The Krupp family are a prominent German dynasty from Essen and are famous for their steel production and the manufacture of ammunitions and armaments. This book provides the first genuine critical history of the company whose guns made the background for a half-century of mad armament policy, made possible by Krupp's new patron, Adolf Hitler. The House of Krupp's true history had been concealed by thousands of printed pages containing cleverly dished-up data which the author has pushed aside to reveal a true historical investigative account.
Thomas Bernhard is "one of the masters of contemporary European fiction" (George Steiner); "one of the century's most gifted writers" (New York Newsday); "a virtuoso of rancor and rage" (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, Thomas Bernhard still remains relatively unknown in America. Uninitiated readers should consider Three Novellas a passport to the absurd, dark, and uncommonly comic world of Bernhard. Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday—a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard's highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking. Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.
The Krupp family are a prominent German dynasty from Essen and are famous for their steel production and the manufacture of ammunitions and armaments. This book provides the first genuine critical history of the company whose guns made the background for a half-century of mad armament policy, made possible by Krupp's new patron, Adolf Hitler. The House of Krupp's true history had been concealed by thousands of printed pages containing cleverly dished-up data which the author has pushed aside to reveal a true historical investigative account.
A gathering of brilliant and viciously funny recollections from one of the twentieth century’s most famous literary enfants terribles. Written in 1980 but published here for the first time, these texts tell the story of the various farces that developed around the literary prizes Thomas Bernhard received in his lifetime. Whether it was the Bremen Literature Prize, the Grillparzer Prize, or the Austrian State Prize, his participation in the acceptance ceremony—always less than gracious, it must be said—resulted in scandal (only at the awarding of the prize from Austria’s Federal Chamber of Commerce did Bernhard feel at home: he received that one, he said, in recognition of the great example he set for shopkeeping apprentices). And the remuneration connected with the prizes presented him with opportunities for adventure—of the new-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic, sardonic, and shaking his head with biting amusement at the world and at himself. A revelatory work of dazzling comedy, the pinnacle of Bernhardian art.
Probably nothing exists that would prepare one for Bernhard's machined vehemence, though once you've read one, you perhaps start to crave the bitter taste and the savage not-quite-humour ... Genius.' - Michael Hofmann Instead of the book he is meant to write, Rudolph, a Viennese musicologist, produces this dark and grotesquely funny account of small woes writ large, of profound horrors detailed and rehearsed to the point of distraction. We learn of Rudolph's sister, whose help he invites then reviles; his 'really marvellous' house which he hates; the suspicious illness he carefully nurses; his ten-year-long attempt to write the perfect opening sentence; and his escape to the island of Majorca, which turns out to be the site of someone else's very real horror story, and ultimately brings him no release from himself. Concrete is Thomas Bernhard at his very finest: a bleakly hilarious insight into procrastination and failure that scratches the murky depths of our souls.
Walking records the conversations of the unnamed narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad."--Amazon.com.
The narrator, a scientist working on antibodies and suffering from emotional and mental illness, meets a Persian woman, the companion of a Swiss engineer, at an office in rural Austria. For the scientist, his endless talks with the strange Asian woman mean release from his condition, but for the Persian woman, as her own circumstances deteriorate, there is only one answer. "Thomas Bernhard was one of the few major writers of the second half of this century."—Gabriel Josipovici, Independent "With his death, European letters lost one of its most perceptive, uncompromising voices since the war."—Spectator Widely acclaimed as a novelist, playwright, and poet, Thomas Bernhard (1931-89) won many of the most prestigious literary prizes of Europe, including the Austrian State Prize, the Bremen and Brüchner prizes, and Le Prix Séguier.
Although he is best known in the United States as a novelist, Austrian writer Thomas Bernhard has been hailed in Europe as one of the most significant and controversial of contemporary playwrights. George Steiner has predicted that the current era in German-language literature will be recognized as the "Bernhard period"; John Updike compares Bernhard with Kafka, Grass, Handke, and Weiss. His dark, absurdist plays can be likened to those of Beckett and Pinter, but their cultural and political concerns are distinctly Bernhard's. While Austria's recent political history lends particular credibility to Bernhard's satire, his criticisms are directed at the modern world generally; his plays grapple with questions of totalitarianism and the subjection of the individual and with notions of reality and appearance.
First published in 2007. Secret sects are deeply rooted in the history and culture of the Middle East, and a number of them are as powerful now as they were in the times of the Crusades. In the West, the best-known organisation with connections to these ancient sects are the Freemasons, whose rituals are believed to derive from those originally practiced by the Knights Templar in the East, and later brought by them to Europe. In this classic work, Bernard Sprigett describes and analyses the symbolism, ceremonies and beliefs of these secret sects including the Sabaeans, the Gnostics and Manicheans, the followers of Simon Magus, Sufism and the Dervish Orders, the Shiite Metawileh, the Essenes, the Ismaelis, the Assassins and the Druses, and their links with and influence upon the Knights Templar and modern Freemasonry. Springett demonstrates the persistence of ancient symbolic and ritual elements in modern life and gives insight into the creeds and practices of secret sects that are active today in the Middle East and beyond.
This book constitutes the refereed proceedings of the 8th International Conference on Conceptual Structures, ICCS 2000, held in Darmstadt, Germany in August 2000. The 38 revised full papers presented have been carefully reviewed and selected for inclusion in the proceedings. The book is divided in topical sections on concepts and language, conceptual onthology, conceptual graphs, formal semantics of conceptual structures, contextual logic and formal concept analysis, conceptual structures in practice, and computational aspects of conceptual structures.
Considered by many critics to be Bernhard's masterpiece, "Correction" is a cunningly crafted and unforgettable meditation on the tension between the desire for perfection and the knowledge that it is unattainable.
LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019 WITH A NEW AFTERWORD BY BEN LERNER, AUTHOR OF THE TOPEKA SCHOOL 'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann 'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove Knausgaard It is 1967. Two men lie bedridden in separate wings of a Viennese hospital. The narrator, Thomas Bernhard, is stricken with a lung ailment; his friend Paul, nephew of Ludwig Wittgenstein, is suffering from one of his periodic bouts of madness. As their friendship quickens, these two eccentric men discover in each other an antidote to their feelings of despair on the unexpected strength of what they share - a spiritual symmetry forged by their love of music, black humour, disgust for bourgeois Vienna, and fear of mortality. A restless blend of fiction and memoir, Wittgenstein's Nephew is not only a haunting meditation on the artist's struggle to maintain a foothold on reality, but an impassioned eulogy to a real-life friendship - newly illuminated by Ben Lerner's afterword.
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