One dark and stormy night, Mo hears her Inner Voice urging her to begin writing her memoirs. Having ignored her Inner Voice’s advice once before, with near-fatal consequences, she decides, this time, to do as she is told. Mo looks back on her life, beginning with the crucial moment when she met another cow, who introduced herself as La Vache qui Rit, and assured Mo that there was nothing more stupid in this world than a stupid cow. Mo spends her life trying to prove to her friend that, despite being a cow, she is not at all stupid. Besides, she has her Inner Voice and a great desire to live! Set in the aftermath of the Spanish Civil War, in which defeated Republican supporters are still being persecuted by victorious Nationalists. Memoirs of a Basque Cow paints a funny, touching portrait of friendship and freedom and the sometimes difficult process of finding oneself. Translated by the UK's finest translator of Spanish, Margaret Jull Costa.
A brilliantly inventive writer ... he understands the nature of storytelling and is at once terribly moving and wildy funny."—A.S. Byatt Obabakoak is a shimmering, mercurial collection about life in Obaba, a remote, exotic Basque village. A schoolboy's miningengineer father tricks him into growing up, an unfortunate environmentalist rescues deceptively harmless lizards, and a rescue mission on a Swiss mountain-climbing expedition in Nepal turns into murder. Obaba is peopled with innocents and intellectuals, shepherds and schoolchildren, while everyone from a lovelorn schoolmistress to a cultured but self-hating dwarf wanders across the page. Hints of darker undercurrents mingle with moments of wry humor in this dazzling collage of stories, town gossip, diary excerpts, and literary theory, all held together by Bernardo Atxaga's distinctive and tenderly ironic voice. An unforgettable work from an international literary giant, whom The Observer (London) listed among the top twenty-one writers of the twenty-first century.
A seductive, unclassifiable blend of autobiography and fiction set in Reno, from the preeminent Basque author Nine months as a writer in residence can prove unnerving for anyone. For Bernardo Atxaga, newly arrived with his wife and two daughters, research at the Center for Basque Studies in Reno, Nevada, is anything but straightforward. The neon lights and harsh, windswept desert appear full of ominous signs: A raccoon that watches the house at night, eyes glowing. A series of sexual assaults on campus by an unknown assailant. A spider scuttling endlessly in a glass jar kept by a colleague. And the kidnapping and murder of a young college girl in the house next door. Fragments of the Basque diaspora appear everywhere: A photo of the heavyweight boxer Paulino Uzcudun, who fought Max Baer in the 1930s. The funeral of a Basque sheepherder. Daily life also turns up some unusual characters—a university friend suspected of involvement in the assaults on campus, a friend who takes Atxaga for long drives in the desert where The Misfits was filmed, and cowboys at a Tex-Mex joint. Nevada Days, told in a series of diary-like entries, mixes a constellation of lively incidents in Reno with memories from Atxaga’s childhood. The routines of everyday life are the only way to resolve the deep wounds of history and relationships, however fleeting or enduring. Trapped in the deeply alien landscape of Nevada, Atxaga weaves together past and present to see the West from a refreshing, if also ominous and unsettling, vantage.
Irene is 37 years old and just out of prison after serving time for terrorist activities. Deciding to return home to Bilbao, she takes a bus journey across Spain, striking up conversations with the passengers who include two plainclothes policemen. As the journey progresses, so the tension builds.
A perceptive, moving novel about life and death in the Basque Country, from the author of Nevada Days. Bernardo Atxaga’s Water over Stones follows a group of interconnected people in a small village in the Basque Country. It opens with the story of a young boy who has returned from his French boarding school to his uncle’s bakery, where his family hopes he will speak again. He’s been silent since an incident in which he threw a stone at a teacher for reasons unknown. With the assistance of twin brothers who take him to a river in the forest, he’ll recover his speech. As the years pass, those twins, now adults, will be part of a mining strike in the Ugarte region, and so take up the mantle of the narrative, just as others will after them. Water over Stones is similar in nature to Atxaga’s earlier books Obabakoak and The Accordionist’s Son, as it weaves in themes of friendship, nature, and death. Yet in capturing a span of time from the early 1970s, when the shadow of the Franco dictatorship still loomed, to 2017, when these boys must learn to leave their old beliefs behind and move on, Atxaga finds new richness and depth in familiar subjects. As threads of water run over stones in the river, so these lives run together, and, over time, technology and industry bring new changes as the wheel of life turns.
A celebrated international author, listed among the "21 top writers for the 21st century" (The Observer, U.K.) As David Imaz, on the threshold of adulthood, divides his time between his uncle Juan's ranch and his life in the village, where he reluctantly practices the accordion, a tradition that his authoritarian father insists he continue, he becomes increasingly aware of the long shadow cast by the Spanish Civil War. Letters found in a hotel attic, along with a silver pistol, lead David to unravel the story of the conflict, including his father's association with the fascists, and the opposition of his uncle, who took considerable risks in helping to hide a wanted republican. With affection and lucidity, Bernardo Atxaga describes the evolution of a young man caught between country and town, between his uncle the horse-breeder and his political father. The course of David's life changes one summer night when he agrees to shelter a group of students on the run from the military police. This is the most accomplished novel to date by an internationally celebrated writer. The Accordionist's Son is memorable for its epic scope—from 1936 to 1999—and the details with which it sparkles in gorgeous prose. It is easy to understand why The Observer listed Atxaga as one of the top twenty-one writers for the twenty-first century.
A perceptive, moving novel about life and death in the Basque Country, from the author of Nevada Days. Bernardo Atxaga’s Water over Stones follows a group of interconnected people in a small village in the Basque Country. It opens with the story of a young boy who has returned from his French boarding school to his uncle’s bakery, where his family hopes he will speak again. He’s been silent since an incident in which he threw a stone at a teacher for reasons unknown. With the assistance of twin brothers who take him to a river in the forest, he’ll recover his speech. As the years pass, those twins, now adults, will be part of a mining strike in the Ugarte region, and so take up the mantle of the narrative, just as others will after them. Water over Stones is similar in nature to Atxaga’s earlier books Obabakoak and The Accordionist’s Son, as it weaves in themes of friendship, nature, and death. Yet in capturing a span of time from the early 1970s, when the shadow of the Franco dictatorship still loomed, to 2017, when these boys must learn to leave their old beliefs behind and move on, Atxaga finds new richness and depth in familiar subjects. As threads of water run over stones in the river, so these lives run together, and, over time, technology and industry bring new changes as the wheel of life turns.
A seductive, unclassifiable blend of autobiography and fiction set in Reno, from the preeminent Basque author Nine months as a writer in residence can prove unnerving for anyone. For Bernardo Atxaga, newly arrived with his wife and two daughters, research at the Center for Basque Studies in Reno, Nevada, is anything but straightforward. The neon lights and harsh, windswept desert appear full of ominous signs: A raccoon that watches the house at night, eyes glowing. A series of sexual assaults on campus by an unknown assailant. A spider scuttling endlessly in a glass jar kept by a colleague. And the kidnapping and murder of a young college girl in the house next door. Fragments of the Basque diaspora appear everywhere: A photo of the heavyweight boxer Paulino Uzcudun, who fought Max Baer in the 1930s. The funeral of a Basque sheepherder. Daily life also turns up some unusual characters—a university friend suspected of involvement in the assaults on campus, a friend who takes Atxaga for long drives in the desert where The Misfits was filmed, and cowboys at a Tex-Mex joint. Nevada Days, told in a series of diary-like entries, mixes a constellation of lively incidents in Reno with memories from Atxaga’s childhood. The routines of everyday life are the only way to resolve the deep wounds of history and relationships, however fleeting or enduring. Trapped in the deeply alien landscape of Nevada, Atxaga weaves together past and present to see the West from a refreshing, if also ominous and unsettling, vantage.
A celebrated international author, listed among the "21 top writers for the 21st century" (The Observer, U.K.) As David Imaz, on the threshold of adulthood, divides his time between his uncle Juan's ranch and his life in the village, where he reluctantly practices the accordion, a tradition that his authoritarian father insists he continue, he becomes increasingly aware of the long shadow cast by the Spanish Civil War. Letters found in a hotel attic, along with a silver pistol, lead David to unravel the story of the conflict, including his father's association with the fascists, and the opposition of his uncle, who took considerable risks in helping to hide a wanted republican. With affection and lucidity, Bernardo Atxaga describes the evolution of a young man caught between country and town, between his uncle the horse-breeder and his political father. The course of David's life changes one summer night when he agrees to shelter a group of students on the run from the military police. This is the most accomplished novel to date by an internationally celebrated writer. The Accordionist's Son is memorable for its epic scope—from 1936 to 1999—and the details with which it sparkles in gorgeous prose. It is easy to understand why The Observer listed Atxaga as one of the top twenty-one writers for the twenty-first century.
Irene is 37 years old and just out of prison after serving time for terrorist activities. Deciding to return home to Bilbao, she takes a bus journey across Spain, striking up conversations with the passengers who include two plainclothes policemen. As the journey progresses, so the tension builds.
A brooding novel of colonial intrigue in the Congo, from the author of The Accordionist's Son and Obabakoak The year is 1903, and the garrison of Yangambi on the banks of the Congo is under the command of Captain Lalande Biran. The captain is also a poet whose ambition is to amass a fortune and return to the literary cafés of Paris. His glamorous wife, Christine, has a further ambition: to own seven houses in France, a house for every year he has been abroad. At Lalande Biran's side are the ex-legionnaire van Thiegel, a brutal womanizer, and the servile, treacherous Donatien, who dreams of running a brothel. The officers spend their days guarding enslaved rubber-tappers and kidnapping young girls, and at their hands the jungle is transformed into a wild circus of human ambition and absurdity. But everything changes with the arrival of a new officer and brilliant marksman: the enigmatic Chrysostome Liege. An outstanding new novel from the critically acclaimed and prizewinning author Bernardo Atxaga, Seven Houses in France is a blackly comic tale which reveals the darkest sides of human desire.
It is clear to Shola that she is not, in fact, a dog. People may have been trying to tell her otherwise for dog years, but a trip to her owner's library finally has her convinced: she is, in fact, descended from the Kings of the Savannah. But how will she take to her new-found lineage? Will she finally get the respect she deserves from her fellow citizens? Most importantly, now that she has been identified as a powerful predator, does this mean no chips again... ever?
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