Gathering together references to the 'logic of the heart' from throughout Steiner's work, the author encapsulates the great teacher's revelations on the meaning of love, and indicates the supreme importance of the greatest of all deeds of love"--Cover.
In our materialistic and skeptical age, it can be difficult to take seriously the existence of real spiritual beings. Nevertheless, countless individuals -- from the historic founders of religions to those who have been through near-death experiences -- have spoken of beings of Light, such as Angels and Archangels, and 'evil' beings, spirits of darkness.The author, basing his work on Rudolf Steiner's teachings, presents an epic picture of the forces of 'good' and 'evil' -- a battle of cosmic dimensions in which we are all intimately involved. He clarifies the pivotal role of the Archangel Michael, the 'Guardian of Cosmic Intelligence, ' who fights to hold the balance between the key powers of evil in our time -- Lucifer and Ahriman -- and describes other members of the evil hierarchies. He also discusses the biblical Apocalypse of St. John, the Mexican Mysteries, and much else.This book is an essential guide to meeting the challenge of evil at the new millennium.
People interact and perform in group settings in all areas of life. Organizations and businesses are increasingly structuring work around groups and teams. Every day, we work in groups such as families, friendship groups, societies and sports teams, to make decisions and plans, solve problems, perform physical tasks, generate creative ideas, and more. Group Performance outlines the current state of social psychological theories and findings concerning the performance of groups. It explores the basic theories surrounding group interaction and development and investigates how groups affect their members. Bernard A. Nijstad discusses these issues in relation to the many different tasks that groups may perform, including physical tasks, idea generation and brainstorming, decision-making, problem-solving, and making judgments and estimates. Finally, the book closes with an in-depth discussion of teamwork and the context in which groups interact and perform. Offering an integrated approach, with particular emphasis on the interplay between group members, the group task, interaction processes and context, this book provides a state-of-the-art overview of social psychological theory and research. It will be highly valuable to undergraduates, graduates and researchers in social psychology, organizational behavior and business.
One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films. At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood. Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.
What is Inflection? On a prosaic level, Inflection is the new student-run journal of architecture and the built environment from the Melbourne School of Design and published by AADR – Art Architecture Design Research. Inflection is a themed journal, to be published annually and features work from students, academics and practitioners. Crucially, Inflection is also a physical object – an artefact to be touched, handled and read in depth. At a time when our engagement with architectural ideas is increasingly digital and transient, Inflection offers a different, slower form of discourse and in doing so, hopes to facilitate and engage in conversations about the built environment both locally and internationally. In this issue, the word 'inflection' serves as our point of departure. The authors featured here enter into conversations on edge conditions, ambiguous boundaries and the role and nature of transitions. Individually, the pieces collected here stand as insightful variations on a theme. Taken together, they form something much richer: a constellation of ideas to be parsed, discussed, compared and expanded upon. INFLECTION is a space to gather and share ideas. INFLECTION is a home for provocative thought. INFLECTION asserts the value of the printed word. INFLECTION values the discursive voice of students, academics and professionals. Like all journals, all change starts somewhere. INFLECTION starts here: we leave the change to you. Features: Bernard Cache John Wardle Architects + NADAAA Peter Malatt of 6° Architects Alex Selenitsch RCR Architects
Aden B. Meinel and wife Marjorie P. Meinel stood at the confluence of several overarching technological developments of the 20th century: postwar aerial surveillance by spy planes and satellites, solar energy, the evolution of telescope design, interdisciplinary optics, and photonics. In 1945 he was a Navy Ensign ordered to find the secret tunnels in Nazi Germany where the V-2 rockets menacing Great Britain and Belgium were being manufactured. After receiving both his B.A. degree and Ph.D. in astronomy from the University of California at Berkeley within three years, Aden was invited to join the scientific staff at Yerkes Observatory/University of Chicago. While there he was selected by the National Science Foundation to manage the development of a new national observatory on Kitt Peak, Arizona, and served as its first Director. In the early 1960s he founded the Optical Sciences Center at the University of Arizona, which later metamorphosed into the College of Optical Sciences with the doctoral program in interdisciplinary optics. It was here that he also designed the first Multiple Mirror Telescope and with wife Marjorie pioneered the feasibility of solar energy power on a commercial scale. Aden's knowledge and expertise in optics made him invaluable in research on cameras for spy satellites and spy planes overflying the Soviet Union and Southeast Asia. After retirement the Meinels worked for NASA/JPL on the precursor of the James Webb Space Telescope and on the exoplanet program. They also served on the team that corrected spherical aberration in the Hubble Space Telescope"--
This is a fully updated second edition of 'Man on the Threshold'. An introduction to Rudolf Steiner’s anthroposophy for deepening our spiritual awareness. As the boundaries that limit our ordinary consciousness break down, ways open up for exploring personal development. Guidelines are suggested for working therapeutically with those experiencing threshold issues.
For twenty-six years, the FBI devoted countless hours of staff time and thousands of U.S. taxpayer dollars to the surveillance of an American citizen named Bernard Gordon. Given the lavish use of resources, one might assume this man was a threat to national security or perhaps a kingpin of organized crime—not a Hollywood screenwriter whose most subversive act was joining the Communist Party during the 1940s when we were allied with the USSR in a war against Germany. For this honest act of political dissent, Gordon came to be investigated by the House Committee on Un-American Activities in 1952, blacklisted by the Hollywood film industry, and tailed by the FBI for over two decades. In The Gordon File, Bernard Gordon tells the compelling, cautionary story of his life under Bureau surveillance. Drawing on his FBI file of over 300 pages, which he obtained under the Freedom of Information Act, he traces how the Bureau followed him from Hollywood to Mexico, Paris, London, Rome, and even aboard a Dutch freighter as he created an unusually successful, albeit uncredited, career as a screenwriter and producer during the blacklist years. Comparing his actual activities during that time to records in the file, he pointedly and often humorously underscores how often the FBI got it wrong, from the smallest details of his life to the main fact of his not being a threat to national security. Most important, Gordon links his personal experience to the headlines of today, when the FBI is again assuming broad powers to monitor political dissidents it deems a threat to the nation. "Is it possible," he asks, "that books like this will help to move our investigative agencies from the job of blackmailing those who are critical of our imperfect democracy to arresting those who are truly out to destroy us?
A non-fiction account of the human experience of light in theology, philosophy, physics, medicine, and near-death experiences. Light, the foundational stuff of all that exists, an elusive, pervasive something and someone calling each of us into life.
Taking stock of the overall confused picture that research and innovation (R&I) literature and practices offer with regard to citizen and stakeholder participation, this book provides a methodical conceptual and an empirical analysis to determine the connection between ethics and participation. Strong theoretical pillars in the fields of ethics, politics and responsible research and innovation (RRI) form the backbone of this critical approach to participation, which considers new approaches to democratic participation. Taking into account a number of participatory processes, Responsive Ethics and Participation establishes a new methodology to differentiate, classify and understand the added value of the participation of citizens and stakeholders in R&I. Participation could be considered the epitome of innovation ethics. However, its multidimensionality, its ethical and theoretical grounds and the nature of the involvement and related outcomes must be clarified at the outset, in order to reach active forms of participation. Ethical participation is required for reliable developments in science and technology, which is what this book ultimately demonstrates.
The contents of Shards from the Heart, originally serialized in Free Deeds magazine, grew out of study sessions that took place over several years in New York City. Bernard Garber led these sessions in the late 1950s and early 1960s and courageously initiated numerous other activities for the cultivation of Anthroposophy, especially in the area of publishing. Shards from the Heart explores the great mysteries of human life, showing how the purpose of life culminates in the undertaking of "free deeds." Always future-oriented, Garber's insights are just as relevant today as they were when he wrote them.
The Italian Renaissance is considered by many to mark the beginning of the modern age. The name itself (literally "rebirth") accurately expresses the innovation that took place during that period. Renaissance thinkers took a vital interest in history, literature, and the arts, focusing on the human world as much as, if not more than, that of God. The rapid development of the arts and sciences reflected their study of the visible, physical world in all its three-dimensional glory. The source of these new impulses, says the author, can be found in what Rudolf Steiner calls the birth of "the consciousness soul"--the faculty for objective self-awareness. Instead of a primarily inward-looking consciousness, people began looking outward with greater intensity, observing the world around them in detail. With greater conscious of their separate being, people of the Renaissance began to study the phenomena of the world of nature from an individual, personal perspective. In this enlightening book, illustrated with sixteen pages of color plates, the author illuminates the concept of the consciousness soul, showing how it is reflected in fifteenth-century Florentine painting, sculpture, and architecture, as well as in the impulses issuing from Plato's Academy of Athens.
Edited by the president of the World Federation of Societies of Biological Psychiatry and featuring an international list of world-renown contributors, Schizophrenia, Second Edition provides psychiatrists, neurologists, and psychologists with a comprehensive handbook on the latest schizophrenia research and management from diagnosis through tr
Collating different aspects of Vector-valued Partial Differential Equations and Applications, this volume is based on the 2013 CIME Course with the same name which took place at Cetraro, Italy, under the scientific direction of John Ball and Paolo Marcellini. It contains the following contributions: The pullback equation (Bernard Dacorogna), The stability of the isoperimetric inequality (Nicola Fusco), Mathematical problems in thin elastic sheets: scaling limits, packing, crumpling and singularities (Stefan Müller), and Aspects of PDEs related to fluid flows (Vladimir Sverák). These lectures are addressed to graduate students and researchers in the field.
Whether he's leading a company or leading the call for a better nation, storied New York businessman and philanthropist Bernard Schwartz believes in the power of optimism. Bernard Schwartz has dined with world leaders, cut a multi billion-dollar deal on the back of a napkin, and led a Fortune 200 corporation. From humble beginnings that saw his family moving regularly from apartment to apartment to take advantage of new lease discounts to his dramatic rise to CEO of a major aerospace innovator, the author's story is a narrative on the importance of character, intelligence, and a lot of good luck. In a time when stories about corrupt CEOs and unethical banking practices flood the news, Schwartz offers the notion that doing the right thing is a more rewarding road to accomplishment, and that when applied for immoral purposes even the sharpest skills will likely lead to a fall. As Americans today await the return of economic stability and politicians wage battle over the future of government programs, opportunity seems out of reach. But Schwartz, who grew up in Depression-era Brooklyn, believes that there are steps we can take as a nation to bring about a recovery and even growth. As a child, he watched men dress for work each day whether they held a job or not. He remembers the widespread deprivation that filled everyday scenes and the streets with breadlines. But he also recalls a hopeful people; a citizenry united in the pursuit of education, homeownership, proprietorship, and community improvement. Today, he champions investments in job creation, infrastructure, technology, and innovation as the means to get us back on track. With measured insight on the role the federal government can play in creating pathways to prosperity, the author discusses how the United States can again be a land of opportunity for all. In this inspiring example of a life well lived, Bernard Schwartz invites readers to look at their own opportunities, their own ideas, and even their fellow Americans and Just Say Yes.
The Christian Gospels give two widely differing genealogies for Jesus, which have baffled theologians throughout the centuries. Not only are these genealogies irreconcilable, but the stories of the two accounts of the birth of Jesus, as given by Matthew and Luke, are also radically different. How can we account for this? An ancient tradition tells that there were two children named Jesus, a year apart in age and both born to parents named Mary and Joseph. These two children, brought up in close proximity, eventually "united" in a mysterious way, resulting in a single "Jesus" destined to grow up and fulfill the prophecies of the Old Testament. In grappling with this mystery, Nesfield-Cookson uses all available sources--biblical accounts, Christian apocryphal writings, Aramaic and Hebrew documents discovered in the Qumran caves in the twentieth century (the "Dead Sea Scrolls"), writings by Syrian theologians of the thirteenth century, and, in particular, statements by Rudolf Steiner, the first modern thinker--to speak of the existence of two Jesus children. The author also refers to the many works of art--largely by Italian artists of the Renaissance period--which appear to depict two Jesus children. Fifteen of these paintings are reproduced as beautiful, full-color plates. The author also develops a parallel theme regarding the mystery of Christ and Jesus--the gradual descent of Christ (the Spirit of the Sun) from the spiritual world into the physical body of Jesus.
Pearl Jam FAQ is what the British refer to as a “spanner ” covering the entire arc of the band's career, from their pre-Pearl Jam days to the present. Each chapter explores a different aspect of Pearl Jam's fascinating history. You will read about the members' successes, failures, and tragedies in earlier bands. You will learn the band's origin story and the unusual manner in which they came up with a name. We will go inside the studio and analyze each of their albums in turn. We will hit the road with the band as Pearl Jam sets out to conquer Seattle, the West Coast of the United States, and then the entire world. We will watch as Pearl Jam adapts to an ever-changing media landscape where MTV, not radio, is the major power broker. You will revel in their battles with Ticketmaster and learn about the roots of their socio-political activism. In short, you will experience Pearl Jam in every imaginable context: on CD, on vinyl, on the radio, on television, on film, in videos, onstage, backstage, on the road, in the air, and at home. Written by Pearl Jam enthusiasts, Pearl Jam FAQ presents a must-have text for band devotees to devour.
The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism--the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s--deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does. In a wide-ranging reformulation of art history in the twentieth century, the author defines the nature and development of Formalesque--an avant-garde style that arose between 1890 and the First World War, was institutionalized between the world wars, and flourished anew between 1945 and 1960. Identifying the Formalesque period, says Smith, makes it possible also to identify dialectical adversaries, such true oppositional avant-garde styles of the twentieth century as Dada, Surrealism, and the Neue Sachlichkeit. These constitute the formative elements of the modernism--now called postmodernism--that became increasingly dominant after 1960. The author locates twentieth-century artistic movements and developments in a broad cultural context and concludes with a thought-provoking examination of the relation between the Formalesque and European and American cultural imperialism.
In a South African context ... condemning apartheid is not enough. To make a non-racial, democratic, inclusive society viable and enduring, much more is required ? of which creative and imaginative theological thinking is not the least. Fundamental theological values and their implications for all the facets of society must be thought through ? not as an academic exercise, but as a grass-roots undertaking ? and the greatest challenge is to act in terms of this new understanding of society." - Bernard Lategan, Some implications of the family concept in New Testament texts
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