Life in Bodega Bay on the rugged, foggy coast of northern California has been pretty quiet since Alfred Hitchcock filmed The Birds there. But antiques dealer Toby Sandler learns that his new business partner Charlie has been found dead on an abandoned boat in the harbor. When the local sheriff discovers that Charlie’s newly acquired Hitchcock artifacts and a painting of an angel are missing, he enlists Toby and his wife, Nora Barnes, an art historian, in the investigation. Local tales about Hitchcock’s famous film, and some digging into the region’s past as a Russian outpost, provide Toby and Nora with clues to the existence of a lost masterpiece. Convinced that this forgotten work may hold the key to the murder, Nora and Toby set out to find it. When Nora’s trouble-prone sister Angie arrives, events take a surprising turn, leading to the uncanny realm of angel reading and putting Nora and her family in danger. As Nora and Toby investigate matters both criminal and otherworldly, Nora realizes that some mysteries in life may be too deep to solve.
The cave of Lascaux may be closed to the public, but five scholars a day are allowed inside, and Nora Barnes has finagled an appointment. True, she may have fudged a bit in her letter to the authorities, but she does teach art history, and she isn’t about to miss her chance to see the world’s most famous prehistoric paintings. Nora and her high-spirited husband, Toby, are visiting the Dordogne, in the southern French region of the Aquitaine. Aware that the Dordogne’s renown for cave art is matched only by its reputation for delicious cuisine, the couple has also signed up for a cooking class at a nearby château, but they soon find that more than food is on their minds. During their tour of the cave, another visitor is murdered. When the local inspector pegs Nora and Toby as suspects, they embark on a mission to solve the crime, tracing strange links between a Cro-Magnon symbol and a thirteenth-century religious cult. As they match wits with the crusty inspector, Nora finds herself immersed in the notebooks of a forgotten artist who once lived in the château. In sifting through the artist’s papers and uncovering old secrets, she begins to piece together the motives for the murder. But has she cooked up more trouble than she can handle? Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers
In one of the most beautiful river valleys in Europe, in the region known as Périgord in southwest France, castles crown the hills, and the surrounding villages seem carved all of a piece out of the local stone. In 1985, in the shadow of one of these medieval castles, Betsy Draine and Michael Hinden fell in love with a small stone house that became their summer home. Like any romance, this one has had its ups and downs, and Betsy and Michael chart its course in this delightful memoir. They offer an intimate glimpse of a region little known to Americans—the Dordogne valley, its castles and prehistoric art, its walking trails and earthy cuisine—and describe the charms and mishaps of setting up housekeeping thousands of miles from home. Along with the region’s terrain and culture, A Castle in the Backyard introduces us to the people of Périgord—the castle’s proprietor, the village children, the gossipy real-estate agent, the rascally mason, and the ninety-year-old widow with a tale of heartbreak. A celebration of a place and its people, the book also reflects on the future of historic Périgord as tourism and development pose a challenge to its graceful way of life.
This romp through French art, fine wine, romance, and murder is the third novel in the Nora Barnes and Toby Sandler mystery series, as these artful sleuths investigate the mysterious death of Vincent van Gogh.
Life in Bodega Bay on the rugged, foggy coast of northern California has been pretty quiet since Alfred Hitchcock filmed The Birds there. But antiques dealer Toby Sandler learns that his new business partner Charlie has been found dead on an abandoned boat in the harbor. When the local sheriff discovers that Charlie’s newly acquired Hitchcock artifacts and a painting of an angel are missing, he enlists Toby and his wife, Nora Barnes, an art historian, in the investigation. Local tales about Hitchcock’s famous film, and some digging into the region’s past as a Russian outpost, provide Toby and Nora with clues to the existence of a lost masterpiece. Convinced that this forgotten work may hold the key to the murder, Nora and Toby set out to find it. When Nora’s trouble-prone sister Angie arrives, events take a surprising turn, leading to the uncanny realm of angel reading and putting Nora and her family in danger. As Nora and Toby investigate matters both criminal and otherworldly, Nora realizes that some mysteries in life may be too deep to solve.
The cave of Lascaux may be closed to the public, but five scholars a day are allowed inside, and Nora Barnes has finagled an appointment. True, she may have fudged a bit in her letter to the authorities, but she does teach art history, and she isn’t about to miss her chance to see the world’s most famous prehistoric paintings. Nora and her high-spirited husband, Toby, are visiting the Dordogne, in the southern French region of the Aquitaine. Aware that the Dordogne’s renown for cave art is matched only by its reputation for delicious cuisine, the couple has also signed up for a cooking class at a nearby château, but they soon find that more than food is on their minds. During their tour of the cave, another visitor is murdered. When the local inspector pegs Nora and Toby as suspects, they embark on a mission to solve the crime, tracing strange links between a Cro-Magnon symbol and a thirteenth-century religious cult. As they match wits with the crusty inspector, Nora finds herself immersed in the notebooks of a forgotten artist who once lived in the château. In sifting through the artist’s papers and uncovering old secrets, she begins to piece together the motives for the murder. But has she cooked up more trouble than she can handle? Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers
In one of the most beautiful river valleys in Europe, in the region known as Périgord in southwest France, castles crown the hills, and the surrounding villages seem carved all of a piece out of the local stone. In 1985, in the shadow of one of these medieval castles, Betsy Draine and Michael Hinden fell in love with a small stone house that became their summer home. Like any romance, this one has had its ups and downs, and Betsy and Michael chart its course in this delightful memoir. They offer an intimate glimpse of a region little known to Americans—the Dordogne valley, its castles and prehistoric art, its walking trails and earthy cuisine—and describe the charms and mishaps of setting up housekeeping thousands of miles from home. Along with the region’s terrain and culture, A Castle in the Backyard introduces us to the people of Périgord—the castle’s proprietor, the village children, the gossipy real-estate agent, the rascally mason, and the ninety-year-old widow with a tale of heartbreak. A celebration of a place and its people, the book also reflects on the future of historic Périgord as tourism and development pose a challenge to its graceful way of life.
Whether the concept being studied is job satisfaction, self-efficacy, or student motivation, values and attitudes--affective characteristics--provide crucial keys to how individuals think, learn, and behave. And not surprisingly, as measurement of these traits gains importance in the academic and corporate worlds, there is an ongoing need for valid, scientifically sound instruments. For those involved in creating self-report measures, the completely updated Third Edition of Instrument Development in the Affective Domain balances the art and science of instrument development and evaluation, covering both its conceptual and technical aspects. The book is written to be accessible with the minimum of statistical background, and reviews affective constructs from a measurement standpoint. Examples are drawn from academic and business settings for insights into design as well as the relevance of affective measures to educational and corporate testing. This systematic analysis of all phases of the design process includes: Measurement, scaling, and item-writing techniques. Validity issues: collecting evidence based on instrument content. Testing the internal structure of an instrument: exploratory and confirmatory factor analyses. Measurement invariance and other advanced methods for examining internal structure. Strengthening the validity argument: relationships to external variables. Addressing reliability issues. As a graduate course between covers and an invaluable professional tool, the Third Edition of Instrument Design in the Affective Domain will be hailed as a bedrock resource by researchers and students in psychology, education, and the social sciences, as well as human resource professionals in the corporate world.
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