Field study of living conditions in a village of Bangladesh - describes historical background to poverty, the agrarian structure and agricultural production; mentions landowner attitudes, rural youth, rural women and children; examines the role of Islamic religion, marriage, the rural area social classes (particularly peasant farmers and landless agricultural workers); covers land and production relations, agricultural marketing, violence, corruption, development aid, etc. Photographs and references.
Beginning with John Keats and tracing a line of influence through Alfred Lord Tennyson and Gerard Manley Hopkins, Betsy Tontiplaphol draws on established narratives of the nineteenth century's social and literary developments to describe the relationship between poetics and luxury in an age when imperial trade and domestic consumerism reached a fevered pitch. The "luscious poem," as Tontiplaphol defines it, is a subset of the luxurious, a category that suggests richness in combination with enclosure and intimacy. For Keats, Tontiplaphol suggests, the psychological virtues of luscious experience generated a new poetics, one that combined his Romantic predecessors' sense of the ameliorative power of poetry with his own revaluation of space, both physical and prosodic. Her approach blends cultural context with close attention to the formal and affective qualities of poetry as she describes the efforts of Keats and his equally”though differently”anxious Victorian inheritors to develop textual spaces as luscious as the ones their language describes. For all three poets, that effort entailed rediscovering and reinterpreting the list, or catalogue, and each chapter's textual and formal analyses are offered in counterpoint to careful examination of the century's luscious materialities. Her book is at once a study of influence, a socio-historical critique, and a form-focused assessment of three century-defining voices.
For every dollar owned by the average white family in the United States, the average family of color has less than a dime. Why do people of color have so little wealth? The Color of Wealth lays bare a dirty secret: for centuries, people of color have been barred by laws and by discrimination from participating in government wealth-building programs that benefit white Americans. This accessible book—published in conjunction with one of the country's leading economics education organizations—makes the case that until government policy tackles disparities in wealth, not just income, the United States will never have racial or economic justice. Written by five leading experts on the racial wealth divide who recount the asset-building histories of Native Americans, Latinos, African Americans, Asian Americans, and European Americans, this book is a uniquely comprehensive multicultural history of American wealth. With its focus on public policies—how, for example, many post–World War II GI Bill programs helped whites only—The Color of Wealth is the first book to demonstrate the decisive influence of government on Americans' net worth.
Originally a courtly art, ballet experienced dramatic evolution (but never, significantly, the prospect of extinction) as attitudes toward courtliness itself shifted in the aftermath of the French Revolution. As a result, it afforded a valuable model to poets who, like Wordsworth and his successors, aspired to make the traditionally codified, formal, and, to some degree, aristocratic art of poetry compatible with "the very language of men" and, therefore, relevant to a new class of readers. Moreover, as a model, ballet was visible as well as valuable. Dance historians recount the extraordinary popularity of ballet and its practitioners in the nineteenth century, and 'The Pointe of the Pen' challenges literary historians' assertions - sometimes implicit, sometimes explicit - that writers were immune to the balletomania that shaped both Romantic and Victorian England, as well as Europe more broadly. The book draws on both primary documents (such as dance treatises and performance reviews) and scholarly histories of dance to describe the ways in which ballet's unique culture and aesthetic manifest in the forms, images, and ideologies of significant poems by Wordsworth, Byron, Shelley, and Barrett Browning."--taken from back cover.
A New History of Documentary Film includes new research that offers a fresh way to understand how the field began and grew. Retaining the original edition's core structure, there is added emphasis of the interplay among various approaches to documentaries and the people who made them. This edition also clearly explains the ways that interactions among the shifting forces of economics, technology, and artistry shape the form. New to this edition: - An additional chapter that brings the story of English language documentary to the present day - Increased coverage of women and people of color in documentary production - Streaming - Animated documentaries - List of documentary filmmakers, organized chronologically by the years of their activity in the field
It’s the hot new substrate that wears like leather but sews up like fabric—create more with kraft-tex! This game-changing material is the perfect accent for wallets, totes, and purses. Don’t fall into the same traps as beginning bag-makers. Experts Betsy La Honta and Gailen Runge use their design skills to teach you everything about sewing with kraft-tex. Get your needle know-how, sew the right seam allowances, and practice turning techniques. Popular bag designers share seventeen patterns for all skill levels, from a simple clutch to a roomy travel bag.
They’ve helped orchestrate the perfect day for countless couples. Now twelve new couples will find themselves in the wedding spotlight in the second Year of Weddings novella collection. Love at Mistletoe Inn by Cindy Kirk Sometimes the road to happiness is paved with youthful mistakes. A Brush with Love by Rachel Hauck Ginger Winters is a gifted hairstylist with scars no one can see. The last thing she expects from the New Year is a new chance at love. Serving Up a Sweetheart by Cheryl Wyatt Meadow knows how to serve delicious food to match any wedding theme. But can she accept love when it’s served up on a silver platter? All Dressed Up in Love by Ruth Logan Herne Tara walks into Elena’s Bridal and finds her dream job—and a handsome man to match. In Tune with Love by Amy Matayo April knows her job as maid of honor is to fulfill her sister’s every wish—whatever the bride wants, she will have. Unless it involves Jack Vaughn. Never a Bridesmaid by Janice Thompson Mari wants her sister Crystal’s wedding to be perfect. But a poorly-chosen maid of honor may turn it into a disaster. Picture Perfect Love by Melissa McClone When image becomes everything, it’s up to love to refocus the heart. I Hope You Dance by Robin Lee Hatcher Can two left feet lead to one perfect romance? Love on a Deadline by Kathryn Springer MacKenzie thought writing wedding stories was beneath her journalistic abilities. Until one love story rekindled an old flame and opened her heart to love once more. Love Takes the Cake by Betsy St. Amant She’s known for her delicious cakes, but there’s no recipe for dealing with the new man in her life. The Perfect Arrangement by Katie Ganshert Meeting Nate was truly an accident—but Amelia finds that he’s one of the few people she can count on. Love in the Details by Becky Wade Holly ended things to give him a better life, but she was the future he’d always dreamed of.
Created for map lovers by map lovers, this rich book explores the intriguing stories behind maps across history and illuminates how the art of cartography thrives today. In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps. This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.
Betsy Prioleau’s biography of Gilded Age female tycoon Miriam Leslie is “an appropriately twisty tale of someone trying to outrun her origins. . . . Her story sparkles, as intoxicating as a champagne fountain that somebody else is paying for” (New York Times Book Review). Among the fabled tycoons of the Gilded Age—Carnegie, Rockefeller, Vanderbilt—is a forgotten figure: Mrs. Frank Leslie. For 20 years she ran the country’s largest publishing company, Frank Leslie Publishing, which chronicled postbellum America in dozens of weeklies and monthlies. A pioneer in an all-male industry, she made a fortune and became a national celebrity and tastemaker in the process. But Miriam Leslie was also a byword for scandal: she flouted feminine convention, took lovers, married four times, and harbored unsavory secrets that she concealed through a skein of lies and multiple personas. Both during and after her lifetime, glimpses of the truth emerged, including an illegitimate birth and a checkered youth. Diamonds and Deadlines reveals the previously unknown, sensational life of the brilliant and brazen “empress of journalism,” who dropped a bombshell at her death: she left her entire multimillion-dollar estate to women’s suffrage—a never-equaled amount that guaranteed passage of the Nineteenth Amendment. In this dazzling biography, cultural historian Betsy Prioleau draws from diaries, genealogies, and published works to provide an intimate look at the life of one of the Gilded Age’s most complex, powerful women and unexpected feminist icons. Ultimately, Diamonds and Deadlines restores Mrs. Frank Leslie to her rightful place in history as a monumental businesswoman who presaged the feminist future and reflected, in bold relief, the Gilded Age, one of the most momentous, seismic, and vivid epochs in American history. Includes Black-and-White Images
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