This guide provides an overview of the thematic areas, analytical aspects, and avenues of research which, together, form a broader conversation around doing spatial history. Spatial history is not a field with clearly delineated boundaries. For the most part, it lacks a distinct, unambiguous scholarly identity. It can only be thought of in relation to other, typically more established fields. Indeed, one of the most valuable utilities of spatial history is its capacity to facilitate conversations across those fields. Consequently, it must be discussed in relation to a variety of historiographical contexts. Each of these have their own intellectual genealogies, institutional settings, and conceptual path dependencies. With this in mind, this guide surveys the following areas: territoriality, infrastructure, and borders; nature, environment, and landscape; city and home; social space and political protest; spaces of knowledge; spatial imaginaries; cartographic representations; and historical GIS research.
The Handbook of Ion Sources delivers the data needed for daily work with ion sources. It also gives information for the selection of a suitable ion source and ion production method for a specific application. The Handbook concentrates on practical aspects and introduces the principle function of ion sources. The basic plasma parameters are defined and discussed. The working principles of various ion sources are explained, and examples of each type of ion source are presented with their operational data. Tables of ion current for various elements and charge states summarize the performance of different ion sources. The problems related to the production of ions of non-gaseous elements are detailed, and data on useful materials for evaporation and ion source construction are summarized. Additional chapters are dedicated to extraction and beam formation, ion beam diagnosis, ion source electronics, and computer codes for extraction, acceleration, and beam transport. Emittance and brilliance are described and space charge effects and neutralization discussed. Various methods for the measurement of current, profile, emittance, and time structure are presented and compared. Intensity limits for these methods are provided for different ion energies. Typical problems related to the operation of ion source plasmas are discussed and practical examples of circuits are given. The influence of high voltage on ion source electronics and possibilities for circuit protection are covered. The generation of microwaves and various microwave equipment are described and special problems related to microwave operation are summarized. The Handbook of Ion Sources is a valuable reference on the subject, of benefit to practitioners and graduate students interested in accelerators, ion implantation, and ion beam techniques.
There are 165 years between Jöns Jacob Berzelius' and Carl Gustaf Bernhard's excursions through the Massif Central in France. In spite of their circumstantial differences, the similarities between the two men of letters is striking. While Berzelius is renowned as one of the founders of modern chemistry and mineralogy, the bulk of Bernhard's achievement has been in the field of neurophysiology--yet both men emerge as having remarkably similar approaches to science and nature. It was as Berzelius' successor to the post of Secretary of the Royal Swedish Academy of Sciences that first gave Bernhard cause to study his literary remains. This was to provide the inspiration for Bernhard, with Berzelius as his guide, to visit the volcanic landscape, in which the remains of Roman columns, mediaeval castles and cathedrals recalled civilizations which have come and gone through the centuries following the geological eruptions. The book is extensively illustrated with sketches of the countryside, portraits of those known by Berzelius as well as colour photographs of the landscape taken by Bernhard, while the narrative alternates between excerpts of Berzelius' letters and writings and Bernhard's own modern travelogue. The result is a fascinating textual and pictorial record of one of the most beautiful regions of France, and of two highly influential Swedish scientists, spanning the last two centuries.
In 1609, two years after its English founding, colonists struggled to stay alive in a tiny fort at Jamestown.John Smith fought to keep order, battling both English and Indians. When he left, desperate colonists ate lizards, rats, and human flesh. Surviving accounts of the “Starving Time” differ, as do modern scholars’ theories. Meanwhile, the Virginia-bound Sea Venture was shipwrecked on Bermuda, the dreaded, uninhabited “Isle of Devils.” The castaways’ journals describe the hurricane at sea as well as murders and mutinies on land. Their adventures are said to have inspired Shakespeare’s The Tempest. A year later, in 1610, the Bermuda castaways sailed to Virginia in two small ships they had built. They arrived in Jamestown to find many people in the last stages of starvation; abandoning the colony seemed their only option. Then, in what many people thought was divine providence, three English ships sailed into Chesapeake Bay. Virginia was saved, but the colony’s troubles were far from over. Despite glowing reports from Virginia Company officials, disease, inadequate food, and fear of Indians plagued the colony. The company poured thousands of pounds sterling and hundreds of new settlers into its venture but failed to make a profit, and many of the newcomers died. Bermuda—with plenty of food, no native population, and a balmy climate—looked much more promising, and in fact, it became England’s second New World colony in 1612. In this fascinating tale of England’s first two New World colonies, Bernhard links Virginia and Bermuda in a series of unintended consequences resulting from natural disaster, ignorance of native cultures, diplomatic intrigue, and the fateful arrival of the first Africans in both colonies. Written for general as well as academic audiences, A Tale of Two Colonies examines the existing sources on the colonies, sets them in a transatlantic context, and weighs them against circumstantial evidence. From diplomatic correspondence and maps in the Spanish archives to recent archaeological discoveries at Jamestown, Bernhard creates an intriguing history. To weave together the stories of the two colonies, which are fraught with missing pieces, she leaves nothing unexamined: letters written in code, adventurers’ narratives, lists of Africans in Bermuda, and the minutes of committees in London. Biographical details of mariners, diplomats, spies, Indians, Africans, and English colonists also enrich the narrative. While there are common stories about both colonies, Bernhard shakes myth free from truth and illuminates what is known—as well as what we may never know—about the first English colonies in the New World.
For five years, Konrad has imprisoned himself and his crippled wife in an abandoned lime works where he’s conducted odd auditory experiments and prepared to write his masterwork, The Sense of Hearing. As the story begins, he’s just blown the head off his wife with the Mannlicher carbine she kept strapped to her wheelchair. The murder and the bizarre life that led to it are the subject of a mass of hearsay related by an unnamed life-insurance salesman in a narrative as mazy, byzantine, and mysterious as the lime works—Konrad’s sanctuary and tomb.
Gerhard Self, the seventy-something, sambuca-drinking, Sweet-Afton smoking sleuth returns in a riveting new mystery about money-laundering, murder, and mafiosi.Despite his failing health and his girlfriend's pleading, Gerhard Self won't stop doing what he does best—investigating. And his most recent case is one of the most intriguing of his career. Herr Welker desperately wants to write a history of his bank, but to do so he needs Self to track down a mysterious silent partner. Self takes the job, but is soon accosted by a man who frantically hands him a suitcase full of cash and speeds off in a car, only to crash into a tree, dying instantly. Perplexed, and convinced there is more to the case than he is being told, Self follows the money. Soon he finds himself traveling to eastern Germany, where he encounters some of the most unsavory villains he has met yet.
Between Logic and the World presents a theory of generic sentences and the kind-directed modes of thought they express. The theory closely integrates compositional semantics with metaphysics to solve the problem that generics pose: what do generics mean? Generic sentences are extremely simple, yet if there are patterns to be discerned in terms of which are true and which are false, these patterns are subtle and complex. Ravens are black, lions have manes, sea-turtles are long-lived, and bishops in chess move along diagonals. Statistical measures cannot do justice to the facts, but what else is there that at least has a hope of giving us insight into what we are capturing across so many domains? Bernhard Nickel argues that generics are the top of a fundamentally explanatory iceberg. By focusing on blackness in ravens and manes in lions, for instance, we can place the kinds into a framework structured by explanatory considerations. Between Logic and the World argues that this explanatory framework is deeply intertwined with the semantics of the language we use to express them, and in giving its integrated semantic and metaphysical theory of generics, it aims to solve old puzzles and draw attention to new phenomena.
It seemed necessary that some record of the accomplishment of the Lafayette Corps be set down, not only for the pleasure of the men who were a part of it, but the others in later days might not forget these volunteers who were among the first Americans to go to the aid of France at a time of great need." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
A charming series debut featuring two American sleuths in Paris, this traditional mystery is perfect for fans of M. L. Longworth and Juliet Blackwell The only thing chillier than a Parisian winter is cold-blooded murder. When French financier Edgar Bowen drowns in a bowl of soup, his former girlfriend, American Rachel Levis, is alarmed by the unnatural death. Who dies eating a nice vichyssoise? But when she overhears a mourner at his funeral describing the circumstances of his death, something sounds even stranger: a bottle of rosé was on the dining table when he died. The only problem: Edgar loathed rosé. If he wasn’t drinking it, who was? After the police rule the death accidental, Rachel knows it’s up to her and her best friend Magda to investigate. As the two Americans immerse themselves in Edgar’s upper-class world, the list of suspects grows: Could it have been his son, who inherited his money and lavish apartment? His icy ex-wife? His greedy new girlfriend? His impoverished personal assistant? But when the suspects start dropping like flies, Rachel and Magda realize the murderer is tying up loose ends. It’ll be up to two amateur sleuths to solve their first case before the murderer decides they’re next...
The playwright and novelist Thomas Bernhard was one of the most widely translated and admired writers of his generation, winner of the three most coveted literary prizes in Germany. Gargoyles, one of his earliest novels, is a singular, surreal study of the nature of humanity. One morning a doctor and his son set out on daily rounds through the grim mountainous Austrian countryside. They observe the colorful characters they encounter—from an innkeeper whose wife has been murdered to a crippled musical prodigy kept in a cage—coping with physical misery, madness, and the brutality of the austere landscape. The parade of human grotesques culminates in a hundred-page monologue by an eccentric, paranoid prince, a relentlessly flowing cascade of words that is classic Bernhard.
This book deals with the latest developments in the area of three-quark systems. Emphasis is given to the discussion of new experimental results in the areas of form factors, unpolarized and polarized structure functions, and baryon structure and spectroscopy. Of particular interest are the new theoretical developments in the area of generalized parton distributions and lattice quantum chromodynamics.
A sound understanding of moral and legal obligations is critical to developing responsible nursing practice and building the nurse-patient relationship. Ethics and Law for Australian Nurses provides a practical framework for understanding the ethical and legal dimensions of nursing practice. The fourth edition has been thoroughly revised to include updates to legislation, the NMBA professional standards and case examples. A new chapter on the legal system and a fully revised chapter on duty of care and negligence provide a thorough overview of the law as it applies to nursing practice. The text also includes expanded material on the regulation of nursing practice, advanced care directives, cultural safety, practice in the context of digital environments, person-centred care and assisted dying. Written in an accessible and engaging style, Ethics and Law for Australian Nurses provides a comprehensive guide for nurses training and practising in clinical, research and policy settings.
About the Book. A young Palestinian woman desired by a jihadist and an Israeli. A monstrous plan for revenge by religious fanatics. A paradise that turns into hell. Faisah is the daughter of a wealthy family of Palestinian descent residing in Cairo. At the celebration of her eighteenth birthday, she narrowly escapes being raped by her uncle, a senior Egyptian secret service official. The young woman takes refuge in piety and gets involved with the opposition Muslim Brotherhood. To shield her from the influence of this islamist movement, the concerned parents send Faisah and her brother to study on the small Caribbean island of Grenada. This turns out to be a momentous mistake. The siblings get caught in the murderous network of an offshoot of the Islamic State. Omar Gazawy, the commander of a cell of former ISIS fighters, wants to use Faisah for a spectacular attack that is supposed to avenge the expulsion of his Moorish ancestors from Spanish Granada. Dramatic, tough, touching. "The turn of events was enough to unnerve the most hardened fighter.
In this book, for the first time, an examination of Egon Schiele’s general painting technique is carried out. The main case study for this comprehensive investigation is the painting “Stadtende/Häuserbogen III,” 1918, one of Egon Schiele’s last works, which is housed at Universalmuseum Joanneum, Graz, Austria. In this book, the conservation campaign is detailed: uncovering portrait sketches integrated and painted over in the painting, unmasking the signature as a forgery, and recognising the frame as the original decorative frame. The research in the years following the conservation is detailed: discussing that, among other pigments, cadmium sulphide was confirmed in the paint material, which will influence subsequent conservation measures for the painting. The book’s examination continues with the complex interactions between environment and object that were also addressed in recently completed EU projects, concluding that continuously gained knowledge about external influences and storage materials used will help to adapt further measures to the painting as it continues to degrade.
“Everybody has got to die, but I have always believed an exception would be made in my case.” –William Saroyan, Pulitzer Prize–winning author Famous authors, like everybody else, know that one day they will die. Final Chapters tells the fascinating stories of more than one hundred writers’ encounters with death—and their attitudes toward the Grim Reaper: fear, uncertainty, or acceptance. Francis Bacon wrote, “It is as natural to die as to be born,” while Socrates told the judges who condemned him, “And now we go our ways, I to die and you to live. Which is better is known to God alone.” Death often came in startling ways for these well-known writers. The playwright Aeschylus was conked by a turtle falling from the sky. Christopher Marlowe was stabbed in a barroom brawl. Molière collapsed while playing the role of a hypochondriac in one of his plays. Edgar Allan Poe was found semicomatose in someone else’s clothes shortly before he died. Sherwood Anderson was felled by a toothpick in a martini. Did Dylan Thomas really die of eighteen straight whiskeys? And was it a bottle cap or murder that did in Tennessee Williams? If these authors have lessons for us, the best may be that of Marcus Aurelius: “Death smiles at us all; all we can do is smile back.”
As a young man, Gerhard Self served as a Nazi prosecutor. After the war he was barred from the judicial system and so became a private investigator. He has never, however, forgotten his complicity in evil. Hired by a childhood friend, the aging Self searches for a prankish hacker who’s invaded the computer system of a Rhineland chemical plant. But his investigation leads to murder, and from there to the charnel house of Germany’s past, where the secrets of powerful corporations lie among the bones of numberless dead. What ensues is a taut, psychologically complex, and densely atmospheric moral thriller featuring a shrewd, self-mocking protagonist.
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