Gothic style and contemporary architecture worldwide Although largely overlooked in studies of architectural history, church architecture in a Gothic idiom outlived its 19th century momentum to persist worldwide throughout the 20th century and into the new millennium. Global Gothic presents a first systematic worldwide understanding of "Gothic" in contemporary architecture, both as a distinct variation and as a competitor to recognized modern styles. The book’s chapters critically discuss Gothic’s various manifestations over the past century, describing and illustrating approaches from Gothic Revival living traditions in the former British Empire and original Gothic appropriation in Latin America to competitions of European builders in former Asian and African colonies. The focus is also on the special appropriations in North America, China and Japan, as well as contemporary solutions that tend to be transnational in style. With contributions from renowned architecture experts from around the world, Global Gothic provides an overview of this cultural phenomenon and presents a wealth of stunning material, much of it little known. Richly illustrated in full color, it offers an important contribution to colonial and postcolonial global art history and a seldom acknowledged perspective on art history in general. Contributors: Barbara Borngässer (Technische Universität Dresden), Martín M. Checa-Artasu (Metropolitan Autonomous University, Mexico City), Thomas Coomans (KU Leuven), Pedro Guedes (University of Queensland), Bruno Klein (Technische Universität Dresden), Bettina Marten (Technische Universität Dresden), Olimpia Niglio (Hosei University Tokyo), Peter Scriver (University of Adelaide), Amit Srivastava (University of Adelaide) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Eine bastionäre Festung bzw. Festungsstadt stellte eine zentrale Herausforderung für die zeitgenössischen theoretischen und angewandten Wissenschaften dar. Ihre planerische Bewältigung erforderte einen bislang unbekannten organisatorischen, vermessungstechnischen und gestalterischen Aufwand. Die Elemente des Festungsgürtels mussten auf solche Weise angeordnet werden, dass wechselseitige Deckungen und lückenlose Verteidigung möglich wurden. Die Verknüpfung der fortifikatorischen Praxis mit mathematischem und philosophischem Wissen erlaubte es jedoch, die gesamte sichtbare Welt nach geometrischen und optischen Gesetzen neu einzurichten, letztlich die militärische in eine kulturelle Technologie zu verwandeln. - Schließlich wurde die neue Entwurfspraxis auch auf die Gartenkunst und in die zivile Architektur übertragen - mit weitreichenden Folgen für die visuelle Wahrnehmung und neuen Paradigmen politischer Repräsentation. Im vorliegenden Band gilt es, dieser bisher selten zusammengefassten Kombination von mathematischem Kern und kultureller Sublimierung Rechnung zu tragen. - - Der Aufsatzband versammelt die Beiträge der Tagung "Festung im Fokus - Mathematische Methoden in der architectura militaris des 16. und 17. Jahrhunderts und ihre Sublimierung in der architectura civilis", die im Oktober 2008 in Dresden als Kooperationsprojekt zwischen dem Institut für Kunstwissenschaft der TU Dresden, dem Institut für Kunst- und Bildgeschichte der Humboldt Universität Berlin und dem Mathematisch-Physikalischen Salon der Staatlichen Kunstsammlungen Dresden stattfand
This second part of Continuum Thermodynamics is designed to match almost one-to-one the chapters of Part I. This is done so that the reader studying thermodynamics will have a deepened understanding of the subjects covered in Part I. The aims of the book are in particular: the illustration of basic features of some simple thermodynamical models such as ideal and viscous fluids, non-Newtonian fluids, nonlinear solids, interactions with electromagnetic fields and diffusive porous materials. A further aim is the illustration of the above subjects by examples and simple solutions of initial and boundary problems as well as simple exercises to develop skills in the construction of interdisciplinary macroscopic models.
This second part of Continuum Thermodynamics is designed to match almost one-to-one the chapters of Part I. This is done so that the reader studying thermodynamics will have a deepened understanding of the subjects covered in Part I. The aims of the book are in particular: the illustration of basic features of some simple thermodynamical models such as ideal and viscous fluids, non-Newtonian fluids, nonlinear solids, interactions with electromagnetic fields, and diffusive porous materials. A further aim is the illustration of the above subjects by examples and simple solutions of initial and boundary problems as well as simple exercises to develop skills in the construction of interdisciplinary macroscopic models.
This study presents a comparative approach to a universal theory of TENSE, ASPECT and MOOD, combining the methods of comparative and historical linguistics, fieldwork, text linguistics, and philology. The parts of the book discuss and describe (i) the concepts of TENSE, ASPECT and MOOD; (ii) the Tibetan system of RELATIVE TENSE and aspectual values, with main sections on Old and Classical Tibetan, "Lhasa" Tibetan, and East Tibetan (Amdo and Kham); and (iii) West Tibetan (Ladakhi, Purik, Balti); Part (iv) presents the comparative view. Discussing the similarities and differences of temporal and aspectual concepts, the study rejects the general claim that ASPECT is a linguistic universal. A new linguistic concept, FRAMING, is introduced in order to account for the aspect-like conceptualisations found in, e.g., English. The concept of RELATIVE TENSE or taxis, may likewise not be universal. Among the Tibetan varieties, West Tibetan is unique in having fully grammaticalized the concept of ABSOLUTE TENSE. West Tibetan is compared diachronically with Old and Classical Tibetan (documented since the mid 8th century) and synchronically with several contemporary Tibetan varieties. The grammaticalized forms of each variety are described on the basis of their employment in discourse. The underlying general function of the Tibetan verbal system is thus shown to be that of RELATIVE TENSE. Secondary aspectual functions are described for restricted contexts. A special focus on the pragmatic or metaphorical use of present tense constructions in Tibetan leads to a typology of narrative conventions. The last part also offers some suggestions for the reconstruction of the Proto-Tibetan verb system.
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