Florida has been called "The State Without A Soul." The people that moved to Florida left their roots at the place they came from. This history of the long ago features people with their roots who were born here, walked the sands of time and will be buried here at the Cedars of Lebanon Cemetery. Their headstones already mark the spot where their roots will remain for eternity. Dessie Smith Prescott, whose picture is in the "Women's Hall of Fame" in Tallahassee said, "If you find yourself on a back road, get off and walk the main road." Marjorie Kinnan Rawlings is also in the Hall of Fame because Dessie helped her to survive long enough to write "The Yearling" and many other Florida books. Some of the history tells of the memories and roots that people brought to this area to build "The State With A Soul." This book is written so that the old stories don't get lost. It links the threads together of the Soul or Spirit of Florida.
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