Carefully crafted from oral interviews, diaries, letters, written recollections, census data, and other historical sources, Obligation and Opportunity opens a window into the world of the women who moved from the Maritimes to New England for work. Urged to stay through tales of danger and woe in the newspapers, they still left by the thousands, and in numbers larger than those for men. Beattie examines the rural families they left, the urban environment they entered in Boston, and the different occupations they filled. She sheds new light on the response of rural families to economic change and the effects of gender on choices for young women. She demonstrates that first-generation emigrants, who left out of a need to find work and send money back home, eased the way for second-generation emigrants, who left to seek opportunities in the big city. Obligation and Opportunity offers new insights not only for everyone interested in the history of the Maritimes and Boston but also for scholars and others interested in family history, women's studies, labour history, and migration studies.
Combining the latest research with a proven, “how-to” approach, Management of Common Orthopaedic Disorders: Physical Therapy Principles and Methods, 5th Edition, offers a practical overview of commonly seen pathology and accompanying treatment options for orthopaedic patients. This fundamental textbook of orthopaedic physical therapy demonstrates therapeutic techniques in vibrant detail and emphasizes practical application to strengthen clinical readiness. Thoroughly updated and now presented in full color, the 5th Edition reflects the latest practice standards in a streamlined organization for greater ease of use
The stunning, full-color, behind-the-scenes look at Shondaland’s hit series on Netflix. Inside Bridgerton is the intimate behind-the-scenes story of the hit Shondaland series on Netflix. Shondaland executive producers Shonda Rhimes and Betsy Beers offer exclusive insights, and introduce you to the series writers, producers, directors, cast, crew, and talented creatives who brought Julia Quinn’s beloved novels to the screen. Full-color and beautifully designed, Inside Bridgerton is the official book about the show, and includes never-before-seen photographs, firsthand accounts on casting, insight into the decisions behind the costumes and sets, directors’ accounts on filming your favorite scenes, and more from the creative minds that launched a cultural phenomenon. From the Introduction to Inside Bridgerton: SHONDA: Shall we take everyone back to the beginning? Not to the 1800s, but to 2017 and that hotel room where I was sick, and needed something to read, and there happened to be a copy of The Duke & I by Julia Quinn, the first of the Bridgerton novels. I’m not someone who was into romance novels—I really didn’t even know much about the genre. But I picked it up, couldn’t put it down, and then immediately got my hands on the rest of them because they were a fabulous read. And then I passed them to you. BETSY: I thought you might have hit your head in the hotel room when you had the flu. Romance novels? But you insisted that they would be a fabulous show and you have excellent taste. I was deeply skeptical because I hadn’t read a romance novel since I was a teen—I’d certainly never read a period romance novel. SHONDA: Totally—you read the ones of the 1980s, when everyone wore huge shoulder pads and diamonds. BETSY: Right. So there’s some continuity here because these guys were wearing diamonds, too. SHONDA: Fair—but as far as a period romance, I mean, if it wasn’t Jane Austen, I didn’t really know about it. I’m not going to diss Jane Austen because I’m not an idiot… BETSY: She might get upset. SHONDA: She might roll over in her grave. But Julia Quinn’s novels were just so much juicier than Austen, and they’re written by someone who was far less confined and less proper. After all, Julia is a modern woman, not stuck in the constraints of the age. BETSY: Without a doubt. And I never knew that the ton existed: Austen wrote about a pastoral society where everyone is in relatively drab clothes and spent a lot of time in chapels and churches. SHONDA: Totally. And they recycled their dresses more. BETSY: Meanwhile, this was an amazing world of luxury and excess. And she had this crazy device of a gossip columnist, pulling the strings, which was such a cool concept. Julia Quinn created an entirely new, glamorous, bright world that you had actually never seen before.
A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered. Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts.
Called by the famed Charles Spurgeon “the greatest of living preachers,” John A. Broadus left an indelible signature not only on the Baptist denomination but on a generation. Emerging from the US Civil War as a voice of reason and reconciliation, he traveled, wrote, and tirelessly trained clergy for the urgencies of his time. Compiled by direct descendant Betsy Reeder and based on the words of Broadus and his intimates, Broadus Unbound reveals a complex and unforgettable personality, ablaze with unshakable faith and indomitable willpower. The biography includes never-before-published letters preserved for five generations by the family. Combined with other nineteenth-century writings, the result is an unveiling of the man and his world unlike any previously offered.
Beginning with her own story of coping with her husband's suicide, Eleanora Betsy Ross takes the reader beyond the silence and shame often associated with suicide and shatters some of the most pervasive myths surrounding this common tragedy. By examining the dynamics of after-suicide bereavement and using dozens of real-life case histories, After Suicide offers hope for the survivors and helps them maintain their sanity and poise during this most difficult time.Backed by years of research and the author's extensive work with survivors and support groups, this book is a valuable guide to coping with a suicide for both survivors and those who work with them. Capped by a comprehensive resource guide, After Suicide stands as an important resource for anyone who has to deal with this loss.
The Parents’ Guide to Hip Dysplasia is the only consumer guide to one of the most common birth defects in our nation! Now instead of having to comb through medical texts or scour the internet for information, concerned parents of children with hip dysplasia can have all the information they need for treating their children at their fingertips. Hip dysplasia affects 1 in 1,000 babies, either as developmental hip dysplasia (DDH) or congential hip dysplasia (CDH). With this condition, the child’s hip joint structure does not fit together normally, and the problem can grow worse as the child grows. If untreated, the condition can cause serious hip problems in adulthood. Fortunately, this condition responds well to medical treatment, and this book guides concerned parents through all of the options and obstacles of treating a child with hip dysplasia. The book covers hip anatomy, risk factors, how diagnosis is made, how to communicate with doctors about the condition, and covers harnesses, braces, casts, surgery, and potential complications for children ages 0-17. The book also addresses the special care needs of children with hip dysplasia and how to manage pain at home. It concludes with a list of resources. Author Betsy Miller was treated for hip dysplasia as a child, and she was inspired to write this book to provide support and information to parents in an accessible, reader-friendly format.
This history of documentary film concentrates mainly on the output of the film industries in the US, the UK and Canada. The authors outline the origins of the form and trace its development over the next several decades. Each chapter concludes with a list of the key documentaries in that time period or genre.
Carefully crafted from oral interviews, diaries, letters, written recollections, census data, and other historical sources, Obligation and Opportunity opens a window into the world of the women who moved from the Maritimes to New England for work. Urged to stay through tales of danger and woe in the newspapers, they still left by the thousands, and in numbers larger than those for men. Beattie examines the rural families they left, the urban environment they entered in Boston, and the different occupations they filled. She sheds new light on the response of rural families to economic change and the effects of gender on choices for young women. She demonstrates that first-generation emigrants, who left out of a need to find work and send money back home, eased the way for second-generation emigrants, who left to seek opportunities in the big city. Obligation and Opportunity offers new insights not only for everyone interested in the history of the Maritimes and Boston but also for scholars and others interested in family history, women's studies, labour history, and migration studies.
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