Explores the role of the press in the politics of the Weimar Republic, and asks how influential it really was in undermining democratic values and paving the way for Hitler's Third Reich.
Max Pechstein (1881–1955) is one of the most prominent German artists of the twentieth century, not least because of his crucial role in the breakthrough of German Expressionism. This long overdue biography combines the portrayal of an outstanding artistic personality with the story of an individual German who struggled through the political upheavals of his time. Pechstein's work is presented in the cultural context of museum politics and art associations, art dealers and critics, market forces and cultural trends.
This book explores social cohesion in rural settlements in western Europe from 700–1050, asking to what extent settlements, or districts, constituted units of social organisation. It focuses on the interactions, interconnections and networks of people who lived side by side – neighbours. Drawing evidence from most of the current western European countries, the book plots and interrogates the very different practices of this wide range of regions in a systematically comparative framework. It considers the variety of local responses to the supra-local agents of landlords and rulers and the impact, such as it was, of those agents on the small-scale residential group. It also assesses the impact on local societies of the values, instructions and demands of the wider literate world of Christianity, as delivered by local priests.
This work, by the greatest living authority on medieval palaeography, offers the most comprehensive and up-to-date account in any language of the history of Latin script. It also contains a detailed account of the role of the book in cultural history from antiquity to the Renaissance, which outlines the history of book illumination. Designed as a textbook, it contains a full and updated bibliography. Because the volume sets the development of Latin script in its cultural context, it also provides an unrivalled introduction to the nature of medieval Latin culture. It will be used extensively in the teaching of latin palaeography, and is unlikely to be superseded.
Bernhard Bischoff (1906-1991) was one of the most renowned scholars of medieval palaeography of the twentieth century. His most outstanding contribution to learning was in the field of Carolingian studies, where his work is based on the catalogue of all extant ninth-century manuscripts and fragments. In this book, Michael Gorman has selected and translated seven of his classic essays on aspects of eighth- and ninth-century culture. They include an investigation of the manuscript evidence and the role of books in the transmission of culture from the sixth to the ninth century, and studies of the court libraries of Charlemagne and Louis the Pious. Bischoff also explores centres of learning outside the court in terms of the writing centres and the libraries associated with major monastic and cathedral schools respectively. This rich collection provides a full, coherent study of Carolingian culture from a number of different yet interdependent aspects, providing insights for scholars and students alike.
The Krupp family are a prominent German dynasty from Essen and are famous for their steel production and the manufacture of ammunitions and armaments. This book provides the first genuine critical history of the company whose guns made the background for a half-century of mad armament policy, made possible by Krupp's new patron, Adolf Hitler. The House of Krupp's true history had been concealed by thousands of printed pages containing cleverly dished-up data which the author has pushed aside to reveal a true historical investigative account.
Professor Bernhard Lang argues that the meaning of Christian ritual is embodied in six elementary forms, all of which have their roots in ancient, pre-Christian ritual. Well illustrated, written in a readable style, and geared to the general reader as well as to students and scholars, this pioneering work should become an indispensable addition to the broader study of Christianity. 50 illustrations.
William Robertson Smith (1846-1894) was successively the embattled champion of the emergent higher criticism as applied to the Old Testament, chief editor of the Encyclopaedia Britannica, and Professor of Arabic at Cambridge University. Today he is acknowledged to have been a pioneering figure in both social anthropology and the study of comparative religion, deeply influencing the thinking of J. G. Frazer, Emile Durkheim and Sigmund Freud. The first full-length biography of Robertson Smith to be published for almost a hundred years, this text makes use of hitherto unknown material preserved by the Smith family and draws upon the extensive range of correspondence between Smith and such scholars as Albrecht Ritschl, Paul de Lagarde, Julius Wellhausen, Abraham Kuenen and Theodor Noldeke. Adopting an interdisciplinary approach, the biography locates and defines the place of this remarkable polymath within the context of Free Church Calvinism, the Scottish Enlightenment and 19th century German Protestant theology. It highlights Smith's interest in physics and philosophy, his friendship with contemporary artists, his Oriental travels, and his involvement in the social life of Edinburgh and Aberdeen. In recent years, the image of Smith as a comparative religionist has come to dominate all other perspectives and indeed tends now to overshadow his fame as an Old Testament scholar. This book seeks to redress the balance, aiming to discover the theological drive behind Smith's manifold activities.
Both solid knowledge of the basics as well as expert knowledge is needed to create rigid, long-lasting and material-specific adhesions in the industrial or trade sectors. Information that is extremely difficult and time-consuming to find in the current literature. Written by specialists in various disciplines from both academia and industry, this handbook is the very first to provide such comprehensive knowledge in a compact and well-structured form. Alongside such traditional fields as the properties, chemistry and characteristic behavior of adhesives and adhesive joints, it also treats in detail current practical questions and the manifold applications for adhesives.
In this book, for the first time, an examination of Egon Schiele’s general painting technique is carried out. The main case study for this comprehensive investigation is the painting “Stadtende/Häuserbogen III,” 1918, one of Egon Schiele’s last works, which is housed at Universalmuseum Joanneum, Graz, Austria. In this book, the conservation campaign is detailed: uncovering portrait sketches integrated and painted over in the painting, unmasking the signature as a forgery, and recognising the frame as the original decorative frame. The research in the years following the conservation is detailed: discussing that, among other pigments, cadmium sulphide was confirmed in the paint material, which will influence subsequent conservation measures for the painting. The book’s examination continues with the complex interactions between environment and object that were also addressed in recently completed EU projects, concluding that continuously gained knowledge about external influences and storage materials used will help to adapt further measures to the painting as it continues to degrade.
Bernhard Rieger reveals how a car commissioned by Hitler and designed by Ferdinand Porsche became a global commodity on a par with Coca-Cola. The Beetle's success hinged on its uncanny ability to capture the imaginations of executives, engineers, advertisers, car collectors, suburbanites, hippies, and everyday drivers aross nations and cultures.
This book deals with kinship in the early Middle Ages. Most scholars agree in theory that kinship is not a biological fact but a universally deployable system for structuring social relations. In empirical practice, however, research on kinship has focused almost exclusively on descent and alliance. This book addresses kinship beyond these concepts. It is a study of godparenthood and adoption in Frankish society at the time when Roman adoption was disappearing and godparenthood was being invented as a social tool."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Design today is a global instrument. Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century up to those recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated within interdisciplinary processes. The most important fundamental principles of design theory and methodology are presented, looking in particular at the communicative function of products and highlighting aspects such as corporate and service design, design management, strategic design, interface/interaction design and human design.
This book has earned wide acceptance as an outstanding single volume history of doctrine. It is ideally suited for classroom and seminar use as well as research and independent study. With remarkable conciseness and clarity Lohse, shows how doctrinal development has occurred in the various periods of the Church's history from the first century to the present. He explores and discusses, one by one, the dogmas and doctrines that constitute the milestones in the story of the Church's effort to proclaim the message of Jesus Christ to each age. This Revised American Edition includes a new preface by the author, an account of the significance of the Second Vatican Council and alterations in the "For Further Reading" section to bring it up to date.
Press and Politics offers a new interpretation of the fate of Germany's first democracy and the advent of Hitler's Third Reich. It is the first study to explore the role of the press in the politics of the Weimar Republic, and to ask how influential it really was in undermining democratic values. Anyone who seeks to understand the relationship between the press and politics in Germany at this time has to confront a central problem. Newspapers certainly told their readers how to vote, especially at election time. It was widely accepted that the press wielded immense political power. And yet power ultimately fell to Adolf Hitler, a radical politician whose party press had been strikingly unsuccessful. Press and Politics unravels this apparent paradox by focusing on Berlin, the political centre of the Weimar Republic and the capital of the German press. The book examines the complex relationship between media presentation, popular reception, and political attitudes in this period. What was the relationship between newspaper circulation and electoral behaviour? Which papers did well, and why? What was the nature of political coverage in the press? Who was most influenced by it? Bernhard Fulda addresses all these questions and more, looking at the nature and impact of newspaper reporting on German politics, politicians, and voters. He shows how the press personalized politics, how politicians were turned into celebrities or hate figures, and how - through deliberate distortions - individual newspapers succeeded in building up a plausible, partisan counter-reality.
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