A witty, romantic comedy of errors as former high school rivals McKenna and Henry inadvertently reunite in their hometown. Hot-shot lawyer McKenna Keaton finds herself in hot water with her own law firm when she’s (falsely!) accused of embezzlement. Placed on unpaid leave, she suddenly finds herself with the free time to return home and attend her youngest sister’s wedding activities. But it’s not all fun and games. Waiting back home is shy, nerdy Henry Blumenthal—McKenna’s high school rival for valedictorian who once took three hours to beat her at chess. Scratch that. He’s Hank Blume now, the famed documentarian, Durham, North Carolina’s, darling son, who has attained all his dreams and more. He also happens to look like he stepped out of an Eddie Bauer catalog. Whereas McKenna is a disgraced workaholic from New York on unpaid leave, accused of a white-collar crime she would nevercommit, succumbing to panic attacks, watching her dreams unravel. At age thirty-eight—and destined by the family curse to die before she turns forty, apparently—it’s absolutely the wrong time to have a major crush on a man. Especially one who treasures his memories of McKenna as the girl Most Likely to Succeed. “Pitch-perfect comedic timing, a relatable heroine, and a refreshing sweetness elevate this novel above the sea of modern rom-coms. The rare author who can make me laugh out loud,?The Do-Over?is Bethany Turner at her best.” —Lauren Layne,?New York Times?bestselling author A witty and sweet contemporary romantic comedy More to love from Bethany Turner: Plot Twist
Celebrity chef Maxwell Cavanagh is known for many things: his multiple Michelin stars, his top-rated Culinary Channel show To the Max, and most of all his horrible temper. Hadley Beckett, host of the Culinary Channel's other top-rated show, At Home with Hadley, is beloved for her Southern charm and for making her viewers feel like family. When Max experiences a very public temper tantrum, he's sent packing to get his life in order. When he returns, career in shambles, his only chance to get back on TV and in the public's good graces is to work alongside Hadley. As these polar-opposite celeb chefs begin to peel away the layers of public persona and reputation, they will not only discover the key ingredients for getting along, but also learn the secret recipe for unexpected forgiveness . . . and maybe even love. In the meantime, hide the knives. Fan-favorite Bethany Turner serves up a heaping helping of humor and romance with this thoroughly modern story centered on cooking, enemies, and second chances.
An aspiring screenwriter has a chance encounter with an actor who could be the man of her dreams. Over the next ten years, she’ll write the story . . . but will he end up being the star? February 4, 2003, promises to be a typical day for Olivia Ross—a greeting card writer whose passion project is a screenplay of her own. But after she and a handsome actor have a magical meet-cute in a coffee shop, they make a spontaneous pact: in ten years, after they’ve found the success they’re just sure they’re going to achieve, they’ll return to the coffeehouse to partner up and make a film together. The only problem? Olivia neglected to get the stranger’s name. But she doesn’t forget his face—or the date. For the next ten years, every February 4 is marked with coincidences and ironies for Olivia. As men come and go and return to her life, she continues to write, but still wonders about the guy from the coffee shop—the nameless actor she’s almost certain has turned out to be Hamish MacDougal, now a famous A-lister and Hollywood leading man. But a lot can happen in ten years, and while waiting for the curtain to rise on her fate, the true story of Olivia’s life is being written—and if she’s not careful, she’ll completely miss the real-life romantic comedy playing out right before her eyes. Praise for Plot Twist: “Plot Twist gave my rom-com loving heart everything it could hope for . . . Perfect for anyone who loves love or dreams about meeting George Clooney.”—Kerry Winfrey, author of Waiting for Tom Hanks “Funny, clever, and sweet, Plot Twist reminds us that sometimes love doesn’t look just like the movies—and that it can be so, so much better than we ever dreamed.”—Melissa Ferguson, bestselling author of The Cul-de-Sac War “Bethany Turner just keeps getting better! Plot Twist is like experiencing the best parts of all my favorite rom-coms, tied together with Turner’s pitch-perfect comedic timing, an achingly sweet ‘will they or won’t they?’ romance, and the BFF relationship most girls dream of.”—Carla Laureano, RITA Award–winning author of The Saturday Night Supper Club and Provenance Sweet and playful contemporary rom-com Full-length, stand-alone novel (approx. 86,000 words) Perfect for fans of Sophie Kinsella and Katherine Reay Includes discussion questions for book clubs
Becoming a Christian is the best and worst thing that has ever happened to Sarah Hollenbeck. Best because, well, that's obvious. Worst because, up to this point, she's made her very comfortable living as a well-known, bestselling author of steamy romance novels that would leave the members of her new church blushing. Now Sarah is trying to reconcile her past with the future she's chosen. She's still under contract with her publisher and on the hook with her enormous fan base for the kind of book she's not sure she can write anymore. She's beginning to think that the church might frown on her tithing on royalties from a "scandalous" book. And the fact that she's falling in love with her pastor doesn't make things any easier. With a powerful voice, penetrating insight, and plenty of wit, Bethany Turner explodes onto the scene with a debut that isn't afraid to deal with the thorny realities of living the Christian life.
After four years with her boyfriend, Cadie McCaffrey is thinking of ending things. Convinced Will doesn't love her in the "forever" way she loves him, Cadie believes it's time for her to let him go before life passes her by. When a misunderstanding leads to a mistake, leaving her hurt, disappointed, and full of regret, she finally sends him packing. But for Will, the end of their relationship is only the beginning of his quest to figure out how to be the man Cadie wanted him to be. With the dubious guidance of his former pro-athlete work friends and tactics drawn from Cadie's favorite romantic comedies, Will attempts to win her back. It's a foolproof plan. What could possibly go wrong? Bethany Turner is back with more of the heart and humor readers love. Anyone who enjoys a good romance or binges romantic comedies on Netflix will devour this delightful story.
Cole and Laila have been inseparable since they could crawl. And they've never thought about each other that way. Except for when they have. Rarely. Once in a while, sure. But seriously . . . hardly ever. Cole Kimball and Laila Olivet have been best friends their entire lives. Cole is the only person (apart from blood relatives) who's seen Laila in her oversized, pink, plastic, Sophia Loren glasses. Laila is always the first person to taste test any new dish Cole creates in his family's restaurant . . . even though she has the refined palate of a kindergartener. Most importantly, Cole and Laila are always talking. About everything. When Cole discovers a betrayal from his recently deceased grandfather that shatters his world, staying in Adelaide Springs, Colorado, is suddenly unfathomable. But Laila loves her life in their small mountain town and can't imagine ever living anywhere else. She loves serving customers who tip her with a dozen fresh eggs. She loves living within walking distance of all her favorite people. And she's very much not okay with the idea of not being able to walk to her very favorite person. Still, when Cole toys with moving across the country to New York City, she decides to support her best friend--even as she secretly hopes she can convince him to stay home. And not just for his killer chocolate chip pancakes. Because she loves him. As a friend. Just as a friend. Right? They make a deal: Laila won't beg him to stay, and Cole won't try to convince her to come with him. They have one week in New York before their lives change forever, and all they have to do is enjoy their time together and pretend none of this is happening. But it's tough to ignore the very inconvenient feelings blooming out of nowhere. In both of them. And these potentially friendship-destroying feelings, once out in the open, have absolutely no take-backs. If When Harry Met Sally had a quippy literary love child with Gilmore Girls' Luke and Lorelai, you'd get Cole and Laila. Just . . . don't tell them that.
I knew that Senator Kennedy would not accept defeat. He would not step aside and allow his horrible error to be a wake-up call. He would not reach out to me and suggest we put our bitter feud behind us. He would try again, for Kennedy men do not give up. They don't give up on their dreams of the White House, they don't give up once they decide they want to spend their lives with the woman they love, and they don't give up until they've gotten rid of anything standing in their way."The delusions of a woman detached from reality? Or the scandalous, well-kept secrets of the greatest love story the world has never known? In the second installment of the Abigail Phelps Series, Abigail's stories become even more difficult to believe, and absolutely impossible to deny.THE ABIGAIL PHELPS SERIESI've Loved These Days ~ Scenes From Highland Falls ~ Two Thousand Years
Her face showed depth of character, a result of more sorrow but also more joy than most of us could handle. And her hair. I found it impossible to not picture Christopher Dean playing with the curls in a cafe in Vienna, and Sergei Grinkov unknowingly causing pain, but more importantly comfort, as he caressed her hair after the attack by Ted Kennedy. And I couldn't help but visualize John Kennedy's jaw dropping to the floor when he saw her for the first time in so long, gorgeous in a purple dress, hair down though she so often wore it up. Some things I envisioned had occurred, others had not. But they were all unmistakably Abigail Phelps." Abigail Phelps and John Kennedy Jr. weren't destined to live happily ever after. In this, the dramatic conclusion to the Abigail Phelps Series, we learn that there is something even better than a fairy tale ending. Sometimes it's better to have no ending at all. "How do you know your heart is beating? You know because you live. Well, Abby is my heart and I'm hers. We just know." THE ABIGAIL PHELPS SERIES I've Loved These Days Scenes From Highland Falls Two Thousand Years
Celebrity chef Maxwell Cavanagh is known for many things: his multiple Michelin stars, his top-rated Culinary Channel show To the Max, and most of all his horrible temper. Hadley Beckett, host of the Culinary Channel's other top-rated show, At Home with Hadley, is beloved for her Southern charm and for making her viewers feel like family.
The very first time you met me you knew that he would never be the same again, didn't you? For the record, I was never the same again either. And while times have changed and opportunities have been lost, I still know in my heart of hearts that I never will be. But we can't go back, and we can't undo. What's more, I don't really want to. While my life is not perfect, it is uniquely, ridiculously mine, and I would not trade it." Abigail Phelps has written her memoirs, but the world has never heard of her. So why should anyone care? Perhaps no one would, if the letter in which Abigail reflects on changing times and lost opportunities weren't addressed to Jacqueline Onassis, and the man who would never be the same weren't John F. Kennedy Jr. Put aside all you think you know and jump into the greatest love story the world has never known.
This book synthesizes in-depth bioarchaeological research into diet, subsistence regimes, and nutrition—and corresponding insights into adaptation, suffering, and resilience—among indigenous north-coastal Peruvian communities from early agricultural through European colonial periods. The Spanish invasion and colonization of Andean South America left millions dead, landscapes transformed, and traditional ways of life annihilated. However, the nature and magnitude of these changes were far from uniform. By the time the Spanish arrived, over four millennia of complex societies had emerged and fallen, and in the 16th century, the region was home to the largest and most expansive indigenous empire in the western hemisphere. Decades of Andean archaeological and ethnohistorical research have explored the incredible sophistication of regional agropastoral traditions, the importance of food and feasting as mechanisms of control, and the significance of maritime economies in the consolidation of complex polities. Bioarchaeology is particularly useful in studying these processes. Beyond identifying what resources were available and how they were prepared, bioarchaeological methods provide unique opportunities and humanized perspectives to reconstruct what individuals actually ate, and whether their diets changed within their own lifespans.
Gabrielle Turner, a poor but gorgeous redhead with eyes the colour of the Caribbean, is on a short trip to Las Vegas from her trailer home in Florida, the trip paid for by her husband, Tom, having enjoyed an infrequent stroke of luck in a card game. Indecently rich Marshall Verity propositions the couple and interests Tom in one of his lovely girls, and takes the opportunity to buy Gabrielle and spirit her away to his mansion home, where her life changes to one of utter luxury - but at a price! Tiring of Verity's version of love in which she must be entirely submissive and willing to be humiliated at every opportunity, Gabrielle decides to end it all and jumps from the side of his luxury yacht, upon which she had been displayed like a trophy to Verity's clients. Rescued by a beach bum off Key West, Gabrielle realises for certain that she hates Verity, but when he, Tom, and Robbie, the beach bum, play cards for her, who will win?
From Bethany Hamilton’s fan letters come these honest, sometimes gut-wrenching questions. Some questions you may have asked about yourself at some time. Bethany’s sincere answers reflect her faith, and with some of her favorite Scripture versus, her answers will inspire you, let you into Bethany’s heart, and possibly help you with some of your own life questions. This updated edition includes some new questions and answers, and lets readers see how she has grown and changed, and where she is today.
GUARANTEED PAGE-TURNER From the bestselling author of See How They Run and Don't Talk to Strangers comes a compelling story of drama and suspense. And a romance you won't forget! The only rule. Don't get involved. To Hawkshaw, they're words to live by. He left the Secret Service because he didn't want to take care of anyone but himself. Then an old friend asks him for a favor…. The last case. A woman and her young son need a place to hide—and someone to protect them. A stalker wants her and he'll do anything to have her…. The wrong woman. Hawkshaw agrees to help, but he's more than a little reluctant. Kate Kanaday's not the woman he wants living in his house. Even worse, she's got him thinking about breaking his only rule….
Current and future provision of health and social care for older people is explored in this timely study. It draws on examples from Germany, Sweden and the UK to measure the impact of trends including neoliberalisation and marketisation.
The answer can kill you... From Bethany Campbell, the nationally bestselling author of Don't Talk to Strangers and Hear No Evil, comes a roller-coaster ride of relentless suspense in the tradition of Joy Fielding and Mary Higgins Clark...a grippingly paced thriller that dares to ask the question...Whose Little Girl Are You? With one phone call, Jaye Garrett's life has turned into a nightmare. The beautiful and successful Boston businesswoman has been summoned to her childhood home to receive shocking news. Her brother, Patrick, has fallen desperately ill and needs a bone marrow transplant to survive. But when Jaye volunteers as a donor, she is stunned to learn that Patrick is not her biological brother. And that the emotionally frail woman who raised them from infanthood is not their biological mother. To answer the dark mystery of her own identity and to save her brother's life, Jaye must ask herself the question, Whose little girl are you? The answer is more shocking than she can ever imagine. For at the end of a trail of lies, secrets, and tragedy stretching thirty years into the past is a mysterious woman whose resemblance to Jaye Garrett marks Jaye as the killer's next victim.
Near the creek that runs behind her Pennsylvania house, Willow Bellamy has converted an old barn into an art school—though the place does still have some animal inhabitants, including Rembrandt, the owl who lives up in the rafters. And while it’s important for any artist to have a vision, Willow can sometimes see things others can’t, just like her mother and grandmother before her. Not that she would exactly call herself a witch . . . When some local merchants gather in the studio for a painting party, they focus their attention on a still life with flowers and an assortment of garden tools, including antique pruning shears that disappear—at the same time despised restaurant owner Evangeline Fletcher is murdered. Willow must use all her gifts to find the killer, although it means teaming up with a handsome, mysterious detective whom Willow fears she may have accidentally conjured from a canvas. This investigation is sure to be a hoot . . . “Doggone charming from start to finish!” —Cleo Coyle, New York Times bestselling author on Death by Chocolate Lab
Buy a new version of this textbook and receive access to the Connected eBook with Study Center on CasebookConnect, including: lifetime access to the online ebook with highlight, annotation, and search capabilities; practice questions from your favorite study aids; an outline tool and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. Learn more about Connected eBooks. This hugely successful materials-and-problems book is acclaimed for its textual clarity, evenhanded perspective, and contemporary, up-to-date character. Easily distinguished from other property casebooks for its plain-language descriptions of legal doctrine; explanations of the social ramifications of our system of property law; emphasis on statutory and regulatory interpretation; comprehensive treatment of public accommodations and fair housing law, tribal property issues, and property in human bodies; and use of the problem method to teach legal reasoning and lawyering skills. Streamlined for more accessible teaching, the Eighth Edition has been thoroughly updated to reflect significant changes in the law of property, including in responses to the Covid-19 pandemic, in intellectual property, housing discrimination, regulatory takings, and more. Key Features: Updated to reflect significant changes in the law of property to help professors keep current and be aware of emerging disputes Streamlined to assist in making teaching from the casebook more accessible, without sacrificing coverage and depth New materials and problems have been added in an array of areas, including: The importance of race and slavery in shaping property law and distribution The impact of the Covid-19 pandemic on several core areas of property law Growing questions about the balance between public accommodations and religious liberty, including Masterpiece Cakeshop, Inc. v. Colorado Civil Rights Commission, 138 S. Ct. 1719 (2018) and its aftermath Emerging caselaw on the rights of people experiencing homelessness; Shifts in property rights emerging from marriage and non-marital intimate relationships; New materials on the law and practice of trusts and the impact of reproductive technologies Recent developments in tribal sovereignty disputes, including McGirt v. Oklahoma, 140 S. Ct. 2452 (2020) Developments in intellectual property, including in copyright and fair use Shifts in fair housing law, including developments involving landlord responsibility for tenant-to-tenant discriminatory harassment Recent Supreme Court developments in the realm of regulatory takings, including Murr v. Wisconsin, 137 S.Ct. 1933 (2017), Knick v. Township of Scott, 139 S. Ct. 2162 (2019); and Cedar Point Nursery v. Hassid (to be decided by the end of this Term) Professors and students will benefit from: Clear, concise, accessible coverage of core property doctrines, through caselaw, statutes, and regulatory materials Fully updated engagement with contemporary controversies in our system of property; and Excellent opportunities for problem- and exercise-based learning in every section
During J. Edgar Hoover's reign as F.B.I director, he refused to allow female Special Agents, until the Bureau came across a case they could not crack. Sarah Higgins, bitter, divorced, and daughter of a murdered prostitute, was tired of being N.Y.P.D.'s coffee girl. Desperate for help, the F.B.I sent her in undercover, knowing crooks wouldn't suspect a female operative.
Named a Most Anticipated Book of 2022 by PopSugar, Ms. magazine, Medium, Book Riot, BookPage, CrimeReads, Tor Nightfire, Bookshop, Book Talk, BiblioLifestyle, and more! AN APRIL 2022 BELLETRIST BOOK CLUB PICK “Morrow uses her heroine’s warped perspective to examine painful truths about race and class in America, but this isn’t a book intended to teach anyone a lesson, except maybe: Be careful. You never know who’s really in control.”—Los Angeles Times From bestselling author Bethany C. Morrow comes a new adult social horror novel in the vein of Get Out meets My Sister, the Serial Killer, about Farrah, a young, calculating Black girl who manipulates her way into the lives of her Black best friend’s white, wealthy, adoptive family but soon suspects she may not be the only one with ulterior motives. . . . Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she’s convinced she’s always had over her life by staying with Cherish, the only person she loves—even when she hates her. As troubled Farrah manipulates her way further into the Whitman family, the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them—if they didn’t think something was wrong with Farrah, too. When strange things start happening at the Whitman household—debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish’s hotheaded boyfriend, and a mysterious journal that seems to keep track of what is happening to Farrah—it’s nothing she can’t handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it’s anyone’s guess who is really in control. Told in Farrah’s chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.
Lots of families have secrets. Little-Known Fact: My family has an antebellum house with a locked wing—and I’ve got a secret of my own. I thought getting kicked out of the Gifted & Talented program—or not being “pegged,” as Mama said—was the worst thing that could happen to me. W-r-o-n-g, wrong. I arrived in Tweedle, Georgia, to spend the summer with Granny and Gramps, only to find no sign of them. When they finally showed up, Cousin Isaac was there too, with his trumpet in hand, and I found myself having to pretend to be thrilled about watching my musical family rehearse for the town's Anniversary Spectacular. It was h-a-r-d, hard. Meanwhile, I, Maebelle T.-for-No-Talent Earl, set out to win a blue ribbon with an old family recipe. But what was harder and even more wrong than any of that was breaking into the locked wing of my grandparents’ house, trying to learn the Truth with a capital T about Josiah T. Eberlee, my long-gone-but-not-forgotten relation. To succeed, I couldn't be a solo act. I’d need my new friends, a basset hound named Cotton, the strength of my entire family, and a little help from a secret code. With grace and humor and a heaping helping of little-known facts, Bethany Hegedus incorporates the passions of the North and the South and bridges the past and the present in this story about one summer in the life of a sassy Southern girl and her trumpet-playing adopted Northern cousin.
When most of us hear the title Gentlemen Prefer Blondes, we think of Marilyn Monroe and Jane Russell’s iconic film performance. Few, however, are aware that the movie was based on Anita Loos’s 1925 comic novel by the same name. What does it mean, Women Adapting asks, to translate a Jazz Age blockbuster from book to film or stage? What adjustments are necessary and what, if anything, is lost? Bethany Wood examines three well-known stories that debuted as women’s magazine serials—Gentlemen Prefer Blondes, Edith Wharton’s The Age of Innocence, and Edna Ferber’s Show Boat—and traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptation. She documents the formation of adaptation systems and how they involved women’s voices and labor in modern entertainment in ways that have been previously underappreciated. What emerges is a picture of a unique window of time in the early decades of the twentieth century, when women in entertainment held influential positions in production and management. These days, when filmic adaptations seem endless and perhaps even unoriginal, Women Adapting challenges us to rethink the popular platitude, “The book is always better than the movie.”
The Davies collection of art from the nineteenth and twentieth centuries at the National Museum & Gallery, Cardiff, is world famous. This book provides introduces the lesser known prints, drawings and watercolours in the collection, including such artists as Cezanne, Turner and William Blake.
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