The past 70 years have seen a 25-year-old Princess transform into a nonagenarian monarch who is respected and loved the world over. A woman whose views are never heard, Queen Elizabeth II has deployed fashion as a means to communicate and signal her position to the crowds who gather to see her in public and the millions who watch her television broadcasts: 'I must be seen to be believed,' she has said. The Queen's evolving attitude to dress reflects a visual landscape that began as genteel reportage in mostly black and white and has over the years evolved into today's technicolour 24/7 news cycle, flashed around the world in seconds and driven by social media. Incredibly, in her 70th year as monarch, the Queen feels as relevant as ever before – and she is, undoubtedly, a style icon. The Queen: 70 Years of Majestic Style celebrates the fashion evolution of Elizabeth II in her unprecedented Platinum Jubilee year.
Thrust into the global spotlight on her engagement to Prince William, Kate wore a sapphire blue wrap dress by London-based label Issa that promptly sold out. It was the first step in Kate's evolution to become the modern royal style icon she is today – the Duchess of Cambridge. In the decade since, Kate has become the Duchess of Cambridge, a future Queen and a mother of three. Her outfits range from high street to haute couture, with women worldwide fascinated by her style and eager to copy it. The Duchess has used her clothing to make diplomatic gestures, to send messages of solidarity and to show respect. One day, her wardrobe underscores her status as a senior royal; the next it's all about being just like any 30-something Mum. But thanks to an explosion of 24/7 news coverage and social media, her choices are analysed more closely than those of any royal before. In this book, Bethan Holt marks the tenth anniversary of Kate's royal life by taking readers on a highly illustrated journey through the Duchess's style evolution.
Thrust into the global spotlight on her engagement to Prince William, Kate wore a sapphire blue wrap dress by London-based label Issa that promptly sold out. It was the first step in Kate's evolution to become the modern royal style icon she is today – the Duchess of Cambridge. In the decade since, Kate has become the Duchess of Cambridge, a future Queen and a mother of three. Her outfits range from high street to haute couture, with women worldwide fascinated by her style and eager to copy it. The Duchess has used her clothing to make diplomatic gestures, to send messages of solidarity and to show respect. One day, her wardrobe underscores her status as a senior royal; the next it's all about being just like any 30-something Mum. But thanks to an explosion of 24/7 news coverage and social media, her choices are analysed more closely than those of any royal before. In this book, Bethan Holt marks the tenth anniversary of Kate's royal life by taking readers on a highly illustrated journey through the Duchess's style evolution.
The past 70 years have seen a 25-year-old Princess transform into a nonagenarian monarch who is respected and loved the world over. A woman whose views are never heard, Queen Elizabeth II has deployed fashion as a means to communicate and signal her position to the crowds who gather to see her in public and the millions who watch her television broadcasts: 'I must be seen to be believed,' she has said. The Queen's evolving attitude to dress reflects a visual landscape that began as genteel reportage in mostly black and white and has over the years evolved into today's technicolour 24/7 news cycle, flashed around the world in seconds and driven by social media. Incredibly, in her 70th year as monarch, the Queen feels as relevant as ever before – and she is, undoubtedly, a style icon. The Queen: 70 Years of Majestic Style celebrates the fashion evolution of Elizabeth II in her unprecedented Platinum Jubilee year.
Identity' is a central organizing feature of our social world. Across the social sciences and humanities, it is increasingly treated as something that is actively and publicly accomplished in discourse. This book defines identity in its broadest sense, in terms of how people display who they are to each other. Each chapter examines a different discursive environment in which people do 'identity work': everyday conversation, institutional settings, narrative and stories, commodified contexts, spatial locations, and virtual environments. The authors describe and demonstrate a range of discourse and interaction analytic methods as they are put to use in the study of identity, including 'performative' analyses, conversation analysis, membership categorization analysis, critical discourse analysis, narrative analysis, positioning theory, discursive psychology and politeness theory. The book aims to give readers a clear sense of the coherence (or otherwise) of these different approaches, the practical steps taken in analysis, and their situation within broader critical debates. Through the use of detailed and original 'identity' case studies in a variety of spoken and written texts in order, the book offers a practical and accessible insight into what the discursive accomplishment of identity actually looks like, and how to go about analyzing it.
A melodious paean to the natural history and symbolic meaning of the most prized, poetized, and mythologized of songbirds. The nightingale has a unique place in cultural history: the most prized of songbirds, it has inspired more poems than any other creature, and it is also the most mythologized of birds. Nightingale juxtaposes the bird of poetry, music, myth, and lore with the living bird of wood and scrubland, unpicking the entangled relationship between them. Covering a huge range of poets, musicians, artists, nature writers, and natural historians—from Aristotle, Keats, and Vera Lynn to Bob Dylan—Nightingale charts our fascination through history with this nondescript yet melodious little brown bird. It also documents the nightingale’s disappearance from British breeding grounds and the implications this has for nightingale conservation.
The Oxford Handbook of Epidemiology for Clinicians provides all the information required by students and junior doctors who need to understand and translate key epidemiological concepts into medical practice. Unlike standard textbooks in this area, the focus throughout is on clinical applications of epidemiological knowledge. Divided into four sections, the handbook begins with the basics of epidemiology in the clinic, moving on to the theories behind evidence-based practice, discussions of optimum methods and studies, and then ends by looking at the epidemiology of common diseases. The material is presented in a logical manner, from problems to the most appropriate solutions or tools to be applied. Interesting topics such as controversies in prevention intervention encourage discussion and thought, and the authors pose sensible and important questions throughout. This handbook is a must for all junior doctors, medical students, and clinicians who need to apply epidemiological concepts to day-to-day practice or who want a practical step-by-step guide to undertaking research, conducting reviews of evidence, or writing up publications.
It's summer 1936, and the world is on the cusp of change, but there's little sign of this in rural Sussex. So when Kitty Allen answers an advert looking for 'a good plain cook', she has no idea what she's in for. For starters, her employer is an American called Ellen Steinberg who believes in having the staff call her by her first name and sunbathing in the nude. Then there's Ellen's eleven-year-old daughter, Geenie, a bright, unhappy little thing, and Mrs Steinberg's gentleman friend, Mr Crane, who's said to be a poet - even though he doesn't have a beard and doesn't actually write much poetry. Rich bohemians imagining themselves as communists, Steinberg and Crane see themselves as champions of 'the people' - not that they know the first thing about how the people actually live. Kitty is in no position to criticise - after all she claimed to be a good plain cook, despite hardly knowing how to boil an egg. Utterly out of her depth, she is relieved to have the gardener, Arthur, to talk to. Otherwise she'd never last a summer in this madhouse. Ellen Steinberg wants life to run as smoothly as the love story she imagines her lover George Crane to be writing. But as Kitty arrives, the dream is on the edge of falling apart.
IN BLACK AND WHITE - Updated rewritten for the new specification, this book covers the content for Paper 3 Issues and Three Options including Option 1 Gender, Option 2 Schizophrenia and Option 3 Forensic Psychology written by leading authors Nick and Bethan Redshaw "Used by Schools to continue the Outstanding Success from AS Psychology (100%%%% Grade B or above - 66%%%% Grade A) and give their students the best chances regardless of starting points" TES Review - Outstanding - really impressive accessible and engaging which progressively builds avenues for complex arguments with students love them. Really pleased. Head of Psychology, Independent School, Berkshire
This book provides an in-depth exploration of psychological phenomena affecting language learning within a social learning space. Drawing on the literature from identity in second language learning, communities of practice and learner beliefs, in conjunction with other individual difference factors, it uncovers perceptions and assumptions that language learners have of the space and how they affect their relationship with it and the people within it. Readers will gain a greater understanding of how psychological phenomena shape a space and how a learning space can contribute to a wider learning ecology. This book will appeal to researchers interested in language learning beyond the classroom and psychological aspects of language acquisition, as well as to practitioners and professionals who are supporting learners outside the classroom.
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