As enigmatic and contradictory as far West Texas has always been, it is nevertheless surprising to learn that in 1925 its desert germinated a slender but vibrant shoot of the Harlem Renaissance. Isolated on the U.S.-Mexico border, far from any metropolitan African-American community or literary influences, Bernice Love Wiggins, a perceptive young poet, self-published her first, apparently only, book of poetry. One of only a handful of black writers in Texas in the 1920s and 1930s, Wiggins was contemporary with Langston Hughes, Countee Cullen, and Zora Neale Hurston and was among the first female African-American poets published in the United States. Just as the Harlem movement focused on experiences of black Americans who sought relief from racism and endeavored to build communities, Tuneful Tales gives voice to the many-sided black experience in remote El Paso. Whatever Wiggins may have known of her contemporaries more than half a continent away or of the movement itself may never be clear. Disappointingly, after her move to California in the early 1930s, the trail grows cold. Yet the composed young woman who gazes so wisely, if dreamily, from her high school photographs evoked her personae so compellingly in both timbre and substance that great folklorist and critic J. Mason Brewer proclaimed her the female Paul Laurence Dunbar. Ethiopia Speaks Lynched! Somewhere in the South, the "Land of the Free," To a very strong branch of a dogwood tree. Lynched! One of my sons, -- When the flag was in danger they answered the call I gave them black sons, ah! yes, gave them all When you came to me. And Now Goodnight I have told you tuneful tales, Gathered from the hills and vales, Wheresoever mine own people chanced to dwell. If the tales have brought you mirth, Brought more laughter to the earth, It is well. Maceo Dailey is the director of the African American Studies Program of the University of Texas El Paso and a governor's appointee to the Texas Council For The Humanities and Juneteenth Commission.
As enigmatic and contradictory as far West Texas has always been, it is nevertheless surprising to learn that in 1925 its desert germinated a slender but vibrant shoot of the Harlem Renaissance. Isolated on the U.S.-Mexico border, far from any metropolitan African-American community or literary influences, Bernice Love Wiggins, a perceptive young poet, self-published her first, apparently only, book of poetry. One of only a handful of black writers in Texas in the 1920s and 1930s, Wiggins was contemporary with Langston Hughes, Countee Cullen, and Zora Neale Hurston and was among the first female African-American poets published in the United States. Just as the Harlem movement focused on experiences of black Americans who sought relief from racism and endeavored to build communities, Tuneful Tales gives voice to the many-sided black experience in remote El Paso. Whatever Wiggins may have known of her contemporaries more than half a continent away or of the movement itself may never be clear. Disappointingly, after her move to California in the early 1930s, the trail grows cold. Yet the composed young woman who gazes so wisely, if dreamily, from her high school photographs evoked her personae so compellingly in both timbre and substance that great folklorist and critic J. Mason Brewer proclaimed her the female Paul Laurence Dunbar. Ethiopia Speaks Lynched! Somewhere in the South, the "Land of the Free," To a very strong branch of a dogwood tree. Lynched! One of my sons, -- When the flag was in danger they answered the call I gave them black sons, ah! yes, gave them all When you came to me. And Now Goodnight I have told you tuneful tales, Gathered from the hills and vales, Wheresoever mine own people chanced to dwell. If the tales have brought you mirth, Brought more laughter to the earth, It is well. Maceo Dailey is the director of the African American Studies Program of the University of Texas El Paso and a governor's appointee to the Texas Council For The Humanities and Juneteenth Commission.
Layla Kennedy is a master at hiding. Since the age of 14, she's been hiding behind a veil of mental illness. Her racing thoughts, unpredictable behavior, possessive, compulsive issues and panic attacks are, for the most part, controlled by an assortment of medications. . .that is, when she takes them. On Halloween night, Layla walks a tightrope that lands her in hot water. . .she impulsively shares a night with a handsome brother in a pirate's costume. Jordan Scott, attorney, is immediately captivated by the mysterious Bad Cinderella who danced her way into his room, but like Cinderella, she slipped away into the night. Unable to forget the beautiful woman, Jordan is left speechless a month later when he spots her sitting across the courtroom. . ..she's the paralegal to his nemesis at another law firm. Layla sees him, too. Those lips, that chin, that body. . .it ‘s him! It's the worst possible thing that could happen because she's in no position, mentally, to get involved with any man. Unknowingly, Layla and Jordan soon become entrapped in a well-staged plan of blackmail. Unveiling their secrets brings heartache, but ultimately becomes the catalyst for their survival.
Three national bestselling authors join talents in a multi-dimensional novel that illustrates the importance of love, family, and forgiveness. After a lifetime of womanizing, making babies, and then disappearing and taking no responsibility for his actions, Amos Davis has finally reached an impasse—literally crashing his car down a one-way street. It may be the only road to redemption for the aging musician, now afflicted with Alzheimer’s disease, for it has brought together the three daughters he abandoned. But when it comes to their deadbeat dad, their hearts may already be sealed… Cass, the child of Amos’s mistress, has had enough heartache, from losing her mother to the tragic end of her marriage. Amos was never there for her—why should this talented cake maker be sweet to him now? Toya, always the “other woman” in her affairs with married men, was deeply scarred by Amos’s public denial of her existence years ago. Will seeing him again send her further down a troubled path? A gifted writer, Tomiko channels her pain into her stories of the father she never knew. In her imagined world, she is safe—but will she ever risk her heart on real love? A powerful interplay of memory and reality, this emotionally taut novel weaves the voices of three authors to deliver an unforgettable tale of one man’s struggle to make peace with his failures, his family and the destinies of those who must forgive to move forward with their own lives and dreams.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.