p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. Addressing six different modes of the body—Adorned, Divine, Regal, Transcendent, Alluring, and Resplendent—this artfully designed catalogue illustrates how these various definitions of the body give meaning to the jewelry that adorns and enhances it. Essays on topics spanning a wide range of times and cultures establish how jewelry was used as a symbol of power, status, and identity, from earflares of warrior heroes in Pre-Colombian Peru to bowknot earrings designed by Yves Saint-Laurent. These most intimate works of art provide insight into the wearers, but also into the cultures that produced them. More than 200 jewels and ornaments, alongside paintings and sculptures of bejeweled bodies, demonstrate the social, political, and aesthetic role of jewelry from ancient times to the present. Gorgeous new illustrations of Bronze Age spirals, Egyptian broad collars, Hellenistic gold armbands, Japanese courtesan hair adornments, jewels from Mughal India, and many, many more explore the various facets of jewelry and its relationship to the human body over 5,000 years of world history.
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. Addressing six different modes of the body—Adorned, Divine, Regal, Transcendent, Alluring, and Resplendent—this artfully designed catalogue illustrates how these various definitions of the body give meaning to the jewelry that adorns and enhances it. Essays on topics spanning a wide range of times and cultures establish how jewelry was used as a symbol of power, status, and identity, from earflares of warrior heroes in Pre-Colombian Peru to bowknot earrings designed by Yves Saint-Laurent. These most intimate works of art provide insight into the wearers, but also into the cultures that produced them. More than 200 jewels and ornaments, alongside paintings and sculptures of bejeweled bodies, demonstrate the social, political, and aesthetic role of jewelry from ancient times to the present. Gorgeous new illustrations of Bronze Age spirals, Egyptian broad collars, Hellenistic gold armbands, Japanese courtesan hair adornments, jewels from Mughal India, and many, many more explore the various facets of jewelry and its relationship to the human body over 5,000 years of world history.
This lavishly illustrated book documents the most distinguished works from the Metropolitan Museum's extensive collection of domestic, ecclesiastical, and presentation silver from the Colonial and Federal periods. Detailed discussions provide a stylistic and socio-historical context for each piece, offering a wealth of new information to both specialist and non-specialist readers. Every object is documented with new photography that captures details, marks, and heraldic engraving. Finally, accompanying essays discuss issues of patronage and provenance, design and craft, and patterns of ownership and collecting, providing windows onto the past that help bring these pieces to life. Published by The Metropolitan Museum of Art/Distributed by Yale University Press
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