From Hank Aaron to King Zog, Mao Tse-Tung to Madonna, Bartlett's Book of Anecdotes features more than 2,000 people from around the world, past and present, in all fields. These short anecdotes provide remarkable insight into the human character. Ranging from the humorous to the tearful, they span classical history, recent politics, modern science and the arts. Bartlett's Book of Anecdotes is a gold mine for anyone who gives speeches, is doing research, or simply likes to browse. As an informal tour of history and human nature at its most entertaining & instructive, this is sure to be a perennial favorite for years to come.
In this abundantly illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
Provide your mystery fans with background information on their favorite writers and series characters, and use this as a guide for adding contemporary titles to your collections. This book examines 100 of today's top mystery novels and mystery authors hailing from countries such as the United States, Great Britain, France, Italy, South Africa, and Australia. Equally valuable to students writing research papers, readers craving new authors or more information about their favorite authors, and teachers seeking specific types of fiction to support curricula, 100 Most Popular Contemporary Mystery Authors: Biographical Sketches and Bibliographies provides revealing information about today's best mysteries and authorswithout any "spoilers." Each of the accomplished writers included in this guide has established a broad audience and is recognized for work that is imaginative and innovative. The rising stars of 21st century mystery will also be included, as will authors who have won the Mystery Writers of America Grand Master Award.
In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.
Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.
Macroeconomic Dynamics represents the economic thought of Lonergan at the end of his career. His analysis breaks from centralist theory and practice towards a radically democratic perspective on surplus income and non-political control, and explores more fully the ideas introduced in For a New Political Economy.
Research Methods in Anthropology is the standard textbook for methods classes in anthropology. Written in Russ BernardOs unmistakable conversational style, his guide has launched tens of thousands of students into the fieldwork enterprise with a combination of rigorous methodology, wry humor, and commonsense advice. Whether you are coming from a scientific, interpretive, or applied anthropological tradition, you will learn field methods from the best guide in both qualitative and quantitative methods.
This book, first published in 1987, is about the classic free will problem, construed in terms of the implications of moral responsibility. The principal thesis is that the core issue is metaphysical: can scientific laws postulate objectively necessary connections between an action and its causal antecedents? The author concludes they cannot, and that, therefore, free will and determinism can be reconciled.
Loretta Young (1913–2000) was an Academy Award-winning actress known for devout Catholicism and her performances in The Farmer's Daughter, The Bishop's Wife, and Come to the Stable, and for her long-running and tremendously popular television series. But that was not the whole story. Hollywood Madonna explores the full saga of Loretta Young's professional and personal life. She made her film debut at age four, became a star at fifteen, and many awards and accolades later, made her final television movie at age seventy-six. This biography withholds none of the details of her affair with Clark Gable and the daughter that powerful love produced. Bernard F. Dick places Young's affair in the proper context of the time and the choices available to women in 1935, especially a noted Catholic like Young, whose career would have been in ruins if the public knew of her tryst. With the birth of a daughter, who would have been branded a love child, Loretta Young reached the crossroads of disclosure and deception, choosing the latter path. That choice resulted in an illustrious career for her and a tortured childhood for her daughter.
Originally published in 1949, this book presents a study of William Blake's works and philosophy, focusing particularly on his position in relation to the broader currents of 'English thought'. Illustrative figures and notes are incorporated throughout. This book will be of value to anyone with an interest in Blake's position within the English artistic and literary tradition.
Original and innovative, this book tells the story of Senegalese children freed from slavery in 1848 only to be relegated to tutelle or guardianship. Bernard Moitt demonstrates that tutelle allowed slavery to persist under another name, with children continuing to be subject to the same widespread labor exploitation and abuse.
A lifelong opera lover, Bernard Williams's articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following. This volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. --From publisher's description.
Many poets writing after World War II have found the individual focus of contemporary poetics poorly suited to making statements directed at public issues and public ethics. The desire to invest such individualized poetry with greater cultural authority presented difficulties for Vietnam-protest poets, for example, and it has been a particular challenge for nature writers in the Thoreau tradition who have attempted to serve as advocates for the natural world. Examining the implications of this dilemma, Bernard W. Quetchenbach locates the poets Robert Bly, Gary Snyder, and Wendell Berry within two traditions: the American nature-writing tradition, and the newer tradition of contemporary poetics. He compares the work of two other twentieth-century poets, Robinson Jeffers and Theodore Roethke, to illustrate how the "contemporary shift" toward a poetics focused on the poet's life has affected portrayals of nature and the "public voice" in poetry. Turning back to the work of Bly, Snyder, and Berry, Quetchenbach assesses their attempts to reinvent the public voice in the context of contemporary poetics and what effect these attempts have had on their work. He argues that these poets have learned from their postwar generation techniques for adapting a personalized poetics to environmental advocacy. In addition to modifying what critics have called the "poetics of immediacy," these poets have augmented their poetic output with prose and identified themselves with long-standing traditions of poetic, ethical, and spiritual authority. In doing so, Bly, Snyder, and Berry have attempted to solve not only a problem inherent in contemporary poetics but also the larger problem of the role of the poet in a society that does not recognize poetry. While it would be an overstatement to suggest that these three figures have found a place for the poet in American life, they have reached audiences that extend beyond traditional readers of poetry. At the end of the twentieth century, Quetchenbach concludes, poets have begun to identify, and direct their writing to, specific audiences defined less by aesthetic preferences and more by a shared interest in and dedication to the work's subject matter. Whether revealing a disturbing trend for poetry or an encouraging one for environmentalism and other political causes, it is one of many provocative conclusions Quetchenbach draws from his examination of postwar nature poetry.
Europe and the Third World provides a schematic historical analysis of the relations between Europe and the extra-European periphery within the twin contexts of global economic inequality and global disparities in political power. The colonial and imperial relationships between western Europe and the wider world since the late fifteenth century, and the course and consequences of decolonization, form the substance of the discussion, which concludes with a glance at the links between the European Union and the world's poorest states, most of which are former colonies.
THE CURIOUS NARRATIVE DESCRIBING THE FRIENDSHIP BETWEEN THE LEADING EXPONENT OF SPIRITUALISM AND HIS FOREMOST OPPONENT HARRY HOUDINI spent the last years of his life in a crusade against fake spirit mediums. He wanted to believe in spiritualism, but he could not. Conan Doyle devoted to the cause of spiritualism all the money and fame he got out of Sherlock Holmes; he cared more about spiritualism than about anything else in the world. These men had diametrically opposite views on the subject which meant most to them; yet they were friends and mutual admirers, and they kept up for many months the correspondence on which this book is based. They wrote mostly about the subject nearest their hearts. Doyle arranged settings with mediums for Houdini; Houdini took Doyle to banquets of the Society of American Magicians; Doyle thought Houdini did his tricks by supernatural power; the magicians were puzzled by the movies of prehistoric monsters in Doyle’s Lost World. Finally, Lady Doyle, Sir Arthur’s wife, got a “message” in “automatic writing” from Houdini’s mother. It was only when Houdini found himself unable to the believe in the reality of this message (though he had no doubt of Lady Doyle’s sincerity) that a break did come. Shortly after, Houdini died; Doyle followed soon. Perhaps they have become intimate again; who knows? This story of their friendship is told by Bernard M. L. Ernst, Houdini’s attorney and close friend, past president of the Society of American Magicians, and Hereward Carrington, well-known as a leading psychic investigator, author of The Story of Psychic Science, and friend of both Doyle and Houdini.
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