With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?
Easy A (2010) is the last significant box-office success in the high-school teen movie subgenre and a film that has already been deemed a ‘classic’ by many cultural commentators and popular film critics. By applying interdisciplinary insight to a relatively overlooked movie in academic discussion, Easy A: The End of the High-School Teen Comedy? is the first in-depth volume that places the movie within several key contexts and concepts of intertextuality, gender, genre and adaptation, and social discourse. Through the unpacking of a complex narrative that draws its plot from Nathaniel Hawthorne’s The Scarlet Letter (1850) and shares affinities with John Hughes’ paradigmatic films from the 1980s and key films from the 1990s, this volume presents Easy A as a palimpsest for the millennial generation. Clear and comprehensive, the book argues that Easy A marks the end of the commercially successful high-school teen comedy and discusses the reasons through a comparative synchronic and semi-diachronic historical comparison of the film with contemporary cinematic texts and those of the 1980s and 1990s.
This new work draws together a discussion of the full range of romantic comedies in the new millennium, exploring the cycles of films that tackle areas including teen romance, the new career woman, women as action heroes, the homme com, motherhood and pregnancy and the mature millennium woman. The work evaluates the structure of these different types of films and examines in detail the ways in which they choose to frame key contemporary issues which influence how we analyse global politics, including gender, class, race and society.
The romantic comedy has long been regarded as an inferior film genre by critics and scholars alike, accused of maintaining a strict narrative formula which is considered superficial and highly predictable. However, the genre has resisted the negative scholarly and critical comments and for the last three decades the steady increase in the numbers of romantic comedies position the genre among the most popular ones in the globally dominant Hollywood film industry. The enduring power of the new millennium romantic comedy, proves that therein lies something deeper and worth investigating. This new work draws together a discussion of the full range of romantic comedies in the new millennium, exploring the cycles of films that tackle areas including teen romance, the new career woman, women as action heroes, motherhood and pregnancy and the mature millennium woman. The work evaluates the structure of these different types of films and examines in detail the ways in which they choose to frame key contemporary issues which influence how we analyse global politics, including gender, class, race and society. Providing a rich understanding of the complexities and potential of the genre for understanding contemporary society, this work will be of interest to students and scholars of cultural & film studies, gender & politics and world politics in general.
Easy A (2010) is the last significant box-office success in the high-school teen movie subgenre and a film that has already been deemed a ‘classic’ by many cultural commentators and popular film critics. By applying interdisciplinary insight to a relatively overlooked movie in academic discussion, Easy A: The End of the High-School Teen Comedy? is the first in-depth volume that places the movie within several key contexts and concepts of intertextuality, gender, genre and adaptation, and social discourse. Through the unpacking of a complex narrative that draws its plot from Nathaniel Hawthorne’s The Scarlet Letter (1850) and shares affinities with John Hughes’ paradigmatic films from the 1980s and key films from the 1990s, this volume presents Easy A as a palimpsest for the millennial generation. Clear and comprehensive, the book argues that Easy A marks the end of the commercially successful high-school teen comedy and discusses the reasons through a comparative synchronic and semi-diachronic historical comparison of the film with contemporary cinematic texts and those of the 1980s and 1990s.
With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?
Movin’ on and Beyond By: Betty Brown Movin’ on and Beyond is an autobiography portraying an American girl born on the prairie in the middle of the United States to hardworking, untutored, steadfast parents and immigrant grandparents. It tells of her experiences growing up, marriage, raising a family, employment, divorce, remarriage, travels and sickness. Through her determination, integrity and courage, she became a strong-willed, independent thinker. Challenges only made her stronger, setbacks made her determined. Her strength comes from her father, personal endurance from her mother. This book is intended for family reading to educate young & old. Make your journey through life a courageous one, keeping focused. Honor events of those that came before us and those who come after us. I have heard it said, the road to success is not straight. There is a curve called failure, a loop called confusion, speed bumps called faith and a driver called Jesus who leads you to a place called success. From the words of the hymn, “I Am Forever Who I Am” Some days seem long, though life is brief, Death is waiting like a thief. Vision fades, dreams go dry, We will on unseen things rely. Stories take up but a page, Yours goes on from age to age.
Gramma Betty is a lively senior citizen who will try just about anything. She teaches us how to engage in life in the golden years. She is sweet and kind and sometimes so funny. In fact, most of the time, Gramma Betty doesn't realize how funny she truly is! She is devoted to her family and wouldn't miss a game, recital or event. She is the family's biggest cheerleader. Enjoy Gramma Betty and beloved family sidekicks Bosco, Cujo, Big Louie and Jazzy, as Gramma Betty shows you how to live life with love and enthusiasm! Gramma Betty, Betty Jenner, is a beloved mother, grandmother and great grandmother. She is a retired nurse who resides in Chatham, Ontario, surrounded by her family. Since retiring at age 60, Gramma Betty leads a full and active life. She is an inspiration to all who know her. She loves big and embraces life to the fullest. She continues to thrive at 89.
The story about Betsy is of a time long ago when life everywhere was simpler and slow-paced. That was especially true in the farm country where Betsy lived as a little girl. You will learn about all the animals, and all the wonderful fun Betsy enjoyed with her family in every season of the year. Springtime brought baby animals -- fluffy yellow chicks, funny baby pigs with curly tales, and many others. Summertime brought the "threshers." Included is an adventure where an animal chased Betsy, really frightening her. A happy time was when Betsy shared her excitement about Christmas. This was a time before television sets, computers, cell phones, and video games. You might ask "what was there to do? Sounds pretty dull, doesn't it?" Not so. As you read this story imagine that you were living then. Imagination can take you any place you wish to travel - even back in time. This story can be entertaining and effective for bringing together little ones and their grandparents or great-grandparents that also have had interesting and unusual childhood experiences. Talking and listening with young children can be a most exciting and enlightening adventure. I choose not to teach, but to inspire.
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